Viva Lewes Issue #133 October 2017
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ON THIS MONTH: CINEMA<br />
Metropolis<br />
People on Sunday<br />
Film '17<br />
Depot round-up<br />
<strong>Lewes</strong> Depot Cinema prides itself on providing a<br />
variety of films that suit all tastes, so while some<br />
punters will be left cold by the fact that they’re<br />
showing a season of German Weimar-era silent<br />
movies in <strong>October</strong>, others will be grinning from ear<br />
to ear in anticipation.<br />
The four films are considered by many to have<br />
defined a subsequent film genre. First up (Oct 8th,<br />
3pm) there’s Fritz Lang’s classic Metropolis, the<br />
mother of sci-fi films, an exhilarating 150-minute<br />
experience, which is still influencing film-makers,<br />
designers and artists. It’s the 90th anniversary of<br />
the film’s release and this version, remastered in<br />
2010, contains a 25-minute section once thought to<br />
be lost to the world. Lang is also the auteur of the<br />
very different M (15th, 3pm), starring a haunted<br />
and terrifying Peter Lorre, often considered to be<br />
the defining film of the thriller genre. And then<br />
there’s People on Sunday (22nd, 3pm), directed by<br />
Robert Siodmak and Edgar G Ulmer, co-written<br />
by Billy Wilder, using non-professional actors in<br />
real-life settings, a precursor to the Italian neorealism<br />
movies. The fourth film which makes up<br />
this influential quartet is FW Murnau’s Nosferatu<br />
(29th, 3pm) a vampire movie which, predating all<br />
the other vampire movies, is completely free of<br />
clichés, and all the more terrifying for that.<br />
Programme director Carmen Slijpen is not what<br />
you’d call risk averse, and making one screening<br />
of the film Step in August only open to females<br />
created a heated debate in town. This move was<br />
legal, apparently, because it was one of many<br />
screenings of the movie, the others being open to<br />
both sexes. One response from a number of men<br />
was ‘you’d never put on a men-only film’, but they<br />
were proved wrong when Carmen did just that, for<br />
one of the screenings of prison documentary The<br />
Work, as a balancing act. <strong>October</strong> sees a week-long<br />
run (6th-12th) of the drama Daphne, a character<br />
study of a thirty-something girl in London (Emily<br />
Beecham) who is knocked for six after witnessing a<br />
stabbing. One of the screenings (check lewesdepot.<br />
org for details) is another female-only affair.<br />
Everybody I’ve talked to who’s seen the trailer<br />
of Borg v McEnroe, about the early 80s rivalry<br />
between the two best tennis players in the world,<br />
say the same thing: ‘what amazing casting’. Borg is<br />
played by fellow Swede (of Icelandic origin) Sverrir<br />
Gudnason, who is the dead spit of the country’s<br />
best-ever tennis player; McEnroe, in an inspired<br />
move, is played by troubled American actor Shia<br />
LaBouef. It hasn’t had brilliant reviews (‘game, set<br />
and almost a good movie’ wrote one reviewer) but<br />
for those of us of a certain age it will recall one of<br />
the most enthralling sporting events of our lifetimes<br />
– the 1980 Men’s Wimbledon Final – which<br />
provides the finale of the drama.<br />
Of course, there’ll be much much more on the<br />
three screens of the Depot; most programming<br />
isn’t set in stone until a week or two before the<br />
movies are shown. Check their website for details.<br />
Dexter Lee<br />
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