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Strings<br />
Claude Debussy had difficulties finishing his last major work, the<br />
Sonata for Violin and Piano. This can be seen in the many drafts<br />
which have been handed down and the fact that the cycle for which<br />
it was conceived was left unfinished. The melancholy work originated<br />
under the impact of the First World War.<br />
The first edition, published during the final year of Debussy’s life,<br />
contains many rhythmic errors. The non-autograph metronome<br />
marks and the discrepancies between the separate violin part and<br />
the violin part in small print in the piano score are two problems that<br />
have affected the work’s later reception. Both are examined here in a<br />
fresh light.<br />
In addition to the Sonata, this edition contains arrangements of<br />
La fille aux cheveux de lin, Il pleure dans mon cœur and Minstrels<br />
by the American violinist Arthur Hartmann. It was Hartmann who<br />
inspired Debussy to make his own arrangement of the well-known<br />
piano piece Minstrels, also included in our edition.<br />
Claude Debussy:<br />
Works for Violin<br />
and Piano<br />
BÄRENREITER URTEXT<br />
Edited by Douglas Woodfull-Harris<br />
BA 9444 · approx. € 18.95<br />
To appear in March <strong>2018</strong><br />
Contents:<br />
Sonata / Minstrels<br />
Appendix:<br />
Claude Debussy/Arthur Hartmann<br />
Minstrels<br />
La fille aux cheveux de lin<br />
Il pleure dans mon cœur<br />
• Debussy’s complete works for violin and piano<br />
• With arrangements by Debussy’s acquaintance Hartmann<br />
• Informative Foreword (Eng/Fr/Ger)<br />
• Critical Commentary (Eng)<br />
><br />
To the shop<br />
New Issue Title<br />
23 New Publications I/<strong>2018</strong> · The Programme