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Viva Brighton Issue #63 May 2018

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PHOTOGRAPHY<br />

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Tony Tree<br />

Snaps on the steps<br />

I was invited by the<br />

Unitarian Church on<br />

New Road to take some<br />

photographs as part of the<br />

project to conserve and repair<br />

the historic portico. We<br />

wanted to cover the builder’s<br />

hoardings in photographs that<br />

reflect the life of the church.<br />

I started in 2016 and visited<br />

all through last year. I began<br />

photographing the ceremonies<br />

and the people who use the<br />

church, but we quickly decided<br />

to take it out into the street<br />

too. The portico is a natural<br />

auditorium, complete with<br />

proscenium arch.<br />

I’ve photographed all sorts of things on the<br />

steps: one-legged seagulls, buskers, rough sleepers,<br />

performances in the Fringe, marriages, one<br />

wedding with four people and a couple of dogs…<br />

it’s the very essence of the city. If it’s happening in<br />

<strong>Brighton</strong> it’s happening on New Road, from its<br />

rough edges to the polished.<br />

The street reflects the church and what<br />

happens in the church reflects the street.<br />

They suit each other. The eclectic stuff that<br />

happens in that church is extraordinary but<br />

hidden by those great red doors. There’s African<br />

drummers, baby yoga, meditation classes, tango<br />

nights, gigs, <strong>Brighton</strong> & Hove Gay Men’s Chorus<br />

and, on Friday afternoons, there are the most<br />

extraordinary concerts with first-class musicians.<br />

I’ve photographed all the different instruments<br />

over the year and have built up an entire orchestra.<br />

I remember New Road from way back. My<br />

early days were spent at my gran’s house in<br />

Upper Gardner Street and my first school was<br />

the Central School, now the<br />

site of Carluccio’s. My father<br />

was an antiques dealer and<br />

we regularly visited an art<br />

dealer where Pinocchio’s is<br />

now, and when I worked as a<br />

photographer at The Argus, the<br />

pubs there were a big part of<br />

our lives. One of my earliest<br />

memories is winning the baby<br />

show in the Pavilion Gardens<br />

in 1948. I was three!<br />

It’s always been a<br />

characterful street. It<br />

was originally called The<br />

Promenade and it is a<br />

promenade. There are posers,<br />

flâneurs, people drinking<br />

outside the pubs… It’s just the most wonderful<br />

thoroughfare. It was a gift of a job for me. I was<br />

always walking though there, not necessarily every<br />

day, but an awful lot. I can’t stop doing it now. I<br />

was walking past the Theatre Royal the other day<br />

and there was a beautiful image of a guy playing<br />

cello in the colonnade. I don’t think the project<br />

will ever end for me, but it’s on pause for now.<br />

The city will miss the portico whilst the work<br />

is completed. It’s a very social space. The world<br />

sits there to have its lunch and, when you do,<br />

people come to talk to you. It’s an engaging space,<br />

an amazing building and a really nice community<br />

that use it. The church doesn’t mind that the steps<br />

are so communal, they just put a sign outside<br />

saying; ‘No busking please. Service in progress.’<br />

As told to Lizzie Lower<br />

The renovations, funded by the Heritage Lottery<br />

Fund, are expected to be completed by November.<br />

Tony’s photos will be displayed both inside and<br />

outside the church for the duration of the project.<br />

Photo by Adam Bronkhorst, adambronkhorst.com<br />

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