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Photographing mosaics<br />

in a museum<br />

This article looks at photographing mosaics in a museum setting.<br />

This is not about camera settings, lighting etc but more the basic<br />

considerations.<br />

How are mosaics usually displayed? The most common option,<br />

due to the space involved, is to find them stuck up on the walls.<br />

No, it's not ideal but sometimes this is the only way to get them on<br />

display, especially if the museum does not have mosaics as its<br />

main focus.<br />

The disadvantages of this is that you do not get to see them as they<br />

were meant to be seen in the room they were placed in originally.<br />

The advantage is if they are mounted on a wall then you can get<br />

really close, close enough to see the individual tesserae. Well, the<br />

bits you can reach without having to bring your own stepladder!<br />

Left, a photo of part of the Lod<br />

mosaic showing how the angle<br />

distorts the image.<br />

There are three types of images that I try to get;<br />

1. A clear photo of the whole floor is one I will take for reference,<br />

I don't spend too much time over that. The best option is to see<br />

if you can find a guide book or postcard with a photo of the whole<br />

floor taken by a professional company.<br />

2. Photos of the individual elements, a single figure, a motif, a<br />

section of border pattern.<br />

3. Photos of specific elements in a pattern or figure. This might be<br />

the way an eye has been done, how tesserae are cut on a curve,<br />

sections to show spacing. You want the good and the not so good.

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