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CARLO GESUALDO<br />

PRINCIPE DI VENOSA<br />

NEW GESUALDO EDITION<br />

The Edition<br />

The music of Carlo Gesualdo (1566–1613), Prince of<br />

Venosa, has always sparked particular interest among<br />

vocal polyphony experts. It is handed down in precious<br />

part-book prints produced by two famous 16 th -century<br />

printers: Vittorio Baldini, private printer of Ercole II<br />

d’Este, Duke of Ferrara, and Giovanni Giacomo Carlino, a<br />

well-known Neapolitan printer, whom Gesualdo asked to<br />

move to his village to print his last three part-books.<br />

Unfortunately, not all the first editions have survived in<br />

their entirety, hence the need to examine the surviving<br />

editions which immediately followed in order to<br />

reconstruct the complete musical texts. These reprints<br />

are also significant because they document the wide<br />

circulation that the music of Gesualdo, in particular his<br />

madrigals, enjoyed from the beginning. Indeed, these<br />

editions come from what was the main Italian centre<br />

of publishing at the time, namely Venice, and were<br />

produced by the best known music printers:<br />

Alessandro Gardano’s heirs and Bartolomeo Magni.<br />

The Subscription<br />

The edition will comprise twelve volumes.<br />

They can be purchased individually or the whole series<br />

can be subscribed to at reduced prices.<br />

Each volume contains a Preface (Ital/Eng), a facsimile<br />

section, a critical edition of the texts set to music<br />

as well as a Critical Commentary (Ital/Eng).<br />

Format 23 x 30 cm, linen-bound<br />

The new critical edition<br />

starts with a review of all the existing 16 th - and 17 th -<br />

century prints, and proceeds to evaluate their degree<br />

of authoritativeness. The very first editions are the<br />

preferred sources, since they were all issued under<br />

the direct supervision of Gesualdo.<br />

Molinaro‘s partitura is also taken into account, for its<br />

unquestionable historical significance and as evidence<br />

of Gesualdo‘s reception in modern times.<br />

New Issue Title<br />

New Publications I/<strong>2018</strong> · The Programme 34<br />

Please order the brochure<br />

»New Gesualdo Edition« (Ital/Eng/Ger)<br />

SPA 274 (in preparation)

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