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Viva Brighton Issue #63 May 2018

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INSIDE LEFT: BRIGHTON FESTIVAL CHORUS, 1970<br />

.....................................................................................<br />

This picture, printed with kind permission of The<br />

Argus, is of the <strong>Brighton</strong> Festival Chorus practicing<br />

prior to the <strong>Brighton</strong> Festival of 1970. It was<br />

taken in the JMS Lecture Theatre at the University<br />

of Sussex on April 18th of that year, and the<br />

chorus are busy rehearsing Bach’s B Minor Mass.<br />

The picture really brings a flavour of the times.<br />

These may have been classically-trained singers,<br />

but judging by the knees of the girls and ladies<br />

in the front row, every one of them is wearing a<br />

mini skirt. There are a couple of priceless hair-dos<br />

on show as well, not least that sported by the<br />

sun-tanned lady in the third row up, who, by dint<br />

of the fact she is the only person looking at the<br />

camera, becomes the punctum of the picture.<br />

The ladies are silent at this point; look at the men<br />

behind and you can see that they are busy singing.<br />

<strong>Brighton</strong> Festival Chorus was founded two years<br />

before, by Hungarian director Laszlo Heltay, specifically<br />

to participate in the second-ever <strong>Brighton</strong><br />

Festival, during which they performed Belshazzar’s<br />

Feast, conducted by the composer of the piece,<br />

William Walton. They have gone on to become<br />

one of the country’s most respected choirs, regularly<br />

performing in London and further afield,<br />

and collaborating with orchestras of the highest<br />

calibre. Guest conductors have included André<br />

Previn and Simon Rattle.<br />

In the 1970 Festival this bunch performed two<br />

concerts at <strong>Brighton</strong> Dome. Bach’s B Minor Mass<br />

was conducted by the formidable German maestro<br />

Karl Richter on the 9th <strong>May</strong>; the Chorus sang<br />

in conjunction with the Sussex University Choir,<br />

accompanied by the English Chamber Orchestra.<br />

On the 17th, in the same venue, the then-just-25<br />

Daniel Berenboim – now Music Director of the<br />

Berlin State Opera - conducted the choir, along<br />

with the New Philharmonia Orchestra, performing<br />

two Beethoven pieces, Fantasia and the<br />

spectacularly rousing Symphony No 9.<br />

The modern-day version of the Chorus still<br />

rehearse in the same lecture theatre; this year<br />

sees their 50th birthday, and to celebrate they<br />

are going to reprise their first-ever performance,<br />

with what should be an exuberant rendition of<br />

Belshazzar’s Feast on the 27th, accompanied by<br />

the Royal Philharmonic Orchestra, no less, and<br />

conducted by Sir Richard Armstrong. This follows<br />

a performance of Britten’s War Requiem, with Britten<br />

Sinfonia, and the Orchestre de Picardie. Both<br />

take place in the Chorus’ spiritual home, <strong>Brighton</strong><br />

Dome Concert Hall. Alex Leith<br />

....98....

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