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BassPlayer 2017-05

BassPlayer 2017-05

F SCOTT COLLEY They gave

F SCOTT COLLEY They gave me a scholarship. I was fortunate, and I was interested in everything Charlie was doing. You also had classical lessons from Fred Tinsley, who played with the L.A. Philharmonic. How did those lessons compare to the instruction you got from Monty and Charlie? What I didn’t realize at the time was that Fred was reworking my technique on the fundamental level. A lot of my technique was self-taught, although I had studied with Monty. Monty’s approach was more conceptual—learning standards, and learning how to listen. Same thing with Charlie—very intuitive and conceptual aspects. Fred taught me to use the weight of my body to play and get a center on the instrument. It was about how to create as much strength and relaxation as possible. He listened to what I was trying to do, and helped me figure out the best way to do that—he steered me in the right direction. Finishing School You started working with the legendary singer Carmen McRae in the ’80s while you were still in college. How did that gig come about? BP 142 Apr Half Page Advert.indd 1 38 bassplayer.com / may2017 10/03/17 11:16 AM

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AviTrader MRO Magazine 2017-05
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