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Strings<br />

Claude Debussy had difficulties finishing his last major work, the<br />

Sonata for Violin and Piano. This can be seen in the many drafts<br />

which have been handed down and the fact that the cycle for which<br />

it was conceived was left unfinished. The melancholy work originated<br />

under the impact of the First World War.<br />

The first edition, published during the final year of Debussy’s life,<br />

contains many rhythmic errors. The non-autograph metronome<br />

marks and the discrepancies between the separate violin part and<br />

the violin part in small print in the piano score are two problems that<br />

have affected the work’s later reception. Both are examined here in a<br />

fresh light.<br />

In addition to the Sonata, this edition contains arrangements of<br />

La fille aux cheveux de lin, Il pleure dans mon cœur and Minstrels<br />

by the American violinist Arthur Hartmann. It was Hartmann who<br />

inspired Debussy to make his own arrangement of the well-known<br />

piano piece Minstrels, also included in our edition.<br />

Claude Debussy:<br />

Works for Violin<br />

and Piano<br />

BÄRENREITER URTEXT<br />

Edited by Douglas Woodfull-Harris<br />

BA 9444 · approx. € 18.95<br />

To appear in March <strong>2018</strong><br />

Contents:<br />

Sonata / Minstrels<br />

Appendix:<br />

Claude Debussy/Arthur Hartmann<br />

Minstrels<br />

La fille aux cheveux de lin<br />

Il pleure dans mon cœur<br />

• Debussy’s complete works for violin and piano<br />

• With arrangements by Debussy’s acquaintance Hartmann<br />

• Informative Foreword (Eng/Fr/Ger)<br />

• Critical Commentary (Eng)<br />

><br />

To the shop<br />

New Issue Title<br />

23 New Publications I/<strong>2018</strong> · The Programme

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