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24 The Rime of the Ancient Mariner Part 1- Lesson Plan PDF

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Katelynn Sutton<br />

LESSON PLANS<br />

12 th Grade British Literature<br />

<strong>Lesson</strong> <strong>Plan</strong> VIII: April 30, 2018<br />

<strong>Lesson</strong> Topic<br />

Objectives<br />

Samuel Taylor Coleridge: <strong>The</strong> <strong>Rime</strong> <strong>of</strong> <strong>the</strong> <strong>Ancient</strong> <strong>Mariner</strong><br />

<strong>The</strong> students will…<br />

1. Connect an author’s background information with <strong>the</strong> truths and attitudes<br />

displayed in his works<br />

2. Discern thoughts, ideas, and descriptions from a literary text<br />

3. Take part in meaningful discussion based on thoughts gleaned from a<br />

literary text<br />

4. Answer informal assessment questions about a literary text throughout its<br />

reading<br />

5. Read poetry with proper expression and emphasis<br />

Materials<br />

Needed<br />

‣ TV/computer<br />

‣ 12 th Grade BJU Press textbooks—British Literature<br />

‣ 12 th Grade BJU Press Teacher’s Edition Book 2—British Literature<br />

‣ Pen/pencil/highlighter to take notes or highlight info in book about<br />

Coleridge and his masterpiece.<br />

‣ Samuel Taylor Coleridge PPT<br />

<strong>The</strong> <strong>Rime</strong> <strong>of</strong> <strong>the</strong> <strong>Ancient</strong> <strong>Mariner</strong>


Katelynn Sutton<br />

• Youngest child, favored by his fa<strong>the</strong>r and alienated from bro<strong>the</strong>rs<br />

• Became a “dreamer”<br />

• Was known at Cambridge for his brilliance, reading, and<br />

idleness; never earned his degree<br />

• Formed unorthodox religious and political views<br />

• Founded <strong>the</strong> utopian community Pantisocracy in 1794 with<br />

Robert Sou<strong>the</strong>y <strong>of</strong> Oxford; married <strong>the</strong> sister <strong>of</strong> Sou<strong>the</strong>y’s fiancé<br />

• Eventually tired <strong>of</strong> <strong>the</strong> community, Sou<strong>the</strong>y, and even his wife<br />

• Suddenly sprang to life and brilliance when meeting William<br />

Wordsworth<br />

• <strong>The</strong>y composed <strong>the</strong> Lyrical Ballads toge<strong>the</strong>r to challenge<br />

conventional poetry and restore emotion and imagination in<br />

poetry<br />

• By 1802, Coleridge became addicted to opium and lost<br />

his faith in <strong>the</strong> transcendentalist beliefs he had taught<br />

to Wordsworth<br />

• Wrote “Dejection: An Ode,” mourning <strong>the</strong> loss <strong>of</strong> his<br />

creative powers<br />

• Returned from a health sojourn in an even worse<br />

condition<br />

• Attempted to write some prose pieces<br />

• Eventually broke from Wordsworth and moved to<br />

London, gaining some control over his addictive habit<br />

• Still could not finish a writing project<br />

• Utilizes ordinary language and lyrical verse form in<br />

ballad stanza<br />

• Story adheres closely to geographical fact– he<br />

describes an actual route used during <strong>the</strong> time period<br />

• Narrative also adheres to moral truth<br />

• Sin brings loneliness and separation<br />

• Adversity brings spiritual prosperity<br />

• Poem’s immediate end is pleasure while its ultimate<br />

end is truth<br />

• Entire story is seen through <strong>the</strong> eyes <strong>of</strong> <strong>the</strong> <strong>Mariner</strong><br />

Content or<br />

Skills to Be<br />

Reviewed<br />

New Content or<br />

Skills<br />

Transcendentalism and utopian societies<br />

Life <strong>of</strong> Samuel Taylor Coleridge and <strong>the</strong> background <strong>of</strong> his masterpiece <strong>The</strong><br />

<strong>Rime</strong> <strong>of</strong> <strong>the</strong> <strong>Ancient</strong> <strong>Mariner</strong> that opens up <strong>the</strong> Lyrical Ballads by Coleridge<br />

and Wordsworth<br />

Content, setting, and meaning <strong>of</strong> <strong>the</strong> poem itself<br />

Procedures<br />

Procedure Outline<br />

I. (8:45-8:55) Teach <strong>the</strong> life and background <strong>of</strong> Samuel Taylor<br />

Coleridge. Teach <strong>the</strong> background information about <strong>The</strong> <strong>Rime</strong> <strong>of</strong> <strong>the</strong><br />

<strong>Ancient</strong> <strong>Mariner</strong>.<br />

*I took <strong>the</strong> background info about Coleridge and <strong>the</strong> poem straight from <strong>the</strong>ir<br />

textbooks. I put those specific facts on <strong>the</strong> Power Point to highlight main


Katelynn Sutton<br />

points and keep us from having to read through all <strong>of</strong> <strong>the</strong> material in our<br />

books. <strong>The</strong> book’s section <strong>of</strong> background info is almost overwhelmingly<br />

long and detailed.<br />

A. Who was Samuel Taylor Coleridge? (use PPT to teach<br />

through his life)<br />

1. Youngest child, favored by his fa<strong>the</strong>r and alienated<br />

from bro<strong>the</strong>rs<br />

2. Became a “dreamer”<br />

3. Was known at Cambridge for his brilliance, reading,<br />

and idleness; never earned his degree<br />

4. Formed unorthodox religious and political views<br />

5. Founded <strong>the</strong> utopian community Pantisocracy in 1794<br />

with Robert Sou<strong>the</strong>y <strong>of</strong> Oxford; married <strong>the</strong> sister <strong>of</strong><br />

Sou<strong>the</strong>y’s fiancé<br />

6. Eventually tired <strong>of</strong> <strong>the</strong> community, Sou<strong>the</strong>y, and even<br />

his wife<br />

7. Suddenly sprang to life and brilliance when meeting<br />

William Wordsworth<br />

8. <strong>The</strong>y composed <strong>the</strong> Lyrical Ballads toge<strong>the</strong>r to<br />

challenge conventional poetry and restore emotion and<br />

imagination in poetry<br />

9. By 1802, Coleridge became addicted to opium and<br />

lost his faith in <strong>the</strong> transcendentalist beliefs he had<br />

taught to Wordsworth<br />

10. Wrote “Dejection: An Ode,” mourning <strong>the</strong> loss<br />

<strong>of</strong> his creative powers<br />

11. Returned from a health sojourn in an even<br />

worse condition<br />

12. Attempted to write some prose pieces<br />

13. Eventually broke from Wordsworth and moved<br />

to London, gaining some control over his addictive<br />

habit


Katelynn Sutton<br />

14. Still could not finish a writing project<br />

B. <strong>The</strong> <strong>Rime</strong> <strong>of</strong> <strong>the</strong> <strong>Ancient</strong> <strong>Mariner</strong><br />

1. Utilizes ordinary language and lyrical verse form in<br />

ballad stanza<br />

2. Story adheres closely to geographical fact– he<br />

describes an actual route used during <strong>the</strong> time period<br />

3. Narrative also adheres to moral truth<br />

4. Sin brings loneliness and separation<br />

5. Adversity brings spiritual prosperity<br />

6. Poem’s immediate end is pleasure while its ultimate<br />

end is truth<br />

7. Entire story is seen through <strong>the</strong> eyes <strong>of</strong> <strong>the</strong> <strong>Mariner</strong><br />

II.<br />

(8:55-9:20) Begin reading <strong>the</strong> poem <strong>The</strong> <strong>Rime</strong> <strong>of</strong> <strong>the</strong> <strong>Ancient</strong> <strong>Mariner</strong><br />

toge<strong>the</strong>r. Stop at <strong>Part</strong> IV (p. 542).<br />

A. Ask a few students to help me read.<br />

B. Stop to discuss important or interesting items from <strong>the</strong> text.<br />

(Ask students to explain what I want to emphasize before I<br />

tell <strong>the</strong>m what <strong>the</strong>y should have noticed—make <strong>the</strong>m think!)<br />

C. Make <strong>the</strong> narrative sound exciting and suspenseful to capture<br />

student interest.<br />

III.<br />

Ask informal assessment questions throughout to test student<br />

understanding.<br />

Key Questions<br />

(1) What did transcendentalists look to as “God”? (nature)<br />

(2) What is Coleridge’s most outstanding characteristic? (idleness—not living<br />

up to potential)<br />

(3) What does <strong>the</strong> spellbinding <strong>of</strong> <strong>the</strong> wedding guest to <strong>the</strong> <strong>Mariner</strong>’s tale<br />

represent? (reader unable to tear himself from a good work <strong>of</strong> literature even


Katelynn Sutton<br />

with o<strong>the</strong>r things pressing on him)<br />

(4) What protects <strong>the</strong> <strong>Mariner</strong>’s crew as <strong>the</strong>y travel? (<strong>the</strong> albatross)<br />

(5) What heinous crime does <strong>the</strong> <strong>Mariner</strong> commit—for no reason? (killing<br />

<strong>the</strong> albatross)<br />

(6) What hangs from <strong>the</strong> <strong>Mariner</strong>’s neck, weighing him down? (<strong>the</strong><br />

albatross—his sin and guilt)<br />

(7) What does his sin bring about? (loneliness, separation, and consequences<br />

for himself and those around him—<strong>the</strong>y all die while he is left alone in <strong>the</strong><br />

doldrums)<br />

Activities<br />

‣ Teaching <strong>of</strong> Coleridge’s life and background<br />

‣ Teaching <strong>of</strong> <strong>The</strong> <strong>Rime</strong> <strong>of</strong> <strong>the</strong> <strong>Ancient</strong> <strong>Mariner</strong>’s background<br />

‣ Reading <strong>of</strong> <strong>The</strong> <strong>Rime</strong> <strong>of</strong> <strong>the</strong> <strong>Ancient</strong> <strong>Mariner</strong><br />

‣ Discussion <strong>of</strong> <strong>the</strong> narrative as it is read aloud<br />

‣ Answering <strong>of</strong> informal assessment questions throughout <strong>the</strong> lesson<br />

Summary or Conclusion<br />

<strong>The</strong> <strong>Mariner</strong> is left in <strong>the</strong> doldrums alone as a result <strong>of</strong> his own wrongdoing.<br />

As he watches his crewmates fall in death one by one, <strong>the</strong>y look to him in<br />

accusation. He had seen and identified Death before she even arrived at <strong>the</strong>ir<br />

ship, knowing that he had summoned her. He realizes that his isolation and<br />

suffering are <strong>the</strong> result <strong>of</strong> his own sin.

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