Viva Brighton Issue #63 May 2018
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PHOTOGRAPHY<br />
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Tony Tree<br />
Snaps on the steps<br />
I was invited by the<br />
Unitarian Church on<br />
New Road to take some<br />
photographs as part of the<br />
project to conserve and repair<br />
the historic portico. We<br />
wanted to cover the builder’s<br />
hoardings in photographs that<br />
reflect the life of the church.<br />
I started in 2016 and visited<br />
all through last year. I began<br />
photographing the ceremonies<br />
and the people who use the<br />
church, but we quickly decided<br />
to take it out into the street<br />
too. The portico is a natural<br />
auditorium, complete with<br />
proscenium arch.<br />
I’ve photographed all sorts of things on the<br />
steps: one-legged seagulls, buskers, rough sleepers,<br />
performances in the Fringe, marriages, one<br />
wedding with four people and a couple of dogs…<br />
it’s the very essence of the city. If it’s happening in<br />
<strong>Brighton</strong> it’s happening on New Road, from its<br />
rough edges to the polished.<br />
The street reflects the church and what<br />
happens in the church reflects the street.<br />
They suit each other. The eclectic stuff that<br />
happens in that church is extraordinary but<br />
hidden by those great red doors. There’s African<br />
drummers, baby yoga, meditation classes, tango<br />
nights, gigs, <strong>Brighton</strong> & Hove Gay Men’s Chorus<br />
and, on Friday afternoons, there are the most<br />
extraordinary concerts with first-class musicians.<br />
I’ve photographed all the different instruments<br />
over the year and have built up an entire orchestra.<br />
I remember New Road from way back. My<br />
early days were spent at my gran’s house in<br />
Upper Gardner Street and my first school was<br />
the Central School, now the<br />
site of Carluccio’s. My father<br />
was an antiques dealer and<br />
we regularly visited an art<br />
dealer where Pinocchio’s is<br />
now, and when I worked as a<br />
photographer at The Argus, the<br />
pubs there were a big part of<br />
our lives. One of my earliest<br />
memories is winning the baby<br />
show in the Pavilion Gardens<br />
in 1948. I was three!<br />
It’s always been a<br />
characterful street. It<br />
was originally called The<br />
Promenade and it is a<br />
promenade. There are posers,<br />
flâneurs, people drinking<br />
outside the pubs… It’s just the most wonderful<br />
thoroughfare. It was a gift of a job for me. I was<br />
always walking though there, not necessarily every<br />
day, but an awful lot. I can’t stop doing it now. I<br />
was walking past the Theatre Royal the other day<br />
and there was a beautiful image of a guy playing<br />
cello in the colonnade. I don’t think the project<br />
will ever end for me, but it’s on pause for now.<br />
The city will miss the portico whilst the work<br />
is completed. It’s a very social space. The world<br />
sits there to have its lunch and, when you do,<br />
people come to talk to you. It’s an engaging space,<br />
an amazing building and a really nice community<br />
that use it. The church doesn’t mind that the steps<br />
are so communal, they just put a sign outside<br />
saying; ‘No busking please. Service in progress.’<br />
As told to Lizzie Lower<br />
The renovations, funded by the Heritage Lottery<br />
Fund, are expected to be completed by November.<br />
Tony’s photos will be displayed both inside and<br />
outside the church for the duration of the project.<br />
Photo by Adam Bronkhorst, adambronkhorst.com<br />
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