2018 CAP Catalogue-v7
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Kirsten Sivyer<br />
Alun Rhys Jones<br />
First Came the Sun<br />
The Wrestlers<br />
Medium: Oil on canvas<br />
Size: 90 x 90 cm<br />
Price: $4,400<br />
My painting, depicting a farm fire,<br />
explores the connection we perceive<br />
between ourselves and the sometimes<br />
harsh and threatening natural<br />
environment.<br />
We may identify with nature as an<br />
inseparable part of ourselves with<br />
appreciation for the cycles of fire<br />
and flood, or see the land simply as a<br />
resource with risks to be managed.<br />
How we identify with nature is<br />
inevitably shaped by our social and<br />
cultural experiences.<br />
Medium: Charcoal on Stonehenge<br />
paper<br />
Size: 122 x 100 cm<br />
Price: $6,800<br />
Masculinity has had a makeover,<br />
visually, aesthetically and<br />
psychologically, from Bondi bros to<br />
hipster bromances, the Aussie bloke<br />
has been transformed into a self aware,<br />
groomed, buffed, image conscious,<br />
product-consuming, marketing dream.<br />
Media portrays the ideal image of<br />
men to be muscular and by implication<br />
strong, tough and stoic. However the<br />
pressure to obtain and maintain the<br />
body beautiful portrayed by these<br />
images has led to an increase in body<br />
dissatisfaction for men and young<br />
adults.<br />
Almost 18 percent of men are very<br />
concerned about their own physique<br />
and feel pressured to gain weight<br />
and become more toned. They were<br />
significantly more likely to become<br />
depressed and take part in behaviors<br />
like alcohol, steroid and drug use.<br />
Suicide is now the leading cause of<br />
death for Australian men aged 15-44<br />
and male suicide rates are three times<br />
that of women. It appears the pressure<br />
to look, act, and harden up may be<br />
making some men crack.<br />
Tony Belobrajdic<br />
By the Table<br />
Medium: Oil on canvas<br />
Size: 61 x 51 cm<br />
Price: $3,500<br />
I have loosely based this painting on a black and<br />
white photo of my partner’s auntie as a young<br />
woman.<br />
Being a migrant, facing new life in a new country<br />
I believe she would have asked herself many<br />
questions over time.<br />
Although painted figuratively, I was trying to<br />
give the painting that slightly abstract quality.<br />
Suzanna Castleden<br />
5.31 am On This Side of<br />
the World<br />
Medium: Gesso on BFK rag paper<br />
Size: 80 x 107 cm<br />
Price: $3,800<br />
In this two-sided work, the front image<br />
is of the world tilted to show the first<br />
light of day falling on my hometown of<br />
Fremantle; the image on the reverse of<br />
the paper is of sunset on the other side<br />
of the world.<br />
The work is made using a process<br />
akin to a mezzotint, where the image<br />
emerges through a process of removing<br />
a dark surface to reveal a lighter layer<br />
beneath. It’s a work that uses light and<br />
darkness as a way of thinking about<br />
how we come to orientate and sense<br />
our place in the world.<br />
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