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Pottery In Australia Vol 35 No 1 Autumn 1996

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More on Marketing<br />

John Eagle continues this regular series providing information on aspects<br />

of marketing for the ceramist.<br />

Moving away from packaging as an obvious<br />

marketing device, perhaps it is time to comment on<br />

other methods of complimenting a product by<br />

adding to its appeal in the market place. Any product<br />

needs to gain an edge over the competition to the point<br />

where a wavering customer will select it rather than<br />

another.<br />

This article is about functional ware and the relationship<br />

of design and a marketing idea that my partner, Rosema1y<br />

and I worked with in the early 1980's, and this rationale to<br />

some extent still influences my thinking when attempting<br />

to design and produce a new product.<br />

The business was a small retail/wholesale concern just<br />

out of Ballarat with the range being functional and<br />

relatively earthy. <strong>In</strong> spite of the obvious practical nature of<br />

my work I was still asked from time to time questions like<br />

'Can it go in the oven?' 'Can you use it?' 'What can you do<br />

with it?'. These questions were usually asked about the<br />

more complicated items like pie plates and pudding bowls.<br />

However, other items like casseroles and mugs were not<br />

exempt.<br />

The need to explain and to discuss the usefulness and<br />

versatility of our products provided the answer to our need for<br />

a marketing idea that would make the product's general use<br />

obvious and provide guidance for a specific use - a recipe!<br />

We felt this idea would also be a worthwhile item in<br />

shops and galleries where there was not time for the sales<br />

person to be completely involved.<br />

For each pot in my main range a recipe was developed<br />

that was tried and tested (two desserts in a single night!). On<br />

the inside of the swing tag that went with the pot there was<br />

a recipe that we knew was a success in that particular pot.<br />

With the development of the recipes came the<br />

realisation that my pots in many instances needed to be<br />

better designed and a process of refinement was<br />

undertaken. One example of a redesigned form was the<br />

pudding bowl. The original bowl was shaped with a<br />

slightly constricted top and then a slight flair to allow the<br />

cloth or foil to be tied without slipping off when the<br />

pudding was steaming. This was fine except that when the<br />

pudding was cooked it had to be dug out of the basin,<br />

often in the most unceremonious manner! By altering the<br />

design and providing the support for the cloth or foil, and<br />

by redesigning the rim, not only was the shape more<br />

comfortable as a pot but the pudding could be removed<br />

happily in one piece.<br />

Our cottage outlet also enabled us to extend our<br />

marketing ideas based around the recipes. One of these<br />

ideas took the form of a recipe tasting day. Although not an<br />

immediate financial coup, the good will and interest<br />

generated increased the sales made over the following few<br />

months and convinced us that the effo1t was worthwhile. On<br />

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58 POTTERY IN AUSTRALIA + ISSUE <strong>35</strong>/1 AUTUMN I 996

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