Viva Brighton Issue #63 May 2018
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INSIDE LEFT: BRIGHTON FESTIVAL CHORUS, 1970<br />
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This picture, printed with kind permission of The<br />
Argus, is of the <strong>Brighton</strong> Festival Chorus practicing<br />
prior to the <strong>Brighton</strong> Festival of 1970. It was<br />
taken in the JMS Lecture Theatre at the University<br />
of Sussex on April 18th of that year, and the<br />
chorus are busy rehearsing Bach’s B Minor Mass.<br />
The picture really brings a flavour of the times.<br />
These may have been classically-trained singers,<br />
but judging by the knees of the girls and ladies<br />
in the front row, every one of them is wearing a<br />
mini skirt. There are a couple of priceless hair-dos<br />
on show as well, not least that sported by the<br />
sun-tanned lady in the third row up, who, by dint<br />
of the fact she is the only person looking at the<br />
camera, becomes the punctum of the picture.<br />
The ladies are silent at this point; look at the men<br />
behind and you can see that they are busy singing.<br />
<strong>Brighton</strong> Festival Chorus was founded two years<br />
before, by Hungarian director Laszlo Heltay, specifically<br />
to participate in the second-ever <strong>Brighton</strong><br />
Festival, during which they performed Belshazzar’s<br />
Feast, conducted by the composer of the piece,<br />
William Walton. They have gone on to become<br />
one of the country’s most respected choirs, regularly<br />
performing in London and further afield,<br />
and collaborating with orchestras of the highest<br />
calibre. Guest conductors have included André<br />
Previn and Simon Rattle.<br />
In the 1970 Festival this bunch performed two<br />
concerts at <strong>Brighton</strong> Dome. Bach’s B Minor Mass<br />
was conducted by the formidable German maestro<br />
Karl Richter on the 9th <strong>May</strong>; the Chorus sang<br />
in conjunction with the Sussex University Choir,<br />
accompanied by the English Chamber Orchestra.<br />
On the 17th, in the same venue, the then-just-25<br />
Daniel Berenboim – now Music Director of the<br />
Berlin State Opera - conducted the choir, along<br />
with the New Philharmonia Orchestra, performing<br />
two Beethoven pieces, Fantasia and the<br />
spectacularly rousing Symphony No 9.<br />
The modern-day version of the Chorus still<br />
rehearse in the same lecture theatre; this year<br />
sees their 50th birthday, and to celebrate they<br />
are going to reprise their first-ever performance,<br />
with what should be an exuberant rendition of<br />
Belshazzar’s Feast on the 27th, accompanied by<br />
the Royal Philharmonic Orchestra, no less, and<br />
conducted by Sir Richard Armstrong. This follows<br />
a performance of Britten’s War Requiem, with Britten<br />
Sinfonia, and the Orchestre de Picardie. Both<br />
take place in the Chorus’ spiritual home, <strong>Brighton</strong><br />
Dome Concert Hall. Alex Leith<br />
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