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Viva Lewes Issue #133 October 2017

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ON THIS MONTH: CINEMA<br />

Metropolis<br />

People on Sunday<br />

Film '17<br />

Depot round-up<br />

<strong>Lewes</strong> Depot Cinema prides itself on providing a<br />

variety of films that suit all tastes, so while some<br />

punters will be left cold by the fact that they’re<br />

showing a season of German Weimar-era silent<br />

movies in <strong>October</strong>, others will be grinning from ear<br />

to ear in anticipation.<br />

The four films are considered by many to have<br />

defined a subsequent film genre. First up (Oct 8th,<br />

3pm) there’s Fritz Lang’s classic Metropolis, the<br />

mother of sci-fi films, an exhilarating 150-minute<br />

experience, which is still influencing film-makers,<br />

designers and artists. It’s the 90th anniversary of<br />

the film’s release and this version, remastered in<br />

2010, contains a 25-minute section once thought to<br />

be lost to the world. Lang is also the auteur of the<br />

very different M (15th, 3pm), starring a haunted<br />

and terrifying Peter Lorre, often considered to be<br />

the defining film of the thriller genre. And then<br />

there’s People on Sunday (22nd, 3pm), directed by<br />

Robert Siodmak and Edgar G Ulmer, co-written<br />

by Billy Wilder, using non-professional actors in<br />

real-life settings, a precursor to the Italian neorealism<br />

movies. The fourth film which makes up<br />

this influential quartet is FW Murnau’s Nosferatu<br />

(29th, 3pm) a vampire movie which, predating all<br />

the other vampire movies, is completely free of<br />

clichés, and all the more terrifying for that.<br />

Programme director Carmen Slijpen is not what<br />

you’d call risk averse, and making one screening<br />

of the film Step in August only open to females<br />

created a heated debate in town. This move was<br />

legal, apparently, because it was one of many<br />

screenings of the movie, the others being open to<br />

both sexes. One response from a number of men<br />

was ‘you’d never put on a men-only film’, but they<br />

were proved wrong when Carmen did just that, for<br />

one of the screenings of prison documentary The<br />

Work, as a balancing act. <strong>October</strong> sees a week-long<br />

run (6th-12th) of the drama Daphne, a character<br />

study of a thirty-something girl in London (Emily<br />

Beecham) who is knocked for six after witnessing a<br />

stabbing. One of the screenings (check lewesdepot.<br />

org for details) is another female-only affair.<br />

Everybody I’ve talked to who’s seen the trailer<br />

of Borg v McEnroe, about the early 80s rivalry<br />

between the two best tennis players in the world,<br />

say the same thing: ‘what amazing casting’. Borg is<br />

played by fellow Swede (of Icelandic origin) Sverrir<br />

Gudnason, who is the dead spit of the country’s<br />

best-ever tennis player; McEnroe, in an inspired<br />

move, is played by troubled American actor Shia<br />

LaBouef. It hasn’t had brilliant reviews (‘game, set<br />

and almost a good movie’ wrote one reviewer) but<br />

for those of us of a certain age it will recall one of<br />

the most enthralling sporting events of our lifetimes<br />

– the 1980 Men’s Wimbledon Final – which<br />

provides the finale of the drama.<br />

Of course, there’ll be much much more on the<br />

three screens of the Depot; most programming<br />

isn’t set in stone until a week or two before the<br />

movies are shown. Check their website for details.<br />

Dexter Lee<br />

37

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