14.02.2018 Views

2018 CAP Catalogue-v7

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Benjamin Mitchell<br />

A Girl Reading<br />

Medium: Oil on plywood<br />

Size: 120 x 80 cm<br />

Price: $2,549<br />

My pictures are explorations of my immediate surroundings<br />

particularly the scenes where my subjects are absorbed in<br />

their own world or unaware they are being drawn, riding the<br />

train, using their phone or at the beach sunbathing etc.<br />

How people behave at social gatherings or alone in public<br />

speaks to the theme of Identity.<br />

Wanda Comrie<br />

Collective<br />

Propagation<br />

Medium: Oil on canvas<br />

Size: 91.5 x 152 cm<br />

Price: $4,950<br />

A dear female artist friend passed these<br />

cuttings onto me. They’re now growing<br />

roots, soon to flourish and eventually<br />

become strong enough to survive on their<br />

own.<br />

Such is our friendship - women supporting<br />

women, sharing plant cuttings, wisdom and<br />

stories of life with humility and conviviality.<br />

These succulents symbolise the growth in<br />

female solidarity and alliance, which fuels,<br />

facilitates and enriches my sense of self, and<br />

in turn informs a large part of my identity.<br />

Knowing there is a strong network of<br />

support at my back gives me the guts to<br />

know myself in all facets of my life and to<br />

be truly authentic when making art.<br />

I have been using torn and pulped train tickets to draw onto<br />

and explore the material qualities of the paper which I make<br />

from scratch.<br />

After exhibiting these drawings in 2015 I decided to change<br />

the scale and materials and work on plywood with oil paint<br />

and enamel.<br />

James Tinsley<br />

Paradise Lost<br />

Medium: Oil on panel<br />

Size: 85 x 85 cm<br />

Price: $2,700<br />

This is part of a body of work that explores the<br />

ideas of identity and place and the anxieties<br />

created for both the outsider and the citizen.<br />

The image places refugee camp in a forest<br />

which performs the role of sheltering the<br />

camp but it also acts as boundary between the<br />

citizens and the refugees.<br />

Within the camp a lone figure in a HAZMAT<br />

suit explores the camp. The HAZMAT suit figure<br />

is meant to symbolise how society guards and<br />

protects itself from foreigners.<br />

The suited figure also aims to show to the<br />

audience how an outsider (refugee) would<br />

find the country and its society that they are<br />

going to - as being unfamiliar, foreign and<br />

threatening at first.<br />

Anne McCaughey<br />

Battling On<br />

Medium: Mixed media on canvas<br />

Size: 100 x 150 cm<br />

Price: $7,500<br />

I have fused my subject, Lesley Reece,<br />

with the collaged background of a 1961<br />

copy of ‘The last Battle’ by C.S. Lewis<br />

to reinforce the idea that her identity<br />

has been forged closely with what she<br />

passionately cares about.<br />

Lesley has been recognised as a<br />

Member of the Order of Australia<br />

for her significant service to children<br />

through improving literacy skills and<br />

promoting Australia’s authors and<br />

illustrators. This cause identifies her life.<br />

Through layering of mark over mark,<br />

accretion and striation and scoring of<br />

surface, I wanted the physicality of the<br />

artwork to emphasise the exigencies of<br />

dedication.<br />

18<br />

19

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!