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Jeweller - October Issue 2017

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VOICE OF THE AUSTRALIAN JEWELLERY INDUSTRY<br />

OCTOBER <strong>2017</strong><br />

Style code<br />

HOT SEASON TRENDS ARE<br />

JUST THE TRICK FOR RETAILERS<br />

Man jewels<br />

+ +<br />

TIME TO EMBRACE A NEW<br />

FRONTIER IN MEN’S JEWELLERY<br />

Industry flair<br />

CELEBRATING THE <strong>2017</strong><br />

DESIGN AWARD WINNERS


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HOT SEASON TRENDS ARE<br />

JUST THE TRICK FOR RETAILERS<br />

VOICE OF THE AUSTRALIAN JEWELLERY INDUSTRY<br />

TIME TO EMBRACE A NEW<br />

FRONTIER IN MEN’S JEWELLERY<br />

OCTOBER <strong>2017</strong><br />

CELEBRATING THE <strong>2017</strong><br />

DESIGN AWARD WINNERS<br />

CONTENTS<br />

OCTOBER <strong>2017</strong><br />

15/<br />

20/<br />

31/<br />

FEATURES REGULARS BUSINESS<br />

15/ FASHION FORWARD<br />

Uncovering the hottest trends of<br />

the season. Lobe layering anyone?<br />

20/ A MAN’S WORLD<br />

Suppliers have upped the ante to<br />

meet the modern man’s demands.<br />

28/ SYDNEY FAIR<br />

Inside goss on the <strong>2017</strong><br />

International <strong>Jeweller</strong>y Fair.<br />

31/ WINNING TALENT<br />

Showcasing this year’s jewellery<br />

design award winners.<br />

9/ Editorial<br />

10/ Upfront<br />

11/ News<br />

45/ Gems<br />

Colour investigation: garnet<br />

46/ 10 Years Ago<br />

47/ Events<br />

48/ My Bench<br />

50/ Soapbox<br />

Confront fears and take action,<br />

says Bryan de Caires.<br />

39/ Business feature<br />

Denyse Drummond-Dunn lists<br />

seven ways to build respect.<br />

41/ Selling<br />

Discounting can prolong sales,<br />

Bryan Pearson reports.<br />

42/ Management<br />

Gretchen Gordon shares how<br />

to hire the best salespeople.<br />

43/ Marketing<br />

Keep it simple to come out on<br />

top, Thomas Young advises.<br />

44/ Logged On<br />

Alfred Lua details the social<br />

media mishaps to rightly avoid.<br />

Style code<br />

Man jewels<br />

+ +<br />

Industry flair<br />

Front cover advertiser:<br />

Hardware by Cudworth – Urban<br />

jewellery mixing stainless steel,<br />

rusted steel with bronzite<br />

beads and leather. Visit:<br />

cudworthenterprises.com<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 5


WE’RE IN THE<br />

BUSINESS OF<br />

GROWING YOUR<br />

BUSINESS.<br />

What you receive<br />

• Easily accessed advice and professional services<br />

• World class training systems + free ARA membership<br />

• Marketing and digital resource guidance<br />

• Fully customisable apps, websites, catalogues<br />

• Access to exclusive Showcase brands<br />

• Member owned jewellery focused business<br />

• Maximum supplier discounts to you the retailer<br />

• No ongoing monthly management fees<br />

What it delivers<br />

• Increased productivity<br />

• Exclusive incentives back to members<br />

• The ability to build your brand<br />

• Your identity presented professionally<br />

• Increased margins<br />

• Profits back to members<br />

• Maximised buying power<br />

• Better bottom-line results<br />

What our members have to say<br />

“Head Office provides me with everything from catalogues to marketing, technology<br />

support and so much more. They’re invaluable to my business.”<br />

Rosie Ficarra Kennedy’s Showcase <strong>Jeweller</strong>s, Swan Hill<br />

“I’ve previously been with another buying group, so I appreciate what I now receive as real, tangible<br />

benefits to my business for its future and success.”<br />

Neil Watson Watsons’ <strong>Jeweller</strong>s, Launceston<br />

“The simplicity and professionalism of being able to utilise all of Showcase’s digital and training tools perfectly<br />

suits our business and drives the results we need as a self branded multi-store operation.”<br />

Ben Duff Duffs <strong>Jeweller</strong>s, Geelong<br />

Interested? Contact us today<br />

We’re ready when you are. So if you think it’s time to get serious about where you’re going, email us today.<br />

Our team will be happy to show you how we can grow your business together.<br />

Email: enquiries@showcasejewellers.com.au<br />

www.showcasejewellers.com.au


www.lilijewelry.com | info@lilidiamonds.com | hongkong@lilidiamonds.com<br />

is a trademark and proprietary design of Lili Diamonds


EDITORIAL<br />

A STORY PROVING THERE’S STILL VALUE IN RETAIL<br />

News that Pandora Australia is set to open a<br />

flagship store in Melbourne’s Bourke Street<br />

Mall is interesting on many fronts. For starters,<br />

the building at 280-282 Bourke Street is<br />

six levels and Pandora is reportedly paying<br />

around $1 million in annual rent. Secondly,<br />

Pandora already has three other stores<br />

close by – Little Collins Street, Emporium<br />

Melbourne and Melbourne Central.<br />

Pandora will allocate three levels of the<br />

gothic-style building formerly occupied by<br />

fashion retailer Nine West to retail space.<br />

The three remaining floors will be dedicated<br />

to staff training and office space.<br />

There is no doubt that Pandora’s successful<br />

and innovative approach to retailing in the<br />

digital age will see a retail fit-out designed<br />

to offer new and unique shopping styles to<br />

accommodate the new-age customer.<br />

The Bourke Street Mall has a reputation<br />

for achieving some of the most expensive<br />

retail leases in Australia with suggestions<br />

that space can fetch as much as $10,000 per<br />

square metre. Regardless, the retail precinct<br />

continues to gain the attention of many<br />

international jewellery and fashion brands.<br />

Michael Hill moved into the Mall last year<br />

after signing a lease in July for a high profile,<br />

70-metre store with two street frontages on<br />

the corner of Bourke and Swanston Streets.<br />

Swarovski established a flagship store on<br />

the north side of the Mall in August 2011,<br />

taking over a location that had housed<br />

Bevilles <strong>Jeweller</strong>s for a decade. It was reported<br />

that Swarovski trumped Bevilles when the<br />

landlord sought expressions of interest from<br />

international retailers.<br />

At the time Swarovski was supposedly paying<br />

more than $1 million for the 105-squaremetre<br />

store. Since, the business has grown<br />

from seven stores in Victoria to more than 15.<br />

Such retail behaviour flies in the face of the<br />

doom and gloom reporting on bricks-andmortar<br />

shopping. Yes, it’s true that flagship<br />

stores such as the new Pandora location could<br />

possibly be loss-leading marketing vehicles<br />

that help businesses maintain their highprofile<br />

brand images but I think that mentality<br />

has changed. The high cost of retail tenancies<br />

in prime locations and the challenging<br />

environment for traditional retailers means<br />

every dollar counts – today, each store must<br />

contribute to profitability.<br />

It is difficult to compare the business model<br />

of multi-national jewellery companies such as<br />

Pandora and Swarovski – and even Michael<br />

Hill – with small, Australian jewellery stores<br />

selling a wide range of products and brands<br />

but it is worth noting that the need to stay<br />

up-to-date with consumer shopping trends<br />

is one thing that ‘internationals’ recognise and<br />

do not underestimate.<br />

Faced with an ever-increasing array of online<br />

shopping options and business models,<br />

bricks-and-mortar retailers find themselves<br />

having to adapt to the needs of customers,<br />

SUCH RETAIL<br />

BEHAVIOUR<br />

FLIES IN THE<br />

FACE OF<br />

THE DOOM<br />

AND GLOOM<br />

REPORTING<br />

ON BRICKS-<br />

AND-MORTAR<br />

SHOPPING<br />

specifically the need to deliver a seamless,<br />

multi-channel shopping experience complete<br />

with multiple delivery options such as click<br />

and collect.<br />

Consumers want a shopping experience<br />

that provides great customer service as a<br />

mandatory inclusion and not a discussion<br />

point. That is, consumers believe that physical<br />

stores must accommodate their every<br />

whim or they’ll opt to shop online instead,<br />

which is often cheaper and can be more<br />

convenient. The prevailing view is not to pay<br />

for something you don’t receive.<br />

This new consumer behaviour has meant<br />

there is a need to review store layouts, staff<br />

positioning and displays. There’s also a need<br />

for them to boost staff training, especially in<br />

retail categories like jewellery and other luxury<br />

goods that still rely upon consumers wanting<br />

a touch-and-feel experience.<br />

All of the above may be true, meaning it<br />

can be daunting for small retailers; however,<br />

the good news is that not all consumers are<br />

attracted to high-profile brands. It’s somewhat<br />

ironic that women don’t want to wear exactly<br />

what everyone else is wearing when it comes<br />

to jewellery.<br />

They still wish to express their own personality<br />

and style with unique, often-customised<br />

items, which is the niche that local jewellery<br />

stores must fulfil to remain competitive.<br />

Coleby Nicholson<br />

Managing Editor<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 9


UPFRONT<br />

“They would be:<br />

Trust. Personal.<br />

Inspired.”<br />

What three words would you say to your best customer?<br />

MATTHEW ELY,<br />

MATTHEW ELY BY<br />

YORK JEWELLERS<br />

“Thank you [your<br />

name] – Our<br />

best customers<br />

augment our<br />

drive to keep<br />

creating.”<br />

LUCY FOLK,<br />

LUCY FOLK<br />

“Yes we can –<br />

We do our<br />

outmost<br />

to turn client<br />

wishes/ideas<br />

into reality.”<br />

DENISE FARACO,<br />

LITTLE DARLING CO<br />

VOICE OF THE AUSTRALIAN<br />

JEWELLERY INDUSTRY<br />

jewellermagazine.com<br />

Managing Editor<br />

Coleby Nicholson<br />

Editor<br />

Emily Mobbs<br />

emily.mobbs@jewellermagazine.com<br />

Journalist<br />

Talia Paz<br />

talia.paz@gunnamattamedia.com<br />

Advertising Manager<br />

Gary Collins<br />

gary.collins@jewellermagazine.com<br />

Digital Manager<br />

Angela Han<br />

angela.han@gunnamattamedia.com<br />

BULLETIN BOARD<br />

n LIVING JEWELLERY?<br />

Scientists from MIT Media Lab have<br />

developed jewellery prototypes that<br />

can ‘move’ and ‘interact’. The Kino<br />

project involves miniature robots<br />

that have the ability to perform tasks<br />

such as transition from a brooch to a<br />

necklace. The developers hope these<br />

robots will eventually be small enough<br />

to seamlessly integrate into existing<br />

jewellery pieces. Watch this space.<br />

n BENCHIE SPOTLIGHT<br />

Benchie jewellers are often hidden<br />

in backrooms but smart operators<br />

introduce them to the customers who<br />

are the recipients of their awe-inspiring<br />

pieces. Not only does it strengthen<br />

customer relationships but it can also<br />

increase the jeweller’s work satisfaction.<br />

n COFFEE SMILES<br />

This month is International Coffee Day<br />

and World Smile Day. Celebrated on<br />

<strong>October</strong> 1 and <strong>October</strong> 6 respectively,<br />

jewellers can make the most of the<br />

events by simply shouting the team a<br />

coffee or organising a referral system<br />

with the local coffee shop for the day.<br />

This is the time to take a break from<br />

the daily grind – pun intended.<br />

DIGITAL<br />

BRAINWAVE<br />

A YOUTUBE REVOLUTION<br />

YouTube has had a significant makeover. The<br />

12-year-old video website now possesses a new<br />

logo but the important changes for jewellers are<br />

the host of features expected to enhance the user<br />

experience and show off videos in the best way possible. According to YouTube’s blog,<br />

the mobile app will soon have a responsive design where videos will change shape to<br />

fit a vertical, square or horizontal screen – that means no more black bars on the sides<br />

when viewing in vertical mode – and a Dark Theme on the desktop platform that is said<br />

to give videos a more cinematic look.<br />

TOP PRODUCT<br />

Engelsrufer’s Balance pendant is<br />

adorned with symbols of the lotus flower,<br />

scales and elephant. The piece, distributed<br />

by Duraflex Group Australia, features an<br />

interchangeable sound lens that creates<br />

a noise when swung. It was the most<br />

popular product last month ranked by<br />

views at jewellermagazine.com.<br />

Production Manager<br />

& Graphic Design<br />

Jo De Bono<br />

art@gunnamattamedia.com<br />

Accounts<br />

accounts@gunnamattamedia.com<br />

Subscriptions<br />

info@jewellermagazine.com<br />

<strong>Jeweller</strong> is published by:<br />

Gunnamatta Media Pty Ltd<br />

Locked Bag 26, South Melbourne,<br />

VIC 3205 AUSTRALIA<br />

ABN 64 930 790 434<br />

Phone: +61 3 9696 7200<br />

Fax: +61 3 9696 8313<br />

info@gunnamattamedia.com<br />

Copyright: All material appearing<br />

in <strong>Jeweller</strong> is subject to copyright.<br />

Reproduction in whole or in part is<br />

strictly forbidden without prior written<br />

consent of the publisher.<br />

Gunnamatta Media Pty Ltd strives to<br />

report accurately and fairly and it is<br />

our policy to correct significant errors<br />

of fact and misleading statements in<br />

the next available issue. All statements<br />

made, although based on information<br />

believed to be reliable and accurate at<br />

the time, cannot be guaranteed and<br />

no fault or liability can be accepted<br />

for error or omission. Any comment<br />

relating to subjective opinions should<br />

be addressed to the editor.<br />

Advertising: The publisher reserves<br />

the right to omit or alter any<br />

advertisement to comply with<br />

Australian law and the advertiser<br />

agrees to indemnify the publisher for<br />

all damages or liabilities arising from<br />

the published material.<br />

10 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>


NEWS<br />

NEWS<br />

<strong>Jeweller</strong>s petition for stricter penalties<br />

The Victorian branch of the <strong>Jeweller</strong>s<br />

Association of Australia (JAA) has organised a<br />

petition calling upon the state government<br />

to introduce heavier sentencing for people<br />

committing armed robberies.<br />

JAA Victoria state committee chair Michael<br />

Oboler and vice chair John Michaelis said<br />

they were aiming to gain 40,000 signatures<br />

for the appeal that would ask the Andrews<br />

Labor government to “match the coalition<br />

policy and introduce mandatory sentencing,<br />

toughen up the justice system and hold<br />

criminals to account”.<br />

Oboler explained that jewellers should print<br />

the petition and encourage customers to<br />

sign the form. Retailers were also asked to<br />

give the petition to other businesses in their<br />

local areas.<br />

Oboler stated that the JAA Victorian branch<br />

had been active in helping jewellers to thwart<br />

armed robberies by providing training and<br />

information; however, there were pitfalls in<br />

the justice system. “One of the things that<br />

became clear early on was that we were<br />

dealing with a big problem in terms of the<br />

police being able to do their job successfully,”<br />

he explained. “They were identifying and<br />

catching culprits and putting them before<br />

the courts but these kids were being released<br />

to commit further crimes.”<br />

Signed petitions must be returned in<br />

original form via post to Georgina Crozier,<br />

representative for Southern Metropolitan<br />

Region in the Legislative Council of Victoria.<br />

A copy of the petition can be accessed and<br />

printed here: tinyurl.com/<strong>Jeweller</strong>Petition.<br />

Industry’s finest talents recognised<br />

Australian and New Zealand jewellers were<br />

celebrated at two lavish design award events<br />

in Sydney.<br />

Winners of the inaugural <strong>Jeweller</strong>y Design<br />

Awards (JDA) and the <strong>Jeweller</strong>s Association of<br />

Australia (JAA) Australasian <strong>Jeweller</strong>y Awards<br />

were announced during separate ceremonies<br />

held at the International Convention Centre<br />

on August 26 and at the Sheraton on the Park<br />

on August 25, respectively.<br />

The JDA competition, organised by Expertise<br />

Events and held in conjunction with the<br />

International <strong>Jeweller</strong>y Fair, received 105<br />

entries from which 59 finalist pieces were<br />

chosen. Yuji Satomi was crowned the<br />

overall Supreme Award Winner for his<br />

interchangeable men’s tie necklace and<br />

women’s brooch.<br />

The 24th edition of the JAA Australasian<br />

<strong>Jeweller</strong>y Awards garnered 54 entries with<br />

30 finalist pieces selected across various<br />

categories.<br />

Alistair Kelsey took out the pinnacle <strong>Jeweller</strong><br />

of the Year Award for his 1980s-inspired ring<br />

called Rapture.<br />

A showcase of all winners from both<br />

competitions begins page 31.<br />

Pressure test<br />

The skills of up-and-coming<br />

jewellers were put to the test during<br />

the Worldskills Australia regional<br />

competitions held at the International<br />

<strong>Jeweller</strong>y Fair (IJF).<br />

The contest took place on the show<br />

floor, with participants from Western<br />

Australia competing on Saturday August<br />

26, Queensland on Sunday 27 August<br />

and Victoria on Monday 28 August.<br />

Worldskills Australia general manager<br />

and technical delegate Brigitte Collins<br />

said this was the first time regional<br />

contests had not been held at a TAFE<br />

facility. “This year Expertise Events offered<br />

space at the IJF to run the competitions<br />

and we were then supported by our<br />

partners, Pallion and Australian <strong>Jeweller</strong>s<br />

Supplies, who provided the equipment/<br />

materials and silver,” she explained.<br />

Competitors had six hours to<br />

manufacture a symmetrical slider-type<br />

sterling silver pendant with one main<br />

bezel setting in the centre surrounded<br />

by smaller grain settings. Collins said<br />

each state would hold an awards<br />

evening at a later date where the<br />

winners would be announced.<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 11


NEWS<br />

IN BRIEF<br />

*<br />

CENTENARY FETE<br />

Wallace Bishop commenced its 100th<br />

birthday celebrations by hosting an<br />

event at its flagship Brisbane store as well<br />

as collaborating with Brisbane Festival<br />

organisers to create the Wallace Bishop<br />

Treasure Hunt. Additional giveaways and<br />

“mystery events” are also planned.<br />

*<br />

DIAMOND PROMOTION<br />

De Beers Group announced it would invest<br />

more than US$140 million (AU$174 m) in<br />

advertising diamond jewellery globally, the<br />

highest figure the company has spent in<br />

nearly a decade. While the majority of the<br />

spend would support the company’s own<br />

diamond brands, a statement confirmed it<br />

would also increase ‘partnership marketing’.<br />

*<br />

BRANCHING OUT<br />

Fashion watch brand Cluse has expanded<br />

into jewellery. The debut collection<br />

included three bracelet ranges that use<br />

the brand’s ‘signature’ metal and raw<br />

marble accents. Simon Garber, director<br />

of the Dutch brand’s Australian and New<br />

Zealand distributor Heart & Grace, said he<br />

expected the range would be successful as<br />

local Millennials had already embraced the<br />

layering bracelets and watches trend.<br />

*<br />

TIFFANY VS COSTCO<br />

Tiffany & Co’s high-profile trademark<br />

case against Costco Wholesale has been<br />

resolved, with Costco ordered to pay the<br />

jeweller US$19.35 million (AU$24 m) for<br />

trademark infringement and trademark<br />

counterfeiting. Tiffany & Co was entitled<br />

to US$11.1 million (AU$13.8 m) in<br />

compensatory damages and US$8.25<br />

million (AU$10.2 m) in punitive damages.<br />

*<br />

OFFICIAL RESIGNATION<br />

The JAA board has confirmed that Amanda<br />

Hunter left the association in all capacities<br />

on August 11. The news followed<br />

confusion over Hunter’s position given that<br />

she resigned as executive director in May<br />

and, while no official announcement was<br />

made, her LinkedIn profile stated that she<br />

was appointed JAA ‘Project Manager’ in<br />

July. Hunter joined the JAA in June 2014.<br />

+ MORE BREAKING NEWS<br />

JEWELLERMAGAZINE.COM<br />

Sams Group takes on Samsung<br />

Sams Group Australia has secured the<br />

distribution rights for Samsung’s latest Gear<br />

S3 smartwatch.<br />

Sams Group Australia CEO Steve Der<br />

Bedrossian explained that under the<br />

agreement, the supplier would handle<br />

the exclusive distribution of the Samsung<br />

smartwatch for jewellery retailers in Australia.<br />

The range, comprising the Gear S3 frontier<br />

and the Gear S3 classic, made its debut at the<br />

Sydney International <strong>Jeweller</strong>y Fair in August.<br />

Der Bedrossian said he had been very pleased<br />

with the response and interest received.<br />

“We had Samsung experts attend the Sydney<br />

fair and they spent time explaining to<br />

jewellers the ins and outs of the product,”<br />

Der Bedrossian explained, adding, “This was<br />

really beneficial and we will continue to focus<br />

on educating retailers.”<br />

The deal marks a significant change in<br />

strategy for Samsung, with Der Bedrossian<br />

stating that the company has, until now,<br />

limited supply of smartwatches to electronic<br />

and mobile phone retail stores.<br />

“Because it’s such an amazing watch,<br />

Samsung’s head of marketing wants to see<br />

the product alongside other watches in<br />

jewellery stores,” he said.<br />

Der Bedrossian explained that the launch<br />

in Australia coincided with a roll-out to other<br />

jewellery retailers in international markets.<br />

Pandora moves into Bourke Street Mall<br />

Pandora is set to open a retail store in<br />

Melbourne’s iconic Bourke Street Mall after<br />

signing what is believed to be one of the<br />

biggest retail leasing deals this year.<br />

Annual rent for the six-level building is<br />

understood to be close to $1 million, and the<br />

store will add to the company’s three other<br />

stores located in the Melbourne CBD.<br />

Pandora Australia and New Zealand<br />

managing director Mikael Kruse Jensen told<br />

<strong>Jeweller</strong> that three levels would be used for<br />

retail, while the other three levels would be<br />

used for staff training and office space.<br />

Kruse Jensen said the store, expected to open<br />

in November, would be the company’s first<br />

multi-level outlet in Australia.<br />

“The space gives us potential and<br />

opportunities to change and adapt to<br />

consumer needs,” he explained.<br />

“Customers will be brought closer to the<br />

jewellery, with touch-and-feel displays so<br />

they can experience the quality and<br />

craftsmanship of each piece of hand-finished<br />

Pandora jewellery.”<br />

World first for Australian pearls<br />

Additional marketing opportunities now<br />

exist for Australian South Sea pearls with<br />

the announcement that they have been<br />

certified sustainable by the independent ‘gold<br />

standard’ Marine Stewardship Council (MSC).<br />

The South Sea pearl industry of Western<br />

Australia and the Northern Territory received<br />

certification after an 18-month assessment<br />

and represents the first time a wild pearl<br />

fishery has achieved MSC accreditation.<br />

Pearl Producers Association executive officer<br />

Aaron Irving said it was a milestone for the<br />

Australian South Sea pearl industry. “MSC<br />

certification recognises our long history of<br />

sustainable management and stewardship<br />

of our pearl oyster fishery and ensures the<br />

highest level of confidence for our discerning<br />

customers in making an ethical purchase<br />

choice,” he explained, adding producers were<br />

eligible to use the MSC eco-label on pearls<br />

sourced from the wild Pinctada maxima pearl<br />

oyster fishery effective immediately.<br />

12 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>


FASHION JEWELLERY<br />

PETITE GRAND<br />

Raising the<br />

fashionstakes<br />

LOBE LAYERING AND BOLD STATEMENT EARRINGS ARE JUST SOME<br />

OF THE BIGGEST FASHION TRENDS RIGHT NOW. ANGELA TUFVESSON<br />

SCOURS THE GLOBE IN SEARCH OF WHAT’S HOT THIS SEASON.<br />

ashion is fickle and never more so than in the world of fashion jewellery<br />

where bold statement pieces can quickly surpass the delicate look and<br />

old rules about which metal goes with what can be thrown out faster<br />

than retailers can keep up.<br />

So what’s hot this season? <strong>Jeweller</strong> has investigated the local and international<br />

fashion scene to provide insight on how consumers will accessorise with jewellery<br />

this spring-summer. From lobe layering to statement earrings and mixed metals,<br />

the push for personalisation is in full swing as consumers gravitate towards<br />

unique looks.<br />

LAYER IT ON<br />

Fashionistas have been layering fine necklaces and delicate rings for several years;<br />

however, the newsflash this season is that the trend of stacking jewellery item<br />

upon jewellery item has expanded to include bolder pieces.<br />

Tal Manning, production director at Mezi, says the layering trend is visible across<br />

both the Sydney-based fashion jewellery business’ bold fashion statement pieces<br />

and ‘petite’ range, which caters for customers who prefer smaller items.<br />

“Whether it’s layers of long fashion necklaces or a mix of petite necklaces in an<br />

array of tones, or even mixing the two – fashion and petite – you can never go<br />

wrong with layering,” she states.<br />

According to Aristides Fine Jewels founder Claire Aristides, layering is indicative<br />

of a broader shift away from consumers favouring just a select few traditional<br />

jewellery pieces. It’s a trend she believes is likely to endure.<br />

“Layering – it’s like creating a story,” Aristides says. “Layering and mixing and being<br />

adventurous is here to stay because traditionally only having your engagement<br />

ring and wedding ring and, say, one special set of pearls or something, all that’s<br />

gone. Now we’re seeing people wanting more delicate pieces and layering a lot<br />

more together.”<br />

Further, consumers are enjoying greater freedom to mix metals.<br />

“Rose gold was probably seen as a bit ‘granny’ but it’s such a pretty gold and<br />

people are coming around to it, especially as everyone is really into mixing metals,”<br />

Aristides explains. “We see people buying a thumb ring, a forefinger ring and a<br />

pinkie ring in different metals and layering them all together.”<br />

With multiple ear piercings commonplace among younger female consumers,<br />

layering isn’t limited to necklaces and rings. Dubbed ‘lobe layering’, this trend is<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 15


MEZI<br />

ARISTIDES FINE JEWELS<br />

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popping up everywhere from New York<br />

and Paris to Seoul.<br />

A recent report by Women’s Wear Daily, the<br />

renowned fashion-industry trade journal,<br />

states that the “piercing paradigm” has<br />

changed and secondary holes are now<br />

so popular that they are a viable sales<br />

opportunity for retailers.<br />

“Until recently, secondary piercings were<br />

a sentimental bonding exercise amongst<br />

young women or an opportunity to add<br />

some pizazz,” the article read. “But now,<br />

many girls receive piercings without<br />

emotional pretence – considering a new<br />

hole as routine as buying a t-shirt. Drop in<br />

on any dinner table full of twentysomething<br />

New York girls, and you’d be hard-pressed<br />

to meet an attendee without a fleet of<br />

secondary piercings.”<br />

Tanja Kovacevic established her business<br />

Petite Grand in 2010 following a 15-year<br />

career in the fashion industry. She says<br />

the lobe layering trend is evident among<br />

Australian consumers and driven by a broad<br />

consumer push towards personalisation.<br />

“We have noticed that our customers love<br />

pieces that they can layer, particularly with<br />

earrings,” Kovacevic explains. “The trend to<br />

have more than two ear holes is becoming<br />

extremely popular. Our customers love to mix<br />

up miss-matching unique earrings to create<br />

a completely customised look.”<br />

Still in the ear region, Manning says layered<br />

studs, suspenders, ear jackets and crawlers<br />

go especially well with the classic casual wear<br />

apparel that’s currently on trend.<br />

“Denim is still key for day-to-day wear mixed<br />

with casual tees and an oversized blazer,<br />

which leaves your palette very neutral to<br />

be more daring with your jewellery choices<br />

or allows for a cool layering look,” she states.<br />

“A cool androgynous look with a layered<br />

lobe [is] often worn by our customers in our<br />

Bondi boutique.”<br />

MAKE A STATEMENT<br />

Despite the popularity of layering, there is<br />

one trend that many industry commentators<br />

nominate as the key look this season:<br />

statement earrings.<br />

“Statement earrings continue their run of<br />

popularity and are the jewellery piece of the<br />

season,” states Maia Adams, head of global<br />

research at jewellery trend analysis and<br />

market intelligence agency Adorn Insight.<br />

Indeed, Harper’s Bazaar reports one of the<br />

biggest talking points at this year’s Fashion<br />

Week Australia was sculptural jewellery<br />

pieces like bold, miss-matching earrings<br />

and exaggerated half-moon shaped earrings.<br />

Adams says statement earrings are indicative<br />

of a larger trend that makes use of unusual<br />

shapes and textures.<br />

“Across the board from fast fashion through<br />

to bridge and up to fine and high jewellery,<br />

we are thrilled to see an interest in material<br />

innovation,” she explains. “At the fashion<br />

end of the market this can be seen in mixed<br />

media – fabric, wood, recycled plastics – and<br />

‘found object’ pieces – shells, in particular,<br />

[like] Prada’s puka shell necklaces.”<br />

Roza Topolnicka, head of creative and retail<br />

marketing at Swarovski Gemstones, and<br />

Manning list hoop earrings and oversized<br />

tassel earrings as characteristic of this trend.<br />

“This season our Zola Tassel Earrings have<br />

been a sell out,” Manning says. “This style


FASHION JEWELLERY<br />

I N D I R I<br />

<br />

mixes the delicate threaded tassels with beautiful Swarovski crystal<br />

elements. The rich texture found in these bohemian earrings have<br />

made them one of our most popular items this season.”<br />

Why so big? Industry online journal Business of Fashion attributes<br />

the popularity of statement earrings to the not-so-humble selfie<br />

and paired-back trends in apparel.<br />

“Whereas once costume jewellery was excessively piled on with a full<br />

face of make-up and bouffant hair, today it is an accent to oversized<br />

shirting and distressed denim; the focal point of the ‘no make-up’<br />

make-up look and abbreviated elfin hairdos. Earrings (or earring,<br />

singular) can create a sense of personality for someone who dresses<br />

simply,” the report read.<br />

“It can even create an entire look for a FaceTime or Skype conversation,<br />

even if one’s bottom half is still dressed for sleep. Essentially, statement<br />

earrings are what shoes were to Carrie Bradshaw for a generation who<br />

wear Stan Smiths [sneakers].”<br />

THE BIGGER PICTURE<br />

Ultimately, Topolnicka says these trends speak to a broader shift in<br />

fashion that’s less about rules and more about expression of individual<br />

style. Consumers are mixing pieces from luxury and high-street<br />

jewellery brands to create eclectic, unique looks.<br />

“Eclecticism is what we see everywhere – on the streets, on the<br />

catwalks and in social media,” she states. “There are no boundaries in<br />

mixing and matching – we have already got used to the look where<br />

a Chanel bag can be paired with a basic H&M t-shirt and the same<br />

becomes more and more relevant for jewellery.”<br />

Kovacevic agrees: “High-end brands such as Gucci and Versace are<br />

really influencing trends by using bold and experimental shapes,<br />

colours and materials that consumers want to incorporate into their<br />

everyday wardrobe to add some personality. There is also a desire for<br />

handcrafted pieces that customers feel an emotional connection to<br />

and which reflect their own unique style.”<br />

In fact, Topolnicka believes dramatic consumer preferences for mixing<br />

and matching may even cause a shift in the way new designs become<br />

available to consumers.<br />

“In 2016, brands like Burberry, Tom Ford, Tommy Hilfiger and Ralph<br />

Lauren offered instantly shoppable ‘see now-buy now’ collections<br />

during their shows,” she says.<br />

“More designers are questioning the whole system and pace of the<br />

fashion industry, like Raf Simons who left Dior in 2015 and the recent<br />

announcement from the uber-successful Gvasalia brothers from<br />

Vetements informing that they will stop doing seasonal collections<br />

and are moving from stressful Paris to quiet Zurich. All this creates a<br />

very interesting mood of change which will, for sure, also shape the<br />

jewellery industry.”<br />

The future of the ever-changing fashion jewellery sector might be<br />

anyone’s guess; however, retailers can be sure that layering and bold<br />

statement earrings are capturing consumer sentiment right now,<br />

and trends in apparel and macro influences like social media and<br />

personalisation will continue to impact what consumers demand. i<br />

D E S I G N E R S T E R L I N G S I L V E R & G O L D J E W E L L E R Y<br />

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Trend forecast<br />

A new season is here, bringing with it a host of on-trend pieces<br />

to tempt the local market. Suppliers outline the key trends and<br />

inspirations influencing the fashion landscape.<br />

“Trends are impacted by a combination of the fashion industry,<br />

social (customer behaviour) and the retail environment. We have<br />

our own in-house designers at Les Georgettes, and our main<br />

inspirations are nature, architecture, and of course, women.<br />

Our spring/summer collection of new cuffs with more vibrant<br />

leathers and vinyls have been really well received, and should be<br />

a great hit going into the brighter spring days.” – Frederic Brunel<br />

Acquaviva, international vice president, Les Georgettes<br />

“Earrings are this season’s fashion statement and they are<br />

without uniformity – dare to be different and mix it up! We love<br />

our Love Goes Round earrings, designed to be worn with two<br />

different earrings but also available as a uniform pair. We very<br />

carefully follow international fashion trends, especially with our<br />

growing European market. We are also seeing more<br />

demand for geometrically and precision-shaped pieces.”<br />

– Helen Thompson-Carter, director, Fabuleux Vous<br />

“A statement piece from the latest collection by Pernille Corydon is the<br />

Icon necklace. Available in sterling silver and gold-plated sterling silver,<br />

the item is iconic Danish simplicity at its very finest. Pernille did her first<br />

sketches of the new collection after a walk on the Golden Gate Bridge,<br />

where she was inspired by the iconic shapes and construction.”<br />

– Debbie Faraday, creative director, Hipp<br />

“The Buckley London AW17 collections are inspired by the iconic<br />

landmarks of London, playing tribute to the brand’s British<br />

heritage. The collections include classic profiles such<br />

as long crystal drops and snowball pendants<br />

that have been updated with contemporary<br />

elements. The Buckley London design team<br />

takes inspiration from the latest catwalk<br />

trends and also the wider environment, such<br />

as the geometric shapes found in architecture<br />

to the vivid colour of natural elements.”<br />

– Jodie Tilia, director, JLM International


FASHION JEWELLERY<br />

“This season is all about layering fine necklaces. We have a wide range of<br />

stunning fine necklets in sterling silver, rose gold plate and black rhodium<br />

plate that can be mixed and matched. This trend has been hot overseas,<br />

seeing many celebrities out and about wearing the layered necklet look. It’s a<br />

great way to create a wow factor without having to rely on heavy jewellery.”<br />

– Janelle Wood, marketing co-ordinator, Stones and Silver<br />

“The inspiration this season for our Jetset<br />

collection was summer vacations and<br />

exotic travel. Who doesn’t love escaping the<br />

everyday? From sparkling blue oceans to<br />

golden deserts, there is a look and style for<br />

everyone. The key trends that inspired this<br />

range were designs made for layering, new<br />

cherub pendants that slide over the necklace<br />

and art nouveau filigree detailing.”<br />

– Kat Gee, designer and founder, Kagi<br />

“Our new collection combines faceted natural turquoise and mother of pearl<br />

with an 18-carat gold vermeil finish over bright sterling silver. This bracelet is<br />

a standout piece for spring and works well alongside other pieces in the range<br />

such as drop earrings, rings and pendants. All over the world,<br />

current trends state that turquoise, silver and gold are<br />

strong partners – a classic match.”<br />

– Josh Smith, owner and designer, Indiri<br />

“Our latest collection features statement<br />

pieces incorporating my signature<br />

Scandinavian look. Items can be mixed as the<br />

wearer pleases – take the Miss Match earrings<br />

for example. I love to make designs that can<br />

be used in more than one way; it gives a lovely<br />

flexibility in personal styling and makes sure<br />

there’s always a nice piece to dress up<br />

any look.” – Malene Storm, creative<br />

designer, Dansk Smykkekunst<br />

THE ANNIVERSARY<br />

COLLECTION.<br />

BY CAROLA ECKRODT<br />

“The new collection is all about the pearl. There’s an entire generation<br />

who’ve not experienced pearls as a modern piece in their wardrobe and<br />

we wanted to bring the pearl into their world in a way that’s relevant<br />

and interesting. We’ve used silver and gold banding on rings and earrings<br />

that suggest tiny strings of pearls and we’ve brought pearls into these<br />

pieces also to punctuate them. We’ve used only pink pearls to once again<br />

reinterpret the idea of what a pearl can be.” – Karen Walker, designer<br />

and founder, Karen Walker <strong>Jeweller</strong>y<br />

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THOMAS SABO<br />

20 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>


MEN’S JEWELLERY<br />

A new<br />

frontier<br />

for men<br />

OPTIMISM ABOUNDS THE MEN’S<br />

JEWELLERY SECTOR AS SUPPLIERS<br />

REFINE PRODUCTS IN LINE WITH<br />

THE AUSSIE MALE’S CONSERVATIVE<br />

BUT FAR FROM DULL DEMANDS.<br />

EMILY MOBBS REPORTS.<br />

en’s jewellery is traditionally a subject met with trepidation<br />

but the tides are turning. Indeed, <strong>2017</strong> could be the year<br />

that men’s jewellery solidifies its place as both a necessary<br />

and highly sought after category.<br />

“<strong>Jeweller</strong>y used to be a divisive topic for men, but almost every guy we<br />

saw on the streets was wearing at least one necklace,” Vogue.com reported<br />

in June as part of its street style coverage of the spring 2018 menswear<br />

fashion shows.<br />

The renowned fashion publication also highlights the return of the ‘male<br />

cleavage’ – yes, that 1970s Mick Jagger look is being embraced by a new<br />

crop of men, championed by the likes of former One Direction band<br />

member and now soloist singer Harry Styles.<br />

It’s not only necklaces of course. Type ‘men’s jewellery <strong>2017</strong> trends’ into<br />

Google and a bevy of results will show guys wearing unique combinations<br />

of bracelets, rings and necklaces.<br />

Industry sceptics who assume that the penchant for men to adorn<br />

themselves with jewellery is restricted to international markets, and doesn’t<br />

translate locally, best think again too.<br />

If there’s one thing men’s jewellery suppliers in Australia can agree on it’s<br />

that the landscape has changed, largely for the better.<br />

“The market for men’s jewellery has come a long way for us in the past<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 21


CUDWORTH ENTERPRISES<br />

CUDWORTH ENTERPRISES<br />

15 years since acquiring Cudworth,”<br />

Cudworth Enterprises director Darren<br />

Roberts says.<br />

Roberts is the fourth owner of Cudworth,<br />

the men’s jewellery business that was<br />

founded in 1918, and is arguably well<br />

positioned to comment on the sector’s<br />

evolution and future.<br />

“There is still a lot of potential and growth<br />

in this sector because men are feeling more<br />

comfortable as they embrace wearing<br />

jewellery,” he continues.<br />

As an example of his confidence in the<br />

category, Roberts recently added luxury<br />

London-based men’s jewellery range<br />

Tateossian to the Cudworth portfolio.<br />

The range made its official local debut at<br />

the International <strong>Jeweller</strong>y Fair in August<br />

and is primarily targeted at affluent males<br />

aged 25 years or more.<br />

While Roberts says that men’s jewellery<br />

offerings have come and gone in recent<br />

years, he welcomes competition that<br />

provides high-quality product.<br />

“I think it is healthy to have competition<br />

as we cannot supply all retailers, especially<br />

in the same city or town,” Roberts explains.<br />

“[However] the sector is damaged when<br />

poor quality products enter the market<br />

at low prices; it diminishes the overall<br />

product offered.”<br />

Another business specialising in men’s<br />

jewellery is Kavalri, which has a retail store in<br />

Melbourne as well as national retail stockists.<br />

Like Roberts, Kavalri founder and director<br />

Tom Boie says the sector is expanding<br />

Down Under.<br />

“I think it can now be widely accepted that<br />

men’s jewellery and accessories has rapidly<br />

evolved from a niche category towards<br />

becoming a mainstream product for men,”<br />

he states. “Even in the five years since<br />

launching Kavalri, I have most definitely<br />

witnessed the pace of growth picking up.”<br />

Boie explains that today’s male consumers<br />

– and their partners – are more inclined to<br />

purchase ‘lifestyle’ jewellery pieces worn to<br />

complement a certain style or look rather<br />

than limiting themselves to a one-off<br />

expensive item.<br />

“This shift in purchase behaviour probably<br />

highlights the biggest change, with men no<br />

longer being one-off jewellery purchasers<br />

but far more likely to repeat-purchase<br />

jewellery and accessory items that appeal to<br />

them,” he says.<br />

“This has certainly been our experience;<br />

our customers repeat-purchase different<br />

jewellery and accessories to wear with<br />

certain outfits or for specific occasions –<br />

sometimes they get a variation of the<br />

same bracelet so they can mix it up.”<br />

A TAILORED OFFERING<br />

Aussie males may be increasingly accepting<br />

of accessorising with jewellery; however,<br />

many seek a conservative, refined and<br />

masculine look, which is often a different<br />

set of requests to other parts of the world.<br />

By all accounts, suppliers are dedicated in<br />

ensuring that products are meeting the<br />

demands of local men.<br />

“We have worked hard to differentiate<br />

ourselves by tailoring products that blend<br />

both masculinity and contemporary style,”<br />

Boie says.<br />

“It’s something we feel appeals directly with<br />

men and has helped us develop a heavilyengaged<br />

local customer base.”<br />

Roberts explains that he monitors<br />

international trends and adapts them


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Trendsetter<br />

Current hot looks for men include:<br />

Bracelets, bracelets and more bracelets<br />

– teaming with a watch is where it’s at<br />

right now, but there’s nothing wrong with<br />

layering bracelets on their own either<br />

TOM HOPE<br />

Beads, gemstones, leather and stainless<br />

steel are a perfect match<br />

Aged or antique plating that gives a ‘worn’<br />

appearance<br />

Anything nautical-inspired<br />

accordingly to local demands. “I watch what is happening overseas<br />

for trends, which is not always suited to our market. I sometimes get<br />

inspiration and then rework pieces that will suit our market,” Roberts<br />

says, adding that retailers can increase a man’s interest in jewellery<br />

by keeping the offering masculine and fashionable.<br />

So what jewellery styles are currently defining the sector?<br />

“Right now, it’s the fashion of mixing real gemstones with leather,”<br />

Roberts states. “It is the strongest part of our jewellery business at<br />

the moment.”<br />

He adds that old-time favourite stainless steel remains popular<br />

owing to its durability and that pieces with antique plating – be<br />

it a pendant, bracelet or cufflink – are performing well.<br />

Commenting on the top-performing categories, Roberts points to<br />

the supplier’s bracelets featuring leather and gemstones as well as<br />

items with a nautical theme.<br />

Speaking of bracelets and the nautical-inspired, Tom Hope is a<br />

recent entrant into the local jewellery scene that combines both<br />

of these areas.<br />

Distributed locally by BYMR, the Swedish collection of unisex


handmade bracelets feature whipping twine in various colours<br />

that are secured with an anchor made from sterling silver, IP plated<br />

stainless steel or solid brass. They are often paired with watches,<br />

which is a major trend at the moment.<br />

BYMR managing director Nils Rasmussen announced the exclusive<br />

distribution deal in July and says the feedback and support since<br />

has been overwhelming.<br />

“Independent jewellers love the fact that this is a range that will<br />

appeal to customers who already have purchased a watch from<br />

the many trend-based brands that are now so strong in the market,”<br />

Rasmussen explains.<br />

“It is expected to add momentum to the trend for watches with<br />

pastel and striped Nato watch bands, and provide a nice little add-on<br />

sale for these customers.”<br />

Importantly, Rasmussen is confident that the range will be popular<br />

amongst men.<br />

He explains that global online sales data shows an even split of<br />

the male and female consumer, and this is a trend expected to<br />

continue offline.<br />

“It will be popular among Australian men, as it’s a trend-oriented<br />

product with a nautical theme but is unlike any of the more<br />

traditional men’s jewellery available, which has always been hard to<br />

sell,” Rasmussen says, adding, “The colour palette of the collection is<br />

quite conservative, not unlike the Australian male when it comes to<br />

selecting jewellery. Online sales have been from 18-24-year-olds but<br />

we are expecting offline sales to skew to an older age bracket.”<br />

HOT ARMS<br />

Arm candy sure is hot right now in the men’s department.<br />

“For the Thomas Sabo Rebel at Heart collection, bracelets are<br />

definitely our top sellers – in particular beaded bracelets,” explains<br />

Phil Edwards, managing director of Duraflex Group Australia, the<br />

local distributor of Thomas Sabo.<br />

Tiger’s eye and matte obsidian beaded bracelets are heroes in this<br />

season’s Rebel at Heart range, which celebrates its 10th anniversary<br />

this year.<br />

Edwards points to injections of agate, treated red bamboo<br />

coral, reconstituted turquoise and jasper as being other new<br />

season updates.<br />

KAVALRI<br />

KAVALRI<br />

WWW.CUDWORTHENTERPRISES.COM


FEATURE<br />

and cufflinks are key-performing categories for Kavalri.<br />

“One of our fastest-moving products are our leather and stainless steel<br />

combinations, in particular our double-wrap leather bracelets with a matte<br />

black steel clasp,” he states. “Men like this product, as it’s a simple and stylish<br />

accessory that they can wear each day – this is also a fantastic option for a gift.”<br />

Like Roberts, Boie says the aged – or antique – metal look is currently in high<br />

demand. He also expects a soon-to-be released ‘ultra-masculine-edgy’ cuff<br />

collection to be a hit with Aussie men.<br />

THOMAS SABO<br />

THOMAS SABO<br />

He too notes the increasing trend to combine bracelets and watches: “It’s<br />

all about layering for Thomas Sabo wearers, creating a statement on the<br />

wrist – hence, our beaded bracelets being the hero for sales. It’s the perfect<br />

complement to a watch as you will see in our advertising campaign.”<br />

Boie says men are just as often wearing bracelets sans watch.<br />

“With the emergence of the smartphone it may be fair to say that the primary<br />

purpose of watches is less important, as such bracelets can somewhat fill a void<br />

of something stylish to be worn on the wrist,” he explains, adding that bracelets<br />

Without taking away from the ever-popular bracelet phenomenon, Boie sees<br />

opportunity in fashion rings as well.<br />

“One product category that we recently launched is our custom-made black<br />

zirconium fashion rings,” he states. “With so much focus on bracelets there has<br />

been less attention on men’s fashion rings and I feel that in the coming years<br />

they too will become increasingly popular.”<br />

EXTRA ENCOURAGEMENT<br />

Males may be more accepting of jewellery but a little nudge to encourage them<br />

and their partners to make a purchase never goes astray.<br />

When asked how retailers could make more men interested in jewellery, local<br />

suppliers were unanimous in the importance of promoting high-profile and<br />

relatable associations.


Roberts says celebrity endorsements always help, and Edwards notes<br />

that the key lies in projecting a certain ‘lifestyle’.<br />

“It’s about more than just jewellery, it’s a lifestyle,” Edwards states.<br />

“Thomas Sabo also has strong affiliations in the sporting world,<br />

with various international sponsorships that span a variety of sports<br />

including ice hockey, motor sports and football.”<br />

Boie says any ‘celebrity’ references used in an effort to tap into a<br />

man’s willingness to purchase jewellery must be easily relatable.<br />

“For example, sporting stars are a fantastic reference point as this<br />

showcases strength and masculinity while highlighting confidence<br />

in men wearing jewellery,” he explains.<br />

“People like soccer superstars Cristiano Ronaldo and David Beckham,<br />

F1 racing car driver Lewis Hamilton, rugby player Sonny Bill Williams<br />

and actor Orlando Bloom are just a few easy to relate to personalities<br />

that wear jewellery and accessories.”<br />

Ultimately, Boie says jewellers need to realise the opportunities<br />

presented by men’s jewellery and thus take the category seriously.<br />

“I am confident that the men’s jewellery and accessories space will<br />

grow extremely quickly here in Australia,” he states.<br />

“You only need to look at the US, Canada and Europe where men’s<br />

jewellery is fast becoming a mainstream product category. Australia<br />

has started a little slower but the momentum has really picked up<br />

over the past few years. It is such a complementary product category<br />

for any jewellery retailer to have in store.”<br />

With new suppliers and product ranges emerging and existing ones<br />

stepping up, the opportunities have never seemed greater.<br />

Wedding rings, watches and cufflinks will remain staples but the<br />

men’s jewellery scene now represents so much more.<br />

While the ‘male cleavage’ is definitely an acquired taste, the<br />

comforting news for jewellers is that the majority of offerings are<br />

versatile and relatively low-key – all perfect for the Aussie man who<br />

typically applies a less-is-more philosophy to accessorising.<br />

It’s time to embrace a new frontier in men’s jewellery. i<br />

KAVALRI<br />

WWW.CUDWORTHENTERPRISES.COM


INTERNATIONAL JEWELLERY FAIR<br />

Inside scoop<br />

on Sydney fair<br />

THE <strong>2017</strong> IJF HAS CONCLUDED<br />

WITH THE ORGANISER AND<br />

EXHIBITORS DELIVERING ON<br />

THE PROMISE OF EXCITING NEW<br />

INITIATIVES BUT WAS IT ENOUGH<br />

TO UNITE THE INDUSTRY?<br />

EMILY MOBBS REPORTS.<br />

xpectations were high leading into this year’s International <strong>Jeweller</strong>y<br />

Fair (IJF): the event, which took place from Saturday August 26 to<br />

Monday August 28, was returning to Darling Harbour following the<br />

three-year, billion-dollar redevelopment of the International Convention<br />

Centre; it was being supported by Australia’s three buying groups; and it boasted<br />

a record number of exhibitors compared to figures of recent years.<br />

There was also no denying that it’s been a difficult year in the local industry –<br />

for numerous reasons – and there was an underlying sense of anticipation that<br />

the IJF would inject some much-needed optimism into the trade.<br />

While many of the 200 exhibitors were still processing orders at the time of<br />

writing, Gary Fitz-Roy, managing director of fair organiser Expertise Events, said<br />

feedback was so far positive.<br />

Fitz-Roy also explained that visitor numbers were not finalised at the time of<br />

publication; however, early indications suggested an increase on the past year<br />

when the fair was held at the Sydney Exhibition Centre at Glebe Island.<br />

Colin Pocklington, managing director of Australia and New Zealand’s largest<br />

buying group Nationwide <strong>Jeweller</strong>s, said the attendance numbers of his members<br />

28 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>


exceeded predictions; an additional 80<br />

unregistered jewellers attended the group’s<br />

morning briefing on the Saturday.<br />

Fitz-Roy and Pocklington’s comments aside,<br />

many exhibitors expected more foot traffic<br />

across the three days.<br />

“While the quality of the retailers that<br />

attended was brilliant and they were ready<br />

to purchase new products, the attendance<br />

of retailers seemed down and that was<br />

disappointing,” Cudworth Enterprises director<br />

Darren Roberts said.<br />

Phil Edwards, managing director of<br />

Duraflex Group Australia (DGA), had similar<br />

sentiments: “I have no specific figures to back<br />

this up, it is just a hunch, but it felt like there<br />

was less foot traffic. I would have expected<br />

more visitors, especially given the new venue.”<br />

Indeed, exhibitors seemed excited about the<br />

‘you beaut’ venue, with a generous number<br />

presenting fresh stand designs and fit outs.<br />

Edwards explained that his team went to<br />

great efforts to develop a fun and interactive<br />

stand this year.<br />

“We took the ‘fair’ concept quite literally by<br />

staging a carnival-themed space complete<br />

with rotating clown heads, popcorn and icecream,”<br />

he said.<br />

The booth generated much hype and was<br />

awarded the Best Large Stand award by<br />

Expertise Events.<br />

Supplier Ichu embraced its Mexican roots and<br />

was crowned the Best Small Stand award,<br />

while industry veteran Peter Beck said he was<br />

excited to introduce a modern stand design<br />

for his namesake business.<br />

Of course, a flashy stand isn’t everything and<br />

as is traditionally the case, suppliers with<br />

fresh product – there were also about 50<br />

first-time exhibitors – received the bulk of<br />

visitor interest.<br />

A new area on the floor, called The Village,<br />

was developed by the show organiser in an<br />

attempt to showcase contemporary local and<br />

international designs. It appeared to strike<br />

a chord as it was noticeably full of people<br />

across the three days.<br />

The Village was just one of the value-adds<br />

developed to enhance the visitor experience<br />

in <strong>2017</strong>. A comprehensive schedule of retailfocused<br />

seminars took place, along with the<br />

Victorian, Western Australian and Queensland<br />

regional Worldskills jewellery competitions.<br />

From a retailer perspective, Judy Cameron of<br />

Cameron’s Fine <strong>Jeweller</strong>s in Swan Hill, Victoria,<br />

said she was impressed with the product<br />

offerings on show.<br />

“We found new product at the fair, which<br />

is what we are always looking for. Last year<br />

I left the fair a bit flat because everything<br />

looked the same, but this year we found<br />

new product that I am sure will boost our<br />

Christmas sales,” she said.<br />

“For a lot of rural retailers, the fair is a time that<br />

brings jewellers from all over Australia and<br />

New Zealand together. Talking with suppliers<br />

and other jewellers brings a balance to our<br />

business and makes you realise we are all<br />

facing new challenges,” Cameron added.<br />

Yes, the local industry is not without its<br />

challenges; however, the IJF showed that<br />

there is plenty of opportunity to band<br />

together in order to strengthen the trade in<br />

the lead up to Christmas and beyond.<br />

So who’s up for it? i<br />

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Buying group accolades<br />

The <strong>2017</strong> International <strong>Jeweller</strong>y Fair provided an ideal opportunity for<br />

Australia and New Zealand’s three buying groups to meet with members<br />

and preferred suppliers.<br />

Each group hosted various activities during the trade show as well as<br />

in the days prior, with the most entertaining events arguably being the<br />

annual member dinners that celebrated industry achievements.<br />

Leading Edge Group <strong>Jeweller</strong>s had its Diamond Awards evening at Doltone<br />

House, Hyde Park, while Nationwide <strong>Jeweller</strong>s hosted a party at the Cockle<br />

Bay Room in the new International Convention Centre.<br />

The Showcase <strong>Jeweller</strong>s masquerade ball, held in conjunction with the JAA<br />

Australasian <strong>Jeweller</strong>y Awards, took place at Sheraton on the Park.<br />

Below is a list of some of the winners from the three annual member evenings.<br />

LEADING EDGE GROUP JEWELLERS<br />

MEMBER EXCELLENCE<br />

Aspire <strong>Jeweller</strong>y (top left)<br />

MEMBER OF THE YEAR<br />

Regency Group<br />

STORE OF THE YEAR<br />

Jim Hughes & Sons<br />

SUPPLIER EXCELLENCE<br />

La Couronne <strong>Jeweller</strong>y (bottom left)<br />

SUPPLIER OF THE YEAR<br />

Duraflex Group Australia<br />

NATIONWIDE JEWELLERS<br />

MEMBER OF THE YEAR<br />

The Gem Cave – AUS (top left)<br />

Jamies <strong>Jeweller</strong>s – NZ<br />

SUPPLIER OF THE YEAR<br />

<strong>Jeweller</strong>y Centre – AUS (bottom left)<br />

Peka Agencies – NZ<br />

APPRENTICE OF THE YEAR<br />

Ryan Kitchen (Diamond Boutique)<br />

SHOWCASE JEWELLERS<br />

RETAILER OF THE YEAR<br />

Kennedy’s Showcase <strong>Jeweller</strong>s<br />

SUPPLIER OF THE YEAR<br />

<strong>Jeweller</strong>y Centre


JEWELLERY<br />

DESIGN<br />

Awards<br />

THE INAUGURAL JEWELLERY DESIGN<br />

AWARDS WERE INTRODUCED BY<br />

EXPERTISE EVENTS WITH THE AIM<br />

OF SHOWCASING THE DESIGN AND<br />

MANUFACTURING PROWESS OF<br />

THE INDUSTRY’S MOST TALENTED<br />

JEWELLERS WORKING IN ALL AREAS<br />

OF THE TRADE. READ ON TO SEE WHO<br />

TOOK OUT THE TOP PRIZES …<br />

SUPREME AWARD WINNER<br />

Yuji Satomi<br />

Name of piece: The Mistress of the Adriatic<br />

Sponsor: Armaguard, Etihad Airways and The Australian Women’s Weekly<br />

This year, the competition’s highest honour went to<br />

Yuji Satomi for his piece The Mistress of the Adriatic.<br />

The interchangeable men’s tie necklace and women’s<br />

brooch featuring a black opal was inspired by<br />

Mediterranean culture, and the win will see Satomi fly<br />

business class with Etihad Airways to Baselworld next<br />

year, among other prizes.<br />

Although unable to attend the awards ceremony –<br />

he was in Japan at the time – Satomi said it was a<br />

“very, very happy moment” when he heard the news.<br />

“I was delighted when my colleague texted me<br />

the great news when the opal design award was<br />

announced,” Satomi stated.<br />

“But the truly exciting moment was later, when I<br />

received another text message and they told me that<br />

I also won the Supreme Award!”<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 31


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1ST AND 2ND YEAR APPRENTICE/<br />

STUDENT AWARD<br />

Sumaya Bakkar<br />

Name of piece: Passion Sponsor: Pandora<br />

Simply participating in the competition turned out to be a<br />

great confidence boost for Sumaya Bakkar.<br />

“This contest is inspirational for designers wanting to present<br />

their work to the globe and meet with the best designers<br />

in the field,” Bakkar explained. “Winning gives me a great<br />

motivation to come back next year with new ideas.”<br />

3RD AND 4TH YEAR APPRENTICE/<br />

STUDENT AWARD<br />

Kelly Ryu<br />

Name of piece: Sun & Moon Sponsor: Pandora<br />

It turns out a little coaxing from her classmates at New<br />

Zealand’s Peter Minturn Goldsmith School did just the trick<br />

for apprentice Kelly Ryu, who won the 3rd and 4th Year<br />

Apprentice/Student Award for her Byzantine Empire-inspired<br />

earrings. “I think this was the first time I’ve won anything.<br />

I’m still a little shocked,” Ryu said of her win.<br />

AUSTRALIAN OPAL AWARD<br />

Yuji Satomi<br />

Name of piece: The Mistress of the Adriatic<br />

Sponsor: Paterson Fine <strong>Jeweller</strong>y<br />

Yuji Satomi took out the Australian Opal Award prior to being<br />

named the Supreme Award Winner.<br />

“It took me two weeks to design The Mistress of the Adriatic<br />

and another three weeks to make this piece,” Satomi stated,<br />

adding, “[I am] proud of doing opals and wish to increase the<br />

public recognition and awareness of this gemstone.”<br />

BRIDAL AWARD<br />

Gary Thyregod<br />

Name of piece: Tie the Knot<br />

Sponsor: Cosmopolitan Bride<br />

Commenting on his winning marquise cut diamond ring,<br />

Gary Thyregod didn’t hesitate in noting the appeal for<br />

entering: “The prize pool of $80,000 was a good incentive.” He<br />

added, however, that it was heartening to know his work was<br />

appreciated within the industry. “It’s great to be recognised<br />

for a piece of jewellery that you design and create.”


CAD/CAM/CAST AWARD<br />

Mindika Haddagoda<br />

Name of piece: Modern Classic<br />

Sponsor: Chemgold<br />

For Mindika Haddagoda, entering the competition was all<br />

about having an opportunity to push the boundaries and<br />

be judged by well-experienced members of the trade.<br />

“Hopefully next year the jewellery design awards will be<br />

bigger and more jewellery businesses will recognise the<br />

talent of Australian designers and craftsmanship,” he added.<br />

Well-designed<br />

Findings for<br />

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COLOURED GEMSTONE AWARD<br />

Ben Preston-Black<br />

Name of piece: All Wrapped Up<br />

Sponsor: Cerrone<br />

Ben Preston-Black offered convincing reasons for why he<br />

decided to enter the awards: “The main motivation is to<br />

challenge yourself and to really produce work that is a little<br />

bit different, and try and create a little bit of interest for your<br />

business.“ What else? “There were also some pretty good<br />

prizes, which you don’t often see,” Preston-Black said.<br />

DIAMOND AWARD<br />

Nicholas Theochari<br />

Name of piece: Pente<br />

Sponsor: Sams Group Australia<br />

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Nicholas Theochari is the managing director of MDTdesign.<br />

His team collected several awards this year and Theochari<br />

couldn’t be more proud. “I encourage all my jewellers to<br />

enter awards as it provides an opportunity to make what<br />

they want,” Theochari said. And make what you want he did –<br />

Theochari’s Pente ring featured five tension set diamonds.<br />

Jason Ree was aptly crowned the Fair Visitor Choice Award<br />

for his ‘chaotically symmetrical’ Klif-hang-er ring. Ree<br />

explained that it was special to have peers recognise his<br />

design and craftsmanship. “As jewellers, we often lead a bit<br />

of a solitary worklife without a great deal of feedback at all so<br />

it’s wonderful to win an award,” he said.<br />

FAIR VISITOR CHOICE AWARD<br />

Jason Ree<br />

Name of piece: Klif-hang-er<br />

Sponsor: <strong>Jeweller</strong>y Institute of Australia (JIA)<br />

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MEN’S ACCESSORIES AND<br />

JEWELLERY AWARD<br />

Albert Tse<br />

Name of piece: Memento – Sydney<br />

Sponsor: Peter W Beck<br />

Albert Tse is an emerging jeweller who predominately makes<br />

men’s jewellery. When he saw the JDA contest was including<br />

a men’s category, Tse decided it would be a great way to gain<br />

feedback on his aesthetic and also exposure for his business.<br />

“I’m happy that my pieces are resonating<br />

with people and it lets me know I’m on<br />

the right track,” he stated.<br />

“Hopefully it will open some more doors<br />

for me here and internationally.”<br />

PEARL AWARD<br />

Lynaire Kibblewhite<br />

Name of piece: Dancing Light<br />

Sponsor: Paspaley<br />

Lynaire Kibblewhite, the self-employed goldsmith who has a<br />

penchant for Australian South Sea pearls, was inspired to create<br />

her winning Dancing Light bracelet after she was challenged to<br />

“play with light”.<br />

“It feels a little surreal achieving what I<br />

was aiming for,” Kibblewhite said when<br />

asked how it felt to win. The jeweller<br />

added she was grateful to the judges,<br />

sponsors and event organisers for<br />

putting the JDA competition together.<br />

PRECIOUS METAL AWARD<br />

Jason Ree<br />

Name of piece: Klif-hang-er<br />

Sponsor: Pallion<br />

Jason Ree not only received the Precious Metal Award for his ring<br />

featuring a myriad of metals and a diamond but also went on to<br />

be the recipient of the Fair Visitor Choice Award.<br />

The multi-award winning piece was 20 years in the making and<br />

inspired by Sydney’s coastal sandstone<br />

cliffs. “Our customers love knowing that<br />

we are entering design awards and<br />

featuring as one of the finalists gives our<br />

brand extra credibility,” Ree said of his<br />

motivation to enter the awards.


JAA Australasian<br />

<strong>Jeweller</strong>y Awards<br />

THE JAA AUSTRALASIAN JEWELLERY AWARDS HAVE A LONG HISTORY OF<br />

CELEBRATING THE MESMERISING DESIGN TALENTS OF AUSTRALIA AND NEW ZEALAND’S<br />

JEWELLERS, AND THIS YEAR WAS NO EXCEPTION. HERE ARE THE <strong>2017</strong> WINNERS …<br />

Alistair Kelsey took out the pinnacle <strong>Jeweller</strong> of the Year Award for<br />

his 1980s-inspired ring called Rapture.<br />

Kelsey received a trip to Hong Kong<br />

to compete in the 2018 International<br />

<strong>Jeweller</strong>y Design Excellence Awards<br />

and $1,000 prize money.<br />

While Kelsey was clearly honoured<br />

by the win, he said it was also very<br />

exciting to see the amount of<br />

creativity in the industry.<br />

JEWELLER OF THE YEAR/ROY<br />

WORFOLD PERPETUAL TROPHY<br />

Alistair Kelsey<br />

Name of piece: Rapture<br />

This year marked the first competition Hugh Thyregod has won as<br />

a jeweller and he said it felt “amazing” to be recognised.<br />

“It’s not often I get to make a piece<br />

like this with absolute creative<br />

freedom and at the same time be<br />

as driven as I was whilst making it,”<br />

he explained.<br />

Now he has achieved success,<br />

Thyregod said he would definitely<br />

enter more contests in the future.<br />

APPRENTICE/STUDENT OF THE<br />

YEAR AWARD<br />

Hugh Thyregod<br />

Name of piece: Undergrowth<br />

Sponsor: Australian <strong>Jeweller</strong>s Supplies (AJS)<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 35


1ST AND 2ND YEAR<br />

APPRENTICE/STUDENT AWARD<br />

Tonomi Otobe<br />

Name of piece: Morning Dew<br />

Sponsor: Leading Edge Group <strong>Jeweller</strong>s<br />

This year’s 1st and 2nd Year Apprentice/Student Award was<br />

awarded to Tonomi Otobe for her Morning Dew sterling silver<br />

ring, featuring 24-carat gold leaf and an Akoya pearl.<br />

Tonomi said she was “awed” by the creativity and talent on show.<br />

“I’m aiming for the day when I can<br />

produce pieces of that calibre,” Otobe<br />

stated. “Since getting the award, my<br />

confidence in my jewellery has increased<br />

– now I want to push myself more and<br />

more to stimulate my creativity.”<br />

”I saw a tree with a super cool texture on its bark and I thought<br />

I would try and replicate it in a piece of jewellery,” Thyregod said<br />

of the motivation behind his bangle made from sterling silver,<br />

9-carat gold and 18-carat gold.<br />

“What excited me the most about<br />

entering the competition was the<br />

idea that I could make anything I<br />

wanted, with a chance to showcase<br />

the piece. It’s so nice knowing that<br />

people like the piece I have made.”<br />

3RD AND 4TH YEAR<br />

APPRENTICE/STUDENT AWARD<br />

Hugh Thyregod<br />

Name of piece: Undergrowth<br />

Sponsor: JAA<br />

CAD/CAM/<br />

CAST AWARD<br />

Roberto Mattei<br />

Name of piece: Contact<br />

Sponsor: Chemgold<br />

It’s all about “healthy” competition for Roberto Mattei, who has<br />

been working in the jewellery industry since 1991.<br />

Mattei’s described his piece, an 18-carat white and rose gold<br />

diamond ring, as being similar to a satellite antenna that ‘needs’<br />

contact – hence the name Contact.<br />

“I like to be in competition every now<br />

and then because these [awards] push<br />

the artists to produce the best pieces<br />

ever,” Mattei said. “That’s the way to<br />

produce the best piece you can.”


COLOUR AWARD<br />

Alistair Kelsey<br />

Name of piece: Rapture<br />

Sponsor: JAA<br />

PRECIOUS METAL AWARD<br />

Shiree Hobson<br />

Name of piece: Into the Woods<br />

Sponsor: JAA<br />

Alistair Kelsey’s geometric, angular ring not only granted him the<br />

Colour Award but also the prestigious <strong>Jeweller</strong> of the Year Award.<br />

Commenting on what advice he would give other jewellers<br />

considering entering jewellery design competitions, Kelsey said,<br />

“Don’t be afraid to enter or to try new things.”<br />

He added: “You will always grow from the<br />

experience and even if you don’t become a<br />

finalist, or succeed in what you’re attempting,<br />

you will always learn something in some way.”<br />

Shiree Hobson took out this year’s Precious Metal Award with her<br />

whimsical Into the Woods ring, which was motivated by timeless<br />

tales and childhood daydreams.<br />

Hobson explained that it was a great feeling to be recognised and<br />

receive kind responses by the people in her<br />

local community and “awesome” customers.<br />

“They really are the most important element<br />

of our business and allow us to do what we<br />

love everyday,” she added.<br />

CONTEMPORARY/<br />

NON-PRECIOUS AWARD<br />

Kirra-Lea Caynes<br />

Name of piece: Alabastra<br />

Sponsor: Marsh Advantage Insurance<br />

After receiving the Contemporary/Non-Precious Award for her copper,<br />

titanium, wood and freshwater pearl necklace,<br />

Caynes was keen to explain the importance of<br />

the competition and the JAA’s decision to add a<br />

contemporary/non precious category.<br />

“It [the category] allows pure design to be<br />

promoted not a show of wealth,” she stated,<br />

adding, “It feels amazing to be recognised for<br />

the award and validates my discussion to be a<br />

jeweller and jewellery designer.”<br />

READER’S CHOICE AWARD<br />

Jeremy Fleming<br />

Name of piece: Daughter’s Inspiration<br />

Sponsor: Marie Claire<br />

Jeremy Fleming’s winning platinum and 18-carat rose gold ruby and<br />

diamond ring is aptly titled Daughter’s Inspiration. “My two young<br />

daughters said that I should make something with the ruby they loved<br />

at the shop. [They wanted to] see a piece their dad had made at the<br />

jewellery fair,” Fleming said.<br />

Marie Claire fashion editor Chloe Buttenshaw<br />

was tasked with making a shortlist for the<br />

category; she selected 10 pieces from all<br />

entries received and the public was then<br />

encouraged to vote for their favourite.<br />

DIAMOND AWARD<br />

Gregoire Vende<br />

Name of piece: Arum<br />

Sponsor: Showcase <strong>Jeweller</strong>s<br />

Gregoire Vende was rightly ecstatic when he was crowned winner<br />

for his flower-inspired piece, especially given this was the first design<br />

competition he had ever entered.<br />

“My boss told me when the awards<br />

came up that we had all won the<br />

first day we entered the competition<br />

because what a beautiful thing to do<br />

what you’re passionate about,” Vende<br />

said. “And he’s right! I feel lucky to be<br />

as passionate as I am.”<br />

$10,000 CAREER AND EDUCATION<br />

ACCOLADE<br />

Leah Straughair<br />

Name of piece: Nocturnal Light<br />

Sponsor: Anonymous<br />

Leah Straughair won this newly-created category, which was<br />

developed after an anonymous benefactor donated $10,000 to<br />

the JAA earlier this year, for her ring inspired by the moon.<br />

“The purpose of the moon is to light the night and the diamonds<br />

in the craters represent this,” she explained.<br />

Straughair said she wanted to thank the<br />

donator who made the award a reality.<br />

“I know it’s anonymous, but it’s such a beautiful<br />

thing that they’ve done and I’m so grateful.”<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 37


Completing my Diploma in<br />

Gemmology has benefited<br />

me as a jeweller in more<br />

ways than I ever expected.<br />

I have always had an interest<br />

in gemstones and found<br />

the course was not only<br />

informative and challenging<br />

but immensely rewarding.<br />

Studying with the GAA has also<br />

allowed me to meet like-minded<br />

people from many facets of the<br />

jewellery industry and grants me access<br />

to resources that I will continue to use<br />

throughout my professional career.<br />

Emma Meakes FGAA<br />

<strong>Jeweller</strong>, John Miller Design - WA<br />

Diploma in<br />

Gemmology<br />

Enrolments now open<br />

For more information<br />

1300 436 338<br />

learn@gem.org.au<br />

www.gem.org.au<br />

Be<br />

Brilliant<br />

Gem-Ed Australia<br />

ADELAIDE BRISBANE HOBART MELBOURNE PERTH SYDNEY<br />

Passionately educating the industry, gem enthusiasts<br />

and consumers about gemstones


BUSINESS<br />

SEVEN WAYS TO RESPECT CUSTOMERS<br />

There are right and wrong ways to<br />

request customer data and DENYSE<br />

DRUMMOND-DUNN says using the right<br />

protocol is essential for establishing<br />

long-lasting customer relationships.<br />

Everyone must be aware by now that<br />

nothing on the internet is anonymous<br />

and that both Google and Facebook know<br />

everything about everyone.<br />

They know the ages and genders of users,<br />

what they’re browsing, what ads they click<br />

than ever before, they must remember<br />

to adhere to various best practices in order<br />

to ensure customers feel respected and<br />

not abused.<br />

After all, without customers, there are<br />

no businesses.<br />

Businesses that are truly customer-centric<br />

know that it’s important to build mutuallybeneficial<br />

relationships in which both<br />

parties gain from exchanging information<br />

and services.<br />

TOO MANY<br />

BUSINESSES<br />

ASK TOO MUCH<br />

OF THEIR<br />

CUSTOMERS<br />

WITH LITTLE, IF<br />

ANY, BENEFIT<br />

FOR THE<br />

CUSTOMER<br />

IN RETURN<br />

ALWAYS ASK PERMISSION<br />

Whether a business is contacting its<br />

customers by mail, phone, email or some<br />

other online medium, it should always<br />

request permission to ask questions and<br />

gather information.<br />

Not only should they ask permission but<br />

businesses should also double-check that<br />

a customer has indeed given permission,<br />

especially when the data is gathered via<br />

email or the web.<br />

on and what products they buy.<br />

Amazingly, consumers seem to have<br />

allowed this final barrier to their privacy to<br />

fall without a fight, perhaps because some<br />

don’t even know!<br />

The same is true of business. Retailers<br />

collect all manner of information about their<br />

customers but do they ever stop to wonder<br />

if customers care that they are repeatedly<br />

identified, with their buying habits recorded<br />

and stored in CRM software for use in<br />

targeted marketing campaigns?<br />

As businesses push to gather more data<br />

Too many businesses ask too much of their<br />

customers with little, if any, benefit for the<br />

customer in return.<br />

Concern about online profiling and data<br />

collection may have quietened in the past<br />

few years; however, it’s useful to remember<br />

the major points to keep in mind when<br />

collecting information about customers.<br />

Yes, businesses can argue that it helps<br />

to provide them with better products<br />

and services, which ultimately benefits<br />

the customer, but they still have the right<br />

to know.<br />

Being attentive to privacy when starting to<br />

build a relationship with customers is vital<br />

and shows a business’ respect for them. It<br />

also means asking customers to confirm<br />

their agreement not once but twice.<br />

Double opt-in ensures that customers are<br />

correctly identified and that they have<br />

indeed requested to provide or receive<br />

information and be put on a mailing list.<br />

THERE MUST BE MUTUAL BENEFIT<br />

When a customer has agreed to provide<br />

personal information, a business should<br />

immediately thank them in return.<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 39


BUSINESS<br />

BUSINESSES MUST BE RESPECTFUL WHEN ASKING CUSTOMERS FOR PERSONAL INFORMATION<br />

AS THE<br />

OBJECTIVE<br />

SHOULD BE<br />

TO BUILD A<br />

LONG-TERM<br />

RELATIONSHIP,<br />

BUSINESSES<br />

CAN EASILY<br />

COMPLETE THE<br />

INFORMATION-<br />

GATHERING<br />

EXERCISE<br />

OVER TIME<br />

acquaintances. If the intention is to keep<br />

ideas secret then perhaps seek feedback<br />

from a carefully screened online panel.<br />

ALWAYS OFFER A WAY OUT<br />

Once a business has made a connection<br />

with a customer, always recognise that this<br />

might change in the future. A shopper may<br />

wish to be unsubscribed from the mailing<br />

list, for example.<br />

Making this as quick and simple a process as<br />

possible will show respect for a customer’s<br />

decision and also enable them to leave with<br />

a positive opinion of the store.<br />

This can be as simple as offering coupons<br />

for products, some valuable information not<br />

easily available elsewhere, a free guide on<br />

a relevant topic or other special privileges.<br />

Another thing to keep in mind is not to<br />

overwhelm customers by asking everything<br />

in one go. As the objective should be to<br />

build a long-term relationship, businesses<br />

can easily complete the informationgathering<br />

exercise over time. This also<br />

has the added advantage of keeping<br />

conversations more frequent than they<br />

might otherwise have been.<br />

MAKE CUSTOMERS FEEL SPECIAL<br />

Increasingly, small businesses offer loyalty<br />

programs or a form of ‘club membership’,<br />

especially to their higher-value customers.<br />

These usually provide targeted privileges<br />

and give customers the opportunity<br />

to preview new communication or<br />

product concepts.<br />

This is probably one of the more intimate<br />

win-win relationships that can be<br />

developed with customers; however, it<br />

does take a dedicated team, ideally within<br />

the organisation, to manage such a club<br />

or program.<br />

These customers are naturally the most<br />

demanding for services. They are also the<br />

most interested in offers so they expect to<br />

receive regular updates and breaking news<br />

before everyone else.<br />

KEEP RELATIONSHIPS FRESH<br />

Once a business starts building and<br />

increasing its customer-relationship activity,<br />

it must continue to interest shoppers by<br />

offering news, information, photos, videos<br />

or articles of interest. This can place quite<br />

a strain on internal resources so businesses<br />

may want to consider including customergenerated<br />

content.<br />

Not only does this ensure continuously<br />

updated content but it also incorporates<br />

customers into what is shown so that<br />

content remains relevant and of interest<br />

to them. People love to post and comment<br />

so include message boards, tip-sharing<br />

platforms or photo albums, whatever<br />

is relevant to the brand and its targeted<br />

customer demographic.<br />

ASK FOR ADVICE FREQUENTLY<br />

For customers to appreciate how much a<br />

business values them and their patronage,<br />

retailers should involve them.<br />

Ask for feedback on how the business is<br />

doing, for example. If the business has new<br />

ideas or plans, share details with customers<br />

or enable them to vote for new designs,<br />

concepts or advertising ideas.<br />

Enable them to preview ads or products<br />

before they are launched and use this<br />

as an opportunity to also provide them<br />

with some great information about<br />

these promotions.<br />

After all, a great way to stimulate wordof-mouth<br />

promotion is when customers<br />

share the information with their friends and<br />

family members.<br />

Involving customers in this way will<br />

make them feel like the special and<br />

valued customer they are, enabling them<br />

to talk about the business with their<br />

Who knows when they might wish to come<br />

back in the future? They may even change<br />

their minds on the spot and stay after all!<br />

TREAT CUSTOMERS AS INDIVIDUALS<br />

It was difficult to make this the first point or<br />

the last point. Everyone craves to be treated<br />

as an individual and to receive special<br />

recognition and services. Therefore this<br />

point is really a summary of all that has been<br />

previously discussed.<br />

Retailers must remember the golden rule:<br />

to treat others how they themselves wish<br />

to be treated. Nowhere does this apply more<br />

than in business, where it is exemplified by<br />

how a store treats its customers.<br />

It is amazing how many people willingly<br />

‘take off’ their consumer hats when arriving<br />

at work.<br />

Employees accept things in business that<br />

they would never accept in their personal<br />

lives or from family and friends. Why?<br />

Retailers can test this by asking themselves<br />

what customers would think of any new<br />

decision. If the feeling is that customers<br />

would disapprove then the business might<br />

need to reconsider the change.<br />

With so much choice available to customers<br />

today, it is the retailer’s responsibility to build<br />

an engaging and respectful relationship<br />

with shoppers. If there is no trust, there may<br />

soon be no sales. i<br />

DENYSE DRUMMOND-<br />

DUNN has more than 30 years’<br />

management experience. She<br />

runs C3Centricity consultancy.<br />

Learn more: c3centricity.com<br />

40 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>


SELLING<br />

DISCOUNTING COSTS DOLLARS<br />

STILL POPULAR AS A WAY TO ATTRACT CUSTOMERS, DISCOUNTING CAN ACTUALLY COST BUSINESSES MILLIONS<br />

IN LOST SALES. IN FACT, BRYAN PEARSON SAYS A HIGHER MARKDOWN CAN PROLONG A SALE.<br />

In the fashion world, hemlines may rise<br />

and fall by the season but the shelf life of a<br />

discounted $500 skirt can drag on for days<br />

– 106, to be precise, according to an analysis<br />

of 114 luxury, premium and mass-market<br />

apparel and accessory retailers that found<br />

that’s how long it can take an online luxury<br />

retailer to sell a piece of women’s wear, even<br />

when discounted.<br />

Furthermore, when luxury items such as<br />

jewellery are marked down at a higher<br />

percentage, say 40-50 per cent, they take<br />

19 days longer to sell than if marked down<br />

30-40 per cent.<br />

According to the research by Edited, a<br />

retail-analytics company with offices in New<br />

York, London and Melbourne, this extra time<br />

translated to millions in lost revenue among<br />

select women’s luxury goods in 2016.<br />

Meanwhile, mass-merchandise items sell<br />

faster at discount, especially when marked<br />

down by less.<br />

Women’s wear products sold 11 days quicker<br />

when first discounted from 30-40 per cent,<br />

rather than 40-50 per cent. The difference<br />

cost retailers millions in needless reductions,<br />

according to the research.<br />

The same unusual trends occur across other<br />

fashion sectors, from luxury apparel to kids’<br />

clothing, but why? What does it mean?<br />

According to Katie Smith, senior retail<br />

analyst at Edited, merchants fail to factor in<br />

several basic but highly-relevant factors and<br />

pricing strategies can be blurred by a range<br />

of issues, such as shopper behaviour and<br />

competitive distraction.<br />

TIMING, POPULARITY, OTHER FACTORS<br />

A key benefit for retailers is that they have a<br />

large volume of data available to help them<br />

analyse pricing, Smith says; however, this<br />

also requires that they understand what they<br />

have and how to use it.<br />

Retailers still miscalculate how much to<br />

discount because they fail to include<br />

RETAILERS STILL<br />

MISCALCULATE<br />

HOW MUCH<br />

TO DISCOUNT<br />

BECAUSE THEY<br />

FAIL TO INCLUDE<br />

PERTINENT<br />

FACTORS IN<br />

THE FORMULA,<br />

SUCH AS TIMING,<br />

PRODUCT TYPE,<br />

CATEGORY AND<br />

POPULARITY<br />

BEWARE OF THE DANGERS IN MARKDOWNS<br />

pertinent factors in the formula, such<br />

as timing, product type, category<br />

and popularity. There may also be a<br />

psychological effect at play in that the<br />

shopper may perceive a larger discount to<br />

mean the product is undesirable.<br />

As consumers purchase more goods<br />

online and expect to only buy those goods<br />

when they’re ‘on sale’, Smith believes that<br />

retailers must invest in technologies that<br />

give them a holistic view of the market<br />

and consumer demand.<br />

“Today, retailers can use analysis tools to<br />

understand a trend’s demand before they<br />

even put a style into production, which<br />

helps buyers know how many orders<br />

to place,” she says, adding that real-time<br />

analysis of competitors and other market<br />

segments helps merchandisers track a<br />

trend’s performance, spot saturation and<br />

clear stock before a decline.<br />

Retailers need to become more adept at<br />

considering how different factors may affect<br />

performance. Take colour as an example –<br />

a specific item may perform better in one<br />

colour versus another and the result may<br />

require a business to take very different<br />

strategies to ensure the most value is<br />

captured from the line.<br />

LEARNING FROM THE GROCERY AISLE<br />

Similar factors, from customer spending<br />

habits to selecting which items to discount,<br />

cause supermarkets to make missteps when<br />

determining a pricing or discount strategy.<br />

These elements should inform pricing and<br />

promotions and can result in a 1-3 per<br />

cent increase in sales and profits above<br />

organic growth, according to Precima, a<br />

retail analytics firm, but what tools put<br />

these elements into play? Among the most<br />

popular is the competitive price index. This<br />

is the practice of identifying a competitive<br />

price set among competitors and<br />

establishing a target price relative to that.<br />

The challenge with using this strategy on<br />

its own is it treats all categories and items<br />

equally and doesn’t factor in spending data.<br />

If the retailer combined insights on<br />

customer price sensitivity, along with<br />

competitive price information and price<br />

compliance, they could determine<br />

promotions based on a broader, data-driven<br />

pricing strategy.<br />

Lastly, there is the oversold power of the<br />

loss leader – discounts on price-sensitive<br />

items like soft drinks or eggs – used to<br />

lure shoppers in with the expectation<br />

they will spend more elsewhere, offsetting<br />

the discount.<br />

In truth, 25-50 per cent of loss leaders don’t<br />

actually increase traffic or lead to ancillary<br />

purchases, Precima reports, so analysis is<br />

required to find the ones that do work.<br />

Of course, for multi-store retailers, all this<br />

will make a significant difference if prices<br />

are consistent across all stores. i<br />

BRYAN PEARSON is<br />

president and CEO of<br />

LoyaltyOne and a retail<br />

contributor to Forbes. Learn<br />

more: pearson4loyalty.com<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 41


MANAGEMENT<br />

WHY SALES HIRING IS SO HARD TO GET RIGHT<br />

HIRING QUICKLY MIGHT HELP TO FILL SHORT-TERM VACANCIES ON THE SALES FLOOR BUT GRETCHEN GORDON<br />

BELIEVES HASTY DECISIONS CAN DRAMATICALLY INCREASE RESOURCING COSTS.<br />

Hiring salespeople can be much more<br />

difficult than hiring for other positions. Why?<br />

candidates based on necessary requirements<br />

to be effective in the position.<br />

Sales candidates can be better at asking<br />

questions than the interviewers themselves.<br />

It is all too frequent that the interviewee<br />

then becomes the interviewer and then<br />

all a candidate needs to do is ask a couple<br />

questions to get the interviewer to quickly<br />

4. Interview with intent – conduct a thorough<br />

interview of the highest-scoring candidates<br />

after the screening process. To do this, ask<br />

everyone a set of the same questions, ones<br />

that help to understand how the candidates<br />

will fit in with your available position.<br />

offer all kinds of information. This is usually<br />

because interviewers would rather boast<br />

about their companies than ask tough<br />

questions that might make interviewees<br />

feel challenged.<br />

Furthermore, because the interviewers<br />

end up doing most of the talking, they will<br />

inevitably preference these candidates ahead<br />

of others.<br />

Managers who don’t normally conduct<br />

interviews are also most susceptible to hiring<br />

on gut feel. Rather than approaching the<br />

interview with a plan in place, they simply<br />

try to determine whether the interviewee<br />

will fit in the organisation.<br />

In other words, they look for someone<br />

similar enough to themselves whom they<br />

will enjoy managing. Gut calls are less likely<br />

to be successful and yet are still a popular<br />

determinant of hiring decisions.<br />

Another mistake small businesses make<br />

when hiring sales staff is not providing an<br />

adequate workplace introduction to enable<br />

the new staff member to excel quickly.<br />

Too often the burden of ‘on-boarding’ a new<br />

salesperson is placed on the manager’s<br />

shoulders even when he or she already has<br />

a full plate.<br />

The manager has every good intention but<br />

ends up getting pulled in other directions<br />

and the salesperson is left floundering.<br />

Some managers even view it as a test to see<br />

if the salesperson can make it. This is shortsighted<br />

and costs businesses money and<br />

time in lost productivity.<br />

WHEN THE<br />

MARKET IS TIGHT,<br />

BE PROACTIVE<br />

ABOUT GOING<br />

AFTER THE TYPES<br />

OF CANDIDATES<br />

THAT HAVE<br />

EXPERIENCE<br />

SELLING IN THE<br />

SAME METHODS<br />

THE BUSINESS<br />

USES<br />

AVOID HIRING STAFF ON GUT INSTINCT<br />

FIVE WAYS TO SOLVE THE PROBLEM<br />

Instead of settling for the way it’s always<br />

been done, managers should commit to a<br />

process and have a vision of an upgraded<br />

sales team.<br />

Here’s a five-step, plan of attack that uses<br />

effective and efficient sales hiring to upgrade<br />

any sales team.<br />

1. Attract the right candidates – bust out of<br />

boring sales ads and really describe the ideal<br />

person the business is seeking. This will at<br />

least get the right candidates thinking about<br />

the position. When the market is tight, be<br />

proactive about going after the types of<br />

candidates that have experience selling in<br />

the same methods the business uses.<br />

2. Complete an objective assessment tool<br />

before wasting time reviewing resumes –<br />

before falling in love with any candidates,<br />

implement the use of a predictive,<br />

completely-objective assessment like the<br />

Objective Management Group battery of<br />

tools, the only ones designed specifically<br />

for sales roles.<br />

3. Screen candidates first – briefly screen<br />

all recommended candidates via phone<br />

or video. Create a repeatable template of<br />

interview questions to use in the screening<br />

then implement a scorecard system to rate<br />

Focus on their resumes and ask behavioural<br />

questions based on their stated performance.<br />

A great, easy-to-read book that provides<br />

good guidance on conducting this portion<br />

of the interview is Who: A Method for Hiring<br />

by Geoffrey Smart. Use the questions from<br />

the assessment report to dig into those areas<br />

lurking beneath the surface of the candidate<br />

and find out if the gaps in their skills will<br />

be too significant to overcome. Once you<br />

follow this process and have the objective<br />

information from the assessment, feel free<br />

to become subjective. For example: do they<br />

have the right swagger, the right handshake<br />

and the appropriate confidence?<br />

5. Follow a repeatable and predictive<br />

on-boarding program for the successful<br />

candidate – the key components of<br />

successful on-boarding include shifting the<br />

responsibility to the new person for getting<br />

what is necessary to be successful out of<br />

the program. Start by determining what the<br />

individual needs to gain or master from each<br />

step of the on-boarding program.<br />

In summary, it’s much easier to demystify the<br />

hiring and on-boarding of new salespeople<br />

by following this repeatable five-step<br />

process. Just remember to use analysis to<br />

avoid falling in love with any candidates. i<br />

GRETCHEN GORDON owns<br />

Braveheart Sales Performance,<br />

a company helping clients to<br />

improve sales. Learn more:<br />

braveheartsales.com<br />

42 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>


MARKETING & PR<br />

A SIMPLE GUIDE TO KEEPING IT SIMPLE<br />

WHEN CONSIDERING SALES AND MARKETING, BUSINESSES CAN UNLOCK SIGNIFICANT BENEFITS AND INCREASE<br />

SALES BY CONCENTRATING ON THE BASICS. THOMAS YOUNG REPORTS.<br />

The most successful sales and marketing<br />

approaches are based on common-sense and<br />

there is genius in their subtle simplicity. These<br />

approaches may first appear obvious and easy<br />

to implement, as if they are simply common<br />

knowledge; however, common sense is not<br />

always so common.<br />

Here is a collection of marketing and sales<br />

principles considered basic but often ignored<br />

by businesses.<br />

LET THE MARKET LEAD<br />

It is very common for entrepreneurs or<br />

established businesses to approach their<br />

markets with an idea, product or service<br />

they believe will be successful. They may<br />

have conducted extensive market research,<br />

consulted with focus groups and sampled<br />

sections of the public to amass data that<br />

appears to give them the green light, only to<br />

find that their idea, service or product fails to<br />

take flight.<br />

Market research is a measuring stick, not the<br />

final outcome. As companies develop new<br />

ideas, they must make these ideas flexible<br />

to market changes by following the leads of<br />

their target markets. How often do companies<br />

attempt to push a product onto their<br />

customers for little success?<br />

GIVE AWAY SOME SECRETS<br />

Competitive advantage is a critical<br />

component of marketing and sales success.<br />

Yet, many companies keep their competitive<br />

advantage a secret. They do this out of the<br />

fear that competitors will steal these ideas and<br />

take away their market share.<br />

In fact, the opposite is true. A clearly stated<br />

competitive advantage increases market share<br />

and drives more customers to a business.<br />

Operational secrets are one thing but the<br />

benefits that separate one business from its<br />

competitors must be shared with customers if<br />

they are to understand them.<br />

For example, if one were looking for an office<br />

cleaner, wouldn’t it be nice to know what<br />

OPERATIONAL<br />

SECRETS ARE<br />

ONE THING BUT<br />

THE BENEFITS<br />

THAT SEPARATE<br />

ONE BUSINESS<br />

FROM ITS<br />

COMPETITORS<br />

MUST BE<br />

SHARED WITH<br />

CUSTOMERS<br />

THE BEST SALES AND MARKETING IS BASIC<br />

makes one cleaning company better than<br />

another? Now, the cleaning company owner<br />

might be thinking, “If we give away the secrets<br />

that make us a great cleaning company, our<br />

competition will steal those secrets and put us<br />

out of business.”<br />

On the contrary, if customers don’t know the<br />

features and benefits of the business, they’re<br />

unlikely to choose it.<br />

Closer to home, if a store excels at jewellery<br />

repairs and remodelling then it should boast<br />

about this service. Tell customers why the<br />

business is so good at repairs. The rewards a<br />

business gains from sharing its competitive<br />

advantage overwhelms any minor gains that<br />

might flow to competitors.<br />

LOVE THOSE CUSTOMERS<br />

It is so hard to acquire, foster and retain loyal<br />

customers in today’s competitive markets<br />

that businesses should never take them for<br />

granted. Treat every customer like gold and<br />

remove any obstacle that might deter a<br />

consumer from doing business with the store.<br />

I have known business owners who do not<br />

even want to place their phone numbers on<br />

their websites because they don’t feel they<br />

have time to answer calls. This is an example<br />

of a hurdle that customers have to jump in<br />

order to contact those businesses.<br />

Why would a business make it difficult for a<br />

potential customer to make contact? Don’t let<br />

operational issues make it hard for customers<br />

to shop. Have a passion for customers and<br />

make an extra effort to understand how they<br />

think and why they buy.<br />

IT’S ABOUT PEOPLE<br />

The people who implement a business’<br />

marketing plans are the real key to that<br />

business’ success. These people must<br />

develop the skills needed to understand<br />

customers and keep the company moving<br />

in the direction of meeting target-market<br />

needs. Teamwork is critical to the success<br />

of any marketing plan as everyone in the<br />

business usually sees themselves as marketing<br />

professionals. This includes not only making<br />

things easier for the customer but also making<br />

operations easier for the company.<br />

MARKETING TAKES TIME<br />

Never give up. Marketing takes time and<br />

managers who are committed to the project<br />

will succeed as long as they give customers<br />

what they want.<br />

Remember the infamous line, “If you<br />

build it, they will come.” Now make some<br />

modifications: “If you build it, they will come…<br />

but only if you tell them where to<br />

go and ensure you can service them.”<br />

Be confident. Ask for help when necessary and<br />

keep focus on meeting the needs of prospects<br />

and customers. In this way, businesses that<br />

can implement common-sense sales and<br />

marketing that are not so common will soon<br />

be on the road to higher levels of success. i<br />

THOMAS YOUNG is CEO<br />

of Intuitive Websites. He has<br />

25 years’ marketing and sales<br />

experience. Learn more:<br />

intuitivewebsites.com<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 43


LOGGED ON<br />

DON’T MAKE THESE SOCIAL MEDIA MISTAKES<br />

IN PART ONE OF A TWO-PART SERIES, ALFRED LUA FROM SOCIAL MEDIA MANAGEMENT PLATFORM BUFFER<br />

DISCUSSES HOW BUSINESSES CAN EASILY LEARN FROM THE ERRORS OF OTHERS.<br />

Despite being a specialist in social media<br />

management, Buffer has committed a good<br />

number of social media mistakes, errors that<br />

have cost the business reach, engagement<br />

and maybe even customers.<br />

In an effort to prevent small businesses from<br />

committing the same mistakes, here is an<br />

overview of some of the social media mishaps<br />

made by Buffer and how they can be avoided.<br />

CONTENT OVERLOAD<br />

Focusing on quantity over quality – Just last<br />

year, we were posting four to five times to our<br />

Facebook page and tweeting up to 14 times<br />

per day. Having enough material to share<br />

wasn’t the problem as much content was<br />

being produced on our blogs and podcasts;<br />

however, we noticed that the reach and<br />

engagement of those posts increased threefold<br />

when we cut posting to once or twice<br />

per day.<br />

Limiting Facebook posts to just two per day<br />

forced us to share only our very best content.<br />

The higher-quality posts resonated with our<br />

Facebook fans and the Facebook algorithm<br />

surfaced them to more people.<br />

Small business owners don’t have the time to<br />

create or find enough high-quality content<br />

to post five times a day on Facebook or tweet<br />

10 times a day on Twitter. By reducing the<br />

number of times a business posts each day,<br />

it can focus on the quality of its posts rather<br />

than the quantity.<br />

SPREAD TOO THIN<br />

Spreading across all social media platforms –<br />

As a social media management company,<br />

we feel a duty to test out all social media<br />

platforms so that we can understand how<br />

each platform works.<br />

We then share what we’ve learned about<br />

succeeding on each platform but what we<br />

haven’t been so great at doing is deciding<br />

when to stop using a certain platform. It was<br />

only when Instagram introduced a similar<br />

feature called Stories that we gradually<br />

stopped posting to Snapchat and focused<br />

instead on Instagram.<br />

For the time and effort we put into Snapchat,<br />

we weren’t getting the results and most of<br />

the users on Snapchat weren’t our target<br />

audience anyway. Instagram, on the other<br />

hand, provides several advantages such as<br />

better discoverability, analytics (including<br />

audience insights) and audience targeting<br />

through ads.<br />

Every additional platform a business<br />

incorporates will require additional time and<br />

effort to create great tailored content for that<br />

platform. Take stock of social media profiles<br />

and consider which channels are performing<br />

for your business and which are not.<br />

By moving away from social media platforms<br />

that might not suit a business or those that<br />

are not performing well, businesses can<br />

double down on those that are.<br />

WRONG ORIENTATION<br />

Using only landscape videos and images –<br />

We were accustomed to posting landscape<br />

videos and images because that was the<br />

ideal image size for most social media<br />

platforms, like Facebook and Twitter (1,024<br />

pixels by 512 pixels); however, that might<br />

not be true anymore.<br />

As square videos and images are no longer<br />

cropped on Facebook and Twitter, they take<br />

up more real estate on someone’s feed – 78<br />

per cent more, in fact. After spending $1,500<br />

on experiments, we found that square videos<br />

actually generate higher average views and<br />

greater engagement than landscape videos,<br />

especially on mobile phones.<br />

Another fun experiment to explore might be<br />

posting vertical (portrait) videos and images,<br />

especially since Facebook is showing a larger<br />

preview of vertical videos on its mobile feed.<br />

NO SHOW<br />

Not uploading videos onto social media<br />

platforms – Quintly, a business that provides<br />

social media analytics tools, analysed more<br />

LEARN FROM THE SOCIAL MEDIA MISTAKES OF OTHERS<br />

TAKE STOCK OF<br />

SOCIAL MEDIA<br />

PROFILES AND<br />

CONSIDER WHICH<br />

CHANNELS ARE<br />

PERFORMING<br />

FOR YOUR<br />

BUSINESS AND<br />

WHICH ARE NOT<br />

than six million Facebook posts and found<br />

that videos uploaded to Facebook received<br />

more engagement and shares than YouTube<br />

videos on Facebook.<br />

“The interaction rate for Facebook native<br />

videos were on average 109.67 per cent<br />

higher than for YouTube videos,” Quintly<br />

reported. “Facebook native videos had on<br />

average a 477.76 per cent higher share rate<br />

compared to YouTube videos.”<br />

Just a year ago, we were still sharing YouTube<br />

links to videos rather than uploading videos<br />

onto social media platforms.<br />

When YouTube links were posted, the best<br />

video post only reached 3,397 people. Now,<br />

videos uploaded onto Facebook receive an<br />

average reach of 53,254 people.<br />

Hopefully there are takeaways here for small<br />

businesses looking to improve their social<br />

media strategies. Stay tuned for the second<br />

part of this series where more mistakes will<br />

be revealed as well as the lessons learnt. i<br />

ALFRED LUA is the content<br />

crafter for social media<br />

management business Buffer.<br />

Learn more: buffer.com<br />

44 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>


GEMS<br />

COLOUR INVESTIGATION: GARNET<br />

metal oxides during crystallisation.<br />

In the late 1960s, a new variety of pyropespessartine<br />

was discovered – Malaia garnet<br />

(or Malaya), also known as Umbalite after<br />

the Umba Valley in Tanzania. Malaia garnets<br />

offer delicate pale pinkish-orange to darker<br />

pink-orange shades when coloured by<br />

manganese and some iron. The presence<br />

of varying amounts of chromium and/or<br />

vanadium can produce a colour change<br />

that flashes from reddish-purple to a steely<br />

blue, green or greyish tone. Other possible<br />

colour combinations are reddish-orange<br />

to red, greenish-yellow to pinkish-red, lightred<br />

to purplish-red and bluish-green to light<br />

violet-purple.<br />

Colour change in gemstones is dependent<br />

on the source of the incident light. Natural<br />

daylight or fluorescent light contains higher<br />

IMAGE COURTESY GREG C GRACE<br />

proportions of blue and green wavelengths<br />

and will cause the gemstone to appear to be<br />

green, whereas incandescent light sources,<br />

The spectacular phenomenon of colour<br />

change can only be seen in a small<br />

handful of gemstones. The garnet group,<br />

usually recognised for its rich reds, can<br />

supply fine examples of this playful<br />

effect. STACEY LIM reports.<br />

Deep crimson garnets have a long history<br />

and can be traced back throughout the<br />

ages adorning kings, queens, pharaohs<br />

and priests. Modern consumers continue<br />

to celebrate this group of minerals and<br />

the many other coloured varieties that are<br />

currently commercially available.<br />

Within the garnet group are six species<br />

important to gemmologists; these can be<br />

divided into at least 17 varieties. Garnets are<br />

produces different properties and colours by<br />

which the garnet varieties can be identified.<br />

In chemical terms, the most famous<br />

garnet varieties are aluminium-rich<br />

silicates consisting of pyrope, almandine<br />

and spessartine. Typical colours are red,<br />

brownish-red, violet-red and orange-red.<br />

Although red garnets are the most<br />

common and widespread – forming in<br />

metamorphic rocks on every continent –<br />

this gemstone can be found in a multitude<br />

of hues including yellow, orange, pink,<br />

purple, brown, black, green and a colourchange<br />

variety.<br />

Interestingly, the cause of colour in garnet<br />

varies; some species are idiochromatic,<br />

COLOUR CHANGE<br />

GARNETS<br />

ARE A RARE<br />

OCCURRENCE,<br />

WITH LIMITED<br />

DEPOSITS IN<br />

SRI LANKA,<br />

TANZANIA AND<br />

MADAGASCAR<br />

such as a globe or candle, that contain a<br />

higher proportion of red wavelengths will<br />

cause the gemstone to appear red. As the<br />

light source is altered so is the colour of the<br />

gemstone in view.<br />

Colour change garnets are a rare occurrence,<br />

with limited deposits in Sri Lanka, Tanzania<br />

and Madagascar. Fine quality gemstones can<br />

produce a strong and attractive red to green<br />

colour change, rivalling that of alexandrite, a<br />

gemstone so famous for this effect that it is<br />

often referred to as the ‘alexandrite effect’.<br />

The garnet group of gemstones is vast,<br />

complex and variable, offering so much<br />

more than a simple red gemstone. i<br />

rarely completely pure; they usually contain<br />

a mix of two or more varieties. Each garnet<br />

essentially has the same crystal structure but<br />

varies in chemical composition due to the<br />

substitution of various elements, and this<br />

that is, they are ‘self-colouring’ and owe<br />

their colour to metal oxides inherent in the<br />

chemistry of the gemstone, while others<br />

are described as allochromatic, coloured by<br />

the inclusion of traces of different<br />

STACEY LIM FGAA BA Design, is a qualified<br />

gemmologist and gemmology teacher/assistant.<br />

She is a jewellery designer, marketing manager<br />

and passionate communicator on gemmology.<br />

For information on gemstones, visit: gem.org.au<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 45


10 YEARS AGO<br />

WHAT WAS MAKING NEWS 10 YEARS AGO?<br />

A SNAPSHOT OF THE INDUSTRY EVENTS THAT MADE NEWS HEADLINES IN THE OCTOBER 2007 ISSUE OF JEWELLER.<br />

Holloway Cut Advisor wins US patent<br />

The story: An Australian diamond<br />

cut-expert and retailer has been<br />

granted a US patent for a system<br />

that evaluates the previously<br />

unmeasurable characteristics of<br />

a diamond’s visual appearance.<br />

Designed and developed by<br />

Garry Holloway of two-store<br />

Victorian jewellery retailer<br />

Precious Metals, the Holloway<br />

Cut Advisor (HCA) is a computerbased<br />

program that allows<br />

Correction<br />

In 2007, <strong>Jeweller</strong> published a correction in the<br />

<strong>Jeweller</strong>y World<br />

backs down on<br />

allegations<br />

The story: The publisher of <strong>Jeweller</strong>y<br />

World has been forced to “set the record<br />

straight”, retracting allegations and<br />

claims made against the JAA Australian<br />

<strong>Jeweller</strong>y Fair and its organiser Expertise<br />

Events in the industry magazine’s August/<br />

September 2006 issue.<br />

That story, which announced plans for<br />

the magazine to launch its own trade<br />

fair titled the <strong>Jeweller</strong>y World Show,<br />

detailed a number of alleged problems<br />

with the JAA fair.<br />

users to gain an estimate of a<br />

diamond’s potential physical<br />

appearance by matching its<br />

proportions against a database<br />

of look-up charts to help<br />

determine estimates for<br />

characteristics such as brilliance,<br />

fire, scintillation and spread.<br />

The patent is a breakthrough<br />

for Holloway, who has endured<br />

a six-year wait because of the<br />

<strong>October</strong> issue about a story published the previous<br />

month: September <strong>Jeweller</strong> featured a news report<br />

entitled Dymocks Building Sold. The story stated that<br />

the Dymocks Building on George Street, Sydney<br />

had been sold. This is incorrect. The sold building<br />

is located at 34 Hunter Street, Sydney.<br />

complexity of the subject matter.<br />

JAA AND DCLA DEBATE<br />

ETHICAL GRADING LABS<br />

The story: An online poll from the<br />

Diamond Certification Laboratory<br />

of Australia (DCLA) has sparked a<br />

flurry of media attention that could<br />

have a negative impact on Australian<br />

jewellers. Conducted by DCLA and<br />

published on the website of diamond<br />

information service The Gem Exchange<br />

(Gemex), the poll showed that almost<br />

70 per cent of respondents did not<br />

trust their jeweller.<br />

The report has generated substantial<br />

media interest with newspapers<br />

around the world issuing the results<br />

alongside comments from DCLA<br />

managing director Roy Cohen on the<br />

trustworthiness of diamond grading<br />

laboratories. International diamond<br />

news source Rapaport News published<br />

the story under the headline “Diamond<br />

lab takes issue with rampant use of<br />

bogus certs”, while Idex Online stated,<br />

“Australian consumer concerned<br />

about certification, valuation.” Closer to<br />

home, The Age was less forgiving: “Most<br />

consumers ‘don’t trust jewellers’”.<br />

In clarifying his stance, Cohen insisted<br />

DCLA was not propagating that<br />

jewellers should not be trusted, but<br />

issued the press release in order to<br />

protect diamond-buyers – something<br />

he believed the industry hasn’t done.<br />

But JAA CEO Ian Hadassin suggested<br />

that any article portraying the jewellery<br />

industry in a negative light could<br />

impact industry sales.<br />

“The average single-operated jewellery<br />

store is finding it harder to make ends<br />

meet,” he said, “and the last thing they<br />

need is negative industry publicity<br />

– particularly when the claims made<br />

cannot be substantiated.”<br />

46 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>


EVENTS<br />

JEWELLERY AND WATCH CALENDAR<br />

A GUIDE TO THE LOCAL AND INTERNATIONAL JEWELLERY AND WATCH EVENTS SCHEDULED TO TAKE PLACE IN THE YEAR AHEAD.<br />

OCTOBER <strong>2017</strong><br />

MIDEAST WATCH &<br />

JEWELLERY SHOW<br />

Sharjah, UAE<br />

<strong>October</strong> 3–7<br />

Learn more: mideastjewellery.com<br />

JEWELERS INTERNATIONAL<br />

SHOWCASE (JIS)<br />

Miami, US<br />

<strong>October</strong> 8–11<br />

Learn more: jisshow.com<br />

ISTANBUL JEWELRY SHOW<br />

Istandul, Turkey<br />

<strong>October</strong> 12–15<br />

Learn more: october.<br />

istanbuljewelryshow.com<br />

INTERNATIONAL COLORED<br />

GEMSTONE ASSOCIATION<br />

CONGRESS<br />

Jaipur, India<br />

<strong>October</strong> 21–24<br />

Learn more: icacongress.com<br />

SINGAPORE JEWELLERY<br />

& GEM FAIR<br />

Singapore<br />

<strong>October</strong> 27–30<br />

Learn more:<br />

singaporejewellerygemfair.com<br />

NOVEMBER <strong>2017</strong><br />

CIBJO CONGRESS<br />

Bangkok, Thailand<br />

November 5–7<br />

Learn more: cibjo.org/congress<strong>2017</strong><br />

CHINA INTERNATIONAL<br />

GOLD, JEWELLERY<br />

& GEM FAIR<br />

Shanghai, China<br />

November 17–20<br />

Learn more: exhibitions.<br />

jewellerynetasia.com/shj/zh-cn<br />

JEWELLERY ARABIA<br />

Manama, Bahrain<br />

November 21–25<br />

Learn more: jewelleryarabia.com<br />

JANUARY 2018<br />

SALON INTERNATIONAL<br />

DE LA HAUTE HORLOGERIE<br />

(SIHH)<br />

Geneva, Switzerland<br />

January 15–19<br />

Learn more: sihh.org<br />

VICENZAORO T-GOLD<br />

Vicenza, Italy<br />

January 19–24<br />

Learn more: 10times.com/t-gold<br />

TUCSON GEM, MINERAL &<br />

FOSSIL SHOWCASE<br />

Tucson, US<br />

January 27 – February 11<br />

Learn more: visittucson.org/events/<br />

gem-show<br />

FEBRUARY 2018<br />

JEWELLERY & WATCH<br />

Birmingham, UK<br />

February 4–8<br />

Learn more:<br />

jewelleryandwatchbirmingham.com<br />

NATIONWIDE JEWELLERS<br />

TIME OUT CONFERENCE<br />

Canberra, Australia<br />

February 9–11<br />

BANGKOK GEMS<br />

& JEWELRY FAIR<br />

Bangkok, Thailand<br />

February 21–25<br />

Learn more: bkkgems.com<br />

HONG KONG<br />

INTERNATIONAL DIAMOND,<br />

GEM & PEARL SHOW<br />

Hong Kong<br />

February 27 – March 3<br />

Learn more: m.hktdc.com/fair/hkdgp-<br />

en/HKTDC-Hong-Kong-International-<br />

Diamond--Gem---Pearl-Show.html<br />

MARCH 2018<br />

HONG KONG<br />

INTERNATIONAL<br />

JEWELLERY SHOW<br />

Hong Kong<br />

March 1–5<br />

Learn more: http://m.hktdc.com/fair/<br />

hkjewellery-en/HKTDC-Hong-Kong-<br />

International-<strong>Jeweller</strong>y-Show.html<br />

BASELWORLD<br />

Basel, Switzerland<br />

March 22–27<br />

Learn more: baselworld.com<br />

COOBER PEDY<br />

GEM TRADE SHOW<br />

Coober Pedy, South Australia<br />

March 31 – April 1<br />

Learn more:<br />

cooberpedygemtradeshow.com.au/<br />

Home.aspx<br />

APRIL 2018<br />

NATIONWIDE JEWELLERS<br />

ANTWERP TRIP<br />

Antwerp, Belgium<br />

April 8–13<br />

MAY 2018<br />

NATIONWIDE JEWELLERS<br />

AFRICA TRIP<br />

Africa<br />

May 3–11<br />

JUNE 2018<br />

JCK LAS VEGAS<br />

Las Vegas, US<br />

June 1–4<br />

Learn more: lasvegas.jckonline.com<br />

HONG KONG JEWELLERY<br />

& GEM FAIR<br />

Hong Kong<br />

June 21–24<br />

Learn more: jewellerynetasia.com<br />

JULY 2018<br />

WINTON OPAL TRADESHOW<br />

Winton, Australia<br />

July 13–14<br />

Learn more: qboa.com.au<br />

LIGHTNING RIDGE OPAL<br />

AND GEM FESTIVAL<br />

Lightning Ridge, Australia<br />

July 26–29<br />

Learn more:<br />

lightningridgeopalfestival.com.au<br />

<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 47


MY BENCH<br />

Stelios<br />

Palioudakis<br />

WORKS AT:<br />

Stelios <strong>Jeweller</strong>s<br />

AGE: 36<br />

YEARS IN TRADE: 20 years,<br />

6 months, 4 days, 3 hours,<br />

26 minutes and 3 seconds<br />

TRAINING: Apprenticeship<br />

FIRST JOB: Milton Boston<br />

<strong>Jeweller</strong>s<br />

Favourite gemstone:<br />

Tsavorite because I love<br />

the intense green the<br />

gemstone produces.<br />

Favourite metal:<br />

18-carat yellow gold –<br />

there’s no rhodium<br />

plating involved.<br />

Favourite tool:<br />

Wax pen. A wax pen can<br />

fix and create anything!<br />

Best part of job:<br />

The surprise on clients’ faces<br />

when they open the box.<br />

Worst part of job:<br />

Bills!<br />

Best tip from a jeweller:<br />

Don’t even think about it…<br />

Best tip to a jeweller:<br />

Uncle Jimmy says there is<br />

nothing Blu Tack can’t fix.<br />

Biggest health concern<br />

on the bench:<br />

Bench-itis. The concern<br />

is falling in love with my<br />

bench and leaving my wife<br />

for my bench peg.<br />

Love jewellery because:<br />

I love to create something<br />

from nothing; putting a<br />

picture in your mind and<br />

creating a 3D model.<br />

Industry frustration?<br />

No standards or control<br />

of diamond sales.<br />

My bench is always:<br />

Immaculately organised<br />

because I don’t use it!<br />

Favourite sporting team<br />

or sport:<br />

Soccer – the team depends<br />

on the year.


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®


SOAPBOX<br />

TURNING FEAR INTO POWER<br />

The recent spate of attacks on jewellery<br />

stores and other retailers in Melbourne<br />

has understandably generated fear<br />

among some business operators;<br />

however, rather than letting this fear<br />

get the better of retailers, it is important<br />

to explore ways of channelling these<br />

energies into confronting fears.<br />

The goal should be to respond in a way that<br />

gives a retailer greater strength and power<br />

… not less.<br />

Fear is something that has gripped the<br />

world. Attacks in Nice, Paris, Berlin, London,<br />

Manchester and Barcelona have seen<br />

everyday people becoming the tragic<br />

victims of terrorist attacks, but there’s a<br />

powerful message to emerge following each<br />

of these attacks, and that is the collective<br />

strength of the community in confronting<br />

the fear of terrorism by getting on with their<br />

lives. It’s something I witnessed for myself<br />

recently whilst visiting London’s Borough<br />

Market a few days after it re-opened<br />

following the recent attack. The streets,<br />

shops, bars and restaurants in and around<br />

the markets were abuzz with activity and<br />

people as they reclaimed an area that has<br />

been in operation for more than 1,000 years.<br />

To me this represents a clear statement of<br />

strength and power among the community,<br />

just as the actions of the thousands who<br />

have taken to the streets in other cities<br />

affected by terrorism have done. As former<br />

US first lady Eleanor Roosevelt once said:<br />

“You gain strength, courage and confidence<br />

by every experience in which you really stop<br />

to look fear in the face.”<br />

While on an altogether different scale and<br />

dimension, the recent spate of burglaries<br />

targeting the jewellery industry has been<br />

challenging and disturbing for store<br />

operators and staff. It is important to keep<br />

a sense of perspective on this issue – by<br />

and large we live in a society where crime is<br />

under control. Yes, from time to time we see<br />

flare-ups in some crime types in some areas<br />

but I want to stress that there is no need for<br />

panic or fear. Over recent decades we have<br />

seen many crime rates trending downwards<br />

as the community becomes savvier by<br />

embracing new security measures.<br />

Take banks as an example. In the 1970s<br />

and 1980s criminals regularly targeted<br />

them; however, today one rarely hears of<br />

banks being the target of an armed holdup.<br />

A key reason for this is that the banks<br />

have confronted the threats faced and put<br />

in place a range of measures – physical,<br />

electronic and environmental – to targetharden<br />

their operations and make them<br />

an altogether unattractive proposition<br />

for criminals.<br />

I urge jewellers who have been the victim<br />

of a robbery, or know of a business that<br />

has, to try and channel this experience and<br />

knowledge in a positive manner. How can<br />

business operations improve?<br />

Often applying a bit of common sense with a<br />

few changes on how a business is run, along<br />

with some investment in a security upgrade,<br />

can get retail owners back to focusing on<br />

what they do best – selling jewellery!<br />

It is disappointing to see that security is far<br />

too often viewed as a grudge purchase that<br />

JEWELLERS WHO<br />

HAVE BEEN THE<br />

VICTIM OF AN<br />

ARMED HOLD-UP<br />

WILL ATTEST TO<br />

THE ENORMOUS<br />

EMOTIONAL AND<br />

FINANCIAL TOLL<br />

IT TAKES ON THE<br />

BUSINESS AND<br />

EMPLOYEES; THERE<br />

IS NO ROOM<br />

FOR COMPLACENCY<br />

isn’t always paid the attention it requires.<br />

I’ll admit, I may be a little biased, but in all<br />

seriousness, isn’t security an integral factor in<br />

enabling a retail operation to be successful?<br />

<strong>Jeweller</strong>s who have been the victim of an<br />

armed hold-up will attest to the enormous<br />

emotional and financial toll it takes on the<br />

business and employees; there is no room<br />

for complacency.<br />

Once retailers have got their heads around<br />

this, it’s important to understand that not<br />

all security providers are created the same –<br />

as with any industry, there are the good, the<br />

bad and the downright ugly. When looking<br />

for someone to assist with security, due<br />

diligence and seeking a quality provider is<br />

paramount. One of my greatest frustrations<br />

is the shift towards a world where lowest<br />

price is the key driver rather than quality and<br />

value for money. This short-term outlook<br />

leads to a world where mediocrity becomes<br />

the norm. I’m sure readers have a similar view<br />

in regards to jewellery in the market.<br />

So, the next time there’s a report on<br />

the news of a jewellery or retail store being<br />

the victim of burglars or armed attackers,<br />

ask yourself, what have I done to ensure the<br />

same thing doesn’t happen to me? If the<br />

answer is ‘nothing’, then it’s time to confront<br />

any fears or concerns and do something<br />

about it. i<br />

Name: Bryan de Caires<br />

Business: Australian Security Industry<br />

Association Limited (ASIAL)<br />

Position: CEO<br />

Location: Sydney, NSW<br />

Years in the industry: 17 years and six months<br />

50 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>


Excite<br />

Engage<br />

Experience<br />

Do it all at the International <strong>Jeweller</strong>y Fair<br />

The International <strong>Jeweller</strong>y Fair will return August 25 – 27, 2018<br />

International Convention Centre Sydney


The Gem & <strong>Jeweller</strong>y Export Promotion Council<br />

Exhibition Cell-Unit No. G2-A, Trade Centre, Bandra-Kurla Complex, Bandra (E), Mumbai 400 051, India<br />

Tel: +91-22 4354 1800 • Fax: +91-22 2652 4764 • Email: international@gjepcindia.com • Website: intl.gjepc.org

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