Surrey Homes | SH35 | September 2017 | Education supplement inside
The lifestyle magazine for Surrey - Inspirational Interiors, Fabulous Fashion, Delicious Dishes
The lifestyle magazine for Surrey - Inspirational Interiors, Fabulous Fashion, Delicious Dishes
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This page: The cool grey of Karen’s son’s room is broken up with framed photographs and prints and splashes of colour from his<br />
mother’s paintings<br />
in Harrow. The walls are panelled and there is a sweet little<br />
fireplace, enhancing the warmth and ‘snugness’ of the room.<br />
We head upstairs and a pale blue light washes down,<br />
bringing an uplifting and serene feeling to the climb, as<br />
if we are heading into a coastal sky. Up on the landing,<br />
the artworks are coloured with gorgeously calming blues<br />
and greens. “These are my colours,” she says, adding, “I<br />
do like a bit of turquoise.” The soft, sea coloured scheme<br />
is particularly effective in the bathroom, where shells and<br />
beach finds are beautifully assembled on various surfaces.<br />
The bathroom is spacious – and this is partly due to the<br />
ingenious way that the lavatory is partitioned away from the<br />
bath area, making it separate, but still part of the room.<br />
All the bedrooms are decorated in quiet ocean shades.<br />
Gone are the children’s murals and daughter Gabby’s pink<br />
and purple colour scheme, now that everyone is grown up.<br />
In the master bedroom it is easy to spot which side of the<br />
bed is Karen’s. There’s a carefully arranged collection of<br />
treasures – like a memory corner, reminders of her travels<br />
and of loved people. The dressing table was from her<br />
grandmother and was originally a writing desk. “All these<br />
little things are just objects that I love,” she says. “I love<br />
little dolls.” The two latest are puppets brought back from<br />
a recent trip to India. “Collecting these things is a way of<br />
bringing the memories along with you,” she says wistfully.<br />
At the top of the house is Karen’s office space and a<br />
workroom. This was where her studio was when the children<br />
were little, but it was not ideal, especially as her paintings tend<br />
to be large and hard to manoeuvre and she had to keep taking<br />
them up and down stairs to look at them properly. They bought<br />
the field next to them some ten years ago and the stable in the<br />
field was an obvious place for her studio. “It’s quite important<br />
to have the studio away from the house,” she says, “as I come<br />
away from the house and the domestic chores.” She pauses, then<br />
says, “It’s sometimes hard to leave the studio and go back to the<br />
house…”. The area outside Karen’s studio is full of plants <br />
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