The Journal of Australian Ceramics Vol 53 No 3 November 2014

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Association 1 Muddy Girl Studio, Mount Dandenong, VIC 2 Claire Johnson at Muddy Girl Studio Photos: Vicki Grima work and introduce the joys of ceramics to their local towns. The artists involved filled in a survey after the weekend and the results were very heartening. Most potters sold over $100 worth of work with 32% selling more than $1000. The momentum of this event will ensure greater financial rewards in the future. Vicki Grima and Rachael Hegh put in a tireless effort to organise this event with credit going to Vicki for her determination and ability to track down the right people within Radio National in order to get us the spot on Fran Kelly's program. As a studio potter I can see that people love the connection and insight into a different life they can get from visiting an artist's studio. This creates an opening for handmade work to filter into the local community. There is a sense of pride and belonging engendered by using a local artist's work. This connection works both ways. Local artist s become an integral part of their community, both giving and receiving emotional sustenance by opening their studio doors to neighbours, friends and the public. Follow our blog, http://australianceramics.wordpress.com, for details on the 2015 ACOS event. Shannon Garson is President of The Australian Ceramics Association. Opposite page: 1 Entrance to Jill Symes studio 2 Adriana 's welcome sign 3 Adriana Christianson's studio 4 Adriana and Vicki 5 Adriana's display in a suitcase 6 Slow Clay owner, Jane SaWfer 7 Slow Clay welcome sign 8 Gary Healey, 8alwyn 9 Gary Healey's studio in 8alwyn Photos: Vicki Grima All studios are in Melbourne, VIC . 90 THE JOURNAL OF AUSTRALIAN CERAMICS NOVEMBER 2014
.A~~ OPEN ~ 2014 16&17 AUGUST THE JOURNAL OF AUSTRALIAN CERAMICS NOVEMBER 2014 91
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WALKER ~ Feeneys Clay Cesca Glazes
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Contents REGULARS 53 VIEW 1: A Revi
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Contributors Ben Carter is a cerami
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Tribute: Margaret Tuckson Margaret
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Tribute: Margaret Tuckson Margaret
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Gallery Delinquent Angel: John Perc
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In Odober 2014. Ben Carter of Tales
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Focus: Collaboration Right: Victori
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Focus : Collaboration Wayne Meara,
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Focus: Collaboration Gerry Wedd (ri
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Focus: Collaboration of the New Sou
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Focus: Collaboration Broken Chimney
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Focus: Collaboration Fantasticology
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Focus : Collaboration During filmin
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Fo cus: Collaboration left: Student
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Focus: Co llabora t ion A Recipe Fo
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-----_.---' 36 THE JOURNAL Of AUSTR
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Amanda Hale and Karen Farrell, M ee
Page 42 and 43: Focus: Collaboration Pia Murphy + R
Page 44 and 45: Focus: Co llaboration terraluca ter
Page 46 and 47: A unique collaboration between cera
Page 48 and 49: Focus: Collaboration Ngapartji Ngap
Page 50 and 51: Focus: Collaboration I have come to
Page 52 and 53: UPCOMING 2015 WORKSHOPS WEAVING IN
Page 54 and 55: GAYA.CAC Rlsident Artist Program "S
Page 56 and 57: View 1 In terms of the strength of
Page 58 and 59: View 2 A Dialogue about Tableware M
Page 60 and 61: View 2 1 At the opening of Back to
Page 62 and 63: View 3 The extreme of this is Jacob
Page 64: View 4 A World in Itself Caterina L
Page 67 and 68: View 4 Visitor in front of linda Se
Page 69 and 70: Spaces and Places Colin Hopkins thr
Page 71 and 72: The Bowl That Does Not Smile by Pru
Page 73 and 74: Pocket PhD able to feel the exact p
Page 75 and 76: Madeleine Preston, Tanagras Archive
Page 77 and 78: Georgia Harvey, work in progress fo
Page 79 and 80: Studio Georgia Harvey, Dragon (deta
Page 81 and 82: Trade Right and oppoSIte page: Thro
Page 83 and 84: Ceramic Shots WINNER Photographer a
Page 85 and 86: Ceram ic Shots 4 Photographer: Nicc
Page 87 and 88: Artist in Residen ce 1 Jackie Gasso
Page 90 and 91: Community attend. As an artist I do
Page 94 and 95: Associat ion Examples of publicity
Page 96 and 97: Gatherings 1 white porcelain, which
Page 98 and 99: Gatherings 1 Michelle Yeatman, Koot
Page 100 and 101: Joanne Searle, Soundscapes, series
Page 102 and 103: Australian Ceram ics Triennale 2015
Page 104 and 105: Canberra Collaboration Chris Harfor
Page 106 and 107: Ceramic Arts Queensland Ceramic Art
Page 108 and 109: Tasmanian Fairytale Studio practice
Page 110 and 111: A Different Rug I can't be accused
Page 112 and 113: Become a member The AUSTRALIAN CERA
Page 114 and 115: (lassifieds CERAMIC SUPPLIES BLACKW
Page 116 and 117: Stockists ACT canberra potters soci
Page 118 and 119: Clay manufacturer & supplier of qua
Page 120 and 121: INTRODUCING THE RAINBOW RANGE OUR N
Page 122 and 123: [EAflmIH flUSTAflLIfl QUALITY WHEEL
Page 124 and 125: CLAYWORKS COLOURED PORCELAIN SLIPS
Page 126 and 127: Student artwork: 'Idea Buds' by Jan
Page 128 and 129: paper sky nlharika hukku march 13 t
Page 130 and 131: CALL FOR PROPOSALS Belonging: embod
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The Journal of Australian Ceramics Vol 53 No 3 November 2014

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