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CHAPTER 17<br />

ABOUT FACES<br />

Soon after Kelly was inducted in<strong>to</strong> George Bush's "Neighborhood" through<br />

horrific sexual abuse, Bush enforced his controls on me. Our mind-control<br />

handler, Alex Hous<strong>to</strong>n, had taken Kelly and me <strong>to</strong> Washing<strong>to</strong>n, D.C. for<br />

separately scheduled meetings with Bush. Kelly had already been escorted by<br />

agents <strong>to</strong> her rendezvous with him that morning, during which Lime I had been<br />

ordered <strong>to</strong> one of U.S, Sena<strong>to</strong>r Robert C. Byrd's offices located in the nearby<br />

FBI Hoover Building. There, Byrd reinforced his holds on me by claiming<br />

control of the Justice Department and "proving" once again that I had "no<br />

where <strong>to</strong> run and no where <strong>to</strong> hide". My horror reaction was compounded<br />

when Byrd looked at his pocket watch and notified me in Alice in Wonderland<br />

cryptic language, "You're late, you're late for a very important date," referring<br />

<strong>to</strong> my meeting with Bush.<br />

I sprinted from the Hoover Building, encountering Hous<strong>to</strong>n who waited just<br />

outside. Hous<strong>to</strong>n hurried me <strong>to</strong> the Smithsonian where I waited for my escorts<br />

as instructed at the "Face Changing" exhibit. This computerized exhibit<br />

illustrates how an individual's face can take on a radically different appearance<br />

by slightly altering any single feature.<br />

The exhibit fascinated me as a programmed MPD since multiples often<br />

experience the unnerving phenomena of routinely not recognizing themselves in<br />

a mirror due <strong>to</strong> switching personalities. A multiple's face often changes slightly<br />

with each switch, which "validates" the religious communities' perceptions of<br />

so-called "demonic possession" in occultism. Logic quickly dispels this belief<br />

when it is realized that everyone's expression changes according <strong>to</strong> emotion, by<br />

skin color and <strong>to</strong>nes, blood pressure, and by tightening or relaxing specific<br />

micro muscles. An MPD's face changes are more exaggerated when these<br />

natural conditions are combined with the results of sophisticated programming/<br />

"Charm School" teaches subconscious control over these natural phenomena as<br />

a ready-made disguise on government slaves such as myself, as welt as <strong>to</strong><br />

enhance sex slaves' "beauty" <strong>to</strong> their maximum potential. I was incapable of<br />

thinking or logically understanding my fascination with the display, as I s<strong>to</strong>od<br />

<strong>to</strong>tally enthralled, waiting for my escorts as ordered.<br />

As the escorts approached, I was relieved <strong>to</strong> see Kelly with them. Though<br />

she was visibly tranced and traumatized, the fact that she was alive was all I was<br />

capable of grasping. When she saw the "Face Changing" exhibit, she excitedly<br />

exclaimed, "Uncle George just read me a book about this!" Before I could hear<br />

anymore, I was led away, leaving Kelly with our handler, Hous<strong>to</strong>n.<br />

I was then quickly taken <strong>to</strong> Bush's Residence Office, which here-<strong>to</strong>-fore was<br />

unfamiliar <strong>to</strong> me. Although it had slate blue, plush carpets and fine furnishings<br />

like the White House office, lattice work and smaller rooms provided a different<br />

air. I sat in a hard-back wooden chair as ordered, while Bush carefully<br />

positioned himself in front of me on a little wooden foots<strong>to</strong>ol. This allowed me<br />

clear visibility of the large book that he held in his lap. All illustrations faced<br />

me, while all text except the last page was printed in the holder's direction.<br />

This book was a unique, high tech piece of art specifically designed <strong>to</strong> enforce<br />

Bush's favorite method of programming, "You Are What You Read". The

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