2018 CAP Catalogue-v7
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Olga Cironis<br />
Calling<br />
Medium: Plastic packing tape, text and<br />
wood<br />
Size: 120 x 120 cm<br />
Price: $9,000<br />
Each morning I walk along the WA<br />
coastline and swim in the ocean to feel<br />
immersed in the moment.<br />
Always awed by the ever-changing<br />
beauty and wrath of this world, I catch<br />
myself floating away from doubt.<br />
Nicole Slatter<br />
Birthday<br />
Medium: Oil on board<br />
Size: 82 x 102 cm<br />
Price: $3,000<br />
Birthday is a painting that extends research<br />
into the idea that representations of place<br />
can hold the feeling of time and one’s<br />
personal experience.<br />
This work explores the confluence of the<br />
Australian landscape (with which I know,<br />
feel and identify) and the remnants of a<br />
personal event.<br />
The streamers are temporarily part of the<br />
landscape and connect a familiar Australian<br />
place to a moment of human experience.<br />
I attempt to expand a feeling of empathy<br />
between the form and movement of the<br />
trees and the streamers through a painterly<br />
gesture.<br />
Daevid Anderson<br />
Sheila<br />
Medium: Oil on board<br />
Size: 30 x 30 cm<br />
Price: $10,000<br />
This work is a portrait of my<br />
grandmother, Sheila. Not unusually, I<br />
think my grandmother is an amazing<br />
woman.<br />
This portrait, however, doesn’t try to<br />
capture any narrative element, but<br />
rather reflects my view of her, during a<br />
visit late one afternoon.<br />
It focuses on the way the light falls<br />
across her aged face, and attempts to<br />
capture the twinkle in her eye, and wry<br />
smile that she is well-known for.<br />
Patricia Kelly<br />
A Fragile Journey<br />
Medium: Oil on canvas, with<br />
floating white timber panel.<br />
Finished with Gamvar Glass.<br />
Size: 65 x 127 cm<br />
Price: $2,800<br />
The essence of this work is directly held in my<br />
hands. Palmistry suggests that we are born<br />
with a life plan in the lines of our left hand, and<br />
how we utilise this plan lays in our right.<br />
We start life with intrinsic elements that relate<br />
to our ancestry, but the journey we undertake<br />
through life inflicts both physical and mental<br />
changes on our identity; both negative and<br />
positive. An identity can hold great strength<br />
while simultaneously be fragile.<br />
We set goals, symbolically represented<br />
by the perfect white square. The<br />
black ‘scars’ through the work are<br />
representative of the negative that<br />
changes and threatens us.<br />
For some, it is a constant fight, others it<br />
is always filled with uncertainty. I hold<br />
dearly to where I came from but it does<br />
not define me or who I am today or<br />
who I will be in the future.<br />
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