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The Breed Magazine - Volume 2

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F<br />

ashion Week is just around the corner. Every September a horde of creatives bounces from New York to London to<br />

Milan to Paris to see what creations and trends designers are showcasing, to work on teams for hair or makeup,<br />

photograph the shows or just photograph the fashion giraffes who attend. Working backstage as a photographer, hairstylist<br />

or makeup artist is like a rite of passage in many professional careers. But how does a newbie to the industry get<br />

there, and what is some of the essential etiquette an artist or backstage photographer may need once there? As an artist<br />

who has both assisted and keyed fashion shows in New York, London and Paris, here are some of my top insider tips.<br />

Makeup Artists or Hairstylists Look at past Fashion Week shows to see who the key artists and stylists were (key<br />

meaning the makeup artist or hair person who designed the look and was in charge). Find their Instagram and who their<br />

agent is, then email them—BUT keep your message short and to the point. If you don’t have a website, you better have a<br />

clean and kickass Instagram. Agencies and artists need to see a visual representation of your work. It’s best to hit them up<br />

four to six weeks before the shows. Leave all of your contact details and do not hound them. If they like your work they’ll<br />

get in touch. If you are super-new, let them know. Say you’re willing to clean brushes and carry their kits or fetch coffee.<br />

Make yourself seem indispensable. I learned more by assisting than I did in makeup school. Another option is to see which<br />

brands are sponsoring the shows, such as TRESemme or Maybelline. You can try to contact them directly, as they often<br />

will also be hiring.<br />

If you get booked for a show, realize that many call times are super-early and that you better be on time. A key artist will<br />

demo the look right from the beginning of the show’s call time. Models need to do hair, makeup and nails, plus fittings and<br />

a run-through, in just a few short hours, so every minute is precious. Key artists are busy and won’t appreciate having to go<br />

through everything again for someone who’s late.<br />

Pay attention during the demo. Video it or take notes if you have to. Be aware of not only the products they use but also<br />

what types of brushes they use. If you are really struggling to do something, it’s better to get help from another artist than<br />

to waste time. If waiting for a model backstage, make yourself useful. Clean the area you’re working in or offer to grab<br />

water or drinks. <strong>The</strong>se little things will be noticed.<br />

Social Media Every key artist works differently, so ask before taking any photos. Also, don’t post anything until after<br />

the show’s over—don’t spoil the show! Make sure you use appropriate tags. If you assisted, say that you did the makeup,<br />

but also mention who you assisted and tag that key artist. Tag the designer too. Many backstage areas will list tags and<br />

hashtags to use. If you’re doing an InstaStory or Snapchat, make sure it’s the appropriate time to do it. I once had a bunch<br />

of assistants Snapchatting when the models were lining up just a few minutes before showtime. This is the crunch time for<br />

fixing last looks, not filtering dog ears on yourself!<br />

Photographers Glam teams know you need your shot, but if you see that they are really stressed out working, try not<br />

to butt your way in. Give the artists space or just ask, “Hey, can I grab a shot?” Artists are always happy to get their work<br />

photographed, but it’s better to warn them. Also, be respectful of the girls changing backstage and where your lens is<br />

focusing.<br />

Other tips<br />

• Bring a snack and water. Not all shows have food, and if you’re working back-to-back shows on your feet, it’s important to<br />

keep hydrated.<br />

• Make sure makeup brushes and hairbrushes are clean. Bring something to disinfect and clean them between models.<br />

• And if you are a makeup artist, you MUST have foundations and powders for ALL skin tones, from the palest alabaster to<br />

the darkest shade. If you don’t have a variety of foundations to blend around, you won’t be prepared.<br />

• Wear comfy shoes—you’re working, not hitting the catwalk. You’ll be on your feet and running around.<br />

This Month’s Product Hot List<br />

(A) Charlotte Tilbury Filmstar Bronze & Glow A gorgeous homage to the golden age of Hollywood, it’s almost too<br />

pretty to use! <strong>The</strong> powders themselves contour and highlight with a beautiful subtlety. <strong>The</strong>y leave the face sculpted and<br />

glowing without looking dirty or overly frosted. ($68, charlottetilbury.com)<br />

(B) Sephora Collection PROfessional Makeup Case Compact yet very roomy. Super-lightweight with removable<br />

compartments. I love this bag, as it holds a lot more than you would expect and is very durable. ($100, sephora.com)<br />

(C) Real Techniques PowderBleu Collection Inspired by the luxurious coats of blue squirrels, these brushes (don’t<br />

worry, they’re cruelty-free and synthetic) feel incredibly luxurious. Real Techniques brushes are awesome for your makeup<br />

kit, blend beautifully and won’t bust your piggy bank. Created by YouTube makeup artist sensations Sam & Nic, aka<br />

Pixiwoo, the brushes even have video tutorials so you can get maximum use out of the tools. (realtechniques.com)<br />

Follow me for more insider looks into the world of hair and makeup on Instagram @racheltoledomua.

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