The Journal of Australian Ceramics Vol 53 No 3 November 2014
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In Odober <strong>2014</strong>. Ben Carter <strong>of</strong> Tales <strong>of</strong> a Red Clay<br />
Rambler Podeast fame. featured an hour-long interview<br />
with <strong>Journal</strong> editor Vicki Grima . In the interview Ben and<br />
Vicki talk about what makes a successful magazine in the<br />
digital age. the responsibility <strong>of</strong> documenting <strong>Australian</strong><br />
ceramic history. and how TACA gives practical support to<br />
studio artists. To listen go to:<br />
http://carterpottery.blogspot.com.au/ <strong>2014</strong>/ 10/<br />
vicki-grimma-on-tales-<strong>of</strong>-red-clay.html or<br />
https:llitunes.apple.com/us/podcastltales-red-clayrambler-podeast/id523651655<br />
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Share your back ISSUes. give a gift<br />
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Increasingly. chefs and ceramicists<br />
are working together and the results<br />
look good enough to eat .<br />
Read '<strong>The</strong> Maker's Mark' by Rebecca<br />
Slater. published via broadsheet on<br />
15 September <strong>2014</strong>.<br />
www.broadsheet.eom.au/sydneyl<br />
art-and-design/article/makersmark<br />
I<br />
I<br />
In September <strong>2014</strong>, Anna Maas held the third (in a series <strong>of</strong> three)<br />
exhibitions <strong>of</strong> <strong>Australian</strong> ceramics.<br />
For each exhibition she has published a beautiful catalogue featuring<br />
essays, pr<strong>of</strong>iles on the artists and images <strong>of</strong> their work. <strong>The</strong> catalogues<br />
are available for purchase for $25 each plus $8 postage within Australia.<br />
Purchases can be made from either Montsalvat or Skepsi.<br />
E: montsalvat@montsalvat.com.au T 03 94397712<br />
E: skepsi@iprimus.com.au; Anna T: 0416 085 002<br />
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CALL FOR PROPOSALS<br />
A 12 minute interview with Stewart Scambler about his<br />
recent exhibition in WA, Parched: Australia is a Dry Land, was<br />
featured on ABC Radio National. All works in his exhibition used<br />
local clays and were fired in his own very large kiln near York.<br />
about 90 minutes east <strong>of</strong> Perth. Stewart's kiln consumes only<br />
indigenous wood from trees which he grows from seed.<br />
Listen here:<br />
www.abe.net.au/radionationallprograms/<br />
booksandartsdaily/stewart-seambler27s-27parched3aaustralia-is-a-dry-land271<br />
5671822<br />
THE JOURNAL OF AUSTRALIAN CERAMICS NOVEMBER <strong>2014</strong><br />
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