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Dublin Sci-Fi Film Festival 2018 Brochure

Full programme brochure for Dublin Sci-Fi Film Festival 2018

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30 th anniversary:<br />

akira<br />

Katsuhiro Otomo<br />

124 min / 1988 / Japan<br />

Sat 28/04 @ 22:45<br />

Light House<br />

Cert: 15a<br />

<strong>Dublin</strong> <strong>Sci</strong>-<strong>Fi</strong><br />

film <strong>Festival</strong><br />

There are certain science-fiction films, such as Blade Runner and Kubrick’s 2001,<br />

that are so well realised that they can influence the genre for decades to come.<br />

Now Akira has been around for some 30 years (and is due for a Hollywood<br />

remake), we have seen how long a shadow it has cast not only over science<br />

fiction but also animation, it sits comfortably alongside those other lauded titles.<br />

Another thing it shares with them is how it always offers up something new or<br />

missed with every viewing. The plot, straightforward to some, impenetrable to<br />

others, concerns a futuristic neo-Tokyo biker gang whose lives are impacted on<br />

after an accidental collision with a secret government-run project dealing with<br />

telekinetic powers in children. Style and substance run neck and neck in this<br />

thrilling, bold landmark film that just refuses to become dated. – Phelim O’Neill,<br />

The Guardian<br />

“Simply put, no Akira, no Matrix. It’s that important.” – Kim Newman, Empire<br />

65th Anniversary:<br />

The Beast<br />

from 20,000<br />

Fathoms<br />

Eugene Lourie<br />

81 min / 1953 / US<br />

Sun 29/04 @ 12:00<br />

Generator<br />

Cert: pg<br />

One of the key titles in the 1950s science fiction boom, this was conceived as an<br />

atom age equivalent of King Kong and became the breakout film for rising effects<br />

man Ray Harryhausen. Beast sets the pattern for many subsequent creature<br />

features, opening with an A-bomb test that releases a dinosaur from its millionyear-sleep<br />

in the arctic ice, then has the monster destroy a few ships at sea and<br />

an isolated lighthouse while the nuclear scientist hero who glimpses the thing in<br />

the blizzard tries to convince the authorities that he isn’t crazy.<br />

The rousing climax brings the monster ashore in New York to chomp down on<br />

big city cops, trample through familiar streets and send crowds fleeing in panic<br />

before it takes a last stand amid burning rollercoasters on Coney Island. – Kim<br />

Newman, Empire Magazine<br />

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