2018 CAP Catalogue-v7
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Benjamin Mitchell<br />
A Girl Reading<br />
Medium: Oil on plywood<br />
Size: 120 x 80 cm<br />
Price: $2,549<br />
My pictures are explorations of my immediate surroundings<br />
particularly the scenes where my subjects are absorbed in<br />
their own world or unaware they are being drawn, riding the<br />
train, using their phone or at the beach sunbathing etc.<br />
How people behave at social gatherings or alone in public<br />
speaks to the theme of Identity.<br />
Wanda Comrie<br />
Collective<br />
Propagation<br />
Medium: Oil on canvas<br />
Size: 91.5 x 152 cm<br />
Price: $4,950<br />
A dear female artist friend passed these<br />
cuttings onto me. They’re now growing<br />
roots, soon to flourish and eventually<br />
become strong enough to survive on their<br />
own.<br />
Such is our friendship - women supporting<br />
women, sharing plant cuttings, wisdom and<br />
stories of life with humility and conviviality.<br />
These succulents symbolise the growth in<br />
female solidarity and alliance, which fuels,<br />
facilitates and enriches my sense of self, and<br />
in turn informs a large part of my identity.<br />
Knowing there is a strong network of<br />
support at my back gives me the guts to<br />
know myself in all facets of my life and to<br />
be truly authentic when making art.<br />
I have been using torn and pulped train tickets to draw onto<br />
and explore the material qualities of the paper which I make<br />
from scratch.<br />
After exhibiting these drawings in 2015 I decided to change<br />
the scale and materials and work on plywood with oil paint<br />
and enamel.<br />
James Tinsley<br />
Paradise Lost<br />
Medium: Oil on panel<br />
Size: 85 x 85 cm<br />
Price: $2,700<br />
This is part of a body of work that explores the<br />
ideas of identity and place and the anxieties<br />
created for both the outsider and the citizen.<br />
The image places refugee camp in a forest<br />
which performs the role of sheltering the<br />
camp but it also acts as boundary between the<br />
citizens and the refugees.<br />
Within the camp a lone figure in a HAZMAT<br />
suit explores the camp. The HAZMAT suit figure<br />
is meant to symbolise how society guards and<br />
protects itself from foreigners.<br />
The suited figure also aims to show to the<br />
audience how an outsider (refugee) would<br />
find the country and its society that they are<br />
going to - as being unfamiliar, foreign and<br />
threatening at first.<br />
Anne McCaughey<br />
Battling On<br />
Medium: Mixed media on canvas<br />
Size: 100 x 150 cm<br />
Price: $7,500<br />
I have fused my subject, Lesley Reece,<br />
with the collaged background of a 1961<br />
copy of ‘The last Battle’ by C.S. Lewis<br />
to reinforce the idea that her identity<br />
has been forged closely with what she<br />
passionately cares about.<br />
Lesley has been recognised as a<br />
Member of the Order of Australia<br />
for her significant service to children<br />
through improving literacy skills and<br />
promoting Australia’s authors and<br />
illustrators. This cause identifies her life.<br />
Through layering of mark over mark,<br />
accretion and striation and scoring of<br />
surface, I wanted the physicality of the<br />
artwork to emphasise the exigencies of<br />
dedication.<br />
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