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Artists Create – and the Gardens Rock! - Mendocino Art Center

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Spring/Summer 2011<br />

COMPLIMENTARY<br />

<strong>Mendocino</strong><strong>Art</strong>s<br />

ART AND CULTURE IN MENDOCINO COUNTY<br />

PUBLISHED BY THE MENDOCINO ART CENTER


Nature Paints <strong>–</strong> <strong><strong>Art</strong>ists</strong> <strong>Create</strong> <strong>–</strong><br />

<strong>and</strong> <strong>the</strong> <strong>Gardens</strong> <strong>Rock</strong>!<br />

<strong>Mendocino</strong> Coast Botanical <strong>Gardens</strong>…<br />

<strong>the</strong> place to be!<br />

Every day — Spring, Summer, Fall <strong>and</strong> Winter — our<br />

<strong>Gardens</strong> are bursting with color <strong>and</strong> floral displays.<br />

This is <strong>the</strong> place to enjoy outdoor concerts, art, <strong>the</strong>ater events,<br />

<strong>and</strong> workshops throughout <strong>the</strong> year.<br />

Come <strong>and</strong> experience this dazzling display within 47 seaside<br />

acres; ADA accessible <strong>and</strong> dog friendly.<br />

For event schedule <strong>and</strong> information visit<br />

gardenby<strong>the</strong>sea.org.<br />

www.gardenby<strong>the</strong>sea.org | 18220 North Highway 1, Fort Bragg, CA 95437 | 707-964-4352<br />

Spring/Summer 2011 1


OCEANFRONT INN<br />

& COTTAGES<br />

Just steps to <strong>the</strong> beach <strong>and</strong><br />

a stroll to fine restaurants, galleries <strong>and</strong><br />

<strong>the</strong> <strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong>.<br />

ocean views • decks • fireplaces<br />

An enchanting refuge for<br />

rest <strong>and</strong> renewal...<br />

On Main Street at Evergreen<br />

<strong>Mendocino</strong> Village<br />

800 780-7905 • 707 937-5150<br />

www.oceanfrontmagic.com<br />

2 <strong>Mendocino</strong> <strong>Art</strong>s Magazine


Table of Contents<br />

10<br />

18<br />

6<br />

14<br />

Published by <strong>the</strong> <strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong><br />

Vol XLII, No 1, May 2011<br />

Editorial: From Our Board President 5<br />

Sudden Voices Exhibit 6<br />

Rita Crane: The Photograph as M<strong>and</strong>ala 10<br />

Arlene Reiss: City Girl to Country Woman 14<br />

MAC Summer Workshops 16<br />

Meet Gallery Director Jessica Jade Norris 18<br />

Meet <strong>the</strong> Teacher: Brian Ransom 20<br />

Meet <strong>the</strong> Teacher: Jason Collingwood 21<br />

Meet <strong>the</strong> Teacher: Jeannie Vodden 22<br />

Meet <strong>the</strong> Teacher: Paul Graf 23<br />

Meet <strong>the</strong> Teacher: Yvonne Giambrone-Martin 24<br />

In Memory of Miriam Cohen Rice 28<br />

2011 <strong>Mendocino</strong> Coast Garden Tour 30<br />

Poetry 31<br />

Que Onda 33<br />

<strong>Mendocino</strong> County Gallery Guide 34<br />

<strong>Mendocino</strong> County Restaurant Guide 40<br />

Gallery of <strong><strong>Art</strong>ists</strong> 44<br />

Curtain Call 52<br />

Calendar of Events 54<br />

<strong>Mendocino</strong> <strong>Art</strong>s promotes <strong>the</strong> arts by offering space to artists, writers, craftspeople <strong>and</strong> performers <strong>and</strong><br />

by providing information on arts <strong>and</strong> entertainment in <strong>Mendocino</strong> County. Submissions of unsolicited<br />

non-fiction articles, photographs or artwork for consideration in <strong>Mendocino</strong> <strong>Art</strong>s must include a SASE<br />

or we cannot be responsible for <strong>the</strong>ir return. We welcome announcements of upcoming events to be<br />

included as space permits.<br />

52<br />

Spring/Summer 2011 3


GALLERY OF DECORATIVE<br />

AND FINE ARTS<br />

For <strong>the</strong> <strong>Art</strong> Collector<br />

<strong>and</strong> <strong>the</strong> Craft Lover<br />

45052 Main Street, <strong>Mendocino</strong>, CA<br />

707 937-3132 • www.<strong>the</strong>highlightgallery.com<br />

Kaleidoscopes G <strong>Art</strong> Glass G Mirrors G Jewelry<br />

10400 Kasten Street • <strong>Mendocino</strong>, California<br />

www.Reflections-Kaleidoscopes.com • Open Daily<br />

FAMILY HANDS<br />

• Discover<br />

• Decorate<br />

• Design<br />

A gallery of unique furnishings for your home!<br />

Lighting • <strong>Art</strong> Rugs • Furniture<br />

Gifts from around <strong>the</strong> globe<br />

At <strong>the</strong> corner of Franklin <strong>and</strong> Redwood,<br />

Fort Bragg<br />

707 961-0236<br />

<strong>Mendocino</strong> County Museum<br />

Discover unique artifacts <strong>and</strong> exhibits that reflect<br />

our heritage: Frolic Shipwreck, Wine History,<br />

Stagecoaches <strong>and</strong> Wagons, Traveling Exhibits <strong>and</strong><br />

much more.<br />

EXHIBIT: Carl Purdy: “A Passion for Plants <strong>and</strong> Place”<br />

April 16<strong>–</strong>October 30, 2011<br />

ROOTS OF MOTIVE POWER, Inc<br />

See restored <strong>and</strong> working steam<br />

machines:<br />

· Historic Logging Equipment<br />

· Steam Engines <strong>and</strong> Caboose<br />

Browse in our Museum Shop<br />

400 East Commercial Street, Willits, CA<br />

Call 707-459-2736 for more information<br />

Email us at Museum@co.mendocino.ca.us<br />

Open Wednesday through Sunday, 10:00 AM <strong>–</strong> 4:30 PM<br />

www.<strong>Mendocino</strong>Museum.org<br />

4 <strong>Mendocino</strong> <strong>Art</strong>s Magazine


<strong>Mendocino</strong><strong>Art</strong>s<br />

ART AND CULTURE IN MENDOCINO COUNTY<br />

PUBLISHER<br />

<strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong><br />

ASSOCIATE PUBLISHER<br />

Mike McDonald<br />

EDITOR<br />

Peggy Templer<br />

ART DIRECTION / GRAPHIC PRODUCTION<br />

Elizabeth Petersen, RevUp Creative Media<br />

SALES<br />

COAST: Steven P. Wor<strong>the</strong>n <strong>–</strong> 707 964-2480,<br />

707 813-7669<br />

INLAND: Jill Schmuckley <strong>–</strong> 707 391-8057<br />

LAKE COUNTY: Linda Kelly <strong>–</strong> 707 367-9038<br />

GALLERY Of ARTISTS ADS: David Russell <strong>–</strong> 707 513-6015<br />

SPRING/SUMMER DISTRIBUTION <strong>–</strong> 15,000<br />

fALL 2011/WINTER 2012 DEADLINE <strong>–</strong> June 15, 2011<br />

MENDOCINO ART CENTER STAff<br />

INTERIM EXECUTIVE DIRECTOR: Lindsay Shields<br />

COMMUNICATIONS DIRECTOR: Mike McDonald<br />

EDUCATION COORDINATOR: Phyllis Weeks<br />

GALLERY DIRECTOR: Jessica Jade<br />

REGISTRAR/CASHIER: Michele Cheyovich,<br />

Kath Disney Nilson<br />

PROGRAM COORDINATORS:<br />

Ceramics — Derek Hambly<br />

fiber <strong>Art</strong>s — Nancy Collins<br />

fine <strong>Art</strong> — Marge Stewart<br />

Jewelry — Marge Stewart<br />

Sculpture — Gert Rasmussen<br />

fACILITIES: Gabe Arreguin, Wes McCormick<br />

MENDOCINO ART CENTER BOARD Of DIRECTORS<br />

PRESIDENT: Liliana Cunha<br />

VICE PRESIDENT: Patrick Keller<br />

TREASURER: John Cornacchia<br />

SECRETARY: Dale Moyer<br />

Janis Porter<br />

Eileen Robblee<br />

Nick Schwartz<br />

Marge Stewart<br />

Bob Treaster<br />

Lucia Zacha<br />

MENDOCINO ART CENTER<br />

45200 Little Lake Street • P.O. Box 765<br />

<strong>Mendocino</strong>, CA 95460<br />

707 937-5818 • 800 653-3328<br />

fAX: 707 937-4625<br />

register@mendocinoartcenter.org<br />

www.<strong>Mendocino</strong><strong>Art</strong><strong>Center</strong>.org<br />

<strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong> Mission Statement:<br />

The mission of <strong>the</strong> <strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong> is to be a vital<br />

cultural resource, providing a broad range of <strong>the</strong> highest<br />

quality educational <strong>and</strong> exhibition opportunities in <strong>the</strong> arts<br />

to all people.<br />

founded by Bill Zacha in 1959 as a nonprofit organization<br />

to support, foster, advance <strong>and</strong> promote artistic awareness<br />

<strong>and</strong> participation.<br />

COVER IMAGE: Peggy Magovern, Past-Present, colored<br />

pencil<br />

From Our Board President…<br />

SPRING/SUMMER 2011<br />

As I sit down to write, it is still winter in <strong>Mendocino</strong>, but <strong>the</strong><br />

January wea<strong>the</strong>r was so balmy that it prompted one local to suggest<br />

we were experiencing June-uary. Thanks to our donors, members, dedicated<br />

staff <strong>and</strong> board, <strong>the</strong> <strong>Art</strong> <strong>Center</strong> is also experiencing June-uary.<br />

In December of last year, local artist <strong>and</strong> <strong>Art</strong> <strong>Center</strong> Zacha Legacy<br />

Society patron Don Paglia gave <strong>the</strong> <strong>Art</strong> <strong>Center</strong> a $25,000 matching funds<br />

donation. The match was to be completed by January 31, 2011, <strong>and</strong> I am<br />

happy to report that not only did we make <strong>the</strong> match, but we exceeded it<br />

by $7,000 for a gr<strong>and</strong> total of $57,000. Thank you, Don! Workshop listings<br />

for spring were posted on our Web site in mid-November, summer<br />

listings were posted on <strong>the</strong> Web site by February 18, <strong>and</strong> memberships<br />

have doubled over last year. Thank you all.<br />

The news is all good; however, we should not be complacent. The<br />

matching funds grant was a great kick-off for fundraising for <strong>the</strong> year,<br />

<strong>and</strong> <strong>the</strong> board is working to find ways to get corporate sponsorships <strong>and</strong><br />

grants that will enhance our programs. We are also planning a series of<br />

fundraising events that we hope you will attend. Please join us for our<br />

Dine-outs, Rhododendron Ball, Garden Tour <strong>and</strong> Board of Directors<br />

Dinner. Go to <strong>the</strong> <strong>Art</strong> <strong>Center</strong> Web site or tune in to KOZT, KZYX, <strong>and</strong><br />

KMFB for more information.<br />

Supporting <strong>the</strong> <strong>Art</strong> <strong>Center</strong> is a long-term proposition, so I invite<br />

you to consider becoming a sustaining member of <strong>the</strong> institution that<br />

we all hold so dear by joining <strong>the</strong> Zacha Legacy Society, named in<br />

honor of our founders, Bill <strong>and</strong> Jennie Zacha, <strong>and</strong> add your name to<br />

<strong>the</strong> patron wall.<br />

There are many ways to give: some members are giving monthly,<br />

quarterly or annually, via <strong>the</strong>ir checking account bill pay, as part of <strong>the</strong><br />

annual giving program; some have remembered <strong>the</strong> <strong>Art</strong> <strong>Center</strong> with a<br />

bequest; some have donated to our capital campaign, <strong>and</strong> some have<br />

made general operating funds donations for our benefit.<br />

Many thanks to those of you who are contributing so much already.<br />

And with your continued support, I am sure it will be June-uary all<br />

year round.<br />

~ Liliana Cunha<br />

Board President<br />

Spring/Summer 2011 5


Sudden<br />

voices<br />

ON ExHiBit JuNE 30<strong>–</strong>July 30<br />

By Jessica Jade Norris<br />

In May of 2005, <strong>the</strong> <strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong><br />

featured Doug Desmond in a cover story in<br />

<strong>Mendocino</strong> <strong>Art</strong>s magazine titled “Doug Desmond <strong>Create</strong>s Stories for You<br />

to Tell.” He was also featured in a retrospective exhibit in <strong>the</strong> Main Gallery.<br />

The exhibit was amazing! It was great to see so many incredible works in<br />

a multitude of media, toge<strong>the</strong>r in one room. Imagination, execution <strong>and</strong><br />

pure talent saturated every wall — a sort of controlled diversity. Each piece<br />

had its own story to tell, ei<strong>the</strong>r unique, or in some way connected to <strong>the</strong><br />

next. His upcoming show, “Sudden Voices II,” brings that same exciting<br />

diversity back to <strong>the</strong> <strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong>.<br />

The “Unforgettable Exhibition” first emerged in July of 2010, with multiple artists offering<br />

alternate views <strong>and</strong> unusual art. The show was hugely popular. Doug Desmond <strong>and</strong> his<br />

team of “Sudden Voices” will reunite with a new show June 30 through July 30.<br />

When asked about putting <strong>the</strong> group show toge<strong>the</strong>r<br />

Doug said, “This is <strong>the</strong> most uplifting thing I have done in<br />

years (since I bought my first car).” He adds, “The artists<br />

in this show are all good <strong>and</strong> different. They shine through<br />

<strong>the</strong>ir unique <strong>and</strong> strange personalities. That’s what I like<br />

about working with <strong>the</strong>m.”<br />

Here is <strong>the</strong> line-up of artists from <strong>Mendocino</strong> County<br />

<strong>and</strong> o<strong>the</strong>r parts of Nor<strong>the</strong>rn California for <strong>the</strong> “Sudden<br />

Voices II” exhibit:<br />

Left: Barbara Stanton. Above: J. Robert Griego<br />

6 <strong>Mendocino</strong> <strong>Art</strong>s Magazine


Jesse Allen<br />

Born 1936 in Nairobi, Kenya<br />

For over 40 years, Jesse has<br />

been expressing <strong>the</strong> vivid colors,<br />

images <strong>and</strong> emotions in his<br />

heart through art. “Jesse Allen is<br />

an artist of astonishing intensity<br />

<strong>and</strong> power. Across his precise<br />

visual language he has found<br />

ways to express <strong>the</strong> beauty <strong>and</strong><br />

cruelty, <strong>the</strong> passion <strong>and</strong> <strong>the</strong> harmony,<br />

of <strong>the</strong> life process itself.”<br />

<strong>–</strong> Norman Bryson<br />

DAvID l. Cross<br />

Born 1950 in Chico, California<br />

David started painting surrealism<br />

at <strong>the</strong> age of 16, <strong>and</strong> merged<br />

into painting seascapes in <strong>the</strong><br />

late 70’s. His dramatic use of<br />

lighting <strong>and</strong> shadow lend well<br />

to both art forms. He can make<br />

rocks look cold <strong>and</strong> wet <strong>and</strong><br />

also h<strong>and</strong>le water superbly with Doug Desmond<br />

fluidity <strong>and</strong> force. His surreal<br />

paintings are both imaginative <strong>and</strong> well h<strong>and</strong>led.<br />

Doug DesmonD<br />

Born in <strong>the</strong> past century in Austin, Texas<br />

Over 60 years ago Doug’s third grade teacher, Miss Pauline<br />

Greene, wrote on his report card: “Douglas is a friendly<br />

child who usually does as he is told. However, his constant<br />

day dreaming causes him to ignore assignments.”<br />

J. robert grIego<br />

Born 1969 in Los Angeles, California<br />

Griego’s iconic work resists easy categorization —<br />

symbolist, surrealist, expressionist, etc. — <strong>and</strong> his<br />

use of materials <strong>and</strong> dynamic approach creates<br />

sculptures that have a raw <strong>and</strong> organic beauty<br />

echoing <strong>the</strong> Japanese philosophy of Wabi Sabi —<br />

<strong>the</strong> art of finding beauty in imperfection <strong>and</strong> <strong>the</strong><br />

profundity in <strong>the</strong> natural order of things.<br />

JACob Hewko<br />

Born 1981 in Roseville, California<br />

An enigma in training. Currently<br />

apprenticed to <strong>the</strong> tattooing trade.<br />

“My latest works are studies of<br />

smoke <strong>and</strong> shadow in my paintings.”<br />

Jacob was mentored by Doug<br />

Desmond from an early age.<br />

Peggy mAgovern<br />

Born 1953 in Hayward, California<br />

“I spend a fair amount of time thinking<br />

about <strong>the</strong> ‘story’ in my art. But I<br />

also hope that my work provokes,<br />

inspires, <strong>and</strong> allows people to find<br />

<strong>the</strong> meaning for <strong>the</strong>mselves. I’ve<br />

discovered that creating an image is<br />

a malleable process. <strong>Art</strong> can change<br />

with moods, or when applying<br />

additional elements. Sometimes it<br />

changes when mistakes happen, or<br />

by taking unexpected risks.”<br />

stAnley “mouse” mIller<br />

Born in California<br />

Stanley’s fa<strong>the</strong>r was an animator with Disney Studios who<br />

worked on Snow White. Stanley grew up in Detroit where<br />

Motown music <strong>and</strong> <strong>the</strong> city’s obsession with motorcars<br />

combined with his genius at drawing <strong>and</strong> made Stanley’s<br />

life path clear at an early age. Stanley is well known for his<br />

rock poster art in San Francisco during <strong>the</strong> ‘60s wartime<br />

era of social revolution, political passion <strong>and</strong> musical<br />

innovation.<br />

Peggy Magovern<br />

Spring/Summer 2011 7


JessICA JADe norrIs<br />

Born 1973 in Hollywood, California<br />

“I really enjoy printmaking <strong>and</strong> drawing. I call my pen<br />

<strong>and</strong> ink work ‘Tribal Graffiti’ because for me, it’s a result<br />

of inner knowledge <strong>and</strong> release. Lino cuts are a way for<br />

me to use bold lines <strong>and</strong> work with positive <strong>and</strong> negative<br />

space. Etchings show a more delicate line with dry<br />

point.”<br />

JAnet rAyner<br />

Born 1951 in Connecticut<br />

“Through my art I seek <strong>and</strong> strive for refinement in myself<br />

<strong>and</strong> in my life. I am a self-taught artist. I have learned by<br />

reading books, observing <strong>the</strong> world, having a family <strong>and</strong><br />

dreaming my wild dreams. I have learned from o<strong>the</strong>r artists<br />

as well as from people who say that <strong>the</strong>y ‘can’t draw a<br />

straight line.’ I have learned by trial <strong>and</strong> error (<strong>and</strong> trial<br />

<strong>and</strong> success) working with mediums such as oil paint,<br />

pencil, pastel, glass <strong>and</strong> porcelain.”<br />

gAIl rusHmore<br />

Born 1950 in Seattle, Washington<br />

“I imagine many stories <strong>and</strong> some of <strong>the</strong>m become<br />

sculpture. My background is in design <strong>and</strong> graphic arts.<br />

Working in clay has brought excitement back to my work.<br />

My imagery comes from an interest in design <strong>and</strong> ornamentation<br />

of o<strong>the</strong>r cultures. I begin with sketches, <strong>the</strong>n<br />

h<strong>and</strong> build, using slabs. Raku firing adds spontaneity to my<br />

process. There is a controlled pyromaniac within — loving<br />

how each firing puts its unique mark<br />

on <strong>the</strong> sculpture.”<br />

wIllIAm (bIll) sAlA<br />

Born 1930s in Oakl<strong>and</strong>, California<br />

Bill is one of <strong>the</strong> pre-eminent surrealist<br />

artists working in America today,<br />

<strong>and</strong> perhaps <strong>the</strong> world. His unique<br />

approach to his graphic use of color<br />

<strong>and</strong> <strong>the</strong>matic style is unparalleled<br />

by o<strong>the</strong>r contemporary surrealist<br />

artists. Bill has developed his natural<br />

talent over many years of studying<br />

classical artists <strong>and</strong> surrealists.<br />

Gail Rushmore<br />

Bill Weber (El Gallo), see page 9<br />

Antony De sennA<br />

Born 1945 in Boston, Massachusetts<br />

“I have been painting with acrylic<br />

<strong>and</strong> oil in <strong>Mendocino</strong> since 1976.<br />

I would describe myself as a magic<br />

realist.”<br />

ArIAnnA sIegel<br />

Born 1957 in New York, New York<br />

Through <strong>the</strong> years, Arianna has<br />

expressed her creativity through<br />

various media, including painting,<br />

drawing, stained glass, photography<br />

<strong>and</strong> writing. Last year, she did<br />

a series of iconic pencil portraits<br />

of rock artists which were exhibited<br />

in several shows. Her current<br />

work is a series of surreal, dreamlike<br />

oil paintings with historical period<br />

references.<br />

8 <strong>Mendocino</strong> <strong>Art</strong>s Magazine


ArbArA stAnton<br />

Born 1959 in Oakl<strong>and</strong>, California<br />

“My miniature paintings can have a profound<br />

effect on people. How ironic that<br />

when I paint tiny, people notice <strong>the</strong> subject<br />

for <strong>the</strong> first time. The images may<br />

remind you of <strong>the</strong> beauty this world has<br />

to offer. I invite <strong>the</strong> viewer to share <strong>the</strong><br />

feelings I had when I first discovered my<br />

subject. Feel that moment, <strong>and</strong> remember<br />

<strong>the</strong>ir own sacred moments.”<br />

IlJA tInfo<br />

Born 1947 in Elmshorn, Germany<br />

“I just make ‘stuff.’ There are no hidden<br />

meanings or agendas, no narratives, no<br />

deep insight. It’s just what <strong>the</strong> viewer<br />

makes of it. To me, it’s a construction. I<br />

start somewhere <strong>and</strong> end somewhere. I concern myself<br />

with formal elements... composition, color, tone, texture,<br />

edges, balance, harmony, space, <strong>and</strong> try to end up with<br />

something that I think works.”<br />

bob treAster<br />

Born 1940 in Sacramento, California<br />

“By using humor, color, odd juxtaposition, <strong>and</strong> most any<br />

device available to an artist, I attempt to point out <strong>the</strong><br />

absurdities <strong>and</strong> dichotomies of life, from <strong>the</strong> sublime to<br />

<strong>the</strong> ridiculous.”<br />

bIll weber (el gallo)<br />

Born 1949 in Tokyo, Japan<br />

“I believe humankind to be <strong>the</strong> proper goal <strong>and</strong> measure<br />

of an artist’s work. I feel that I’m painting something<br />

worthwhile only to <strong>the</strong> extent that it glorifies mankind’s<br />

existence in a worthy manner. I share Leonardo da Vinci’s<br />

encompassing embrace of life <strong>and</strong> have a great regard for<br />

any work of creation that elevates <strong>the</strong> humanity we share.<br />

I’ll always be passionate about this.”<br />

<strong>Mendocino</strong> <strong>Art</strong> center’s<br />

<strong><strong>Art</strong>ists</strong> Open Studio Tour<br />

Enjoy a behind-<strong>the</strong>-scenes peek at <strong>the</strong> private art studios of<br />

some of <strong>the</strong> <strong>Mendocino</strong> coast’s finest artists<br />

on this free, self-guided tour.<br />

Meet <strong>the</strong> artists · Watch demonstrations · See <strong>and</strong> buy original artwork<br />

Ilja Tinfo<br />

september 17<strong>–</strong>18 & 24<strong>–</strong>25, 2011 · 10 am<strong>–</strong>5 pm<br />

<strong>Mendocino</strong> <strong>Art</strong> center<br />

45200 Little Lake Street at Kasten Street, <strong>Mendocino</strong><br />

707 937-5818 • 800 653-3328<br />

www.<strong>Mendocino</strong><strong>Art</strong><strong>Center</strong>.org<br />

Spring/Summer 2011 9


featured artist<br />

By Peggy Templer<br />

Rita Crane lives in an eclectic, charming rural home that she <strong>and</strong> her partner, Peter<br />

Temple, designed <strong>and</strong> built over a period of years. The home fits naturally <strong>and</strong> unobtrusively<br />

into its wooded surroundings, <strong>and</strong> seems like <strong>the</strong> perfect place for a gentle<br />

soul who has spent a lifetime passionately seeking harmony <strong>and</strong> beauty in her artwork<br />

as well as her personal life.<br />

Photography is Rita Crane’s medium <strong>and</strong> she comes by it naturally. In fact, though<br />

her development as an artist <strong>and</strong> photographer was a slow <strong>and</strong> circuitous process, that<br />

she now captures images of beauty with a camera completes a circle that begins with her<br />

fa<strong>the</strong>r. Ralph Crane was an acclaimed photojournalist, working for <strong>the</strong> New York Times<br />

<strong>and</strong> Life magazine, photographing all <strong>the</strong> newsworthy events, people <strong>and</strong> places from<br />

<strong>the</strong> 1930s into <strong>the</strong> 1980s. At age 16, emulating her fa<strong>the</strong>r, his daughter first picked up a<br />

single lens reflex film camera <strong>and</strong> started shooting in black <strong>and</strong> white. All her spare time<br />

was spent working in what to her was a magical realm: her high school darkroom.<br />

Her fa<strong>the</strong>r’s job also impacted her in ano<strong>the</strong>r way, providing her with <strong>the</strong> subject<br />

matter — Old World Europe — that distinguishes her work: “I spent my childhood in<br />

nor<strong>the</strong>rn Europe when he was working out of <strong>the</strong> Time/Life bureaus in Bonn <strong>and</strong> Paris.<br />

This left me with an abiding love for <strong>the</strong> Old World scenes I grew up around: <strong>the</strong> layers<br />

of human endeavor that one can see through <strong>the</strong>ir expression in buildings, patterns,<br />

<strong>and</strong> everyday objects. I like to observe <strong>and</strong> reflect on <strong>the</strong> consciousness of humanity as<br />

it has unfolded over centuries, leaving its mark on <strong>the</strong>se objects <strong>and</strong> environments…<br />

Evening View From Navarro Ridge. All photos ©2011RitaCranePhotography.<br />

10 <strong>Mendocino</strong> <strong>Art</strong>s Magazine


The Duomo on a Rainy Evening, Florence.<br />

Documenting Old World scenes puts<br />

me in touch with <strong>the</strong> slower, more<br />

grounded pace of life that revolves<br />

around <strong>the</strong> seasons <strong>and</strong> careful, h<strong>and</strong>crafted<br />

art… a different way of life<br />

that for <strong>the</strong> most part we have all left<br />

behind in <strong>the</strong> West.” She also photographs<br />

nor<strong>the</strong>rn coastal California,<br />

finding in those l<strong>and</strong>scapes <strong>the</strong> same<br />

sense of a slower, more meaningful<br />

pace of life that she finds in Old World<br />

Europe.<br />

Rita went to UCLA <strong>and</strong> majored<br />

in <strong>Art</strong> <strong>and</strong> <strong>Art</strong> History, originally considering<br />

a career in teaching. But she<br />

didn’t want to give up her camera, so<br />

she joined <strong>the</strong> campus Photography<br />

Club <strong>and</strong> became enamored of<br />

<strong>the</strong> work of photographer Edward<br />

Weston, intrigued by his ideas about<br />

“<strong>the</strong> essence of <strong>the</strong> Thing Itself.” Upon<br />

graduating from UCLA, she married<br />

a Frenchman, moved to Paris, <strong>the</strong>n<br />

to New York City, San Francisco,<br />

Tahiti, <strong>and</strong> New Mexico (losing <strong>the</strong><br />

Frenchman along <strong>the</strong> way). In New<br />

Mexico, she <strong>and</strong> a friend designed<br />

<strong>and</strong> h<strong>and</strong> built a beautiful territorial<br />

adobe house while Rita studied<br />

silversmithing, lapidary, <strong>and</strong> stained<br />

glass.<br />

In 1979 Rita left for Odiyan, a<br />

Tibetan Buddhist retreat center in<br />

Sonoma County, where she completed<br />

a nine-month meditation<br />

program based on <strong>the</strong> book Time,<br />

Space, <strong>and</strong> Knowledge by Tarthang<br />

Tulku Rinpoche. She <strong>the</strong>n participated<br />

in a four-month stained glass<br />

project under <strong>the</strong> direction of <strong>the</strong><br />

same head lama, where she helped<br />

build <strong>the</strong> stained glass panels for <strong>the</strong><br />

entry pagodas at Odiyan. The entire<br />

13-month experience was pivotal to<br />

her subsequent professional life as an<br />

artist, <strong>and</strong> <strong>the</strong> guidance she received<br />

deepened her underst<strong>and</strong>ing about<br />

what it meant to “make art.” Tarthang<br />

Tulku’s suggestions to her, in response<br />

to drawings she submitted to him,<br />

didn’t revolve so much around personal<br />

expression, creativity or composition,<br />

but ra<strong>the</strong>r focused on <strong>the</strong><br />

idea — <strong>the</strong> way Rita understood it<br />

— that <strong>the</strong> entire image could be seen<br />

metaphorically to resemble a m<strong>and</strong>ala<br />

in meaning. In o<strong>the</strong>r words, <strong>the</strong> background<br />

<strong>and</strong> foreground were equally<br />

important in that <strong>the</strong>y needed to<br />

resonate with one ano<strong>the</strong>r, <strong>and</strong> were<br />

interconnected.<br />

From Berkeley, Rita moved to<br />

Boulder, Colorado, <strong>and</strong> continued to<br />

design stained glass windows. There<br />

she met glass artist Peter Temple, <strong>and</strong><br />

<strong>the</strong>y began <strong>the</strong>ir collaboration on a<br />

highly successful glass art partnership,<br />

Temple-Crane Studios (later renamed<br />

Denali Crystal). Their crystal glass<br />

sculptures were commercially successful,<br />

garnered major commissions<br />

<strong>and</strong> enabled <strong>the</strong>m to make <strong>the</strong> move<br />

to <strong>Mendocino</strong> County, where <strong>the</strong>y<br />

built <strong>the</strong>ir home <strong>and</strong> Peter’s recording<br />

studio on Albion Ridge.<br />

There have been many influences<br />

on Rita Crane’s development as an artist:<br />

her fa<strong>the</strong>r, of course, but also her<br />

mo<strong>the</strong>r, a passionate supporter of <strong>the</strong><br />

arts; growing up in Europe; what she<br />

refers to as her “meditative process.”<br />

In addition, her partner Peter Temple<br />

“has been a big positive influence. All<br />

I can say is that Peter’s creative spirit is<br />

astonishing <strong>and</strong> inspiring!” Ano<strong>the</strong>r<br />

big influence has been Rita’s appreciation<br />

for Asian art, with its understated<br />

portrayal of nature’s innate harmony.<br />

Years of experience with art glass also<br />

affects how she composes her fine art<br />

Spring/Summer 2011 11


photographs: “Designing leaded glass windows <strong>and</strong> crystal<br />

glass sculptures trained me to see shapes <strong>and</strong> lines in a<br />

very fundamental way.”<br />

Also influential were her favorite artists: Vermeer,<br />

Bonnard, Sisley, Matisse, Derain, Monet, Van Gogh <strong>and</strong><br />

Cezanne; she loved <strong>the</strong>m all for <strong>the</strong>ir use of color <strong>and</strong><br />

<strong>the</strong>y influenced how she shapes two-dimensional space.<br />

She also admired <strong>the</strong> photographers Brassai, Edward<br />

Stieglitz, Eugene Atget <strong>and</strong> Henri Cartier-Bresson. And<br />

<strong>the</strong>re was her favorite childhood book,<br />

Edward Steichen’s The Family of Man. Her<br />

fa<strong>the</strong>r had several photos in it <strong>and</strong>, as a<br />

child, Rita spent hours going through it,<br />

getting a “sense of <strong>the</strong> world from it.” She<br />

also believes that her lifelong avoidance of<br />

television has kept her imagination <strong>and</strong> her<br />

artistic vision clear.<br />

Rita says that she has always enjoyed<br />

“<strong>the</strong> art of arrangement.” As a child, she got<br />

a real sense of fulfillment from arranging<br />

<strong>the</strong> furniture in her dollhouse. She derives<br />

<strong>the</strong> same satisfaction from composing a<br />

photograph — creating a composition by<br />

arranging objects in space <strong>and</strong> choosing<br />

<strong>the</strong>ir relationship to o<strong>the</strong>r objects in a way<br />

Gran Caffe Chioggia, Venice<br />

that is unique to her.<br />

According to Rita, when she looks through<br />

<strong>the</strong> lens of her camera, what she wants to create<br />

is an image that will touch a person’s heart<br />

in a healing way. Convinced that art has <strong>the</strong><br />

power to heal <strong>and</strong> uplift, she consciously aspires to create<br />

compositions that evoke balance <strong>and</strong> harmony as her way<br />

of “giving back to <strong>the</strong> world.” She also deliberately creates<br />

images that are meant to be shared with o<strong>the</strong>rs — a<br />

conscious <strong>and</strong> meaningful attempt to communicate <strong>the</strong><br />

beauty that she sees <strong>and</strong> loves.<br />

Rita Crane’s photography can be viewed on her Web<br />

site at www.ritaCranestudio.com, where a link will take<br />

you to a portfolio of her photography on Flickr.<br />

12 <strong>Mendocino</strong> <strong>Art</strong>s Magazine<br />

Left: Peaceful Evening in <strong>the</strong> Castello, Venice.<br />

Right: Little Dog & Bicycle, Florence.


Friday Boogie<br />

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5pm til 10pm*<br />

Boogie woogie, rhythm & blues,<br />

rock & roll<br />

Followed by <strong>the</strong> Joy of Baseball...<br />

songs <strong>and</strong> stories to<br />

celebrate our national pastime<br />

Prizes during <strong>the</strong> 8th inning of every<br />

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*Times subject to change for each game. Joy of Baseball<br />

starts 15 minutes before Kruk & Kuip.<br />

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990 MAIN ST. MENDOCINO<br />

937-1537<br />

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April 28<strong>–</strong>May 29<br />

June 9<strong>–</strong>July 17<br />

The Pillowman<br />

By Martin McDonagh<br />

Directed by<br />

Ann Woodhead<br />

She Stoops to<br />

Conquer<br />

By Oliver Goldsmith<br />

Directed by<br />

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July 28<strong>–</strong>september 4<br />

The Pavilion<br />

By Craig Wright<br />

Directed by<br />

Kennedy White<br />

TickeTs: 707 937-4477 or<br />

www.<strong>Mendocino</strong>Theatre.org<br />

Spring/Summer 2011 13

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