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The Glenview Lantern 122817
The Glenview Lantern 122817
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20 | December 28, 2017 | The glenview lantern life & arts<br />
glenviewlantern.com<br />
South’s ‘Twelve Angry Jurors’ leaves no room for debate<br />
Neil Milbert<br />
Freelance Reporter<br />
“Superlative” and<br />
“compelling” are the<br />
words that best describe<br />
the performance of the<br />
student actors at Glenbrook<br />
South in their winter<br />
play, “Twelve Angry<br />
Jurors.”<br />
The play is a Sherman<br />
Sergel adaptation of<br />
Reginald Rose’s classic<br />
“Twelve Angry Men.”<br />
In the GBS performances<br />
on Dec. 14-15 in the<br />
Lyceum, Director Beth<br />
Barber’s cast was made<br />
up of eight young ladies<br />
and four young men.<br />
The plot featured the<br />
80 minutes of jury room<br />
deliberations in the case<br />
of a 19-year-old man on<br />
trial for the murder of<br />
his father with a switch<br />
blade in the father’s<br />
apartment.<br />
When the vote was taken<br />
at the start of the play,<br />
it was 11-1 to find the defendant<br />
guilty.<br />
The lone dissenter was<br />
Juror No. 8, played by El<br />
Eavenson, who was deeply<br />
troubled because she<br />
was unable to conclude<br />
beyond reasonable doubt<br />
that the defendant was<br />
guilty, even though the<br />
evidence was overwhelming<br />
in the minds of most<br />
of the other jurors.<br />
Tempers flared, which<br />
led to angry outbursts and<br />
confrontations, when Juror<br />
No. 8 insisted that the<br />
jurors conduct a painstaking<br />
review of the testimony<br />
and the evidence.<br />
The most vehement of<br />
her adversaries were Juror<br />
No. 3, played by Kayla<br />
Kraft, and Juror No. 10,<br />
played by Marina Madsen.<br />
During the course of the<br />
impassioned and borderline<br />
physical exchanges,<br />
reasonable doubt gradually<br />
began creeping into the<br />
minds of the other jurors<br />
as they wrestled with their<br />
decision. In the course of<br />
these arguments, a few of<br />
the jurors’ prejudices and<br />
preconceptions came to<br />
the fore.<br />
Some came to favor declaring<br />
this a hung jury,<br />
thereby leaving the case<br />
for a new jury to decide,<br />
but Juror No. 8 pleaded<br />
with them to continue<br />
deliberating and to begin<br />
questioning the reliability<br />
of the witnesses’ testimony.<br />
However, there is no<br />
reasonable doubt on<br />
the verdict for the quality<br />
of the cast of the<br />
GBS adaptation. The actors<br />
played their roles to<br />
perfection.<br />
Joining Eavenson, Kraft<br />
and Madsen in the cast<br />
were Abby Neptun, in the<br />
role of Madam Foreperson;<br />
Kat Cooper, as Juror<br />
No. 2; Allie Vogelmeier,<br />
as Juror No. 4; Michael<br />
McNeela, as Juror No. 5;<br />
Jakobe Rabor, as Juror<br />
No. 6, Natalie Kahan, as<br />
Juror No. 7; Lauren Bundy,<br />
as Juror No. 9; Joey<br />
Rigney, as Juror No. 11;<br />
Jack Taylor, as Juror No.<br />
12; Clara Blackwell, as<br />
the guard outside the jury<br />
room; Tadhg O’Connor,<br />
as the judge; and Hannah<br />
Glaser, as the clerk of<br />
court.<br />
Glaser also served as<br />
the understudy for Juror<br />
No. 7; Blackwell served<br />
as understudy for Juror<br />
No. 9; and Tadhg served<br />
as understudy for Juror<br />
No. 11.<br />
Katie Durow, who was<br />
understudy for Juror No.<br />
2, and Robin Woitesek,<br />
who was understudy for<br />
Juror No. 10, were the director’s<br />
assistants.<br />
The understudies all<br />
had the opportunity to<br />
perform in the roles of jurors<br />
at the 4 p.m. performance<br />
on Dec. 14.<br />
The actresses cast in<br />
the leading roles all had<br />
appeared in many previous<br />
productions at GBS.<br />
It was the 10th show for<br />
Eavenson and the ninth<br />
for Kraft. Madsen also has<br />
been involved in many<br />
shows.<br />
Barber, who teaches<br />
theater and English at<br />
GBS, has directed countless<br />
productions during<br />
her 30 years on the faculty.<br />
Prefacing the performance<br />
of “Twelve Angry<br />
Jurors” was a 12-minute<br />
slide presentation, showing<br />
pictures of individuals<br />
who later were found<br />
to have been wrongfully<br />
convicted of murder, as<br />
well as details of their<br />
cases and their sentences.<br />
Among those ultimately<br />
found innocent were some<br />
who were executed after<br />
receiving the death penalty.<br />
The slide show established<br />
the theme for the<br />
play, and it concluded<br />
with a quote from Voltaire:<br />
“It is better to risk<br />
saving a guilty man than<br />
condemning an innocent<br />
one.”<br />
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