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2018 CAP Catalogue-v7

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Olga Cironis<br />

Calling<br />

Medium: Plastic packing tape, text and<br />

wood<br />

Size: 120 x 120 cm<br />

Price: $9,000<br />

Each morning I walk along the WA<br />

coastline and swim in the ocean to feel<br />

immersed in the moment.<br />

Always awed by the ever-changing<br />

beauty and wrath of this world, I catch<br />

myself floating away from doubt.<br />

Nicole Slatter<br />

Birthday<br />

Medium: Oil on board<br />

Size: 82 x 102 cm<br />

Price: $3,000<br />

Birthday is a painting that extends research<br />

into the idea that representations of place<br />

can hold the feeling of time and one’s<br />

personal experience.<br />

This work explores the confluence of the<br />

Australian landscape (with which I know,<br />

feel and identify) and the remnants of a<br />

personal event.<br />

The streamers are temporarily part of the<br />

landscape and connect a familiar Australian<br />

place to a moment of human experience.<br />

I attempt to expand a feeling of empathy<br />

between the form and movement of the<br />

trees and the streamers through a painterly<br />

gesture.<br />

Daevid Anderson<br />

Sheila<br />

Medium: Oil on board<br />

Size: 30 x 30 cm<br />

Price: $10,000<br />

This work is a portrait of my<br />

grandmother, Sheila. Not unusually, I<br />

think my grandmother is an amazing<br />

woman.<br />

This portrait, however, doesn’t try to<br />

capture any narrative element, but<br />

rather reflects my view of her, during a<br />

visit late one afternoon.<br />

It focuses on the way the light falls<br />

across her aged face, and attempts to<br />

capture the twinkle in her eye, and wry<br />

smile that she is well-known for.<br />

Patricia Kelly<br />

A Fragile Journey<br />

Medium: Oil on canvas, with<br />

floating white timber panel.<br />

Finished with Gamvar Glass.<br />

Size: 65 x 127 cm<br />

Price: $2,800<br />

The essence of this work is directly held in my<br />

hands. Palmistry suggests that we are born<br />

with a life plan in the lines of our left hand, and<br />

how we utilise this plan lays in our right.<br />

We start life with intrinsic elements that relate<br />

to our ancestry, but the journey we undertake<br />

through life inflicts both physical and mental<br />

changes on our identity; both negative and<br />

positive. An identity can hold great strength<br />

while simultaneously be fragile.<br />

We set goals, symbolically represented<br />

by the perfect white square. The<br />

black ‘scars’ through the work are<br />

representative of the negative that<br />

changes and threatens us.<br />

For some, it is a constant fight, others it<br />

is always filled with uncertainty. I hold<br />

dearly to where I came from but it does<br />

not define me or who I am today or<br />

who I will be in the future.<br />

26<br />

27

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