SCORES NO 0 - Tanzquartier Wien
SCORES NO 0 - Tanzquartier Wien
SCORES NO 0 - Tanzquartier Wien
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27/a<br />
<strong>SCORES</strong> N O 0 — Autumn 2010<br />
27/c<br />
<strong>SCORES</strong> N O 0 — Autumn 2010<br />
Martina Ruhsam<br />
Choreography. Immediacy. Failure<br />
<br />
Still unknown? by Jeroen Peters / Martina Ruhsam / Vlado Repnik was<br />
commissioned by and premiered at <strong>Tanzquartier</strong> <strong>Wien</strong> on December 2th 2009.<br />
27/b<br />
Martina Ruhsam Choreography. Immediacy. Failure<br />
Let ’s try to approach choreography by thinking about<br />
immediacy, a phenomenon that seems to be an opponent of<br />
intentional creations, that cannot be rehearsed and therefor<br />
usually evades choreographic processes. Every attempt to<br />
stage immediacy is condemned to FAILURE. If I think<br />
about IMMEDIACy I see the dancing plastic bag in the film<br />
» American Beauty « (directed by Sam Mendes) that is moved<br />
in and by the wind, probably the most famous plastic bag in<br />
this moment, a part of the cultural memory of several millions<br />
of people. (Maybe the plastic bag was not really moved by the<br />
wind but by some ventilators that were placed outside of the<br />
scope of the camera.) It dances a fascinating choreography that<br />
doesn ’t have any author. Or can ’t we talk about a choreography<br />
in this case for the very reason that the author is lacking and<br />
that the movements of the plastic bag were neither rehearsed,<br />
nor do they derive from a writing process? Does immediacy<br />
have something to do with being moved instead of moving?<br />
<br />
<br />
27/d<br />
Martina Ruhsam Choreography. Immediacy. Failure