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Business Enterprise<br />
it was shocking, revolutionary; today<br />
we all put miso in our kumara mash.<br />
He has spent most of his working life<br />
juggling several projects, at least a couple<br />
of restaurants and various international<br />
time-zones. He runs top restaurants (The<br />
Providores and Tapa Room in London, and<br />
Auckland’s Bellota and The Sugar Club), is an<br />
Air New Zealand consultant chef, co-founder<br />
of London’s Crosstown Doughnuts, cookbook<br />
author, restaurant consultant, newspaper<br />
columnist, telly personality, in-demand chef,<br />
member of the UK’s Sustainable Restaurant<br />
Association, superior charity fundraiser and,<br />
by all accounts, top bloke.<br />
It’s a seven-day-a-week gig which might<br />
understandably leave many 50-somethings<br />
in shreds. But here he is, fresh as a daisy,<br />
and happy to take time out to have a chat,<br />
cheerfully endure a photo shoot and put<br />
up with us nosing around his kitchen.<br />
After more than three decades he is still<br />
at the top of his game. But it’s a punishing<br />
schedule, “a seven-day working week,” he<br />
says. “There’s a lot of time spent catching up<br />
on emails. At least a couple of hours every<br />
day on the computer on non-work days.<br />
“When I’m in New Zealand I’ll get up in<br />
the morning and check emails from London,<br />
then I’ll do Sugar Club stuff and then some<br />
Bellota work. Then there will be a meeting,<br />
a school visit or something. I might be in<br />
the kitchen, or out in the restaurant in the<br />
evening. When I get back to my room<br />
tonight, about 11pm, I’ll check emails from<br />
London. It’s constant.”<br />
How does he do it? “I have no idea,” he<br />
says, laughing. “I think I’m just used to it.<br />
I’ve been coming to New Zealand five or six<br />
times a year for the last 13 years. I have a lot<br />
of staff who don’t know what I’m like without<br />
jet lag. I’m often a bit dopey and I sort of<br />
flake out about 7pm for the first few days.”<br />
Maintaining success, he says, requires<br />
flexibility. “You always need to be willing<br />
to adapt and change – that’s key.”<br />
He cites the example of Auckland<br />
fine-dining restaurant, Dine by Peter<br />
Gordon, which made a big splash, back in<br />
the day. But as the Federal Street dining<br />
scene grew – ably shepherded by Gordon,<br />
who suggested adding Al Brown (Depot<br />
Eatery, Federal Delicatessen) and Nic Watt<br />
(Masu) to the scene – he noticed numbers<br />
at Dine thinning a bit.<br />
“That more formal style of dining was<br />
becoming less popular too. Dine’s heyday<br />
had gone, and I recognised that and moved<br />
on.” Besides, he’d always had his eye on a<br />
spot at the top of that tower…<br />
This page and<br />
opposite: Gordon<br />
working with<br />
colleagues at The<br />
Sugar Club restaurant,<br />
high up in Auckland’s<br />
SkyTower.<br />
“But mainly, it’s all about staffing and<br />
collaboration. You might have the big idea,<br />
but if you don’t have a great manager and<br />
a great head chef then you’re in trouble.<br />
“The way I’ve always run the kitchens is<br />
collaborative. ‘Peter Gordon’ is the name<br />
on the door, but there will be dishes that<br />
I’ve had 100 percent to do with, some I’ve<br />
collaborated on with the chefs and dishes<br />
that I’ve had nothing to do with.<br />
“In London it’s the same. We might give<br />
staff challenges like, ‘Let’s put on a clam dish<br />
– you’ve got a week to come up with some<br />
ideas’. I like that. There’s no way I could<br />
come up with every single dish on every<br />
menu with everything I’m involved in.<br />
“And likewise, in order to keep staff,<br />
from the cheffing point of view they want<br />
ownership of dishes as well. People are<br />
really proud to present their dishes.”<br />
He’s proactive too. Years ago, when asked<br />
to write his first cookbook, he figured he<br />
could use some practice so wrote to “all the<br />
magazines in New Zealand” to ask if he<br />
could write for them. NZ House & Garden<br />
took him on. “That became a 14-year<br />
relationship. Suddenly, I found myself<br />
writing for a magazine. Then I did some<br />
more books, a newspaper column. It was<br />
an organic thing, like most of my career.”<br />
That said, some things were clearly meant<br />
to be. Gordon’s 20-plus-year relationship<br />
with Air New Zealand goes back to his<br />
beginning – his birth – when he was named<br />
after his uncle Peter, who worked for the<br />
company. When he was 15 he applied for<br />
an apprenticeship with the airline.<br />
“I was flown from Whanganui to<br />
Wellington three times, for three different<br />
interviews,” he says, “but I didn’t get that<br />
apprenticeship.” Thank goodness. That<br />
disappointment eventually lead him to a<br />
job in a restaurant kitchen, and the rest is<br />
fusion cuisine history.<br />
Fast-forward to the mid-90s and Gordon,<br />
head chef at London’s legendary Sugar Club<br />
restaurant, is flying economy on Air New<br />
Zealand from Auckland to London, thinking,<br />
——<br />
Gordon’s relationship with<br />
Air New Zealand goes back<br />
to his beginning – his birth<br />
– when he was named after<br />
his uncle Peter, who worked<br />
for the company.<br />
——<br />
“the food’s not very nice”.<br />
Ever the self-starter, he wrote to the<br />
airline offering his services. By extraordinary<br />
coincidence, Air New Zealand had just<br />
written to him to suggest working on a<br />
project together – the letter arrived in the<br />
post that afternoon. “Spooky.”<br />
As an Air New Zealand consultant chef,<br />
Gordon helps create the dishes served in<br />
Premium Economy and Business. These days<br />
he shares the gig with renowned Auckland<br />
chef Michael Meredith. “We’ll be given a<br />
brief like, ‘We need a duck dish, Europeanstyle,<br />
for Beijing.’ Or, ‘We need a lamb dish,<br />
no polenta, from LA.’ It’s very specific.<br />
“We have a big meeting in Auckland two<br />
or three times a year, where we strategise,<br />
discuss any new routes, what’s working and<br />
what’s not. And then in London we have<br />
regular menu presentations at Heathrow.<br />
“We aim to provide food that’s really<br />
tasty, full of punchy flavour and texture.<br />
Moisture in the food is really good, because<br />
on a plane you might feel dehydrated. We<br />
try to be seasonal as well.”<br />
He agrees some airline food can have a bit<br />
of a bad reputation, but says it doesn’t have<br />
to be that way. “I fly all different airlines<br />
because I need to know what our competitors<br />
are up to and, yes, some of it is pretty bad.<br />
But I don’t think it needs to be. You can have<br />
restaurant quality food in the air. It’s all<br />
about how much the airline prioritises it.<br />
“Air New Zealand’s food and beverage<br />
offering is really important to them; it’s key.<br />
They invest a lot of time and resources in to it<br />
and we do really well. Considering the size of<br />
the airline, compared with some enormous<br />
ones, the number of food and beverage<br />
awards we’ve won over the years is huge.”<br />
For all his success, Gordon wasn’t able to<br />
dodge “a bit of a mid-life crisis” last year.<br />
88 <strong>Kia</strong> <strong>Ora</strong> <strong>Sept</strong>ember 2017 89