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parfumuri cosmetice | sheet music | aePiot
Artist Arranger Composer Publisher
The Yeti Marching Band - Intermediate Arranged by Aaron Graf. Score, Set of Parts. 51 pages. Published by Aaron Graf (S0.302643). Item
Number: S0.302643 Beyond the Himalayas, lies a legend. The legend of the YETI. It is said to inhabit the Himalayan mountains. This
marching show tells the tale of the Yeti in three parts. The Monster of Everest, Beyond the Himalayas, and The Yeti. Music used - "Mountain
of the Sun" - Rob Grice "In Infamy" - Jack Wilds "Red" - Robert W. Smith
Global Cataclysm Marching Band - Advanced Intermediate Arranged by Aaron Graf.
Score, Set of Parts. 56 pages. Published by Aaron Graf (S0.255203). Item Number:
S0.255203 The setting of this marching show is based on the end of the world.
Starting off with natural disasters destroying the whole world and then trying to rebuild
humanity. Part 1 is about a bunch of natural disasters such as tornadoes,
earthquakes, volcanic eruptions destroying the world. Part 2 is about the aftermath of all the
chaos. Part 3 is about rebuilding humanity. Songs used Force Majeure - Rob Grice The
Illumination - Robert W. Smith Jupiter: Bringer of Jollity - Gustav Holst One with the Wind -
Matt Conaway Audio
David Warin Solomons: Petticoat Lane for flute and guitar Flute, Guitar - Intermediate
Composed by David Warin Solomons (1953-). Repertoire, Afro-Cuban, Recital. Score, Solo
Part. 12 pages. Published by Musik Fabrik (S0.227341). Item Number: S0.227341 A calypsostile
work inspired by the time the composer lived in Denning Point in Manchester, England,
which overlooks the busy Petticoat Lane Market
Songs
Sheet
Music
Most of the time: Large Title uploaded from office 176 pages. Published by GAKK
(S0.1006).
Paul Wehage: Carillon Prelude for piano Piano Solo - Intermediate Composed by Paul
Wehage. 21st Century, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik
(S0.195745). Item Number: S0.195745 Carillon Prelude began as my New Year's greeting for
2009. The composer Carson Cooman suggested that I expand the postcard-sized piece into a
longer work. The work is dedicated to him in thanks. The opening marcato figure alternates
with a more songlike motive, with a continuous sixteenth note movement in the left hand. The
pianist should strive for a bell-like sound, especially in the longer notes of the bass line?