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ICONS<br />
Impossibly elegant<br />
and always endlessly chic,<br />
Audrey Hepburn carved<br />
out a piece of fashion history<br />
to call her own.<br />
RICHARD WILLIAMS takes<br />
a look at how we all<br />
came to love the iconic actress<br />
and the style she invented<br />
“Pretty,<br />
isn’t<br />
she?”<br />
...asks Peter O’Toole, and for a split-second we’re not sure<br />
whether he’s talking about the primrose E-Type roadster<br />
at the kerb outside a mansion in Paris or about Audrey<br />
Hepburn, who is turning her large eyes from the car to<br />
O’Toole and back again with an expression of distinct<br />
scepticism as she tries to reconcile the idea of the English<br />
smoothie she has just caught burgling her father’s art<br />
collection in the dead of night with this beautiful sports car.<br />
“She’ll do more than 150 miles per hour,” he assures her.<br />
“Useful for getaways, you see.”<br />
“Hmm. <strong>The</strong> robbery business must be pretty good,”<br />
Hepburn says, as she slides into the driver’s seat. She<br />
is wearing a magenta satin jacket over a short pale pink<br />
negligée with ivory lace trimmings. And gumboots.<br />
She looks like a dream.<br />
<strong>The</strong>y carry on discussing the <strong>Jaguar</strong>. “It’s stolen,”<br />
he says. “I can’t drive a stolen car,” she responds. “Same<br />
principle,” he says, “four gears forward, one reverse.”<br />
She’s doing the driving because, a few minutes earlier,<br />
she accidentally grazed his arm with a ball from a flintlock<br />
pistol she’d snatched from a wall display to protect herself<br />
against the unknown intruder. Now she’s been charmed<br />
EXCERPTS FROM ‘HOW TO STEAL A MILLION’ ©1966 COURTESY OF TWENTIETH CENTURY FOX. WRITTEN BY HARRY KURNITZ. ALL RIGHTS RESERVED.<br />
52 THE JAGUAR