ArticleOne2018FullSpreads
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Spring 2018<br />
Do you have an example of<br />
something like that?<br />
M: I made something a while ago, it's a<br />
series of lamps. They don't really look<br />
like lamps, they're these weird objects<br />
that are kind of white and shiny that<br />
have all these holes in it and look like<br />
you want to touch them but they do<br />
have a light and they are small lamps<br />
that can be carried with you wherever<br />
you go, kind of like a camp light. They<br />
have human characteristics to them<br />
because they have eyes and faces,<br />
so it's just objects that have a little bit<br />
more play to them. Things that have<br />
blurred characteristics that people<br />
can associate with could be a tool for<br />
encouraging open ended relationships.<br />
So, earlier you mentioned certain<br />
architectural philosophies. Do<br />
you think that there are certain<br />
ones that people are studying and<br />
reading about that have become so<br />
prevalent, appearing in modernizing<br />
cities outside of the US and Western<br />
Europe. Are you noticing that the<br />
newer buildings in these cities are<br />
sharing a lot of traits that might not<br />
seem like they match the cultures<br />
that they're from?<br />
M: Yeah. It's actually the idea of<br />
Formalism. One of the architects<br />
that does it the best is Bjarke Ingels<br />
from BIG. He actually wrote a really<br />
important architecture school book<br />
when I was in school titled Yes is More.<br />
It’s an architecture comic book that I<br />
actually totally despise now because it<br />
has dumbed down architecture almost<br />
too much. Formalism is a multi-faceted<br />
concept, but mainly it's buildings that<br />
look so obviously like what they are. So<br />
Zaha Hadid is kind of a formalist in that<br />
she creates a shape and then shoves<br />
all the program in it instead of it being<br />
something that is informed by how you<br />
walk into the space and how you live in<br />
it. So, it’s top down instead of bottom<br />
up. I’m more of a bottom up person I<br />
think.<br />
And there are amazing things that<br />
have happened with that because that<br />
style of explaining things has totally<br />
infiltrated our architecture schools<br />
and so when you go to any sort of<br />
presentation, like, every kid's diagrams<br />
look like a BIG diagram. Or at least<br />
they did when I was in school! Now<br />
buildings are starting to come up that<br />
are very like much like this is a circle,<br />
this is a square, this is a pyramid. Very<br />
basic top down concepts, and I think<br />
that's great because it's kind of opened<br />
up the conversation of architecture a<br />
little bit more. Bjarke Ingels gets so<br />
many projects because of his ability to<br />
talk to people who don't understand<br />
architecture in a non intimidating way.<br />
And in such a basic manner, but I think<br />
that there's a middle ground that's<br />
starting to come up in a lot in schools<br />
where you're like, okay, we can take<br />
this base thing but also integrate some<br />
sort of intellect into that and some<br />
substance so that we aren't totally just<br />
like making buildings that are just kind<br />
of ridiculous.<br />
Would you recommend to read<br />
that comic book, Yes is More: An<br />
Archicomic on the architectural<br />
evolution?<br />
M: That’s a difficult question. I think<br />
it's better to read it when you do have<br />
a little bit more knowledge as to what<br />
it's talking about. But any architecture<br />
book that acts as a catalyst for<br />
someone wanting to know more is<br />
important, and so I would say everyone<br />
should read it if it's going to make them<br />
excited about architecture. There was a<br />
story I was reading the other day by the<br />
curator at the Serpentine pavilion, Hans<br />
Urlich Obrist. He was writing about<br />
the Serpentine pavilion and how there<br />
was a girl who was there who's dad<br />
was a taxi driver. On their one day that<br />
they go out every week they go to this<br />
pavilion that is designed by a famous<br />
architect every year and after she saw<br />
it, she immediately started studying to<br />
go to architecture school. So it was just<br />
like something that sat with her really<br />
well. And so anything like that inspires<br />
you is important. Books do that all the<br />
time for me. Wabi Sabi for Artists was<br />
that for me. I would never have picked<br />
up and read the Serpentine Pavillion if<br />
I hadn’t read about it in Apartamento<br />
Magazine, I actually read a lot of<br />
magazine and consume publications<br />
more than I read books.<br />
Thanks, Marki - we'll chat with you<br />
about Kim K anyday. To read more<br />
Farsighted, visit us online.<br />
Farsighted<br />
62 63