Viva Brighton Issue #63 May 2018
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ART<br />
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In town this month... (cont)<br />
Naked Eye Gallery hosts The Italian Job: works from five acclaimed<br />
contemporary Italian artists, brought to <strong>Brighton</strong> by Stefania Dal<br />
Ferro and Dada Projects, whose aim is to promote social and cultural<br />
integration through the arts. See works in a variety of different mediums:<br />
Massimo Ballardini creates prints and glass structures; Fabio Guerra<br />
combines archaeological fragments into modern ceramics; Piero<br />
Martinello takes a (much) closer look at money; Nicola Tessari explores<br />
the beauty of the raw material in his carved wooden objects, and Paolo<br />
Polloniato uses ancient shapes to create contemporary ceramics.<br />
Piero Martinello<br />
Brett Goodroad<br />
From the 5th, US artist,<br />
Brett Goodroad has<br />
his UK premiere at<br />
Phoenix <strong>Brighton</strong> as<br />
part of <strong>Brighton</strong> Festival.<br />
Growing up in Montana,<br />
he has driven combines<br />
through the Breadbasket,<br />
wrangled buffalo in<br />
the Gallatin Valley, and<br />
delivered organic vegetables through America’s Southwest. Now he<br />
lives and paints in his San Francisco backyard. (Wed-Sun, 11am-5pm.)<br />
Perdita Sinclair<br />
From the 10th, Farewell<br />
Seapig is at 35 North in<br />
North Road. Well used to<br />
collaborating with scientists<br />
(she was the first artist in<br />
residence at The Millennium<br />
Seed Bank and has undertaken<br />
residencies in human<br />
dissection laboratories), artist<br />
Perdita Sinclair presents<br />
paintings inspired by an<br />
invasion of black sea snails<br />
in this multidisciplinary art<br />
installation. (Until 3rd June.)<br />
[perditasinclair.com]<br />
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