Jeweller - October Issue 2017
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VOICE OF THE AUSTRALIAN JEWELLERY INDUSTRY<br />
OCTOBER <strong>2017</strong><br />
Style code<br />
HOT SEASON TRENDS ARE<br />
JUST THE TRICK FOR RETAILERS<br />
Man jewels<br />
+ +<br />
TIME TO EMBRACE A NEW<br />
FRONTIER IN MEN’S JEWELLERY<br />
Industry flair<br />
CELEBRATING THE <strong>2017</strong><br />
DESIGN AWARD WINNERS
WORLD SHINER PTY LTD<br />
Inspired Performance. Year After Year...<br />
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World Shiner proudly introduces Argyle Pink Diamonds<br />
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• AUSTRALIA • BELGIUM • CANADA • GERMANY • INDIA • JAPAN • SPAIN • TAIWAN • UNITED KINGDOM • USA • NEW ZEALAND
SIGNITY (THAILAND) LTD.<br />
SWAROVSKI GEMSTONES BUSINESS<br />
SIGNITYTHAILAND.OFFICE@SWAROVSKI.COM<br />
T +66(02) 237 2040<br />
F +66(02) 237 2041<br />
SWAROVSKI-GEMSTONES.COM<br />
KARLIE KLOSS<br />
Brilliant Precision<br />
BORN FROM A TRADITION OF<br />
MASTER CRAFTSMANSHIP<br />
VISIT SWAROVSKI-GEMSTONES.COM
HOT SEASON TRENDS ARE<br />
JUST THE TRICK FOR RETAILERS<br />
VOICE OF THE AUSTRALIAN JEWELLERY INDUSTRY<br />
TIME TO EMBRACE A NEW<br />
FRONTIER IN MEN’S JEWELLERY<br />
OCTOBER <strong>2017</strong><br />
CELEBRATING THE <strong>2017</strong><br />
DESIGN AWARD WINNERS<br />
CONTENTS<br />
OCTOBER <strong>2017</strong><br />
15/<br />
20/<br />
31/<br />
FEATURES REGULARS BUSINESS<br />
15/ FASHION FORWARD<br />
Uncovering the hottest trends of<br />
the season. Lobe layering anyone?<br />
20/ A MAN’S WORLD<br />
Suppliers have upped the ante to<br />
meet the modern man’s demands.<br />
28/ SYDNEY FAIR<br />
Inside goss on the <strong>2017</strong><br />
International <strong>Jeweller</strong>y Fair.<br />
31/ WINNING TALENT<br />
Showcasing this year’s jewellery<br />
design award winners.<br />
9/ Editorial<br />
10/ Upfront<br />
11/ News<br />
45/ Gems<br />
Colour investigation: garnet<br />
46/ 10 Years Ago<br />
47/ Events<br />
48/ My Bench<br />
50/ Soapbox<br />
Confront fears and take action,<br />
says Bryan de Caires.<br />
39/ Business feature<br />
Denyse Drummond-Dunn lists<br />
seven ways to build respect.<br />
41/ Selling<br />
Discounting can prolong sales,<br />
Bryan Pearson reports.<br />
42/ Management<br />
Gretchen Gordon shares how<br />
to hire the best salespeople.<br />
43/ Marketing<br />
Keep it simple to come out on<br />
top, Thomas Young advises.<br />
44/ Logged On<br />
Alfred Lua details the social<br />
media mishaps to rightly avoid.<br />
Style code<br />
Man jewels<br />
+ +<br />
Industry flair<br />
Front cover advertiser:<br />
Hardware by Cudworth – Urban<br />
jewellery mixing stainless steel,<br />
rusted steel with bronzite<br />
beads and leather. Visit:<br />
cudworthenterprises.com<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 5
WE’RE IN THE<br />
BUSINESS OF<br />
GROWING YOUR<br />
BUSINESS.<br />
What you receive<br />
• Easily accessed advice and professional services<br />
• World class training systems + free ARA membership<br />
• Marketing and digital resource guidance<br />
• Fully customisable apps, websites, catalogues<br />
• Access to exclusive Showcase brands<br />
• Member owned jewellery focused business<br />
• Maximum supplier discounts to you the retailer<br />
• No ongoing monthly management fees<br />
What it delivers<br />
• Increased productivity<br />
• Exclusive incentives back to members<br />
• The ability to build your brand<br />
• Your identity presented professionally<br />
• Increased margins<br />
• Profits back to members<br />
• Maximised buying power<br />
• Better bottom-line results<br />
What our members have to say<br />
“Head Office provides me with everything from catalogues to marketing, technology<br />
support and so much more. They’re invaluable to my business.”<br />
Rosie Ficarra Kennedy’s Showcase <strong>Jeweller</strong>s, Swan Hill<br />
“I’ve previously been with another buying group, so I appreciate what I now receive as real, tangible<br />
benefits to my business for its future and success.”<br />
Neil Watson Watsons’ <strong>Jeweller</strong>s, Launceston<br />
“The simplicity and professionalism of being able to utilise all of Showcase’s digital and training tools perfectly<br />
suits our business and drives the results we need as a self branded multi-store operation.”<br />
Ben Duff Duffs <strong>Jeweller</strong>s, Geelong<br />
Interested? Contact us today<br />
We’re ready when you are. So if you think it’s time to get serious about where you’re going, email us today.<br />
Our team will be happy to show you how we can grow your business together.<br />
Email: enquiries@showcasejewellers.com.au<br />
www.showcasejewellers.com.au
www.lilijewelry.com | info@lilidiamonds.com | hongkong@lilidiamonds.com<br />
is a trademark and proprietary design of Lili Diamonds
EDITORIAL<br />
A STORY PROVING THERE’S STILL VALUE IN RETAIL<br />
News that Pandora Australia is set to open a<br />
flagship store in Melbourne’s Bourke Street<br />
Mall is interesting on many fronts. For starters,<br />
the building at 280-282 Bourke Street is<br />
six levels and Pandora is reportedly paying<br />
around $1 million in annual rent. Secondly,<br />
Pandora already has three other stores<br />
close by – Little Collins Street, Emporium<br />
Melbourne and Melbourne Central.<br />
Pandora will allocate three levels of the<br />
gothic-style building formerly occupied by<br />
fashion retailer Nine West to retail space.<br />
The three remaining floors will be dedicated<br />
to staff training and office space.<br />
There is no doubt that Pandora’s successful<br />
and innovative approach to retailing in the<br />
digital age will see a retail fit-out designed<br />
to offer new and unique shopping styles to<br />
accommodate the new-age customer.<br />
The Bourke Street Mall has a reputation<br />
for achieving some of the most expensive<br />
retail leases in Australia with suggestions<br />
that space can fetch as much as $10,000 per<br />
square metre. Regardless, the retail precinct<br />
continues to gain the attention of many<br />
international jewellery and fashion brands.<br />
Michael Hill moved into the Mall last year<br />
after signing a lease in July for a high profile,<br />
70-metre store with two street frontages on<br />
the corner of Bourke and Swanston Streets.<br />
Swarovski established a flagship store on<br />
the north side of the Mall in August 2011,<br />
taking over a location that had housed<br />
Bevilles <strong>Jeweller</strong>s for a decade. It was reported<br />
that Swarovski trumped Bevilles when the<br />
landlord sought expressions of interest from<br />
international retailers.<br />
At the time Swarovski was supposedly paying<br />
more than $1 million for the 105-squaremetre<br />
store. Since, the business has grown<br />
from seven stores in Victoria to more than 15.<br />
Such retail behaviour flies in the face of the<br />
doom and gloom reporting on bricks-andmortar<br />
shopping. Yes, it’s true that flagship<br />
stores such as the new Pandora location could<br />
possibly be loss-leading marketing vehicles<br />
that help businesses maintain their highprofile<br />
brand images but I think that mentality<br />
has changed. The high cost of retail tenancies<br />
in prime locations and the challenging<br />
environment for traditional retailers means<br />
every dollar counts – today, each store must<br />
contribute to profitability.<br />
It is difficult to compare the business model<br />
of multi-national jewellery companies such as<br />
Pandora and Swarovski – and even Michael<br />
Hill – with small, Australian jewellery stores<br />
selling a wide range of products and brands<br />
but it is worth noting that the need to stay<br />
up-to-date with consumer shopping trends<br />
is one thing that ‘internationals’ recognise and<br />
do not underestimate.<br />
Faced with an ever-increasing array of online<br />
shopping options and business models,<br />
bricks-and-mortar retailers find themselves<br />
having to adapt to the needs of customers,<br />
SUCH RETAIL<br />
BEHAVIOUR<br />
FLIES IN THE<br />
FACE OF<br />
THE DOOM<br />
AND GLOOM<br />
REPORTING<br />
ON BRICKS-<br />
AND-MORTAR<br />
SHOPPING<br />
specifically the need to deliver a seamless,<br />
multi-channel shopping experience complete<br />
with multiple delivery options such as click<br />
and collect.<br />
Consumers want a shopping experience<br />
that provides great customer service as a<br />
mandatory inclusion and not a discussion<br />
point. That is, consumers believe that physical<br />
stores must accommodate their every<br />
whim or they’ll opt to shop online instead,<br />
which is often cheaper and can be more<br />
convenient. The prevailing view is not to pay<br />
for something you don’t receive.<br />
This new consumer behaviour has meant<br />
there is a need to review store layouts, staff<br />
positioning and displays. There’s also a need<br />
for them to boost staff training, especially in<br />
retail categories like jewellery and other luxury<br />
goods that still rely upon consumers wanting<br />
a touch-and-feel experience.<br />
All of the above may be true, meaning it<br />
can be daunting for small retailers; however,<br />
the good news is that not all consumers are<br />
attracted to high-profile brands. It’s somewhat<br />
ironic that women don’t want to wear exactly<br />
what everyone else is wearing when it comes<br />
to jewellery.<br />
They still wish to express their own personality<br />
and style with unique, often-customised<br />
items, which is the niche that local jewellery<br />
stores must fulfil to remain competitive.<br />
Coleby Nicholson<br />
Managing Editor<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 9
UPFRONT<br />
“They would be:<br />
Trust. Personal.<br />
Inspired.”<br />
What three words would you say to your best customer?<br />
MATTHEW ELY,<br />
MATTHEW ELY BY<br />
YORK JEWELLERS<br />
“Thank you [your<br />
name] – Our<br />
best customers<br />
augment our<br />
drive to keep<br />
creating.”<br />
LUCY FOLK,<br />
LUCY FOLK<br />
“Yes we can –<br />
We do our<br />
outmost<br />
to turn client<br />
wishes/ideas<br />
into reality.”<br />
DENISE FARACO,<br />
LITTLE DARLING CO<br />
VOICE OF THE AUSTRALIAN<br />
JEWELLERY INDUSTRY<br />
jewellermagazine.com<br />
Managing Editor<br />
Coleby Nicholson<br />
Editor<br />
Emily Mobbs<br />
emily.mobbs@jewellermagazine.com<br />
Journalist<br />
Talia Paz<br />
talia.paz@gunnamattamedia.com<br />
Advertising Manager<br />
Gary Collins<br />
gary.collins@jewellermagazine.com<br />
Digital Manager<br />
Angela Han<br />
angela.han@gunnamattamedia.com<br />
BULLETIN BOARD<br />
n LIVING JEWELLERY?<br />
Scientists from MIT Media Lab have<br />
developed jewellery prototypes that<br />
can ‘move’ and ‘interact’. The Kino<br />
project involves miniature robots<br />
that have the ability to perform tasks<br />
such as transition from a brooch to a<br />
necklace. The developers hope these<br />
robots will eventually be small enough<br />
to seamlessly integrate into existing<br />
jewellery pieces. Watch this space.<br />
n BENCHIE SPOTLIGHT<br />
Benchie jewellers are often hidden<br />
in backrooms but smart operators<br />
introduce them to the customers who<br />
are the recipients of their awe-inspiring<br />
pieces. Not only does it strengthen<br />
customer relationships but it can also<br />
increase the jeweller’s work satisfaction.<br />
n COFFEE SMILES<br />
This month is International Coffee Day<br />
and World Smile Day. Celebrated on<br />
<strong>October</strong> 1 and <strong>October</strong> 6 respectively,<br />
jewellers can make the most of the<br />
events by simply shouting the team a<br />
coffee or organising a referral system<br />
with the local coffee shop for the day.<br />
This is the time to take a break from<br />
the daily grind – pun intended.<br />
DIGITAL<br />
BRAINWAVE<br />
A YOUTUBE REVOLUTION<br />
YouTube has had a significant makeover. The<br />
12-year-old video website now possesses a new<br />
logo but the important changes for jewellers are<br />
the host of features expected to enhance the user<br />
experience and show off videos in the best way possible. According to YouTube’s blog,<br />
the mobile app will soon have a responsive design where videos will change shape to<br />
fit a vertical, square or horizontal screen – that means no more black bars on the sides<br />
when viewing in vertical mode – and a Dark Theme on the desktop platform that is said<br />
to give videos a more cinematic look.<br />
TOP PRODUCT<br />
Engelsrufer’s Balance pendant is<br />
adorned with symbols of the lotus flower,<br />
scales and elephant. The piece, distributed<br />
by Duraflex Group Australia, features an<br />
interchangeable sound lens that creates<br />
a noise when swung. It was the most<br />
popular product last month ranked by<br />
views at jewellermagazine.com.<br />
Production Manager<br />
& Graphic Design<br />
Jo De Bono<br />
art@gunnamattamedia.com<br />
Accounts<br />
accounts@gunnamattamedia.com<br />
Subscriptions<br />
info@jewellermagazine.com<br />
<strong>Jeweller</strong> is published by:<br />
Gunnamatta Media Pty Ltd<br />
Locked Bag 26, South Melbourne,<br />
VIC 3205 AUSTRALIA<br />
ABN 64 930 790 434<br />
Phone: +61 3 9696 7200<br />
Fax: +61 3 9696 8313<br />
info@gunnamattamedia.com<br />
Copyright: All material appearing<br />
in <strong>Jeweller</strong> is subject to copyright.<br />
Reproduction in whole or in part is<br />
strictly forbidden without prior written<br />
consent of the publisher.<br />
Gunnamatta Media Pty Ltd strives to<br />
report accurately and fairly and it is<br />
our policy to correct significant errors<br />
of fact and misleading statements in<br />
the next available issue. All statements<br />
made, although based on information<br />
believed to be reliable and accurate at<br />
the time, cannot be guaranteed and<br />
no fault or liability can be accepted<br />
for error or omission. Any comment<br />
relating to subjective opinions should<br />
be addressed to the editor.<br />
Advertising: The publisher reserves<br />
the right to omit or alter any<br />
advertisement to comply with<br />
Australian law and the advertiser<br />
agrees to indemnify the publisher for<br />
all damages or liabilities arising from<br />
the published material.<br />
10 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>
NEWS<br />
NEWS<br />
<strong>Jeweller</strong>s petition for stricter penalties<br />
The Victorian branch of the <strong>Jeweller</strong>s<br />
Association of Australia (JAA) has organised a<br />
petition calling upon the state government<br />
to introduce heavier sentencing for people<br />
committing armed robberies.<br />
JAA Victoria state committee chair Michael<br />
Oboler and vice chair John Michaelis said<br />
they were aiming to gain 40,000 signatures<br />
for the appeal that would ask the Andrews<br />
Labor government to “match the coalition<br />
policy and introduce mandatory sentencing,<br />
toughen up the justice system and hold<br />
criminals to account”.<br />
Oboler explained that jewellers should print<br />
the petition and encourage customers to<br />
sign the form. Retailers were also asked to<br />
give the petition to other businesses in their<br />
local areas.<br />
Oboler stated that the JAA Victorian branch<br />
had been active in helping jewellers to thwart<br />
armed robberies by providing training and<br />
information; however, there were pitfalls in<br />
the justice system. “One of the things that<br />
became clear early on was that we were<br />
dealing with a big problem in terms of the<br />
police being able to do their job successfully,”<br />
he explained. “They were identifying and<br />
catching culprits and putting them before<br />
the courts but these kids were being released<br />
to commit further crimes.”<br />
Signed petitions must be returned in<br />
original form via post to Georgina Crozier,<br />
representative for Southern Metropolitan<br />
Region in the Legislative Council of Victoria.<br />
A copy of the petition can be accessed and<br />
printed here: tinyurl.com/<strong>Jeweller</strong>Petition.<br />
Industry’s finest talents recognised<br />
Australian and New Zealand jewellers were<br />
celebrated at two lavish design award events<br />
in Sydney.<br />
Winners of the inaugural <strong>Jeweller</strong>y Design<br />
Awards (JDA) and the <strong>Jeweller</strong>s Association of<br />
Australia (JAA) Australasian <strong>Jeweller</strong>y Awards<br />
were announced during separate ceremonies<br />
held at the International Convention Centre<br />
on August 26 and at the Sheraton on the Park<br />
on August 25, respectively.<br />
The JDA competition, organised by Expertise<br />
Events and held in conjunction with the<br />
International <strong>Jeweller</strong>y Fair, received 105<br />
entries from which 59 finalist pieces were<br />
chosen. Yuji Satomi was crowned the<br />
overall Supreme Award Winner for his<br />
interchangeable men’s tie necklace and<br />
women’s brooch.<br />
The 24th edition of the JAA Australasian<br />
<strong>Jeweller</strong>y Awards garnered 54 entries with<br />
30 finalist pieces selected across various<br />
categories.<br />
Alistair Kelsey took out the pinnacle <strong>Jeweller</strong><br />
of the Year Award for his 1980s-inspired ring<br />
called Rapture.<br />
A showcase of all winners from both<br />
competitions begins page 31.<br />
Pressure test<br />
The skills of up-and-coming<br />
jewellers were put to the test during<br />
the Worldskills Australia regional<br />
competitions held at the International<br />
<strong>Jeweller</strong>y Fair (IJF).<br />
The contest took place on the show<br />
floor, with participants from Western<br />
Australia competing on Saturday August<br />
26, Queensland on Sunday 27 August<br />
and Victoria on Monday 28 August.<br />
Worldskills Australia general manager<br />
and technical delegate Brigitte Collins<br />
said this was the first time regional<br />
contests had not been held at a TAFE<br />
facility. “This year Expertise Events offered<br />
space at the IJF to run the competitions<br />
and we were then supported by our<br />
partners, Pallion and Australian <strong>Jeweller</strong>s<br />
Supplies, who provided the equipment/<br />
materials and silver,” she explained.<br />
Competitors had six hours to<br />
manufacture a symmetrical slider-type<br />
sterling silver pendant with one main<br />
bezel setting in the centre surrounded<br />
by smaller grain settings. Collins said<br />
each state would hold an awards<br />
evening at a later date where the<br />
winners would be announced.<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 11
NEWS<br />
IN BRIEF<br />
*<br />
CENTENARY FETE<br />
Wallace Bishop commenced its 100th<br />
birthday celebrations by hosting an<br />
event at its flagship Brisbane store as well<br />
as collaborating with Brisbane Festival<br />
organisers to create the Wallace Bishop<br />
Treasure Hunt. Additional giveaways and<br />
“mystery events” are also planned.<br />
*<br />
DIAMOND PROMOTION<br />
De Beers Group announced it would invest<br />
more than US$140 million (AU$174 m) in<br />
advertising diamond jewellery globally, the<br />
highest figure the company has spent in<br />
nearly a decade. While the majority of the<br />
spend would support the company’s own<br />
diamond brands, a statement confirmed it<br />
would also increase ‘partnership marketing’.<br />
*<br />
BRANCHING OUT<br />
Fashion watch brand Cluse has expanded<br />
into jewellery. The debut collection<br />
included three bracelet ranges that use<br />
the brand’s ‘signature’ metal and raw<br />
marble accents. Simon Garber, director<br />
of the Dutch brand’s Australian and New<br />
Zealand distributor Heart & Grace, said he<br />
expected the range would be successful as<br />
local Millennials had already embraced the<br />
layering bracelets and watches trend.<br />
*<br />
TIFFANY VS COSTCO<br />
Tiffany & Co’s high-profile trademark<br />
case against Costco Wholesale has been<br />
resolved, with Costco ordered to pay the<br />
jeweller US$19.35 million (AU$24 m) for<br />
trademark infringement and trademark<br />
counterfeiting. Tiffany & Co was entitled<br />
to US$11.1 million (AU$13.8 m) in<br />
compensatory damages and US$8.25<br />
million (AU$10.2 m) in punitive damages.<br />
*<br />
OFFICIAL RESIGNATION<br />
The JAA board has confirmed that Amanda<br />
Hunter left the association in all capacities<br />
on August 11. The news followed<br />
confusion over Hunter’s position given that<br />
she resigned as executive director in May<br />
and, while no official announcement was<br />
made, her LinkedIn profile stated that she<br />
was appointed JAA ‘Project Manager’ in<br />
July. Hunter joined the JAA in June 2014.<br />
+ MORE BREAKING NEWS<br />
JEWELLERMAGAZINE.COM<br />
Sams Group takes on Samsung<br />
Sams Group Australia has secured the<br />
distribution rights for Samsung’s latest Gear<br />
S3 smartwatch.<br />
Sams Group Australia CEO Steve Der<br />
Bedrossian explained that under the<br />
agreement, the supplier would handle<br />
the exclusive distribution of the Samsung<br />
smartwatch for jewellery retailers in Australia.<br />
The range, comprising the Gear S3 frontier<br />
and the Gear S3 classic, made its debut at the<br />
Sydney International <strong>Jeweller</strong>y Fair in August.<br />
Der Bedrossian said he had been very pleased<br />
with the response and interest received.<br />
“We had Samsung experts attend the Sydney<br />
fair and they spent time explaining to<br />
jewellers the ins and outs of the product,”<br />
Der Bedrossian explained, adding, “This was<br />
really beneficial and we will continue to focus<br />
on educating retailers.”<br />
The deal marks a significant change in<br />
strategy for Samsung, with Der Bedrossian<br />
stating that the company has, until now,<br />
limited supply of smartwatches to electronic<br />
and mobile phone retail stores.<br />
“Because it’s such an amazing watch,<br />
Samsung’s head of marketing wants to see<br />
the product alongside other watches in<br />
jewellery stores,” he said.<br />
Der Bedrossian explained that the launch<br />
in Australia coincided with a roll-out to other<br />
jewellery retailers in international markets.<br />
Pandora moves into Bourke Street Mall<br />
Pandora is set to open a retail store in<br />
Melbourne’s iconic Bourke Street Mall after<br />
signing what is believed to be one of the<br />
biggest retail leasing deals this year.<br />
Annual rent for the six-level building is<br />
understood to be close to $1 million, and the<br />
store will add to the company’s three other<br />
stores located in the Melbourne CBD.<br />
Pandora Australia and New Zealand<br />
managing director Mikael Kruse Jensen told<br />
<strong>Jeweller</strong> that three levels would be used for<br />
retail, while the other three levels would be<br />
used for staff training and office space.<br />
Kruse Jensen said the store, expected to open<br />
in November, would be the company’s first<br />
multi-level outlet in Australia.<br />
“The space gives us potential and<br />
opportunities to change and adapt to<br />
consumer needs,” he explained.<br />
“Customers will be brought closer to the<br />
jewellery, with touch-and-feel displays so<br />
they can experience the quality and<br />
craftsmanship of each piece of hand-finished<br />
Pandora jewellery.”<br />
World first for Australian pearls<br />
Additional marketing opportunities now<br />
exist for Australian South Sea pearls with<br />
the announcement that they have been<br />
certified sustainable by the independent ‘gold<br />
standard’ Marine Stewardship Council (MSC).<br />
The South Sea pearl industry of Western<br />
Australia and the Northern Territory received<br />
certification after an 18-month assessment<br />
and represents the first time a wild pearl<br />
fishery has achieved MSC accreditation.<br />
Pearl Producers Association executive officer<br />
Aaron Irving said it was a milestone for the<br />
Australian South Sea pearl industry. “MSC<br />
certification recognises our long history of<br />
sustainable management and stewardship<br />
of our pearl oyster fishery and ensures the<br />
highest level of confidence for our discerning<br />
customers in making an ethical purchase<br />
choice,” he explained, adding producers were<br />
eligible to use the MSC eco-label on pearls<br />
sourced from the wild Pinctada maxima pearl<br />
oyster fishery effective immediately.<br />
12 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>
FASHION JEWELLERY<br />
PETITE GRAND<br />
Raising the<br />
fashionstakes<br />
LOBE LAYERING AND BOLD STATEMENT EARRINGS ARE JUST SOME<br />
OF THE BIGGEST FASHION TRENDS RIGHT NOW. ANGELA TUFVESSON<br />
SCOURS THE GLOBE IN SEARCH OF WHAT’S HOT THIS SEASON.<br />
ashion is fickle and never more so than in the world of fashion jewellery<br />
where bold statement pieces can quickly surpass the delicate look and<br />
old rules about which metal goes with what can be thrown out faster<br />
than retailers can keep up.<br />
So what’s hot this season? <strong>Jeweller</strong> has investigated the local and international<br />
fashion scene to provide insight on how consumers will accessorise with jewellery<br />
this spring-summer. From lobe layering to statement earrings and mixed metals,<br />
the push for personalisation is in full swing as consumers gravitate towards<br />
unique looks.<br />
LAYER IT ON<br />
Fashionistas have been layering fine necklaces and delicate rings for several years;<br />
however, the newsflash this season is that the trend of stacking jewellery item<br />
upon jewellery item has expanded to include bolder pieces.<br />
Tal Manning, production director at Mezi, says the layering trend is visible across<br />
both the Sydney-based fashion jewellery business’ bold fashion statement pieces<br />
and ‘petite’ range, which caters for customers who prefer smaller items.<br />
“Whether it’s layers of long fashion necklaces or a mix of petite necklaces in an<br />
array of tones, or even mixing the two – fashion and petite – you can never go<br />
wrong with layering,” she states.<br />
According to Aristides Fine Jewels founder Claire Aristides, layering is indicative<br />
of a broader shift away from consumers favouring just a select few traditional<br />
jewellery pieces. It’s a trend she believes is likely to endure.<br />
“Layering – it’s like creating a story,” Aristides says. “Layering and mixing and being<br />
adventurous is here to stay because traditionally only having your engagement<br />
ring and wedding ring and, say, one special set of pearls or something, all that’s<br />
gone. Now we’re seeing people wanting more delicate pieces and layering a lot<br />
more together.”<br />
Further, consumers are enjoying greater freedom to mix metals.<br />
“Rose gold was probably seen as a bit ‘granny’ but it’s such a pretty gold and<br />
people are coming around to it, especially as everyone is really into mixing metals,”<br />
Aristides explains. “We see people buying a thumb ring, a forefinger ring and a<br />
pinkie ring in different metals and layering them all together.”<br />
With multiple ear piercings commonplace among younger female consumers,<br />
layering isn’t limited to necklaces and rings. Dubbed ‘lobe layering’, this trend is<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 15
MEZI<br />
ARISTIDES FINE JEWELS<br />
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popping up everywhere from New York<br />
and Paris to Seoul.<br />
A recent report by Women’s Wear Daily, the<br />
renowned fashion-industry trade journal,<br />
states that the “piercing paradigm” has<br />
changed and secondary holes are now<br />
so popular that they are a viable sales<br />
opportunity for retailers.<br />
“Until recently, secondary piercings were<br />
a sentimental bonding exercise amongst<br />
young women or an opportunity to add<br />
some pizazz,” the article read. “But now,<br />
many girls receive piercings without<br />
emotional pretence – considering a new<br />
hole as routine as buying a t-shirt. Drop in<br />
on any dinner table full of twentysomething<br />
New York girls, and you’d be hard-pressed<br />
to meet an attendee without a fleet of<br />
secondary piercings.”<br />
Tanja Kovacevic established her business<br />
Petite Grand in 2010 following a 15-year<br />
career in the fashion industry. She says<br />
the lobe layering trend is evident among<br />
Australian consumers and driven by a broad<br />
consumer push towards personalisation.<br />
“We have noticed that our customers love<br />
pieces that they can layer, particularly with<br />
earrings,” Kovacevic explains. “The trend to<br />
have more than two ear holes is becoming<br />
extremely popular. Our customers love to mix<br />
up miss-matching unique earrings to create<br />
a completely customised look.”<br />
Still in the ear region, Manning says layered<br />
studs, suspenders, ear jackets and crawlers<br />
go especially well with the classic casual wear<br />
apparel that’s currently on trend.<br />
“Denim is still key for day-to-day wear mixed<br />
with casual tees and an oversized blazer,<br />
which leaves your palette very neutral to<br />
be more daring with your jewellery choices<br />
or allows for a cool layering look,” she states.<br />
“A cool androgynous look with a layered<br />
lobe [is] often worn by our customers in our<br />
Bondi boutique.”<br />
MAKE A STATEMENT<br />
Despite the popularity of layering, there is<br />
one trend that many industry commentators<br />
nominate as the key look this season:<br />
statement earrings.<br />
“Statement earrings continue their run of<br />
popularity and are the jewellery piece of the<br />
season,” states Maia Adams, head of global<br />
research at jewellery trend analysis and<br />
market intelligence agency Adorn Insight.<br />
Indeed, Harper’s Bazaar reports one of the<br />
biggest talking points at this year’s Fashion<br />
Week Australia was sculptural jewellery<br />
pieces like bold, miss-matching earrings<br />
and exaggerated half-moon shaped earrings.<br />
Adams says statement earrings are indicative<br />
of a larger trend that makes use of unusual<br />
shapes and textures.<br />
“Across the board from fast fashion through<br />
to bridge and up to fine and high jewellery,<br />
we are thrilled to see an interest in material<br />
innovation,” she explains. “At the fashion<br />
end of the market this can be seen in mixed<br />
media – fabric, wood, recycled plastics – and<br />
‘found object’ pieces – shells, in particular,<br />
[like] Prada’s puka shell necklaces.”<br />
Roza Topolnicka, head of creative and retail<br />
marketing at Swarovski Gemstones, and<br />
Manning list hoop earrings and oversized<br />
tassel earrings as characteristic of this trend.<br />
“This season our Zola Tassel Earrings have<br />
been a sell out,” Manning says. “This style
FASHION JEWELLERY<br />
I N D I R I<br />
<br />
mixes the delicate threaded tassels with beautiful Swarovski crystal<br />
elements. The rich texture found in these bohemian earrings have<br />
made them one of our most popular items this season.”<br />
Why so big? Industry online journal Business of Fashion attributes<br />
the popularity of statement earrings to the not-so-humble selfie<br />
and paired-back trends in apparel.<br />
“Whereas once costume jewellery was excessively piled on with a full<br />
face of make-up and bouffant hair, today it is an accent to oversized<br />
shirting and distressed denim; the focal point of the ‘no make-up’<br />
make-up look and abbreviated elfin hairdos. Earrings (or earring,<br />
singular) can create a sense of personality for someone who dresses<br />
simply,” the report read.<br />
“It can even create an entire look for a FaceTime or Skype conversation,<br />
even if one’s bottom half is still dressed for sleep. Essentially, statement<br />
earrings are what shoes were to Carrie Bradshaw for a generation who<br />
wear Stan Smiths [sneakers].”<br />
THE BIGGER PICTURE<br />
Ultimately, Topolnicka says these trends speak to a broader shift in<br />
fashion that’s less about rules and more about expression of individual<br />
style. Consumers are mixing pieces from luxury and high-street<br />
jewellery brands to create eclectic, unique looks.<br />
“Eclecticism is what we see everywhere – on the streets, on the<br />
catwalks and in social media,” she states. “There are no boundaries in<br />
mixing and matching – we have already got used to the look where<br />
a Chanel bag can be paired with a basic H&M t-shirt and the same<br />
becomes more and more relevant for jewellery.”<br />
Kovacevic agrees: “High-end brands such as Gucci and Versace are<br />
really influencing trends by using bold and experimental shapes,<br />
colours and materials that consumers want to incorporate into their<br />
everyday wardrobe to add some personality. There is also a desire for<br />
handcrafted pieces that customers feel an emotional connection to<br />
and which reflect their own unique style.”<br />
In fact, Topolnicka believes dramatic consumer preferences for mixing<br />
and matching may even cause a shift in the way new designs become<br />
available to consumers.<br />
“In 2016, brands like Burberry, Tom Ford, Tommy Hilfiger and Ralph<br />
Lauren offered instantly shoppable ‘see now-buy now’ collections<br />
during their shows,” she says.<br />
“More designers are questioning the whole system and pace of the<br />
fashion industry, like Raf Simons who left Dior in 2015 and the recent<br />
announcement from the uber-successful Gvasalia brothers from<br />
Vetements informing that they will stop doing seasonal collections<br />
and are moving from stressful Paris to quiet Zurich. All this creates a<br />
very interesting mood of change which will, for sure, also shape the<br />
jewellery industry.”<br />
The future of the ever-changing fashion jewellery sector might be<br />
anyone’s guess; however, retailers can be sure that layering and bold<br />
statement earrings are capturing consumer sentiment right now,<br />
and trends in apparel and macro influences like social media and<br />
personalisation will continue to impact what consumers demand. i<br />
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Trend forecast<br />
A new season is here, bringing with it a host of on-trend pieces<br />
to tempt the local market. Suppliers outline the key trends and<br />
inspirations influencing the fashion landscape.<br />
“Trends are impacted by a combination of the fashion industry,<br />
social (customer behaviour) and the retail environment. We have<br />
our own in-house designers at Les Georgettes, and our main<br />
inspirations are nature, architecture, and of course, women.<br />
Our spring/summer collection of new cuffs with more vibrant<br />
leathers and vinyls have been really well received, and should be<br />
a great hit going into the brighter spring days.” – Frederic Brunel<br />
Acquaviva, international vice president, Les Georgettes<br />
“Earrings are this season’s fashion statement and they are<br />
without uniformity – dare to be different and mix it up! We love<br />
our Love Goes Round earrings, designed to be worn with two<br />
different earrings but also available as a uniform pair. We very<br />
carefully follow international fashion trends, especially with our<br />
growing European market. We are also seeing more<br />
demand for geometrically and precision-shaped pieces.”<br />
– Helen Thompson-Carter, director, Fabuleux Vous<br />
“A statement piece from the latest collection by Pernille Corydon is the<br />
Icon necklace. Available in sterling silver and gold-plated sterling silver,<br />
the item is iconic Danish simplicity at its very finest. Pernille did her first<br />
sketches of the new collection after a walk on the Golden Gate Bridge,<br />
where she was inspired by the iconic shapes and construction.”<br />
– Debbie Faraday, creative director, Hipp<br />
“The Buckley London AW17 collections are inspired by the iconic<br />
landmarks of London, playing tribute to the brand’s British<br />
heritage. The collections include classic profiles such<br />
as long crystal drops and snowball pendants<br />
that have been updated with contemporary<br />
elements. The Buckley London design team<br />
takes inspiration from the latest catwalk<br />
trends and also the wider environment, such<br />
as the geometric shapes found in architecture<br />
to the vivid colour of natural elements.”<br />
– Jodie Tilia, director, JLM International
FASHION JEWELLERY<br />
“This season is all about layering fine necklaces. We have a wide range of<br />
stunning fine necklets in sterling silver, rose gold plate and black rhodium<br />
plate that can be mixed and matched. This trend has been hot overseas,<br />
seeing many celebrities out and about wearing the layered necklet look. It’s a<br />
great way to create a wow factor without having to rely on heavy jewellery.”<br />
– Janelle Wood, marketing co-ordinator, Stones and Silver<br />
“The inspiration this season for our Jetset<br />
collection was summer vacations and<br />
exotic travel. Who doesn’t love escaping the<br />
everyday? From sparkling blue oceans to<br />
golden deserts, there is a look and style for<br />
everyone. The key trends that inspired this<br />
range were designs made for layering, new<br />
cherub pendants that slide over the necklace<br />
and art nouveau filigree detailing.”<br />
– Kat Gee, designer and founder, Kagi<br />
“Our new collection combines faceted natural turquoise and mother of pearl<br />
with an 18-carat gold vermeil finish over bright sterling silver. This bracelet is<br />
a standout piece for spring and works well alongside other pieces in the range<br />
such as drop earrings, rings and pendants. All over the world,<br />
current trends state that turquoise, silver and gold are<br />
strong partners – a classic match.”<br />
– Josh Smith, owner and designer, Indiri<br />
“Our latest collection features statement<br />
pieces incorporating my signature<br />
Scandinavian look. Items can be mixed as the<br />
wearer pleases – take the Miss Match earrings<br />
for example. I love to make designs that can<br />
be used in more than one way; it gives a lovely<br />
flexibility in personal styling and makes sure<br />
there’s always a nice piece to dress up<br />
any look.” – Malene Storm, creative<br />
designer, Dansk Smykkekunst<br />
THE ANNIVERSARY<br />
COLLECTION.<br />
BY CAROLA ECKRODT<br />
“The new collection is all about the pearl. There’s an entire generation<br />
who’ve not experienced pearls as a modern piece in their wardrobe and<br />
we wanted to bring the pearl into their world in a way that’s relevant<br />
and interesting. We’ve used silver and gold banding on rings and earrings<br />
that suggest tiny strings of pearls and we’ve brought pearls into these<br />
pieces also to punctuate them. We’ve used only pink pearls to once again<br />
reinterpret the idea of what a pearl can be.” – Karen Walker, designer<br />
and founder, Karen Walker <strong>Jeweller</strong>y<br />
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THOMAS SABO<br />
20 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>
MEN’S JEWELLERY<br />
A new<br />
frontier<br />
for men<br />
OPTIMISM ABOUNDS THE MEN’S<br />
JEWELLERY SECTOR AS SUPPLIERS<br />
REFINE PRODUCTS IN LINE WITH<br />
THE AUSSIE MALE’S CONSERVATIVE<br />
BUT FAR FROM DULL DEMANDS.<br />
EMILY MOBBS REPORTS.<br />
en’s jewellery is traditionally a subject met with trepidation<br />
but the tides are turning. Indeed, <strong>2017</strong> could be the year<br />
that men’s jewellery solidifies its place as both a necessary<br />
and highly sought after category.<br />
“<strong>Jeweller</strong>y used to be a divisive topic for men, but almost every guy we<br />
saw on the streets was wearing at least one necklace,” Vogue.com reported<br />
in June as part of its street style coverage of the spring 2018 menswear<br />
fashion shows.<br />
The renowned fashion publication also highlights the return of the ‘male<br />
cleavage’ – yes, that 1970s Mick Jagger look is being embraced by a new<br />
crop of men, championed by the likes of former One Direction band<br />
member and now soloist singer Harry Styles.<br />
It’s not only necklaces of course. Type ‘men’s jewellery <strong>2017</strong> trends’ into<br />
Google and a bevy of results will show guys wearing unique combinations<br />
of bracelets, rings and necklaces.<br />
Industry sceptics who assume that the penchant for men to adorn<br />
themselves with jewellery is restricted to international markets, and doesn’t<br />
translate locally, best think again too.<br />
If there’s one thing men’s jewellery suppliers in Australia can agree on it’s<br />
that the landscape has changed, largely for the better.<br />
“The market for men’s jewellery has come a long way for us in the past<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 21
CUDWORTH ENTERPRISES<br />
CUDWORTH ENTERPRISES<br />
15 years since acquiring Cudworth,”<br />
Cudworth Enterprises director Darren<br />
Roberts says.<br />
Roberts is the fourth owner of Cudworth,<br />
the men’s jewellery business that was<br />
founded in 1918, and is arguably well<br />
positioned to comment on the sector’s<br />
evolution and future.<br />
“There is still a lot of potential and growth<br />
in this sector because men are feeling more<br />
comfortable as they embrace wearing<br />
jewellery,” he continues.<br />
As an example of his confidence in the<br />
category, Roberts recently added luxury<br />
London-based men’s jewellery range<br />
Tateossian to the Cudworth portfolio.<br />
The range made its official local debut at<br />
the International <strong>Jeweller</strong>y Fair in August<br />
and is primarily targeted at affluent males<br />
aged 25 years or more.<br />
While Roberts says that men’s jewellery<br />
offerings have come and gone in recent<br />
years, he welcomes competition that<br />
provides high-quality product.<br />
“I think it is healthy to have competition<br />
as we cannot supply all retailers, especially<br />
in the same city or town,” Roberts explains.<br />
“[However] the sector is damaged when<br />
poor quality products enter the market<br />
at low prices; it diminishes the overall<br />
product offered.”<br />
Another business specialising in men’s<br />
jewellery is Kavalri, which has a retail store in<br />
Melbourne as well as national retail stockists.<br />
Like Roberts, Kavalri founder and director<br />
Tom Boie says the sector is expanding<br />
Down Under.<br />
“I think it can now be widely accepted that<br />
men’s jewellery and accessories has rapidly<br />
evolved from a niche category towards<br />
becoming a mainstream product for men,”<br />
he states. “Even in the five years since<br />
launching Kavalri, I have most definitely<br />
witnessed the pace of growth picking up.”<br />
Boie explains that today’s male consumers<br />
– and their partners – are more inclined to<br />
purchase ‘lifestyle’ jewellery pieces worn to<br />
complement a certain style or look rather<br />
than limiting themselves to a one-off<br />
expensive item.<br />
“This shift in purchase behaviour probably<br />
highlights the biggest change, with men no<br />
longer being one-off jewellery purchasers<br />
but far more likely to repeat-purchase<br />
jewellery and accessory items that appeal to<br />
them,” he says.<br />
“This has certainly been our experience;<br />
our customers repeat-purchase different<br />
jewellery and accessories to wear with<br />
certain outfits or for specific occasions –<br />
sometimes they get a variation of the<br />
same bracelet so they can mix it up.”<br />
A TAILORED OFFERING<br />
Aussie males may be increasingly accepting<br />
of accessorising with jewellery; however,<br />
many seek a conservative, refined and<br />
masculine look, which is often a different<br />
set of requests to other parts of the world.<br />
By all accounts, suppliers are dedicated in<br />
ensuring that products are meeting the<br />
demands of local men.<br />
“We have worked hard to differentiate<br />
ourselves by tailoring products that blend<br />
both masculinity and contemporary style,”<br />
Boie says.<br />
“It’s something we feel appeals directly with<br />
men and has helped us develop a heavilyengaged<br />
local customer base.”<br />
Roberts explains that he monitors<br />
international trends and adapts them
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Trendsetter<br />
Current hot looks for men include:<br />
Bracelets, bracelets and more bracelets<br />
– teaming with a watch is where it’s at<br />
right now, but there’s nothing wrong with<br />
layering bracelets on their own either<br />
TOM HOPE<br />
Beads, gemstones, leather and stainless<br />
steel are a perfect match<br />
Aged or antique plating that gives a ‘worn’<br />
appearance<br />
Anything nautical-inspired<br />
accordingly to local demands. “I watch what is happening overseas<br />
for trends, which is not always suited to our market. I sometimes get<br />
inspiration and then rework pieces that will suit our market,” Roberts<br />
says, adding that retailers can increase a man’s interest in jewellery<br />
by keeping the offering masculine and fashionable.<br />
So what jewellery styles are currently defining the sector?<br />
“Right now, it’s the fashion of mixing real gemstones with leather,”<br />
Roberts states. “It is the strongest part of our jewellery business at<br />
the moment.”<br />
He adds that old-time favourite stainless steel remains popular<br />
owing to its durability and that pieces with antique plating – be<br />
it a pendant, bracelet or cufflink – are performing well.<br />
Commenting on the top-performing categories, Roberts points to<br />
the supplier’s bracelets featuring leather and gemstones as well as<br />
items with a nautical theme.<br />
Speaking of bracelets and the nautical-inspired, Tom Hope is a<br />
recent entrant into the local jewellery scene that combines both<br />
of these areas.<br />
Distributed locally by BYMR, the Swedish collection of unisex
handmade bracelets feature whipping twine in various colours<br />
that are secured with an anchor made from sterling silver, IP plated<br />
stainless steel or solid brass. They are often paired with watches,<br />
which is a major trend at the moment.<br />
BYMR managing director Nils Rasmussen announced the exclusive<br />
distribution deal in July and says the feedback and support since<br />
has been overwhelming.<br />
“Independent jewellers love the fact that this is a range that will<br />
appeal to customers who already have purchased a watch from<br />
the many trend-based brands that are now so strong in the market,”<br />
Rasmussen explains.<br />
“It is expected to add momentum to the trend for watches with<br />
pastel and striped Nato watch bands, and provide a nice little add-on<br />
sale for these customers.”<br />
Importantly, Rasmussen is confident that the range will be popular<br />
amongst men.<br />
He explains that global online sales data shows an even split of<br />
the male and female consumer, and this is a trend expected to<br />
continue offline.<br />
“It will be popular among Australian men, as it’s a trend-oriented<br />
product with a nautical theme but is unlike any of the more<br />
traditional men’s jewellery available, which has always been hard to<br />
sell,” Rasmussen says, adding, “The colour palette of the collection is<br />
quite conservative, not unlike the Australian male when it comes to<br />
selecting jewellery. Online sales have been from 18-24-year-olds but<br />
we are expecting offline sales to skew to an older age bracket.”<br />
HOT ARMS<br />
Arm candy sure is hot right now in the men’s department.<br />
“For the Thomas Sabo Rebel at Heart collection, bracelets are<br />
definitely our top sellers – in particular beaded bracelets,” explains<br />
Phil Edwards, managing director of Duraflex Group Australia, the<br />
local distributor of Thomas Sabo.<br />
Tiger’s eye and matte obsidian beaded bracelets are heroes in this<br />
season’s Rebel at Heart range, which celebrates its 10th anniversary<br />
this year.<br />
Edwards points to injections of agate, treated red bamboo<br />
coral, reconstituted turquoise and jasper as being other new<br />
season updates.<br />
KAVALRI<br />
KAVALRI<br />
WWW.CUDWORTHENTERPRISES.COM
FEATURE<br />
and cufflinks are key-performing categories for Kavalri.<br />
“One of our fastest-moving products are our leather and stainless steel<br />
combinations, in particular our double-wrap leather bracelets with a matte<br />
black steel clasp,” he states. “Men like this product, as it’s a simple and stylish<br />
accessory that they can wear each day – this is also a fantastic option for a gift.”<br />
Like Roberts, Boie says the aged – or antique – metal look is currently in high<br />
demand. He also expects a soon-to-be released ‘ultra-masculine-edgy’ cuff<br />
collection to be a hit with Aussie men.<br />
THOMAS SABO<br />
THOMAS SABO<br />
He too notes the increasing trend to combine bracelets and watches: “It’s<br />
all about layering for Thomas Sabo wearers, creating a statement on the<br />
wrist – hence, our beaded bracelets being the hero for sales. It’s the perfect<br />
complement to a watch as you will see in our advertising campaign.”<br />
Boie says men are just as often wearing bracelets sans watch.<br />
“With the emergence of the smartphone it may be fair to say that the primary<br />
purpose of watches is less important, as such bracelets can somewhat fill a void<br />
of something stylish to be worn on the wrist,” he explains, adding that bracelets<br />
Without taking away from the ever-popular bracelet phenomenon, Boie sees<br />
opportunity in fashion rings as well.<br />
“One product category that we recently launched is our custom-made black<br />
zirconium fashion rings,” he states. “With so much focus on bracelets there has<br />
been less attention on men’s fashion rings and I feel that in the coming years<br />
they too will become increasingly popular.”<br />
EXTRA ENCOURAGEMENT<br />
Males may be more accepting of jewellery but a little nudge to encourage them<br />
and their partners to make a purchase never goes astray.<br />
When asked how retailers could make more men interested in jewellery, local<br />
suppliers were unanimous in the importance of promoting high-profile and<br />
relatable associations.
Roberts says celebrity endorsements always help, and Edwards notes<br />
that the key lies in projecting a certain ‘lifestyle’.<br />
“It’s about more than just jewellery, it’s a lifestyle,” Edwards states.<br />
“Thomas Sabo also has strong affiliations in the sporting world,<br />
with various international sponsorships that span a variety of sports<br />
including ice hockey, motor sports and football.”<br />
Boie says any ‘celebrity’ references used in an effort to tap into a<br />
man’s willingness to purchase jewellery must be easily relatable.<br />
“For example, sporting stars are a fantastic reference point as this<br />
showcases strength and masculinity while highlighting confidence<br />
in men wearing jewellery,” he explains.<br />
“People like soccer superstars Cristiano Ronaldo and David Beckham,<br />
F1 racing car driver Lewis Hamilton, rugby player Sonny Bill Williams<br />
and actor Orlando Bloom are just a few easy to relate to personalities<br />
that wear jewellery and accessories.”<br />
Ultimately, Boie says jewellers need to realise the opportunities<br />
presented by men’s jewellery and thus take the category seriously.<br />
“I am confident that the men’s jewellery and accessories space will<br />
grow extremely quickly here in Australia,” he states.<br />
“You only need to look at the US, Canada and Europe where men’s<br />
jewellery is fast becoming a mainstream product category. Australia<br />
has started a little slower but the momentum has really picked up<br />
over the past few years. It is such a complementary product category<br />
for any jewellery retailer to have in store.”<br />
With new suppliers and product ranges emerging and existing ones<br />
stepping up, the opportunities have never seemed greater.<br />
Wedding rings, watches and cufflinks will remain staples but the<br />
men’s jewellery scene now represents so much more.<br />
While the ‘male cleavage’ is definitely an acquired taste, the<br />
comforting news for jewellers is that the majority of offerings are<br />
versatile and relatively low-key – all perfect for the Aussie man who<br />
typically applies a less-is-more philosophy to accessorising.<br />
It’s time to embrace a new frontier in men’s jewellery. i<br />
KAVALRI<br />
WWW.CUDWORTHENTERPRISES.COM
INTERNATIONAL JEWELLERY FAIR<br />
Inside scoop<br />
on Sydney fair<br />
THE <strong>2017</strong> IJF HAS CONCLUDED<br />
WITH THE ORGANISER AND<br />
EXHIBITORS DELIVERING ON<br />
THE PROMISE OF EXCITING NEW<br />
INITIATIVES BUT WAS IT ENOUGH<br />
TO UNITE THE INDUSTRY?<br />
EMILY MOBBS REPORTS.<br />
xpectations were high leading into this year’s International <strong>Jeweller</strong>y<br />
Fair (IJF): the event, which took place from Saturday August 26 to<br />
Monday August 28, was returning to Darling Harbour following the<br />
three-year, billion-dollar redevelopment of the International Convention<br />
Centre; it was being supported by Australia’s three buying groups; and it boasted<br />
a record number of exhibitors compared to figures of recent years.<br />
There was also no denying that it’s been a difficult year in the local industry –<br />
for numerous reasons – and there was an underlying sense of anticipation that<br />
the IJF would inject some much-needed optimism into the trade.<br />
While many of the 200 exhibitors were still processing orders at the time of<br />
writing, Gary Fitz-Roy, managing director of fair organiser Expertise Events, said<br />
feedback was so far positive.<br />
Fitz-Roy also explained that visitor numbers were not finalised at the time of<br />
publication; however, early indications suggested an increase on the past year<br />
when the fair was held at the Sydney Exhibition Centre at Glebe Island.<br />
Colin Pocklington, managing director of Australia and New Zealand’s largest<br />
buying group Nationwide <strong>Jeweller</strong>s, said the attendance numbers of his members<br />
28 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>
exceeded predictions; an additional 80<br />
unregistered jewellers attended the group’s<br />
morning briefing on the Saturday.<br />
Fitz-Roy and Pocklington’s comments aside,<br />
many exhibitors expected more foot traffic<br />
across the three days.<br />
“While the quality of the retailers that<br />
attended was brilliant and they were ready<br />
to purchase new products, the attendance<br />
of retailers seemed down and that was<br />
disappointing,” Cudworth Enterprises director<br />
Darren Roberts said.<br />
Phil Edwards, managing director of<br />
Duraflex Group Australia (DGA), had similar<br />
sentiments: “I have no specific figures to back<br />
this up, it is just a hunch, but it felt like there<br />
was less foot traffic. I would have expected<br />
more visitors, especially given the new venue.”<br />
Indeed, exhibitors seemed excited about the<br />
‘you beaut’ venue, with a generous number<br />
presenting fresh stand designs and fit outs.<br />
Edwards explained that his team went to<br />
great efforts to develop a fun and interactive<br />
stand this year.<br />
“We took the ‘fair’ concept quite literally by<br />
staging a carnival-themed space complete<br />
with rotating clown heads, popcorn and icecream,”<br />
he said.<br />
The booth generated much hype and was<br />
awarded the Best Large Stand award by<br />
Expertise Events.<br />
Supplier Ichu embraced its Mexican roots and<br />
was crowned the Best Small Stand award,<br />
while industry veteran Peter Beck said he was<br />
excited to introduce a modern stand design<br />
for his namesake business.<br />
Of course, a flashy stand isn’t everything and<br />
as is traditionally the case, suppliers with<br />
fresh product – there were also about 50<br />
first-time exhibitors – received the bulk of<br />
visitor interest.<br />
A new area on the floor, called The Village,<br />
was developed by the show organiser in an<br />
attempt to showcase contemporary local and<br />
international designs. It appeared to strike<br />
a chord as it was noticeably full of people<br />
across the three days.<br />
The Village was just one of the value-adds<br />
developed to enhance the visitor experience<br />
in <strong>2017</strong>. A comprehensive schedule of retailfocused<br />
seminars took place, along with the<br />
Victorian, Western Australian and Queensland<br />
regional Worldskills jewellery competitions.<br />
From a retailer perspective, Judy Cameron of<br />
Cameron’s Fine <strong>Jeweller</strong>s in Swan Hill, Victoria,<br />
said she was impressed with the product<br />
offerings on show.<br />
“We found new product at the fair, which<br />
is what we are always looking for. Last year<br />
I left the fair a bit flat because everything<br />
looked the same, but this year we found<br />
new product that I am sure will boost our<br />
Christmas sales,” she said.<br />
“For a lot of rural retailers, the fair is a time that<br />
brings jewellers from all over Australia and<br />
New Zealand together. Talking with suppliers<br />
and other jewellers brings a balance to our<br />
business and makes you realise we are all<br />
facing new challenges,” Cameron added.<br />
Yes, the local industry is not without its<br />
challenges; however, the IJF showed that<br />
there is plenty of opportunity to band<br />
together in order to strengthen the trade in<br />
the lead up to Christmas and beyond.<br />
So who’s up for it? i<br />
GERMANY<br />
FAMOSA<br />
MY BANGLES<br />
DGA WAS AWARDED BEST LARGE STAND<br />
ICHU WAS CROWNED BEST SMALL STAND<br />
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Buying group accolades<br />
The <strong>2017</strong> International <strong>Jeweller</strong>y Fair provided an ideal opportunity for<br />
Australia and New Zealand’s three buying groups to meet with members<br />
and preferred suppliers.<br />
Each group hosted various activities during the trade show as well as<br />
in the days prior, with the most entertaining events arguably being the<br />
annual member dinners that celebrated industry achievements.<br />
Leading Edge Group <strong>Jeweller</strong>s had its Diamond Awards evening at Doltone<br />
House, Hyde Park, while Nationwide <strong>Jeweller</strong>s hosted a party at the Cockle<br />
Bay Room in the new International Convention Centre.<br />
The Showcase <strong>Jeweller</strong>s masquerade ball, held in conjunction with the JAA<br />
Australasian <strong>Jeweller</strong>y Awards, took place at Sheraton on the Park.<br />
Below is a list of some of the winners from the three annual member evenings.<br />
LEADING EDGE GROUP JEWELLERS<br />
MEMBER EXCELLENCE<br />
Aspire <strong>Jeweller</strong>y (top left)<br />
MEMBER OF THE YEAR<br />
Regency Group<br />
STORE OF THE YEAR<br />
Jim Hughes & Sons<br />
SUPPLIER EXCELLENCE<br />
La Couronne <strong>Jeweller</strong>y (bottom left)<br />
SUPPLIER OF THE YEAR<br />
Duraflex Group Australia<br />
NATIONWIDE JEWELLERS<br />
MEMBER OF THE YEAR<br />
The Gem Cave – AUS (top left)<br />
Jamies <strong>Jeweller</strong>s – NZ<br />
SUPPLIER OF THE YEAR<br />
<strong>Jeweller</strong>y Centre – AUS (bottom left)<br />
Peka Agencies – NZ<br />
APPRENTICE OF THE YEAR<br />
Ryan Kitchen (Diamond Boutique)<br />
SHOWCASE JEWELLERS<br />
RETAILER OF THE YEAR<br />
Kennedy’s Showcase <strong>Jeweller</strong>s<br />
SUPPLIER OF THE YEAR<br />
<strong>Jeweller</strong>y Centre
JEWELLERY<br />
DESIGN<br />
Awards<br />
THE INAUGURAL JEWELLERY DESIGN<br />
AWARDS WERE INTRODUCED BY<br />
EXPERTISE EVENTS WITH THE AIM<br />
OF SHOWCASING THE DESIGN AND<br />
MANUFACTURING PROWESS OF<br />
THE INDUSTRY’S MOST TALENTED<br />
JEWELLERS WORKING IN ALL AREAS<br />
OF THE TRADE. READ ON TO SEE WHO<br />
TOOK OUT THE TOP PRIZES …<br />
SUPREME AWARD WINNER<br />
Yuji Satomi<br />
Name of piece: The Mistress of the Adriatic<br />
Sponsor: Armaguard, Etihad Airways and The Australian Women’s Weekly<br />
This year, the competition’s highest honour went to<br />
Yuji Satomi for his piece The Mistress of the Adriatic.<br />
The interchangeable men’s tie necklace and women’s<br />
brooch featuring a black opal was inspired by<br />
Mediterranean culture, and the win will see Satomi fly<br />
business class with Etihad Airways to Baselworld next<br />
year, among other prizes.<br />
Although unable to attend the awards ceremony –<br />
he was in Japan at the time – Satomi said it was a<br />
“very, very happy moment” when he heard the news.<br />
“I was delighted when my colleague texted me<br />
the great news when the opal design award was<br />
announced,” Satomi stated.<br />
“But the truly exciting moment was later, when I<br />
received another text message and they told me that<br />
I also won the Supreme Award!”<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 31
SamsGroup.com.au<br />
ssales@samsgroup.com.au<br />
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1ST AND 2ND YEAR APPRENTICE/<br />
STUDENT AWARD<br />
Sumaya Bakkar<br />
Name of piece: Passion Sponsor: Pandora<br />
Simply participating in the competition turned out to be a<br />
great confidence boost for Sumaya Bakkar.<br />
“This contest is inspirational for designers wanting to present<br />
their work to the globe and meet with the best designers<br />
in the field,” Bakkar explained. “Winning gives me a great<br />
motivation to come back next year with new ideas.”<br />
3RD AND 4TH YEAR APPRENTICE/<br />
STUDENT AWARD<br />
Kelly Ryu<br />
Name of piece: Sun & Moon Sponsor: Pandora<br />
It turns out a little coaxing from her classmates at New<br />
Zealand’s Peter Minturn Goldsmith School did just the trick<br />
for apprentice Kelly Ryu, who won the 3rd and 4th Year<br />
Apprentice/Student Award for her Byzantine Empire-inspired<br />
earrings. “I think this was the first time I’ve won anything.<br />
I’m still a little shocked,” Ryu said of her win.<br />
AUSTRALIAN OPAL AWARD<br />
Yuji Satomi<br />
Name of piece: The Mistress of the Adriatic<br />
Sponsor: Paterson Fine <strong>Jeweller</strong>y<br />
Yuji Satomi took out the Australian Opal Award prior to being<br />
named the Supreme Award Winner.<br />
“It took me two weeks to design The Mistress of the Adriatic<br />
and another three weeks to make this piece,” Satomi stated,<br />
adding, “[I am] proud of doing opals and wish to increase the<br />
public recognition and awareness of this gemstone.”<br />
BRIDAL AWARD<br />
Gary Thyregod<br />
Name of piece: Tie the Knot<br />
Sponsor: Cosmopolitan Bride<br />
Commenting on his winning marquise cut diamond ring,<br />
Gary Thyregod didn’t hesitate in noting the appeal for<br />
entering: “The prize pool of $80,000 was a good incentive.” He<br />
added, however, that it was heartening to know his work was<br />
appreciated within the industry. “It’s great to be recognised<br />
for a piece of jewellery that you design and create.”
CAD/CAM/CAST AWARD<br />
Mindika Haddagoda<br />
Name of piece: Modern Classic<br />
Sponsor: Chemgold<br />
For Mindika Haddagoda, entering the competition was all<br />
about having an opportunity to push the boundaries and<br />
be judged by well-experienced members of the trade.<br />
“Hopefully next year the jewellery design awards will be<br />
bigger and more jewellery businesses will recognise the<br />
talent of Australian designers and craftsmanship,” he added.<br />
Well-designed<br />
Findings for<br />
Fashion <strong>Jeweller</strong>y<br />
COLOURED GEMSTONE AWARD<br />
Ben Preston-Black<br />
Name of piece: All Wrapped Up<br />
Sponsor: Cerrone<br />
Ben Preston-Black offered convincing reasons for why he<br />
decided to enter the awards: “The main motivation is to<br />
challenge yourself and to really produce work that is a little<br />
bit different, and try and create a little bit of interest for your<br />
business.“ What else? “There were also some pretty good<br />
prizes, which you don’t often see,” Preston-Black said.<br />
DIAMOND AWARD<br />
Nicholas Theochari<br />
Name of piece: Pente<br />
Sponsor: Sams Group Australia<br />
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& enhance<br />
your masterpieces<br />
with our components<br />
Nicholas Theochari is the managing director of MDTdesign.<br />
His team collected several awards this year and Theochari<br />
couldn’t be more proud. “I encourage all my jewellers to<br />
enter awards as it provides an opportunity to make what<br />
they want,” Theochari said. And make what you want he did –<br />
Theochari’s Pente ring featured five tension set diamonds.<br />
Jason Ree was aptly crowned the Fair Visitor Choice Award<br />
for his ‘chaotically symmetrical’ Klif-hang-er ring. Ree<br />
explained that it was special to have peers recognise his<br />
design and craftsmanship. “As jewellers, we often lead a bit<br />
of a solitary worklife without a great deal of feedback at all so<br />
it’s wonderful to win an award,” he said.<br />
FAIR VISITOR CHOICE AWARD<br />
Jason Ree<br />
Name of piece: Klif-hang-er<br />
Sponsor: <strong>Jeweller</strong>y Institute of Australia (JIA)<br />
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MEN’S ACCESSORIES AND<br />
JEWELLERY AWARD<br />
Albert Tse<br />
Name of piece: Memento – Sydney<br />
Sponsor: Peter W Beck<br />
Albert Tse is an emerging jeweller who predominately makes<br />
men’s jewellery. When he saw the JDA contest was including<br />
a men’s category, Tse decided it would be a great way to gain<br />
feedback on his aesthetic and also exposure for his business.<br />
“I’m happy that my pieces are resonating<br />
with people and it lets me know I’m on<br />
the right track,” he stated.<br />
“Hopefully it will open some more doors<br />
for me here and internationally.”<br />
PEARL AWARD<br />
Lynaire Kibblewhite<br />
Name of piece: Dancing Light<br />
Sponsor: Paspaley<br />
Lynaire Kibblewhite, the self-employed goldsmith who has a<br />
penchant for Australian South Sea pearls, was inspired to create<br />
her winning Dancing Light bracelet after she was challenged to<br />
“play with light”.<br />
“It feels a little surreal achieving what I<br />
was aiming for,” Kibblewhite said when<br />
asked how it felt to win. The jeweller<br />
added she was grateful to the judges,<br />
sponsors and event organisers for<br />
putting the JDA competition together.<br />
PRECIOUS METAL AWARD<br />
Jason Ree<br />
Name of piece: Klif-hang-er<br />
Sponsor: Pallion<br />
Jason Ree not only received the Precious Metal Award for his ring<br />
featuring a myriad of metals and a diamond but also went on to<br />
be the recipient of the Fair Visitor Choice Award.<br />
The multi-award winning piece was 20 years in the making and<br />
inspired by Sydney’s coastal sandstone<br />
cliffs. “Our customers love knowing that<br />
we are entering design awards and<br />
featuring as one of the finalists gives our<br />
brand extra credibility,” Ree said of his<br />
motivation to enter the awards.
JAA Australasian<br />
<strong>Jeweller</strong>y Awards<br />
THE JAA AUSTRALASIAN JEWELLERY AWARDS HAVE A LONG HISTORY OF<br />
CELEBRATING THE MESMERISING DESIGN TALENTS OF AUSTRALIA AND NEW ZEALAND’S<br />
JEWELLERS, AND THIS YEAR WAS NO EXCEPTION. HERE ARE THE <strong>2017</strong> WINNERS …<br />
Alistair Kelsey took out the pinnacle <strong>Jeweller</strong> of the Year Award for<br />
his 1980s-inspired ring called Rapture.<br />
Kelsey received a trip to Hong Kong<br />
to compete in the 2018 International<br />
<strong>Jeweller</strong>y Design Excellence Awards<br />
and $1,000 prize money.<br />
While Kelsey was clearly honoured<br />
by the win, he said it was also very<br />
exciting to see the amount of<br />
creativity in the industry.<br />
JEWELLER OF THE YEAR/ROY<br />
WORFOLD PERPETUAL TROPHY<br />
Alistair Kelsey<br />
Name of piece: Rapture<br />
This year marked the first competition Hugh Thyregod has won as<br />
a jeweller and he said it felt “amazing” to be recognised.<br />
“It’s not often I get to make a piece<br />
like this with absolute creative<br />
freedom and at the same time be<br />
as driven as I was whilst making it,”<br />
he explained.<br />
Now he has achieved success,<br />
Thyregod said he would definitely<br />
enter more contests in the future.<br />
APPRENTICE/STUDENT OF THE<br />
YEAR AWARD<br />
Hugh Thyregod<br />
Name of piece: Undergrowth<br />
Sponsor: Australian <strong>Jeweller</strong>s Supplies (AJS)<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 35
1ST AND 2ND YEAR<br />
APPRENTICE/STUDENT AWARD<br />
Tonomi Otobe<br />
Name of piece: Morning Dew<br />
Sponsor: Leading Edge Group <strong>Jeweller</strong>s<br />
This year’s 1st and 2nd Year Apprentice/Student Award was<br />
awarded to Tonomi Otobe for her Morning Dew sterling silver<br />
ring, featuring 24-carat gold leaf and an Akoya pearl.<br />
Tonomi said she was “awed” by the creativity and talent on show.<br />
“I’m aiming for the day when I can<br />
produce pieces of that calibre,” Otobe<br />
stated. “Since getting the award, my<br />
confidence in my jewellery has increased<br />
– now I want to push myself more and<br />
more to stimulate my creativity.”<br />
”I saw a tree with a super cool texture on its bark and I thought<br />
I would try and replicate it in a piece of jewellery,” Thyregod said<br />
of the motivation behind his bangle made from sterling silver,<br />
9-carat gold and 18-carat gold.<br />
“What excited me the most about<br />
entering the competition was the<br />
idea that I could make anything I<br />
wanted, with a chance to showcase<br />
the piece. It’s so nice knowing that<br />
people like the piece I have made.”<br />
3RD AND 4TH YEAR<br />
APPRENTICE/STUDENT AWARD<br />
Hugh Thyregod<br />
Name of piece: Undergrowth<br />
Sponsor: JAA<br />
CAD/CAM/<br />
CAST AWARD<br />
Roberto Mattei<br />
Name of piece: Contact<br />
Sponsor: Chemgold<br />
It’s all about “healthy” competition for Roberto Mattei, who has<br />
been working in the jewellery industry since 1991.<br />
Mattei’s described his piece, an 18-carat white and rose gold<br />
diamond ring, as being similar to a satellite antenna that ‘needs’<br />
contact – hence the name Contact.<br />
“I like to be in competition every now<br />
and then because these [awards] push<br />
the artists to produce the best pieces<br />
ever,” Mattei said. “That’s the way to<br />
produce the best piece you can.”
COLOUR AWARD<br />
Alistair Kelsey<br />
Name of piece: Rapture<br />
Sponsor: JAA<br />
PRECIOUS METAL AWARD<br />
Shiree Hobson<br />
Name of piece: Into the Woods<br />
Sponsor: JAA<br />
Alistair Kelsey’s geometric, angular ring not only granted him the<br />
Colour Award but also the prestigious <strong>Jeweller</strong> of the Year Award.<br />
Commenting on what advice he would give other jewellers<br />
considering entering jewellery design competitions, Kelsey said,<br />
“Don’t be afraid to enter or to try new things.”<br />
He added: “You will always grow from the<br />
experience and even if you don’t become a<br />
finalist, or succeed in what you’re attempting,<br />
you will always learn something in some way.”<br />
Shiree Hobson took out this year’s Precious Metal Award with her<br />
whimsical Into the Woods ring, which was motivated by timeless<br />
tales and childhood daydreams.<br />
Hobson explained that it was a great feeling to be recognised and<br />
receive kind responses by the people in her<br />
local community and “awesome” customers.<br />
“They really are the most important element<br />
of our business and allow us to do what we<br />
love everyday,” she added.<br />
CONTEMPORARY/<br />
NON-PRECIOUS AWARD<br />
Kirra-Lea Caynes<br />
Name of piece: Alabastra<br />
Sponsor: Marsh Advantage Insurance<br />
After receiving the Contemporary/Non-Precious Award for her copper,<br />
titanium, wood and freshwater pearl necklace,<br />
Caynes was keen to explain the importance of<br />
the competition and the JAA’s decision to add a<br />
contemporary/non precious category.<br />
“It [the category] allows pure design to be<br />
promoted not a show of wealth,” she stated,<br />
adding, “It feels amazing to be recognised for<br />
the award and validates my discussion to be a<br />
jeweller and jewellery designer.”<br />
READER’S CHOICE AWARD<br />
Jeremy Fleming<br />
Name of piece: Daughter’s Inspiration<br />
Sponsor: Marie Claire<br />
Jeremy Fleming’s winning platinum and 18-carat rose gold ruby and<br />
diamond ring is aptly titled Daughter’s Inspiration. “My two young<br />
daughters said that I should make something with the ruby they loved<br />
at the shop. [They wanted to] see a piece their dad had made at the<br />
jewellery fair,” Fleming said.<br />
Marie Claire fashion editor Chloe Buttenshaw<br />
was tasked with making a shortlist for the<br />
category; she selected 10 pieces from all<br />
entries received and the public was then<br />
encouraged to vote for their favourite.<br />
DIAMOND AWARD<br />
Gregoire Vende<br />
Name of piece: Arum<br />
Sponsor: Showcase <strong>Jeweller</strong>s<br />
Gregoire Vende was rightly ecstatic when he was crowned winner<br />
for his flower-inspired piece, especially given this was the first design<br />
competition he had ever entered.<br />
“My boss told me when the awards<br />
came up that we had all won the<br />
first day we entered the competition<br />
because what a beautiful thing to do<br />
what you’re passionate about,” Vende<br />
said. “And he’s right! I feel lucky to be<br />
as passionate as I am.”<br />
$10,000 CAREER AND EDUCATION<br />
ACCOLADE<br />
Leah Straughair<br />
Name of piece: Nocturnal Light<br />
Sponsor: Anonymous<br />
Leah Straughair won this newly-created category, which was<br />
developed after an anonymous benefactor donated $10,000 to<br />
the JAA earlier this year, for her ring inspired by the moon.<br />
“The purpose of the moon is to light the night and the diamonds<br />
in the craters represent this,” she explained.<br />
Straughair said she wanted to thank the<br />
donator who made the award a reality.<br />
“I know it’s anonymous, but it’s such a beautiful<br />
thing that they’ve done and I’m so grateful.”<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 37
Completing my Diploma in<br />
Gemmology has benefited<br />
me as a jeweller in more<br />
ways than I ever expected.<br />
I have always had an interest<br />
in gemstones and found<br />
the course was not only<br />
informative and challenging<br />
but immensely rewarding.<br />
Studying with the GAA has also<br />
allowed me to meet like-minded<br />
people from many facets of the<br />
jewellery industry and grants me access<br />
to resources that I will continue to use<br />
throughout my professional career.<br />
Emma Meakes FGAA<br />
<strong>Jeweller</strong>, John Miller Design - WA<br />
Diploma in<br />
Gemmology<br />
Enrolments now open<br />
For more information<br />
1300 436 338<br />
learn@gem.org.au<br />
www.gem.org.au<br />
Be<br />
Brilliant<br />
Gem-Ed Australia<br />
ADELAIDE BRISBANE HOBART MELBOURNE PERTH SYDNEY<br />
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BUSINESS<br />
SEVEN WAYS TO RESPECT CUSTOMERS<br />
There are right and wrong ways to<br />
request customer data and DENYSE<br />
DRUMMOND-DUNN says using the right<br />
protocol is essential for establishing<br />
long-lasting customer relationships.<br />
Everyone must be aware by now that<br />
nothing on the internet is anonymous<br />
and that both Google and Facebook know<br />
everything about everyone.<br />
They know the ages and genders of users,<br />
what they’re browsing, what ads they click<br />
than ever before, they must remember<br />
to adhere to various best practices in order<br />
to ensure customers feel respected and<br />
not abused.<br />
After all, without customers, there are<br />
no businesses.<br />
Businesses that are truly customer-centric<br />
know that it’s important to build mutuallybeneficial<br />
relationships in which both<br />
parties gain from exchanging information<br />
and services.<br />
TOO MANY<br />
BUSINESSES<br />
ASK TOO MUCH<br />
OF THEIR<br />
CUSTOMERS<br />
WITH LITTLE, IF<br />
ANY, BENEFIT<br />
FOR THE<br />
CUSTOMER<br />
IN RETURN<br />
ALWAYS ASK PERMISSION<br />
Whether a business is contacting its<br />
customers by mail, phone, email or some<br />
other online medium, it should always<br />
request permission to ask questions and<br />
gather information.<br />
Not only should they ask permission but<br />
businesses should also double-check that<br />
a customer has indeed given permission,<br />
especially when the data is gathered via<br />
email or the web.<br />
on and what products they buy.<br />
Amazingly, consumers seem to have<br />
allowed this final barrier to their privacy to<br />
fall without a fight, perhaps because some<br />
don’t even know!<br />
The same is true of business. Retailers<br />
collect all manner of information about their<br />
customers but do they ever stop to wonder<br />
if customers care that they are repeatedly<br />
identified, with their buying habits recorded<br />
and stored in CRM software for use in<br />
targeted marketing campaigns?<br />
As businesses push to gather more data<br />
Too many businesses ask too much of their<br />
customers with little, if any, benefit for the<br />
customer in return.<br />
Concern about online profiling and data<br />
collection may have quietened in the past<br />
few years; however, it’s useful to remember<br />
the major points to keep in mind when<br />
collecting information about customers.<br />
Yes, businesses can argue that it helps<br />
to provide them with better products<br />
and services, which ultimately benefits<br />
the customer, but they still have the right<br />
to know.<br />
Being attentive to privacy when starting to<br />
build a relationship with customers is vital<br />
and shows a business’ respect for them. It<br />
also means asking customers to confirm<br />
their agreement not once but twice.<br />
Double opt-in ensures that customers are<br />
correctly identified and that they have<br />
indeed requested to provide or receive<br />
information and be put on a mailing list.<br />
THERE MUST BE MUTUAL BENEFIT<br />
When a customer has agreed to provide<br />
personal information, a business should<br />
immediately thank them in return.<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 39
BUSINESS<br />
BUSINESSES MUST BE RESPECTFUL WHEN ASKING CUSTOMERS FOR PERSONAL INFORMATION<br />
AS THE<br />
OBJECTIVE<br />
SHOULD BE<br />
TO BUILD A<br />
LONG-TERM<br />
RELATIONSHIP,<br />
BUSINESSES<br />
CAN EASILY<br />
COMPLETE THE<br />
INFORMATION-<br />
GATHERING<br />
EXERCISE<br />
OVER TIME<br />
acquaintances. If the intention is to keep<br />
ideas secret then perhaps seek feedback<br />
from a carefully screened online panel.<br />
ALWAYS OFFER A WAY OUT<br />
Once a business has made a connection<br />
with a customer, always recognise that this<br />
might change in the future. A shopper may<br />
wish to be unsubscribed from the mailing<br />
list, for example.<br />
Making this as quick and simple a process as<br />
possible will show respect for a customer’s<br />
decision and also enable them to leave with<br />
a positive opinion of the store.<br />
This can be as simple as offering coupons<br />
for products, some valuable information not<br />
easily available elsewhere, a free guide on<br />
a relevant topic or other special privileges.<br />
Another thing to keep in mind is not to<br />
overwhelm customers by asking everything<br />
in one go. As the objective should be to<br />
build a long-term relationship, businesses<br />
can easily complete the informationgathering<br />
exercise over time. This also<br />
has the added advantage of keeping<br />
conversations more frequent than they<br />
might otherwise have been.<br />
MAKE CUSTOMERS FEEL SPECIAL<br />
Increasingly, small businesses offer loyalty<br />
programs or a form of ‘club membership’,<br />
especially to their higher-value customers.<br />
These usually provide targeted privileges<br />
and give customers the opportunity<br />
to preview new communication or<br />
product concepts.<br />
This is probably one of the more intimate<br />
win-win relationships that can be<br />
developed with customers; however, it<br />
does take a dedicated team, ideally within<br />
the organisation, to manage such a club<br />
or program.<br />
These customers are naturally the most<br />
demanding for services. They are also the<br />
most interested in offers so they expect to<br />
receive regular updates and breaking news<br />
before everyone else.<br />
KEEP RELATIONSHIPS FRESH<br />
Once a business starts building and<br />
increasing its customer-relationship activity,<br />
it must continue to interest shoppers by<br />
offering news, information, photos, videos<br />
or articles of interest. This can place quite<br />
a strain on internal resources so businesses<br />
may want to consider including customergenerated<br />
content.<br />
Not only does this ensure continuously<br />
updated content but it also incorporates<br />
customers into what is shown so that<br />
content remains relevant and of interest<br />
to them. People love to post and comment<br />
so include message boards, tip-sharing<br />
platforms or photo albums, whatever<br />
is relevant to the brand and its targeted<br />
customer demographic.<br />
ASK FOR ADVICE FREQUENTLY<br />
For customers to appreciate how much a<br />
business values them and their patronage,<br />
retailers should involve them.<br />
Ask for feedback on how the business is<br />
doing, for example. If the business has new<br />
ideas or plans, share details with customers<br />
or enable them to vote for new designs,<br />
concepts or advertising ideas.<br />
Enable them to preview ads or products<br />
before they are launched and use this<br />
as an opportunity to also provide them<br />
with some great information about<br />
these promotions.<br />
After all, a great way to stimulate wordof-mouth<br />
promotion is when customers<br />
share the information with their friends and<br />
family members.<br />
Involving customers in this way will<br />
make them feel like the special and<br />
valued customer they are, enabling them<br />
to talk about the business with their<br />
Who knows when they might wish to come<br />
back in the future? They may even change<br />
their minds on the spot and stay after all!<br />
TREAT CUSTOMERS AS INDIVIDUALS<br />
It was difficult to make this the first point or<br />
the last point. Everyone craves to be treated<br />
as an individual and to receive special<br />
recognition and services. Therefore this<br />
point is really a summary of all that has been<br />
previously discussed.<br />
Retailers must remember the golden rule:<br />
to treat others how they themselves wish<br />
to be treated. Nowhere does this apply more<br />
than in business, where it is exemplified by<br />
how a store treats its customers.<br />
It is amazing how many people willingly<br />
‘take off’ their consumer hats when arriving<br />
at work.<br />
Employees accept things in business that<br />
they would never accept in their personal<br />
lives or from family and friends. Why?<br />
Retailers can test this by asking themselves<br />
what customers would think of any new<br />
decision. If the feeling is that customers<br />
would disapprove then the business might<br />
need to reconsider the change.<br />
With so much choice available to customers<br />
today, it is the retailer’s responsibility to build<br />
an engaging and respectful relationship<br />
with shoppers. If there is no trust, there may<br />
soon be no sales. i<br />
DENYSE DRUMMOND-<br />
DUNN has more than 30 years’<br />
management experience. She<br />
runs C3Centricity consultancy.<br />
Learn more: c3centricity.com<br />
40 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>
SELLING<br />
DISCOUNTING COSTS DOLLARS<br />
STILL POPULAR AS A WAY TO ATTRACT CUSTOMERS, DISCOUNTING CAN ACTUALLY COST BUSINESSES MILLIONS<br />
IN LOST SALES. IN FACT, BRYAN PEARSON SAYS A HIGHER MARKDOWN CAN PROLONG A SALE.<br />
In the fashion world, hemlines may rise<br />
and fall by the season but the shelf life of a<br />
discounted $500 skirt can drag on for days<br />
– 106, to be precise, according to an analysis<br />
of 114 luxury, premium and mass-market<br />
apparel and accessory retailers that found<br />
that’s how long it can take an online luxury<br />
retailer to sell a piece of women’s wear, even<br />
when discounted.<br />
Furthermore, when luxury items such as<br />
jewellery are marked down at a higher<br />
percentage, say 40-50 per cent, they take<br />
19 days longer to sell than if marked down<br />
30-40 per cent.<br />
According to the research by Edited, a<br />
retail-analytics company with offices in New<br />
York, London and Melbourne, this extra time<br />
translated to millions in lost revenue among<br />
select women’s luxury goods in 2016.<br />
Meanwhile, mass-merchandise items sell<br />
faster at discount, especially when marked<br />
down by less.<br />
Women’s wear products sold 11 days quicker<br />
when first discounted from 30-40 per cent,<br />
rather than 40-50 per cent. The difference<br />
cost retailers millions in needless reductions,<br />
according to the research.<br />
The same unusual trends occur across other<br />
fashion sectors, from luxury apparel to kids’<br />
clothing, but why? What does it mean?<br />
According to Katie Smith, senior retail<br />
analyst at Edited, merchants fail to factor in<br />
several basic but highly-relevant factors and<br />
pricing strategies can be blurred by a range<br />
of issues, such as shopper behaviour and<br />
competitive distraction.<br />
TIMING, POPULARITY, OTHER FACTORS<br />
A key benefit for retailers is that they have a<br />
large volume of data available to help them<br />
analyse pricing, Smith says; however, this<br />
also requires that they understand what they<br />
have and how to use it.<br />
Retailers still miscalculate how much to<br />
discount because they fail to include<br />
RETAILERS STILL<br />
MISCALCULATE<br />
HOW MUCH<br />
TO DISCOUNT<br />
BECAUSE THEY<br />
FAIL TO INCLUDE<br />
PERTINENT<br />
FACTORS IN<br />
THE FORMULA,<br />
SUCH AS TIMING,<br />
PRODUCT TYPE,<br />
CATEGORY AND<br />
POPULARITY<br />
BEWARE OF THE DANGERS IN MARKDOWNS<br />
pertinent factors in the formula, such<br />
as timing, product type, category<br />
and popularity. There may also be a<br />
psychological effect at play in that the<br />
shopper may perceive a larger discount to<br />
mean the product is undesirable.<br />
As consumers purchase more goods<br />
online and expect to only buy those goods<br />
when they’re ‘on sale’, Smith believes that<br />
retailers must invest in technologies that<br />
give them a holistic view of the market<br />
and consumer demand.<br />
“Today, retailers can use analysis tools to<br />
understand a trend’s demand before they<br />
even put a style into production, which<br />
helps buyers know how many orders<br />
to place,” she says, adding that real-time<br />
analysis of competitors and other market<br />
segments helps merchandisers track a<br />
trend’s performance, spot saturation and<br />
clear stock before a decline.<br />
Retailers need to become more adept at<br />
considering how different factors may affect<br />
performance. Take colour as an example –<br />
a specific item may perform better in one<br />
colour versus another and the result may<br />
require a business to take very different<br />
strategies to ensure the most value is<br />
captured from the line.<br />
LEARNING FROM THE GROCERY AISLE<br />
Similar factors, from customer spending<br />
habits to selecting which items to discount,<br />
cause supermarkets to make missteps when<br />
determining a pricing or discount strategy.<br />
These elements should inform pricing and<br />
promotions and can result in a 1-3 per<br />
cent increase in sales and profits above<br />
organic growth, according to Precima, a<br />
retail analytics firm, but what tools put<br />
these elements into play? Among the most<br />
popular is the competitive price index. This<br />
is the practice of identifying a competitive<br />
price set among competitors and<br />
establishing a target price relative to that.<br />
The challenge with using this strategy on<br />
its own is it treats all categories and items<br />
equally and doesn’t factor in spending data.<br />
If the retailer combined insights on<br />
customer price sensitivity, along with<br />
competitive price information and price<br />
compliance, they could determine<br />
promotions based on a broader, data-driven<br />
pricing strategy.<br />
Lastly, there is the oversold power of the<br />
loss leader – discounts on price-sensitive<br />
items like soft drinks or eggs – used to<br />
lure shoppers in with the expectation<br />
they will spend more elsewhere, offsetting<br />
the discount.<br />
In truth, 25-50 per cent of loss leaders don’t<br />
actually increase traffic or lead to ancillary<br />
purchases, Precima reports, so analysis is<br />
required to find the ones that do work.<br />
Of course, for multi-store retailers, all this<br />
will make a significant difference if prices<br />
are consistent across all stores. i<br />
BRYAN PEARSON is<br />
president and CEO of<br />
LoyaltyOne and a retail<br />
contributor to Forbes. Learn<br />
more: pearson4loyalty.com<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 41
MANAGEMENT<br />
WHY SALES HIRING IS SO HARD TO GET RIGHT<br />
HIRING QUICKLY MIGHT HELP TO FILL SHORT-TERM VACANCIES ON THE SALES FLOOR BUT GRETCHEN GORDON<br />
BELIEVES HASTY DECISIONS CAN DRAMATICALLY INCREASE RESOURCING COSTS.<br />
Hiring salespeople can be much more<br />
difficult than hiring for other positions. Why?<br />
candidates based on necessary requirements<br />
to be effective in the position.<br />
Sales candidates can be better at asking<br />
questions than the interviewers themselves.<br />
It is all too frequent that the interviewee<br />
then becomes the interviewer and then<br />
all a candidate needs to do is ask a couple<br />
questions to get the interviewer to quickly<br />
4. Interview with intent – conduct a thorough<br />
interview of the highest-scoring candidates<br />
after the screening process. To do this, ask<br />
everyone a set of the same questions, ones<br />
that help to understand how the candidates<br />
will fit in with your available position.<br />
offer all kinds of information. This is usually<br />
because interviewers would rather boast<br />
about their companies than ask tough<br />
questions that might make interviewees<br />
feel challenged.<br />
Furthermore, because the interviewers<br />
end up doing most of the talking, they will<br />
inevitably preference these candidates ahead<br />
of others.<br />
Managers who don’t normally conduct<br />
interviews are also most susceptible to hiring<br />
on gut feel. Rather than approaching the<br />
interview with a plan in place, they simply<br />
try to determine whether the interviewee<br />
will fit in the organisation.<br />
In other words, they look for someone<br />
similar enough to themselves whom they<br />
will enjoy managing. Gut calls are less likely<br />
to be successful and yet are still a popular<br />
determinant of hiring decisions.<br />
Another mistake small businesses make<br />
when hiring sales staff is not providing an<br />
adequate workplace introduction to enable<br />
the new staff member to excel quickly.<br />
Too often the burden of ‘on-boarding’ a new<br />
salesperson is placed on the manager’s<br />
shoulders even when he or she already has<br />
a full plate.<br />
The manager has every good intention but<br />
ends up getting pulled in other directions<br />
and the salesperson is left floundering.<br />
Some managers even view it as a test to see<br />
if the salesperson can make it. This is shortsighted<br />
and costs businesses money and<br />
time in lost productivity.<br />
WHEN THE<br />
MARKET IS TIGHT,<br />
BE PROACTIVE<br />
ABOUT GOING<br />
AFTER THE TYPES<br />
OF CANDIDATES<br />
THAT HAVE<br />
EXPERIENCE<br />
SELLING IN THE<br />
SAME METHODS<br />
THE BUSINESS<br />
USES<br />
AVOID HIRING STAFF ON GUT INSTINCT<br />
FIVE WAYS TO SOLVE THE PROBLEM<br />
Instead of settling for the way it’s always<br />
been done, managers should commit to a<br />
process and have a vision of an upgraded<br />
sales team.<br />
Here’s a five-step, plan of attack that uses<br />
effective and efficient sales hiring to upgrade<br />
any sales team.<br />
1. Attract the right candidates – bust out of<br />
boring sales ads and really describe the ideal<br />
person the business is seeking. This will at<br />
least get the right candidates thinking about<br />
the position. When the market is tight, be<br />
proactive about going after the types of<br />
candidates that have experience selling in<br />
the same methods the business uses.<br />
2. Complete an objective assessment tool<br />
before wasting time reviewing resumes –<br />
before falling in love with any candidates,<br />
implement the use of a predictive,<br />
completely-objective assessment like the<br />
Objective Management Group battery of<br />
tools, the only ones designed specifically<br />
for sales roles.<br />
3. Screen candidates first – briefly screen<br />
all recommended candidates via phone<br />
or video. Create a repeatable template of<br />
interview questions to use in the screening<br />
then implement a scorecard system to rate<br />
Focus on their resumes and ask behavioural<br />
questions based on their stated performance.<br />
A great, easy-to-read book that provides<br />
good guidance on conducting this portion<br />
of the interview is Who: A Method for Hiring<br />
by Geoffrey Smart. Use the questions from<br />
the assessment report to dig into those areas<br />
lurking beneath the surface of the candidate<br />
and find out if the gaps in their skills will<br />
be too significant to overcome. Once you<br />
follow this process and have the objective<br />
information from the assessment, feel free<br />
to become subjective. For example: do they<br />
have the right swagger, the right handshake<br />
and the appropriate confidence?<br />
5. Follow a repeatable and predictive<br />
on-boarding program for the successful<br />
candidate – the key components of<br />
successful on-boarding include shifting the<br />
responsibility to the new person for getting<br />
what is necessary to be successful out of<br />
the program. Start by determining what the<br />
individual needs to gain or master from each<br />
step of the on-boarding program.<br />
In summary, it’s much easier to demystify the<br />
hiring and on-boarding of new salespeople<br />
by following this repeatable five-step<br />
process. Just remember to use analysis to<br />
avoid falling in love with any candidates. i<br />
GRETCHEN GORDON owns<br />
Braveheart Sales Performance,<br />
a company helping clients to<br />
improve sales. Learn more:<br />
braveheartsales.com<br />
42 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>
MARKETING & PR<br />
A SIMPLE GUIDE TO KEEPING IT SIMPLE<br />
WHEN CONSIDERING SALES AND MARKETING, BUSINESSES CAN UNLOCK SIGNIFICANT BENEFITS AND INCREASE<br />
SALES BY CONCENTRATING ON THE BASICS. THOMAS YOUNG REPORTS.<br />
The most successful sales and marketing<br />
approaches are based on common-sense and<br />
there is genius in their subtle simplicity. These<br />
approaches may first appear obvious and easy<br />
to implement, as if they are simply common<br />
knowledge; however, common sense is not<br />
always so common.<br />
Here is a collection of marketing and sales<br />
principles considered basic but often ignored<br />
by businesses.<br />
LET THE MARKET LEAD<br />
It is very common for entrepreneurs or<br />
established businesses to approach their<br />
markets with an idea, product or service<br />
they believe will be successful. They may<br />
have conducted extensive market research,<br />
consulted with focus groups and sampled<br />
sections of the public to amass data that<br />
appears to give them the green light, only to<br />
find that their idea, service or product fails to<br />
take flight.<br />
Market research is a measuring stick, not the<br />
final outcome. As companies develop new<br />
ideas, they must make these ideas flexible<br />
to market changes by following the leads of<br />
their target markets. How often do companies<br />
attempt to push a product onto their<br />
customers for little success?<br />
GIVE AWAY SOME SECRETS<br />
Competitive advantage is a critical<br />
component of marketing and sales success.<br />
Yet, many companies keep their competitive<br />
advantage a secret. They do this out of the<br />
fear that competitors will steal these ideas and<br />
take away their market share.<br />
In fact, the opposite is true. A clearly stated<br />
competitive advantage increases market share<br />
and drives more customers to a business.<br />
Operational secrets are one thing but the<br />
benefits that separate one business from its<br />
competitors must be shared with customers if<br />
they are to understand them.<br />
For example, if one were looking for an office<br />
cleaner, wouldn’t it be nice to know what<br />
OPERATIONAL<br />
SECRETS ARE<br />
ONE THING BUT<br />
THE BENEFITS<br />
THAT SEPARATE<br />
ONE BUSINESS<br />
FROM ITS<br />
COMPETITORS<br />
MUST BE<br />
SHARED WITH<br />
CUSTOMERS<br />
THE BEST SALES AND MARKETING IS BASIC<br />
makes one cleaning company better than<br />
another? Now, the cleaning company owner<br />
might be thinking, “If we give away the secrets<br />
that make us a great cleaning company, our<br />
competition will steal those secrets and put us<br />
out of business.”<br />
On the contrary, if customers don’t know the<br />
features and benefits of the business, they’re<br />
unlikely to choose it.<br />
Closer to home, if a store excels at jewellery<br />
repairs and remodelling then it should boast<br />
about this service. Tell customers why the<br />
business is so good at repairs. The rewards a<br />
business gains from sharing its competitive<br />
advantage overwhelms any minor gains that<br />
might flow to competitors.<br />
LOVE THOSE CUSTOMERS<br />
It is so hard to acquire, foster and retain loyal<br />
customers in today’s competitive markets<br />
that businesses should never take them for<br />
granted. Treat every customer like gold and<br />
remove any obstacle that might deter a<br />
consumer from doing business with the store.<br />
I have known business owners who do not<br />
even want to place their phone numbers on<br />
their websites because they don’t feel they<br />
have time to answer calls. This is an example<br />
of a hurdle that customers have to jump in<br />
order to contact those businesses.<br />
Why would a business make it difficult for a<br />
potential customer to make contact? Don’t let<br />
operational issues make it hard for customers<br />
to shop. Have a passion for customers and<br />
make an extra effort to understand how they<br />
think and why they buy.<br />
IT’S ABOUT PEOPLE<br />
The people who implement a business’<br />
marketing plans are the real key to that<br />
business’ success. These people must<br />
develop the skills needed to understand<br />
customers and keep the company moving<br />
in the direction of meeting target-market<br />
needs. Teamwork is critical to the success<br />
of any marketing plan as everyone in the<br />
business usually sees themselves as marketing<br />
professionals. This includes not only making<br />
things easier for the customer but also making<br />
operations easier for the company.<br />
MARKETING TAKES TIME<br />
Never give up. Marketing takes time and<br />
managers who are committed to the project<br />
will succeed as long as they give customers<br />
what they want.<br />
Remember the infamous line, “If you<br />
build it, they will come.” Now make some<br />
modifications: “If you build it, they will come…<br />
but only if you tell them where to<br />
go and ensure you can service them.”<br />
Be confident. Ask for help when necessary and<br />
keep focus on meeting the needs of prospects<br />
and customers. In this way, businesses that<br />
can implement common-sense sales and<br />
marketing that are not so common will soon<br />
be on the road to higher levels of success. i<br />
THOMAS YOUNG is CEO<br />
of Intuitive Websites. He has<br />
25 years’ marketing and sales<br />
experience. Learn more:<br />
intuitivewebsites.com<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 43
LOGGED ON<br />
DON’T MAKE THESE SOCIAL MEDIA MISTAKES<br />
IN PART ONE OF A TWO-PART SERIES, ALFRED LUA FROM SOCIAL MEDIA MANAGEMENT PLATFORM BUFFER<br />
DISCUSSES HOW BUSINESSES CAN EASILY LEARN FROM THE ERRORS OF OTHERS.<br />
Despite being a specialist in social media<br />
management, Buffer has committed a good<br />
number of social media mistakes, errors that<br />
have cost the business reach, engagement<br />
and maybe even customers.<br />
In an effort to prevent small businesses from<br />
committing the same mistakes, here is an<br />
overview of some of the social media mishaps<br />
made by Buffer and how they can be avoided.<br />
CONTENT OVERLOAD<br />
Focusing on quantity over quality – Just last<br />
year, we were posting four to five times to our<br />
Facebook page and tweeting up to 14 times<br />
per day. Having enough material to share<br />
wasn’t the problem as much content was<br />
being produced on our blogs and podcasts;<br />
however, we noticed that the reach and<br />
engagement of those posts increased threefold<br />
when we cut posting to once or twice<br />
per day.<br />
Limiting Facebook posts to just two per day<br />
forced us to share only our very best content.<br />
The higher-quality posts resonated with our<br />
Facebook fans and the Facebook algorithm<br />
surfaced them to more people.<br />
Small business owners don’t have the time to<br />
create or find enough high-quality content<br />
to post five times a day on Facebook or tweet<br />
10 times a day on Twitter. By reducing the<br />
number of times a business posts each day,<br />
it can focus on the quality of its posts rather<br />
than the quantity.<br />
SPREAD TOO THIN<br />
Spreading across all social media platforms –<br />
As a social media management company,<br />
we feel a duty to test out all social media<br />
platforms so that we can understand how<br />
each platform works.<br />
We then share what we’ve learned about<br />
succeeding on each platform but what we<br />
haven’t been so great at doing is deciding<br />
when to stop using a certain platform. It was<br />
only when Instagram introduced a similar<br />
feature called Stories that we gradually<br />
stopped posting to Snapchat and focused<br />
instead on Instagram.<br />
For the time and effort we put into Snapchat,<br />
we weren’t getting the results and most of<br />
the users on Snapchat weren’t our target<br />
audience anyway. Instagram, on the other<br />
hand, provides several advantages such as<br />
better discoverability, analytics (including<br />
audience insights) and audience targeting<br />
through ads.<br />
Every additional platform a business<br />
incorporates will require additional time and<br />
effort to create great tailored content for that<br />
platform. Take stock of social media profiles<br />
and consider which channels are performing<br />
for your business and which are not.<br />
By moving away from social media platforms<br />
that might not suit a business or those that<br />
are not performing well, businesses can<br />
double down on those that are.<br />
WRONG ORIENTATION<br />
Using only landscape videos and images –<br />
We were accustomed to posting landscape<br />
videos and images because that was the<br />
ideal image size for most social media<br />
platforms, like Facebook and Twitter (1,024<br />
pixels by 512 pixels); however, that might<br />
not be true anymore.<br />
As square videos and images are no longer<br />
cropped on Facebook and Twitter, they take<br />
up more real estate on someone’s feed – 78<br />
per cent more, in fact. After spending $1,500<br />
on experiments, we found that square videos<br />
actually generate higher average views and<br />
greater engagement than landscape videos,<br />
especially on mobile phones.<br />
Another fun experiment to explore might be<br />
posting vertical (portrait) videos and images,<br />
especially since Facebook is showing a larger<br />
preview of vertical videos on its mobile feed.<br />
NO SHOW<br />
Not uploading videos onto social media<br />
platforms – Quintly, a business that provides<br />
social media analytics tools, analysed more<br />
LEARN FROM THE SOCIAL MEDIA MISTAKES OF OTHERS<br />
TAKE STOCK OF<br />
SOCIAL MEDIA<br />
PROFILES AND<br />
CONSIDER WHICH<br />
CHANNELS ARE<br />
PERFORMING<br />
FOR YOUR<br />
BUSINESS AND<br />
WHICH ARE NOT<br />
than six million Facebook posts and found<br />
that videos uploaded to Facebook received<br />
more engagement and shares than YouTube<br />
videos on Facebook.<br />
“The interaction rate for Facebook native<br />
videos were on average 109.67 per cent<br />
higher than for YouTube videos,” Quintly<br />
reported. “Facebook native videos had on<br />
average a 477.76 per cent higher share rate<br />
compared to YouTube videos.”<br />
Just a year ago, we were still sharing YouTube<br />
links to videos rather than uploading videos<br />
onto social media platforms.<br />
When YouTube links were posted, the best<br />
video post only reached 3,397 people. Now,<br />
videos uploaded onto Facebook receive an<br />
average reach of 53,254 people.<br />
Hopefully there are takeaways here for small<br />
businesses looking to improve their social<br />
media strategies. Stay tuned for the second<br />
part of this series where more mistakes will<br />
be revealed as well as the lessons learnt. i<br />
ALFRED LUA is the content<br />
crafter for social media<br />
management business Buffer.<br />
Learn more: buffer.com<br />
44 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>
GEMS<br />
COLOUR INVESTIGATION: GARNET<br />
metal oxides during crystallisation.<br />
In the late 1960s, a new variety of pyropespessartine<br />
was discovered – Malaia garnet<br />
(or Malaya), also known as Umbalite after<br />
the Umba Valley in Tanzania. Malaia garnets<br />
offer delicate pale pinkish-orange to darker<br />
pink-orange shades when coloured by<br />
manganese and some iron. The presence<br />
of varying amounts of chromium and/or<br />
vanadium can produce a colour change<br />
that flashes from reddish-purple to a steely<br />
blue, green or greyish tone. Other possible<br />
colour combinations are reddish-orange<br />
to red, greenish-yellow to pinkish-red, lightred<br />
to purplish-red and bluish-green to light<br />
violet-purple.<br />
Colour change in gemstones is dependent<br />
on the source of the incident light. Natural<br />
daylight or fluorescent light contains higher<br />
IMAGE COURTESY GREG C GRACE<br />
proportions of blue and green wavelengths<br />
and will cause the gemstone to appear to be<br />
green, whereas incandescent light sources,<br />
The spectacular phenomenon of colour<br />
change can only be seen in a small<br />
handful of gemstones. The garnet group,<br />
usually recognised for its rich reds, can<br />
supply fine examples of this playful<br />
effect. STACEY LIM reports.<br />
Deep crimson garnets have a long history<br />
and can be traced back throughout the<br />
ages adorning kings, queens, pharaohs<br />
and priests. Modern consumers continue<br />
to celebrate this group of minerals and<br />
the many other coloured varieties that are<br />
currently commercially available.<br />
Within the garnet group are six species<br />
important to gemmologists; these can be<br />
divided into at least 17 varieties. Garnets are<br />
produces different properties and colours by<br />
which the garnet varieties can be identified.<br />
In chemical terms, the most famous<br />
garnet varieties are aluminium-rich<br />
silicates consisting of pyrope, almandine<br />
and spessartine. Typical colours are red,<br />
brownish-red, violet-red and orange-red.<br />
Although red garnets are the most<br />
common and widespread – forming in<br />
metamorphic rocks on every continent –<br />
this gemstone can be found in a multitude<br />
of hues including yellow, orange, pink,<br />
purple, brown, black, green and a colourchange<br />
variety.<br />
Interestingly, the cause of colour in garnet<br />
varies; some species are idiochromatic,<br />
COLOUR CHANGE<br />
GARNETS<br />
ARE A RARE<br />
OCCURRENCE,<br />
WITH LIMITED<br />
DEPOSITS IN<br />
SRI LANKA,<br />
TANZANIA AND<br />
MADAGASCAR<br />
such as a globe or candle, that contain a<br />
higher proportion of red wavelengths will<br />
cause the gemstone to appear red. As the<br />
light source is altered so is the colour of the<br />
gemstone in view.<br />
Colour change garnets are a rare occurrence,<br />
with limited deposits in Sri Lanka, Tanzania<br />
and Madagascar. Fine quality gemstones can<br />
produce a strong and attractive red to green<br />
colour change, rivalling that of alexandrite, a<br />
gemstone so famous for this effect that it is<br />
often referred to as the ‘alexandrite effect’.<br />
The garnet group of gemstones is vast,<br />
complex and variable, offering so much<br />
more than a simple red gemstone. i<br />
rarely completely pure; they usually contain<br />
a mix of two or more varieties. Each garnet<br />
essentially has the same crystal structure but<br />
varies in chemical composition due to the<br />
substitution of various elements, and this<br />
that is, they are ‘self-colouring’ and owe<br />
their colour to metal oxides inherent in the<br />
chemistry of the gemstone, while others<br />
are described as allochromatic, coloured by<br />
the inclusion of traces of different<br />
STACEY LIM FGAA BA Design, is a qualified<br />
gemmologist and gemmology teacher/assistant.<br />
She is a jewellery designer, marketing manager<br />
and passionate communicator on gemmology.<br />
For information on gemstones, visit: gem.org.au<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 45
10 YEARS AGO<br />
WHAT WAS MAKING NEWS 10 YEARS AGO?<br />
A SNAPSHOT OF THE INDUSTRY EVENTS THAT MADE NEWS HEADLINES IN THE OCTOBER 2007 ISSUE OF JEWELLER.<br />
Holloway Cut Advisor wins US patent<br />
The story: An Australian diamond<br />
cut-expert and retailer has been<br />
granted a US patent for a system<br />
that evaluates the previously<br />
unmeasurable characteristics of<br />
a diamond’s visual appearance.<br />
Designed and developed by<br />
Garry Holloway of two-store<br />
Victorian jewellery retailer<br />
Precious Metals, the Holloway<br />
Cut Advisor (HCA) is a computerbased<br />
program that allows<br />
Correction<br />
In 2007, <strong>Jeweller</strong> published a correction in the<br />
<strong>Jeweller</strong>y World<br />
backs down on<br />
allegations<br />
The story: The publisher of <strong>Jeweller</strong>y<br />
World has been forced to “set the record<br />
straight”, retracting allegations and<br />
claims made against the JAA Australian<br />
<strong>Jeweller</strong>y Fair and its organiser Expertise<br />
Events in the industry magazine’s August/<br />
September 2006 issue.<br />
That story, which announced plans for<br />
the magazine to launch its own trade<br />
fair titled the <strong>Jeweller</strong>y World Show,<br />
detailed a number of alleged problems<br />
with the JAA fair.<br />
users to gain an estimate of a<br />
diamond’s potential physical<br />
appearance by matching its<br />
proportions against a database<br />
of look-up charts to help<br />
determine estimates for<br />
characteristics such as brilliance,<br />
fire, scintillation and spread.<br />
The patent is a breakthrough<br />
for Holloway, who has endured<br />
a six-year wait because of the<br />
<strong>October</strong> issue about a story published the previous<br />
month: September <strong>Jeweller</strong> featured a news report<br />
entitled Dymocks Building Sold. The story stated that<br />
the Dymocks Building on George Street, Sydney<br />
had been sold. This is incorrect. The sold building<br />
is located at 34 Hunter Street, Sydney.<br />
complexity of the subject matter.<br />
JAA AND DCLA DEBATE<br />
ETHICAL GRADING LABS<br />
The story: An online poll from the<br />
Diamond Certification Laboratory<br />
of Australia (DCLA) has sparked a<br />
flurry of media attention that could<br />
have a negative impact on Australian<br />
jewellers. Conducted by DCLA and<br />
published on the website of diamond<br />
information service The Gem Exchange<br />
(Gemex), the poll showed that almost<br />
70 per cent of respondents did not<br />
trust their jeweller.<br />
The report has generated substantial<br />
media interest with newspapers<br />
around the world issuing the results<br />
alongside comments from DCLA<br />
managing director Roy Cohen on the<br />
trustworthiness of diamond grading<br />
laboratories. International diamond<br />
news source Rapaport News published<br />
the story under the headline “Diamond<br />
lab takes issue with rampant use of<br />
bogus certs”, while Idex Online stated,<br />
“Australian consumer concerned<br />
about certification, valuation.” Closer to<br />
home, The Age was less forgiving: “Most<br />
consumers ‘don’t trust jewellers’”.<br />
In clarifying his stance, Cohen insisted<br />
DCLA was not propagating that<br />
jewellers should not be trusted, but<br />
issued the press release in order to<br />
protect diamond-buyers – something<br />
he believed the industry hasn’t done.<br />
But JAA CEO Ian Hadassin suggested<br />
that any article portraying the jewellery<br />
industry in a negative light could<br />
impact industry sales.<br />
“The average single-operated jewellery<br />
store is finding it harder to make ends<br />
meet,” he said, “and the last thing they<br />
need is negative industry publicity<br />
– particularly when the claims made<br />
cannot be substantiated.”<br />
46 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>
EVENTS<br />
JEWELLERY AND WATCH CALENDAR<br />
A GUIDE TO THE LOCAL AND INTERNATIONAL JEWELLERY AND WATCH EVENTS SCHEDULED TO TAKE PLACE IN THE YEAR AHEAD.<br />
OCTOBER <strong>2017</strong><br />
MIDEAST WATCH &<br />
JEWELLERY SHOW<br />
Sharjah, UAE<br />
<strong>October</strong> 3–7<br />
Learn more: mideastjewellery.com<br />
JEWELERS INTERNATIONAL<br />
SHOWCASE (JIS)<br />
Miami, US<br />
<strong>October</strong> 8–11<br />
Learn more: jisshow.com<br />
ISTANBUL JEWELRY SHOW<br />
Istandul, Turkey<br />
<strong>October</strong> 12–15<br />
Learn more: october.<br />
istanbuljewelryshow.com<br />
INTERNATIONAL COLORED<br />
GEMSTONE ASSOCIATION<br />
CONGRESS<br />
Jaipur, India<br />
<strong>October</strong> 21–24<br />
Learn more: icacongress.com<br />
SINGAPORE JEWELLERY<br />
& GEM FAIR<br />
Singapore<br />
<strong>October</strong> 27–30<br />
Learn more:<br />
singaporejewellerygemfair.com<br />
NOVEMBER <strong>2017</strong><br />
CIBJO CONGRESS<br />
Bangkok, Thailand<br />
November 5–7<br />
Learn more: cibjo.org/congress<strong>2017</strong><br />
CHINA INTERNATIONAL<br />
GOLD, JEWELLERY<br />
& GEM FAIR<br />
Shanghai, China<br />
November 17–20<br />
Learn more: exhibitions.<br />
jewellerynetasia.com/shj/zh-cn<br />
JEWELLERY ARABIA<br />
Manama, Bahrain<br />
November 21–25<br />
Learn more: jewelleryarabia.com<br />
JANUARY 2018<br />
SALON INTERNATIONAL<br />
DE LA HAUTE HORLOGERIE<br />
(SIHH)<br />
Geneva, Switzerland<br />
January 15–19<br />
Learn more: sihh.org<br />
VICENZAORO T-GOLD<br />
Vicenza, Italy<br />
January 19–24<br />
Learn more: 10times.com/t-gold<br />
TUCSON GEM, MINERAL &<br />
FOSSIL SHOWCASE<br />
Tucson, US<br />
January 27 – February 11<br />
Learn more: visittucson.org/events/<br />
gem-show<br />
FEBRUARY 2018<br />
JEWELLERY & WATCH<br />
Birmingham, UK<br />
February 4–8<br />
Learn more:<br />
jewelleryandwatchbirmingham.com<br />
NATIONWIDE JEWELLERS<br />
TIME OUT CONFERENCE<br />
Canberra, Australia<br />
February 9–11<br />
BANGKOK GEMS<br />
& JEWELRY FAIR<br />
Bangkok, Thailand<br />
February 21–25<br />
Learn more: bkkgems.com<br />
HONG KONG<br />
INTERNATIONAL DIAMOND,<br />
GEM & PEARL SHOW<br />
Hong Kong<br />
February 27 – March 3<br />
Learn more: m.hktdc.com/fair/hkdgp-<br />
en/HKTDC-Hong-Kong-International-<br />
Diamond--Gem---Pearl-Show.html<br />
MARCH 2018<br />
HONG KONG<br />
INTERNATIONAL<br />
JEWELLERY SHOW<br />
Hong Kong<br />
March 1–5<br />
Learn more: http://m.hktdc.com/fair/<br />
hkjewellery-en/HKTDC-Hong-Kong-<br />
International-<strong>Jeweller</strong>y-Show.html<br />
BASELWORLD<br />
Basel, Switzerland<br />
March 22–27<br />
Learn more: baselworld.com<br />
COOBER PEDY<br />
GEM TRADE SHOW<br />
Coober Pedy, South Australia<br />
March 31 – April 1<br />
Learn more:<br />
cooberpedygemtradeshow.com.au/<br />
Home.aspx<br />
APRIL 2018<br />
NATIONWIDE JEWELLERS<br />
ANTWERP TRIP<br />
Antwerp, Belgium<br />
April 8–13<br />
MAY 2018<br />
NATIONWIDE JEWELLERS<br />
AFRICA TRIP<br />
Africa<br />
May 3–11<br />
JUNE 2018<br />
JCK LAS VEGAS<br />
Las Vegas, US<br />
June 1–4<br />
Learn more: lasvegas.jckonline.com<br />
HONG KONG JEWELLERY<br />
& GEM FAIR<br />
Hong Kong<br />
June 21–24<br />
Learn more: jewellerynetasia.com<br />
JULY 2018<br />
WINTON OPAL TRADESHOW<br />
Winton, Australia<br />
July 13–14<br />
Learn more: qboa.com.au<br />
LIGHTNING RIDGE OPAL<br />
AND GEM FESTIVAL<br />
Lightning Ridge, Australia<br />
July 26–29<br />
Learn more:<br />
lightningridgeopalfestival.com.au<br />
<strong>October</strong> <strong>2017</strong> <strong>Jeweller</strong> 47
MY BENCH<br />
Stelios<br />
Palioudakis<br />
WORKS AT:<br />
Stelios <strong>Jeweller</strong>s<br />
AGE: 36<br />
YEARS IN TRADE: 20 years,<br />
6 months, 4 days, 3 hours,<br />
26 minutes and 3 seconds<br />
TRAINING: Apprenticeship<br />
FIRST JOB: Milton Boston<br />
<strong>Jeweller</strong>s<br />
Favourite gemstone:<br />
Tsavorite because I love<br />
the intense green the<br />
gemstone produces.<br />
Favourite metal:<br />
18-carat yellow gold –<br />
there’s no rhodium<br />
plating involved.<br />
Favourite tool:<br />
Wax pen. A wax pen can<br />
fix and create anything!<br />
Best part of job:<br />
The surprise on clients’ faces<br />
when they open the box.<br />
Worst part of job:<br />
Bills!<br />
Best tip from a jeweller:<br />
Don’t even think about it…<br />
Best tip to a jeweller:<br />
Uncle Jimmy says there is<br />
nothing Blu Tack can’t fix.<br />
Biggest health concern<br />
on the bench:<br />
Bench-itis. The concern<br />
is falling in love with my<br />
bench and leaving my wife<br />
for my bench peg.<br />
Love jewellery because:<br />
I love to create something<br />
from nothing; putting a<br />
picture in your mind and<br />
creating a 3D model.<br />
Industry frustration?<br />
No standards or control<br />
of diamond sales.<br />
My bench is always:<br />
Immaculately organised<br />
because I don’t use it!<br />
Favourite sporting team<br />
or sport:<br />
Soccer – the team depends<br />
on the year.
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®
SOAPBOX<br />
TURNING FEAR INTO POWER<br />
The recent spate of attacks on jewellery<br />
stores and other retailers in Melbourne<br />
has understandably generated fear<br />
among some business operators;<br />
however, rather than letting this fear<br />
get the better of retailers, it is important<br />
to explore ways of channelling these<br />
energies into confronting fears.<br />
The goal should be to respond in a way that<br />
gives a retailer greater strength and power<br />
… not less.<br />
Fear is something that has gripped the<br />
world. Attacks in Nice, Paris, Berlin, London,<br />
Manchester and Barcelona have seen<br />
everyday people becoming the tragic<br />
victims of terrorist attacks, but there’s a<br />
powerful message to emerge following each<br />
of these attacks, and that is the collective<br />
strength of the community in confronting<br />
the fear of terrorism by getting on with their<br />
lives. It’s something I witnessed for myself<br />
recently whilst visiting London’s Borough<br />
Market a few days after it re-opened<br />
following the recent attack. The streets,<br />
shops, bars and restaurants in and around<br />
the markets were abuzz with activity and<br />
people as they reclaimed an area that has<br />
been in operation for more than 1,000 years.<br />
To me this represents a clear statement of<br />
strength and power among the community,<br />
just as the actions of the thousands who<br />
have taken to the streets in other cities<br />
affected by terrorism have done. As former<br />
US first lady Eleanor Roosevelt once said:<br />
“You gain strength, courage and confidence<br />
by every experience in which you really stop<br />
to look fear in the face.”<br />
While on an altogether different scale and<br />
dimension, the recent spate of burglaries<br />
targeting the jewellery industry has been<br />
challenging and disturbing for store<br />
operators and staff. It is important to keep<br />
a sense of perspective on this issue – by<br />
and large we live in a society where crime is<br />
under control. Yes, from time to time we see<br />
flare-ups in some crime types in some areas<br />
but I want to stress that there is no need for<br />
panic or fear. Over recent decades we have<br />
seen many crime rates trending downwards<br />
as the community becomes savvier by<br />
embracing new security measures.<br />
Take banks as an example. In the 1970s<br />
and 1980s criminals regularly targeted<br />
them; however, today one rarely hears of<br />
banks being the target of an armed holdup.<br />
A key reason for this is that the banks<br />
have confronted the threats faced and put<br />
in place a range of measures – physical,<br />
electronic and environmental – to targetharden<br />
their operations and make them<br />
an altogether unattractive proposition<br />
for criminals.<br />
I urge jewellers who have been the victim<br />
of a robbery, or know of a business that<br />
has, to try and channel this experience and<br />
knowledge in a positive manner. How can<br />
business operations improve?<br />
Often applying a bit of common sense with a<br />
few changes on how a business is run, along<br />
with some investment in a security upgrade,<br />
can get retail owners back to focusing on<br />
what they do best – selling jewellery!<br />
It is disappointing to see that security is far<br />
too often viewed as a grudge purchase that<br />
JEWELLERS WHO<br />
HAVE BEEN THE<br />
VICTIM OF AN<br />
ARMED HOLD-UP<br />
WILL ATTEST TO<br />
THE ENORMOUS<br />
EMOTIONAL AND<br />
FINANCIAL TOLL<br />
IT TAKES ON THE<br />
BUSINESS AND<br />
EMPLOYEES; THERE<br />
IS NO ROOM<br />
FOR COMPLACENCY<br />
isn’t always paid the attention it requires.<br />
I’ll admit, I may be a little biased, but in all<br />
seriousness, isn’t security an integral factor in<br />
enabling a retail operation to be successful?<br />
<strong>Jeweller</strong>s who have been the victim of an<br />
armed hold-up will attest to the enormous<br />
emotional and financial toll it takes on the<br />
business and employees; there is no room<br />
for complacency.<br />
Once retailers have got their heads around<br />
this, it’s important to understand that not<br />
all security providers are created the same –<br />
as with any industry, there are the good, the<br />
bad and the downright ugly. When looking<br />
for someone to assist with security, due<br />
diligence and seeking a quality provider is<br />
paramount. One of my greatest frustrations<br />
is the shift towards a world where lowest<br />
price is the key driver rather than quality and<br />
value for money. This short-term outlook<br />
leads to a world where mediocrity becomes<br />
the norm. I’m sure readers have a similar view<br />
in regards to jewellery in the market.<br />
So, the next time there’s a report on<br />
the news of a jewellery or retail store being<br />
the victim of burglars or armed attackers,<br />
ask yourself, what have I done to ensure the<br />
same thing doesn’t happen to me? If the<br />
answer is ‘nothing’, then it’s time to confront<br />
any fears or concerns and do something<br />
about it. i<br />
Name: Bryan de Caires<br />
Business: Australian Security Industry<br />
Association Limited (ASIAL)<br />
Position: CEO<br />
Location: Sydney, NSW<br />
Years in the industry: 17 years and six months<br />
50 <strong>Jeweller</strong> <strong>October</strong> <strong>2017</strong>
Excite<br />
Engage<br />
Experience<br />
Do it all at the International <strong>Jeweller</strong>y Fair<br />
The International <strong>Jeweller</strong>y Fair will return August 25 – 27, 2018<br />
International Convention Centre Sydney
The Gem & <strong>Jeweller</strong>y Export Promotion Council<br />
Exhibition Cell-Unit No. G2-A, Trade Centre, Bandra-Kurla Complex, Bandra (E), Mumbai 400 051, India<br />
Tel: +91-22 4354 1800 • Fax: +91-22 2652 4764 • Email: international@gjepcindia.com • Website: intl.gjepc.org