April 2018
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The Spark | Ignite/Connect/Achieve www.thesparkng.com www.thesparkng.com The Spark | Ignite/Connect/Achieve<br />
Early Years<br />
“I started in the industry about 16 years ago. When MTech started, I was<br />
brought in to join the networking department, but I moved from that to<br />
business development unit and took an interest in music which became<br />
my focus”.<br />
Chidi’s career advanced within the company leading to high profile<br />
assignments such as the setup of the Abuja office to expand local<br />
operations. He then grew to assume international responsibilities in Cote<br />
d’Ivoire and Ghana. Within 8 months in Ghana, MTech became the number<br />
1 VAAS provider in Ghana. After his stint in Ghana, he came back to<br />
Nigeria to lead the MTech Group as Group CEO after Chika Nwobi stepped<br />
down. During his time as Group CEO, Chidi successfully implemented<br />
turnkey solutions that enabled MTech halt and reverse its negative growth<br />
by focusing on the music industry.<br />
“After a few years as Group CEO, I left Mtech to start Mcomm. I wanted to<br />
focus more on the music industry; specifically, how to successfully leverage<br />
mobile technologies to deliver value in the industry. Since 2011, when<br />
we commenced operations, we’ve masterminded several digital content<br />
releases, some of which were revolutionary at the time – such as use of<br />
MTN’s mobile radio platform to launch new and exclusive music content.”<br />
“We’ve built relationships with different artistes and have been behind<br />
endorsement deals of some of the biggest artistes in the country, including<br />
artistes like Davido, Wizkid, D’Banj, Mo’ Hits and so many more”. Mcomm,<br />
has successfully and notably carved a niche for itself at the intersection<br />
of music and technology and demonstrated, as evidenced by the various<br />
industry awards on display in Chidi’s office.<br />
“My background is in technology, and consequently, this plays a substantial<br />
role in the solutions and services that we develop. For instance, our current<br />
project, which is still in beta testing, leverages advancements in technology<br />
– IoT, data analytics – in music distribution. I may be in the entertainment<br />
business, but our work is facilitated by technology.”<br />
Setbacks In The Industry<br />
Chidi is an entrepreneur with significant experience across multiple<br />
regions, this enables him to give insights into the challenges in the<br />
industry. One of which, is poor access to talent development opportunities<br />
in the industry. “In South Africa for example, if you’re talented, you have<br />
access to the infrastructure you need to develop and harness your talent.<br />
Young, school age children who realize they can sing, can access classes<br />
designed and available to help children develop their talent. This is not an<br />
opportunity readily available in Nigerian schools.”<br />
in Nigeria to invest in the industry. “This is a long-term investment with<br />
long term pay-offs,” he stated. “Building a state-of-the-art recording /<br />
mixing and mastering studio will cost nothing less than 1.5m dollars for<br />
equipment alone. It’s an expensive, but worthwhile venture. We need more<br />
studios, purposely built concert venues and music streaming platforms<br />
tailored for the local market.”<br />
One of the reasons why some of our accomplished artistes travel to create<br />
music is due to the availability of infrastructure abroad. He further stated<br />
that international artistes are interested in creating music with us. “They<br />
have said to us several times that if we had proper studios here, they’ll fly<br />
to Nigeria to record with our artistes.”<br />
Unfortunately, the music industry has not acquired the level credibility in<br />
the eyes of investors as for instance, the oil and gas sector or agriculture.<br />
It is still perceived by most as an industry of misfits. This is debatable,<br />
however, misfits or not, the music industry has substantial influence with<br />
commercial value domestically and internationally.<br />
Leveraging Positivity In The Industry<br />
“Our Nigerian artistes are doing well. In Africa, Nigeria arguably produces<br />
the best music content. Our artistes are popular across the continent,”<br />
Chidi stated. “We’re getting the attention required. The next frontier<br />
necessitates that we develop capabilities to improve the quality of the<br />
music (sound) to meet international standards. Our music has good<br />
melody, but for some of our songs, foreign engineers usually have to<br />
re-mix because they’re not mixed and mastered properly, so they don’t<br />
sound right there. This also limits the growth of the industry. However,<br />
access to the right infrastructure is not the only challenge. There is also<br />
a paucity of the skill and “know-how” required to operate the types of<br />
equipment I have been describing.”<br />
Having said this, despite the challenges, African music still has something<br />
unique to offer the world. “You may recall that D’Banj at a point was<br />
signed to Kanye West’s label. What you may not know is how that came<br />
about. D’banj and I met Kanye at the Dubai International airport and<br />
D’Banj gave him tracks to listen to. He listened to five different tracks<br />
and was immediately impressed with what he heard,” Chidi stated. To<br />
him, international artistes have covered a lot of ground and are looking<br />
for something new. We have Afrobeat, which is what they’re looking for.<br />
Artistes need to stay true to their local sound.<br />
In summary I see three key things that need to be addressed; access to<br />
state-of-the art recording and sound equipment, purpose-built venues for<br />
shows/concerts, etc. and digital music streaming platforms.<br />
Every big player in the industry needs to be structured well enough so that<br />
artistes can focus on their talent and how to make their music better. A<br />
professional who is trustworthy can handle the business side and other<br />
parts. It’s never possible to effectively do all because eventually, one part<br />
will suffer.<br />
The Role of Passion When Challenges Hit<br />
I firmly believe that passion should be at the fore of whatever you do in<br />
life. Not every venture will be profitable, with some projects, you’ll only<br />
manage to recover your cost and some projects will just consume all of<br />
your investment. However, if you are driven by passion, the experience will<br />
be worthwhile and if you’re fortunate, prove a useful learning experience.<br />
“Mcomm has executed projects that did not generate as much profitability<br />
as we had planned at the onset, however, I believe that we have grown and<br />
improved as an organisation through those experiences.”<br />
In our environment, it is possible to be swayed by necessities rather than<br />
passion. That’s why you hear statements like, “I just want to make money<br />
so I can eat”. This kind of thinking does not engender the staying power<br />
required to be successful in the long-term. New artistes may succeed in<br />
creating one good hit, but if the passion for music isn’t present, sustaining<br />
the career will be impossible because of the challenges that’ll come.<br />
According to Chidi, when he talks to new Artistes who want to be bigger<br />
than our established artistes, he looks out for the story behind what they<br />
want to do. That’s how he judges their motives. “You can be 17 years of<br />
age, but have a story that spans 7 years in music.”<br />
A Future For New Artistes<br />
Streaming would power the music industry’s growth in Africa. As smart<br />
phone penetrations continue to rise and cost of data continues to dip,<br />
an artiste can create music content, upload on the available streaming<br />
platforms in the territory and if the audience likes it, he or she can<br />
generate significant revenues. So now the onus lies on the said artiste to<br />
create good content.<br />
“There are numerous streaming platforms available in this territory,<br />
Boomplay, Music plus, Cloud9, iTunes, Spotify and even YouTube. I would<br />
always advise an upcoming artiste to endeavour to get their music<br />
uploaded on all unless they are getting a special deal from one.”<br />
“In other developed countries, artistes generate revenues when their<br />
songs are played on the radios, shopping Malls, clubs, etc. Anytime a<br />
song is played someone is making money. But in this part of the world we<br />
are still catching up but clearly there are changes in the right direction.”<br />
According to Chidi, the first thing is to discover yourself and package that<br />
talent in a way you can show someone ready to help. Spend your time<br />
developing your talent and always show that through the content you<br />
create. You need to have a story because there are no overnight successes.<br />
As the revenues generated in the Music Industry continues to rise, more<br />
investors would be attracted to the sector. The industry would only get<br />
bigger.<br />
Free Recording Deal for One Talent<br />
“To me, youth empowerment is basically the process of providing an<br />
enabling environment or providing ways the youth can be encouraged to<br />
take a hold on their lives better by using either their talents or resources.<br />
But to make this easy, the infrastructure has to be in place and the<br />
talented person has to be educated enough about what he or she wants<br />
to do,” Chidi advised. At this point, he requested for one of his books to<br />
be brought to his office.<br />
“I’m looking out for raw talent,” Chidi stated. He is looking to help one<br />
young music artiste reach greatness.<br />
In the industry, you have to do the work. People will only support you as<br />
an artiste when they see what you have created. “If you come to me as<br />
an artiste and say you have talent, I’ll ask you to play me what you have.<br />
This could be your unreleased tracks,” Chidi stated. “If I’m able to see that<br />
there’s talent, then I can support.”<br />
Unfortunately, to get to that point where the artiste has material, he must<br />
have had some money to go to a recording studio, sit down, and pay for<br />
studio time. “In Nigeria, it’s hard to get anyone to support you without<br />
hearing anything. You need to put one leg forward first. And I know<br />
getting this money can be difficult for many.”<br />
The Importance of Structure<br />
The reason why artistes love working with Mcomm is because of the<br />
structure provided. A lot of artistes want to simultaneously be the<br />
performing musician and manage their careers single-handedly, but it is<br />
impossible to execute both roles simultaneously.<br />
“One of the reasons why D’banj flourished and was so successful is because<br />
he always had a solid team of professionals supporting him and whom he<br />
allowed to manage the ‘business’.” Mcomm was part of this team and was<br />
responsible for delivering business development objectives.<br />
Again, because we have a limited number of studios here in Nigeria, a new<br />
artiste can decide to record with his devices in his room, which only leads<br />
to poor quality of work. “When such aspirants make such presentations, it<br />
takes a real expert to spot the talent hidden behind poor quality technical<br />
sound. We don’t have the tools, software and infrastructure. But despite<br />
this, this industry has still flourished and produced great artists. Now<br />
imagine what would be if the infrastructure were in place. The lack of<br />
infrastructure also has an impact on established artists, specifically quality<br />
of the sound reproduced on stage also affects the audience’s experience.<br />
Chidi believes that this is an opportunity for foreign production companies<br />
Similar to any successful business, music is no exception, a multi-functional<br />
team is a prerequisite for success. Finance, legal, management are<br />
essential to ensuring that there are enough unencumbered resources to<br />
operate – in this case make music. “A friend of mine used to say, ‘ensure<br />
you surround yourself with people smarter than you’. It’s wrong for me to<br />
be the smartest guy in my company. If I am, then I’ll be in trouble. I may<br />
be good at some things like sales, but I need someone who is the best<br />
in technology, Finance etc. I cannot know everything, and this goes for<br />
everyone else.”<br />
Would you be the one? See page 33 for how to apply now.<br />
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