to

"above the law" while he continues to traumatize and program CIA destined
young minds in a quest to reportedly create the "superior race" of Project
Monarch Mind-Controlled slaves. I quickly teamed that Aquino did not adhere
to his profoundly professed occult superstition any more than I did. His
"satanic power" was in the form of numerous variations of high voltage stun
guns, 5 which he used on me regularly. Although Aquino used occultism (blood
trauma) as a trauma base, his programming was high tech and "clean"—not
muddled in a proverbial witches' brew of ignorance. He quickly dispelled the
Cox influence, and began programming me according to Byrd's specifications
as his "own little witch" for sadistic sex, covert CIA drug muling, black mail,
and prostitution operations.
During the three months I was back with Cox, a muscle in my upper vaginal
wall was cut and dropped in preparation for Houston to flesh carve a hideous
witch's face 4 for Senator Byrd's perversion. Aquino provided the ancient
instructions on how to mutilate me, and Houston used silver nitrate and hot
exacto knives to carve the details of the face without any form of anesthesia.
By flexing the muscle downward, the face protruded out of my vagina. Not
only did this surgery give Byrd a vagina suited to his minute, underdeveloped
penis, it also provided an equitable "curiosity" to be displayed over and over
again in both commercial and non-commercial pornography and prostitution.
On the 1981 anniversary of John F. Kennedy's assassination, I was forced to
"marry" Alex Houston for appearance sake. Earlier that month when I had
been taken to Washington, D.C for prostitution purposes, Byrd informed me
that I would actually be "marrying" him when I "pledged my vows" to
Houston.
"It is a covenant between the two of us," Byrd had said, "It is me that you
will honor and obey 'til death do us part," Byrd then instructed me to pick up
my wedding dress from a nearby D.C. store. Throughout the years, Houston
often joked about the significance of my Washington, D.C. wedding dress—
which was depicted in pornographic photos and a commercial video to
"commemorate our wedding night",
Alex Houston's "best man," Jimmy Walker, was also a photographer for
Larry Flynt's sexually graphic commercial pornography magazine, Hustler.
When I met Byrd after the ceremony at Nashville's Opryland Hotel as ordered,
he presented me with a "wedding gift"—a rose patterned crystal crucifix
deliberately designed to anchor "our wedding" in my Catholic/Vatican instilled
beliefs. The Larry Flynt photos depicting me in my wedding dress with the
crystal crucifix to "commemorate our wedding night," was standard lock-in
procedure for all mind-controlled slaves I knew who were forced to "marry"
their handlers/owners.
Houston's booking agent, Reggie Mac (MacLaughlin), of United Talent and
later of MacFadden Agency in Nashville, Tennessee, had been booking CIA
involved country music acts into key locations to aid the execution of covert
government operations. For example, Houston's ventriloquist act "Alex and
Elemer" would be scheduled to perform at a county or state fair near
Washington, D.C., where I would be picked up by car or helicopter and
escorted to the White House or the Pentagon. The ensuing activities would be
compartmentalized in my memory in a manner that caused me to believe 1 had
simply been traveling in the country music industry, and no one "back home"
would be suspect of my absence. Another example would be that Houston
"entertained" at Byrd's West Virginia State Fair every year, which gave a