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Valkyrie Spring 2018 - Issue 3

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practice makes perfect<br />

Story by Sara Arms<br />

Design by Mary Thrailkill<br />

Photos by Andrea HIll<br />

The stage lights are down as audience members fill the Ford<br />

auditorium. As those in the audience whisper to themselves, the<br />

lights go up, silence falls, and the curtains open, revealing an<br />

orchestra. Orchestra students spend 112 hours a year in rehearsal<br />

preparing their concerts.<br />

“It takes a lot for one to learn music,” said senior Leif Atchley.<br />

“Even more so trying to blend what you're doing with your section,<br />

not to mention the entire orchestra. On top of that trying<br />

to follow a conductor with a very different opinion of how the<br />

music should sound...It's not easy. However, I love playing with<br />

this orchestra because no matter how difficult it is we still manage<br />

to have a good time. And I'm all about that.”<br />

38 Arts & Music<br />

For many people unacquainted with music performance, going<br />

to concerts is a fun way to spend a night. For those playing, these<br />

performances are rungs on the ladder of their developing career.<br />

“I like to think of my seat in the Orchestra as my office so<br />

before every rehearsal I’m in my office at least 15 minutes before<br />

we start,” said Atchlety. “I would have warmed up earlier in the<br />

day so I use this time to organize my music, act like I know what<br />

I'm doing and reacquaint myself with how it feels to play in the<br />

space. Once rehearsal begins, it’s a mind game over anything else.<br />

Trying to stay engaged with the music, focusing on doing the job,<br />

playing right notes and learning every part on stage and how you<br />

fit in and at the same time find a way to make it better.”<br />

Playing in the orchestra provides students with experience in<br />

a potential career path. It allows them to work as a group guided<br />

by Dr. Eric Hanson enabling them to gain, as Atchley puts it,<br />

“another chance to practice doing what I love. So much of becoming<br />

a ‘professional’ in any field is quantity of quality practice.<br />

Regardless of the music we happen to be playing, I'm carrying<br />

myself as if I’m sitting principal trumpet with the New York<br />

Philharmonic! One note has the power to change someone's life<br />

with the right intent and motivation behind it.”<br />

Across campus, theatre students are rehearsing an upcoming<br />

show. 100 hours of rehearsal will go into this show (totaling 400<br />

hours of rehearsals a year), not including the same amount of<br />

time taken to building set pieces and making props. What audience<br />

members don’t realize when seeing a staged performance is<br />

that that particular moment has been rehearsed for weeks, and,<br />

for bigger productions, perhaps months.<br />

There is no such moment as the second before the lights go up<br />

on the stage opening night. Backstage, crew members hold their<br />

breath, listening as the first line, first scene, first act fly by. After<br />

the first curtain call, as crew members mop and care for the set<br />

and actors put away their props, costumes and makeup, a sense<br />

of shared euphoria, an adrenaline-induced giddiness, wash over<br />

everyone. The bustle calms down and everyone passes through<br />

the greenroom by 11pm, grabbing their backpacks and heading<br />

to the library to study or, if they’re lucky, to their rooms to sleep.<br />

Any music and theatre student will tell you—it is worth it.<br />

39

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