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The Journal of Australian Ceramics Vol 53 No 3 November 2014

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Amanda Hale and Karen Farrell, M eeting Place, installation, <strong>2014</strong>, eucalyptus branches sanded back and white washed,<br />

ceramic and wire, various dimension s; photo: courtesy artists. Above right detail<br />

Emerging into Landscapes<br />

Karen Farrell and Amanda Hale talk about moving on from TAFE<br />

Our friendship was forged at Hornsby TAFE in the early 2000s through eight years <strong>of</strong> shared classes<br />

in Hand-Building, Certificate 4, Diploma and Advanced Diploma. We had amazing teachers who were<br />

willing to share their knowledge and passion yet ensured that we were grounded in practical knowledge<br />

and good technique.<br />

After TAFE we continued to work in our own studios and kept in touch over regular c<strong>of</strong>fees, but<br />

it was never the same as sharing the camaraderie <strong>of</strong> the studio space . So, at the beginning <strong>of</strong> 2013,<br />

Karen suggested that we should collaborate. Immediately we locked in one day a week in our diaries<br />

to work together. Between the two <strong>of</strong> us working in various jobs part-time, Wednesday became "our"<br />

workday. We also researched the competitions coming up and found Harbour Sculpture at Woolwich<br />

(the inaugural year) and set <strong>of</strong>f to do some research . Visiting the site was a must, wandering slowly and<br />

brainstorming ideas, as well as taking lots <strong>of</strong> photos to help w ith concepts later.<br />

Ideas were thrown about - the good, the bad and the ugly - but we reminded ourselves <strong>of</strong> what we<br />

are good at, what we liked, and what we could do . .. and the idea for an installation sculpture finally<br />

came in a 'Eu reka' moment! it evolved from a couple <strong>of</strong> thoughts into a confident, definite idea w e<br />

quickly began work on ... drawings, researching materials, firing and glazing, and photo-shopping our<br />

38 THE JOURNAL OF AUSTRALIAN CERAMICS NOVEMBER <strong>2014</strong>

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