14.12.2012 Views

SCORES NO 0 - Tanzquartier Wien

SCORES NO 0 - Tanzquartier Wien

SCORES NO 0 - Tanzquartier Wien

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

27/a<br />

<strong>SCORES</strong> N O 0 — Autumn 2010<br />

27/c<br />

<strong>SCORES</strong> N O 0 — Autumn 2010<br />

Martina Ruhsam<br />

Choreography. Immediacy. Failure<br />

<br />

Still unknown? by Jeroen Peters / Martina Ruhsam / Vlado Repnik was<br />

commissioned by and premiered at <strong>Tanzquartier</strong> <strong>Wien</strong> on December 2th 2009.<br />

27/b<br />

Martina Ruhsam Choreography. Immediacy. Failure<br />

Let ’s try to approach choreography by thinking about<br />

immediacy, a phenomenon that seems to be an opponent of<br />

intentional creations, that cannot be rehearsed and therefor<br />

usually evades choreographic processes. Every attempt to<br />

stage immediacy is condemned to FAILURE. If I think<br />

about IMMEDIACy I see the dancing plastic bag in the film<br />

» American Beauty « (directed by Sam Mendes) that is moved<br />

in and by the wind, probably the most famous plastic bag in<br />

this moment, a part of the cultural memory of several millions<br />

of people. (Maybe the plastic bag was not really moved by the<br />

wind but by some ventilators that were placed outside of the<br />

scope of the camera.) It dances a fascinating choreography that<br />

doesn ’t have any author. Or can ’t we talk about a choreography<br />

in this case for the very reason that the author is lacking and<br />

that the movements of the plastic bag were neither rehearsed,<br />

nor do they derive from a writing process? Does immediacy<br />

have something to do with being moved instead of moving?<br />

<br />

<br />

27/d<br />

Martina Ruhsam Choreography. Immediacy. Failure

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!