Pottery In Australia Vol 35 No 1 Autumn 1996
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More on Marketing<br />
John Eagle continues this regular series providing information on aspects<br />
of marketing for the ceramist.<br />
Moving away from packaging as an obvious<br />
marketing device, perhaps it is time to comment on<br />
other methods of complimenting a product by<br />
adding to its appeal in the market place. Any product<br />
needs to gain an edge over the competition to the point<br />
where a wavering customer will select it rather than<br />
another.<br />
This article is about functional ware and the relationship<br />
of design and a marketing idea that my partner, Rosema1y<br />
and I worked with in the early 1980's, and this rationale to<br />
some extent still influences my thinking when attempting<br />
to design and produce a new product.<br />
The business was a small retail/wholesale concern just<br />
out of Ballarat with the range being functional and<br />
relatively earthy. <strong>In</strong> spite of the obvious practical nature of<br />
my work I was still asked from time to time questions like<br />
'Can it go in the oven?' 'Can you use it?' 'What can you do<br />
with it?'. These questions were usually asked about the<br />
more complicated items like pie plates and pudding bowls.<br />
However, other items like casseroles and mugs were not<br />
exempt.<br />
The need to explain and to discuss the usefulness and<br />
versatility of our products provided the answer to our need for<br />
a marketing idea that would make the product's general use<br />
obvious and provide guidance for a specific use - a recipe!<br />
We felt this idea would also be a worthwhile item in<br />
shops and galleries where there was not time for the sales<br />
person to be completely involved.<br />
For each pot in my main range a recipe was developed<br />
that was tried and tested (two desserts in a single night!). On<br />
the inside of the swing tag that went with the pot there was<br />
a recipe that we knew was a success in that particular pot.<br />
With the development of the recipes came the<br />
realisation that my pots in many instances needed to be<br />
better designed and a process of refinement was<br />
undertaken. One example of a redesigned form was the<br />
pudding bowl. The original bowl was shaped with a<br />
slightly constricted top and then a slight flair to allow the<br />
cloth or foil to be tied without slipping off when the<br />
pudding was steaming. This was fine except that when the<br />
pudding was cooked it had to be dug out of the basin,<br />
often in the most unceremonious manner! By altering the<br />
design and providing the support for the cloth or foil, and<br />
by redesigning the rim, not only was the shape more<br />
comfortable as a pot but the pudding could be removed<br />
happily in one piece.<br />
Our cottage outlet also enabled us to extend our<br />
marketing ideas based around the recipes. One of these<br />
ideas took the form of a recipe tasting day. Although not an<br />
immediate financial coup, the good will and interest<br />
generated increased the sales made over the following few<br />
months and convinced us that the effo1t was worthwhile. On<br />
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58 POTTERY IN AUSTRALIA + ISSUE <strong>35</strong>/1 AUTUMN I 996