Artists Create – and the Gardens Rock! - Mendocino Art Center
Artists Create – and the Gardens Rock! - Mendocino Art Center
Artists Create – and the Gardens Rock! - Mendocino Art Center
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Spring/Summer 2011<br />
COMPLIMENTARY<br />
<strong>Mendocino</strong><strong>Art</strong>s<br />
ART AND CULTURE IN MENDOCINO COUNTY<br />
PUBLISHED BY THE MENDOCINO ART CENTER
Nature Paints <strong>–</strong> <strong><strong>Art</strong>ists</strong> <strong>Create</strong> <strong>–</strong><br />
<strong>and</strong> <strong>the</strong> <strong>Gardens</strong> <strong>Rock</strong>!<br />
<strong>Mendocino</strong> Coast Botanical <strong>Gardens</strong>…<br />
<strong>the</strong> place to be!<br />
Every day — Spring, Summer, Fall <strong>and</strong> Winter — our<br />
<strong>Gardens</strong> are bursting with color <strong>and</strong> floral displays.<br />
This is <strong>the</strong> place to enjoy outdoor concerts, art, <strong>the</strong>ater events,<br />
<strong>and</strong> workshops throughout <strong>the</strong> year.<br />
Come <strong>and</strong> experience this dazzling display within 47 seaside<br />
acres; ADA accessible <strong>and</strong> dog friendly.<br />
For event schedule <strong>and</strong> information visit<br />
gardenby<strong>the</strong>sea.org.<br />
www.gardenby<strong>the</strong>sea.org | 18220 North Highway 1, Fort Bragg, CA 95437 | 707-964-4352<br />
Spring/Summer 2011 1
OCEANFRONT INN<br />
& COTTAGES<br />
Just steps to <strong>the</strong> beach <strong>and</strong><br />
a stroll to fine restaurants, galleries <strong>and</strong><br />
<strong>the</strong> <strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong>.<br />
ocean views • decks • fireplaces<br />
An enchanting refuge for<br />
rest <strong>and</strong> renewal...<br />
On Main Street at Evergreen<br />
<strong>Mendocino</strong> Village<br />
800 780-7905 • 707 937-5150<br />
www.oceanfrontmagic.com<br />
2 <strong>Mendocino</strong> <strong>Art</strong>s Magazine
Table of Contents<br />
10<br />
18<br />
6<br />
14<br />
Published by <strong>the</strong> <strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong><br />
Vol XLII, No 1, May 2011<br />
Editorial: From Our Board President 5<br />
Sudden Voices Exhibit 6<br />
Rita Crane: The Photograph as M<strong>and</strong>ala 10<br />
Arlene Reiss: City Girl to Country Woman 14<br />
MAC Summer Workshops 16<br />
Meet Gallery Director Jessica Jade Norris 18<br />
Meet <strong>the</strong> Teacher: Brian Ransom 20<br />
Meet <strong>the</strong> Teacher: Jason Collingwood 21<br />
Meet <strong>the</strong> Teacher: Jeannie Vodden 22<br />
Meet <strong>the</strong> Teacher: Paul Graf 23<br />
Meet <strong>the</strong> Teacher: Yvonne Giambrone-Martin 24<br />
In Memory of Miriam Cohen Rice 28<br />
2011 <strong>Mendocino</strong> Coast Garden Tour 30<br />
Poetry 31<br />
Que Onda 33<br />
<strong>Mendocino</strong> County Gallery Guide 34<br />
<strong>Mendocino</strong> County Restaurant Guide 40<br />
Gallery of <strong><strong>Art</strong>ists</strong> 44<br />
Curtain Call 52<br />
Calendar of Events 54<br />
<strong>Mendocino</strong> <strong>Art</strong>s promotes <strong>the</strong> arts by offering space to artists, writers, craftspeople <strong>and</strong> performers <strong>and</strong><br />
by providing information on arts <strong>and</strong> entertainment in <strong>Mendocino</strong> County. Submissions of unsolicited<br />
non-fiction articles, photographs or artwork for consideration in <strong>Mendocino</strong> <strong>Art</strong>s must include a SASE<br />
or we cannot be responsible for <strong>the</strong>ir return. We welcome announcements of upcoming events to be<br />
included as space permits.<br />
52<br />
Spring/Summer 2011 3
GALLERY OF DECORATIVE<br />
AND FINE ARTS<br />
For <strong>the</strong> <strong>Art</strong> Collector<br />
<strong>and</strong> <strong>the</strong> Craft Lover<br />
45052 Main Street, <strong>Mendocino</strong>, CA<br />
707 937-3132 • www.<strong>the</strong>highlightgallery.com<br />
Kaleidoscopes G <strong>Art</strong> Glass G Mirrors G Jewelry<br />
10400 Kasten Street • <strong>Mendocino</strong>, California<br />
www.Reflections-Kaleidoscopes.com • Open Daily<br />
FAMILY HANDS<br />
• Discover<br />
• Decorate<br />
• Design<br />
A gallery of unique furnishings for your home!<br />
Lighting • <strong>Art</strong> Rugs • Furniture<br />
Gifts from around <strong>the</strong> globe<br />
At <strong>the</strong> corner of Franklin <strong>and</strong> Redwood,<br />
Fort Bragg<br />
707 961-0236<br />
<strong>Mendocino</strong> County Museum<br />
Discover unique artifacts <strong>and</strong> exhibits that reflect<br />
our heritage: Frolic Shipwreck, Wine History,<br />
Stagecoaches <strong>and</strong> Wagons, Traveling Exhibits <strong>and</strong><br />
much more.<br />
EXHIBIT: Carl Purdy: “A Passion for Plants <strong>and</strong> Place”<br />
April 16<strong>–</strong>October 30, 2011<br />
ROOTS OF MOTIVE POWER, Inc<br />
See restored <strong>and</strong> working steam<br />
machines:<br />
· Historic Logging Equipment<br />
· Steam Engines <strong>and</strong> Caboose<br />
Browse in our Museum Shop<br />
400 East Commercial Street, Willits, CA<br />
Call 707-459-2736 for more information<br />
Email us at Museum@co.mendocino.ca.us<br />
Open Wednesday through Sunday, 10:00 AM <strong>–</strong> 4:30 PM<br />
www.<strong>Mendocino</strong>Museum.org<br />
4 <strong>Mendocino</strong> <strong>Art</strong>s Magazine
<strong>Mendocino</strong><strong>Art</strong>s<br />
ART AND CULTURE IN MENDOCINO COUNTY<br />
PUBLISHER<br />
<strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong><br />
ASSOCIATE PUBLISHER<br />
Mike McDonald<br />
EDITOR<br />
Peggy Templer<br />
ART DIRECTION / GRAPHIC PRODUCTION<br />
Elizabeth Petersen, RevUp Creative Media<br />
SALES<br />
COAST: Steven P. Wor<strong>the</strong>n <strong>–</strong> 707 964-2480,<br />
707 813-7669<br />
INLAND: Jill Schmuckley <strong>–</strong> 707 391-8057<br />
LAKE COUNTY: Linda Kelly <strong>–</strong> 707 367-9038<br />
GALLERY Of ARTISTS ADS: David Russell <strong>–</strong> 707 513-6015<br />
SPRING/SUMMER DISTRIBUTION <strong>–</strong> 15,000<br />
fALL 2011/WINTER 2012 DEADLINE <strong>–</strong> June 15, 2011<br />
MENDOCINO ART CENTER STAff<br />
INTERIM EXECUTIVE DIRECTOR: Lindsay Shields<br />
COMMUNICATIONS DIRECTOR: Mike McDonald<br />
EDUCATION COORDINATOR: Phyllis Weeks<br />
GALLERY DIRECTOR: Jessica Jade<br />
REGISTRAR/CASHIER: Michele Cheyovich,<br />
Kath Disney Nilson<br />
PROGRAM COORDINATORS:<br />
Ceramics — Derek Hambly<br />
fiber <strong>Art</strong>s — Nancy Collins<br />
fine <strong>Art</strong> — Marge Stewart<br />
Jewelry — Marge Stewart<br />
Sculpture — Gert Rasmussen<br />
fACILITIES: Gabe Arreguin, Wes McCormick<br />
MENDOCINO ART CENTER BOARD Of DIRECTORS<br />
PRESIDENT: Liliana Cunha<br />
VICE PRESIDENT: Patrick Keller<br />
TREASURER: John Cornacchia<br />
SECRETARY: Dale Moyer<br />
Janis Porter<br />
Eileen Robblee<br />
Nick Schwartz<br />
Marge Stewart<br />
Bob Treaster<br />
Lucia Zacha<br />
MENDOCINO ART CENTER<br />
45200 Little Lake Street • P.O. Box 765<br />
<strong>Mendocino</strong>, CA 95460<br />
707 937-5818 • 800 653-3328<br />
fAX: 707 937-4625<br />
register@mendocinoartcenter.org<br />
www.<strong>Mendocino</strong><strong>Art</strong><strong>Center</strong>.org<br />
<strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong> Mission Statement:<br />
The mission of <strong>the</strong> <strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong> is to be a vital<br />
cultural resource, providing a broad range of <strong>the</strong> highest<br />
quality educational <strong>and</strong> exhibition opportunities in <strong>the</strong> arts<br />
to all people.<br />
founded by Bill Zacha in 1959 as a nonprofit organization<br />
to support, foster, advance <strong>and</strong> promote artistic awareness<br />
<strong>and</strong> participation.<br />
COVER IMAGE: Peggy Magovern, Past-Present, colored<br />
pencil<br />
From Our Board President…<br />
SPRING/SUMMER 2011<br />
As I sit down to write, it is still winter in <strong>Mendocino</strong>, but <strong>the</strong><br />
January wea<strong>the</strong>r was so balmy that it prompted one local to suggest<br />
we were experiencing June-uary. Thanks to our donors, members, dedicated<br />
staff <strong>and</strong> board, <strong>the</strong> <strong>Art</strong> <strong>Center</strong> is also experiencing June-uary.<br />
In December of last year, local artist <strong>and</strong> <strong>Art</strong> <strong>Center</strong> Zacha Legacy<br />
Society patron Don Paglia gave <strong>the</strong> <strong>Art</strong> <strong>Center</strong> a $25,000 matching funds<br />
donation. The match was to be completed by January 31, 2011, <strong>and</strong> I am<br />
happy to report that not only did we make <strong>the</strong> match, but we exceeded it<br />
by $7,000 for a gr<strong>and</strong> total of $57,000. Thank you, Don! Workshop listings<br />
for spring were posted on our Web site in mid-November, summer<br />
listings were posted on <strong>the</strong> Web site by February 18, <strong>and</strong> memberships<br />
have doubled over last year. Thank you all.<br />
The news is all good; however, we should not be complacent. The<br />
matching funds grant was a great kick-off for fundraising for <strong>the</strong> year,<br />
<strong>and</strong> <strong>the</strong> board is working to find ways to get corporate sponsorships <strong>and</strong><br />
grants that will enhance our programs. We are also planning a series of<br />
fundraising events that we hope you will attend. Please join us for our<br />
Dine-outs, Rhododendron Ball, Garden Tour <strong>and</strong> Board of Directors<br />
Dinner. Go to <strong>the</strong> <strong>Art</strong> <strong>Center</strong> Web site or tune in to KOZT, KZYX, <strong>and</strong><br />
KMFB for more information.<br />
Supporting <strong>the</strong> <strong>Art</strong> <strong>Center</strong> is a long-term proposition, so I invite<br />
you to consider becoming a sustaining member of <strong>the</strong> institution that<br />
we all hold so dear by joining <strong>the</strong> Zacha Legacy Society, named in<br />
honor of our founders, Bill <strong>and</strong> Jennie Zacha, <strong>and</strong> add your name to<br />
<strong>the</strong> patron wall.<br />
There are many ways to give: some members are giving monthly,<br />
quarterly or annually, via <strong>the</strong>ir checking account bill pay, as part of <strong>the</strong><br />
annual giving program; some have remembered <strong>the</strong> <strong>Art</strong> <strong>Center</strong> with a<br />
bequest; some have donated to our capital campaign, <strong>and</strong> some have<br />
made general operating funds donations for our benefit.<br />
Many thanks to those of you who are contributing so much already.<br />
And with your continued support, I am sure it will be June-uary all<br />
year round.<br />
~ Liliana Cunha<br />
Board President<br />
Spring/Summer 2011 5
Sudden<br />
voices<br />
ON ExHiBit JuNE 30<strong>–</strong>July 30<br />
By Jessica Jade Norris<br />
In May of 2005, <strong>the</strong> <strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong><br />
featured Doug Desmond in a cover story in<br />
<strong>Mendocino</strong> <strong>Art</strong>s magazine titled “Doug Desmond <strong>Create</strong>s Stories for You<br />
to Tell.” He was also featured in a retrospective exhibit in <strong>the</strong> Main Gallery.<br />
The exhibit was amazing! It was great to see so many incredible works in<br />
a multitude of media, toge<strong>the</strong>r in one room. Imagination, execution <strong>and</strong><br />
pure talent saturated every wall — a sort of controlled diversity. Each piece<br />
had its own story to tell, ei<strong>the</strong>r unique, or in some way connected to <strong>the</strong><br />
next. His upcoming show, “Sudden Voices II,” brings that same exciting<br />
diversity back to <strong>the</strong> <strong>Mendocino</strong> <strong>Art</strong> <strong>Center</strong>.<br />
The “Unforgettable Exhibition” first emerged in July of 2010, with multiple artists offering<br />
alternate views <strong>and</strong> unusual art. The show was hugely popular. Doug Desmond <strong>and</strong> his<br />
team of “Sudden Voices” will reunite with a new show June 30 through July 30.<br />
When asked about putting <strong>the</strong> group show toge<strong>the</strong>r<br />
Doug said, “This is <strong>the</strong> most uplifting thing I have done in<br />
years (since I bought my first car).” He adds, “The artists<br />
in this show are all good <strong>and</strong> different. They shine through<br />
<strong>the</strong>ir unique <strong>and</strong> strange personalities. That’s what I like<br />
about working with <strong>the</strong>m.”<br />
Here is <strong>the</strong> line-up of artists from <strong>Mendocino</strong> County<br />
<strong>and</strong> o<strong>the</strong>r parts of Nor<strong>the</strong>rn California for <strong>the</strong> “Sudden<br />
Voices II” exhibit:<br />
Left: Barbara Stanton. Above: J. Robert Griego<br />
6 <strong>Mendocino</strong> <strong>Art</strong>s Magazine
Jesse Allen<br />
Born 1936 in Nairobi, Kenya<br />
For over 40 years, Jesse has<br />
been expressing <strong>the</strong> vivid colors,<br />
images <strong>and</strong> emotions in his<br />
heart through art. “Jesse Allen is<br />
an artist of astonishing intensity<br />
<strong>and</strong> power. Across his precise<br />
visual language he has found<br />
ways to express <strong>the</strong> beauty <strong>and</strong><br />
cruelty, <strong>the</strong> passion <strong>and</strong> <strong>the</strong> harmony,<br />
of <strong>the</strong> life process itself.”<br />
<strong>–</strong> Norman Bryson<br />
DAvID l. Cross<br />
Born 1950 in Chico, California<br />
David started painting surrealism<br />
at <strong>the</strong> age of 16, <strong>and</strong> merged<br />
into painting seascapes in <strong>the</strong><br />
late 70’s. His dramatic use of<br />
lighting <strong>and</strong> shadow lend well<br />
to both art forms. He can make<br />
rocks look cold <strong>and</strong> wet <strong>and</strong><br />
also h<strong>and</strong>le water superbly with Doug Desmond<br />
fluidity <strong>and</strong> force. His surreal<br />
paintings are both imaginative <strong>and</strong> well h<strong>and</strong>led.<br />
Doug DesmonD<br />
Born in <strong>the</strong> past century in Austin, Texas<br />
Over 60 years ago Doug’s third grade teacher, Miss Pauline<br />
Greene, wrote on his report card: “Douglas is a friendly<br />
child who usually does as he is told. However, his constant<br />
day dreaming causes him to ignore assignments.”<br />
J. robert grIego<br />
Born 1969 in Los Angeles, California<br />
Griego’s iconic work resists easy categorization —<br />
symbolist, surrealist, expressionist, etc. — <strong>and</strong> his<br />
use of materials <strong>and</strong> dynamic approach creates<br />
sculptures that have a raw <strong>and</strong> organic beauty<br />
echoing <strong>the</strong> Japanese philosophy of Wabi Sabi —<br />
<strong>the</strong> art of finding beauty in imperfection <strong>and</strong> <strong>the</strong><br />
profundity in <strong>the</strong> natural order of things.<br />
JACob Hewko<br />
Born 1981 in Roseville, California<br />
An enigma in training. Currently<br />
apprenticed to <strong>the</strong> tattooing trade.<br />
“My latest works are studies of<br />
smoke <strong>and</strong> shadow in my paintings.”<br />
Jacob was mentored by Doug<br />
Desmond from an early age.<br />
Peggy mAgovern<br />
Born 1953 in Hayward, California<br />
“I spend a fair amount of time thinking<br />
about <strong>the</strong> ‘story’ in my art. But I<br />
also hope that my work provokes,<br />
inspires, <strong>and</strong> allows people to find<br />
<strong>the</strong> meaning for <strong>the</strong>mselves. I’ve<br />
discovered that creating an image is<br />
a malleable process. <strong>Art</strong> can change<br />
with moods, or when applying<br />
additional elements. Sometimes it<br />
changes when mistakes happen, or<br />
by taking unexpected risks.”<br />
stAnley “mouse” mIller<br />
Born in California<br />
Stanley’s fa<strong>the</strong>r was an animator with Disney Studios who<br />
worked on Snow White. Stanley grew up in Detroit where<br />
Motown music <strong>and</strong> <strong>the</strong> city’s obsession with motorcars<br />
combined with his genius at drawing <strong>and</strong> made Stanley’s<br />
life path clear at an early age. Stanley is well known for his<br />
rock poster art in San Francisco during <strong>the</strong> ‘60s wartime<br />
era of social revolution, political passion <strong>and</strong> musical<br />
innovation.<br />
Peggy Magovern<br />
Spring/Summer 2011 7
JessICA JADe norrIs<br />
Born 1973 in Hollywood, California<br />
“I really enjoy printmaking <strong>and</strong> drawing. I call my pen<br />
<strong>and</strong> ink work ‘Tribal Graffiti’ because for me, it’s a result<br />
of inner knowledge <strong>and</strong> release. Lino cuts are a way for<br />
me to use bold lines <strong>and</strong> work with positive <strong>and</strong> negative<br />
space. Etchings show a more delicate line with dry<br />
point.”<br />
JAnet rAyner<br />
Born 1951 in Connecticut<br />
“Through my art I seek <strong>and</strong> strive for refinement in myself<br />
<strong>and</strong> in my life. I am a self-taught artist. I have learned by<br />
reading books, observing <strong>the</strong> world, having a family <strong>and</strong><br />
dreaming my wild dreams. I have learned from o<strong>the</strong>r artists<br />
as well as from people who say that <strong>the</strong>y ‘can’t draw a<br />
straight line.’ I have learned by trial <strong>and</strong> error (<strong>and</strong> trial<br />
<strong>and</strong> success) working with mediums such as oil paint,<br />
pencil, pastel, glass <strong>and</strong> porcelain.”<br />
gAIl rusHmore<br />
Born 1950 in Seattle, Washington<br />
“I imagine many stories <strong>and</strong> some of <strong>the</strong>m become<br />
sculpture. My background is in design <strong>and</strong> graphic arts.<br />
Working in clay has brought excitement back to my work.<br />
My imagery comes from an interest in design <strong>and</strong> ornamentation<br />
of o<strong>the</strong>r cultures. I begin with sketches, <strong>the</strong>n<br />
h<strong>and</strong> build, using slabs. Raku firing adds spontaneity to my<br />
process. There is a controlled pyromaniac within — loving<br />
how each firing puts its unique mark<br />
on <strong>the</strong> sculpture.”<br />
wIllIAm (bIll) sAlA<br />
Born 1930s in Oakl<strong>and</strong>, California<br />
Bill is one of <strong>the</strong> pre-eminent surrealist<br />
artists working in America today,<br />
<strong>and</strong> perhaps <strong>the</strong> world. His unique<br />
approach to his graphic use of color<br />
<strong>and</strong> <strong>the</strong>matic style is unparalleled<br />
by o<strong>the</strong>r contemporary surrealist<br />
artists. Bill has developed his natural<br />
talent over many years of studying<br />
classical artists <strong>and</strong> surrealists.<br />
Gail Rushmore<br />
Bill Weber (El Gallo), see page 9<br />
Antony De sennA<br />
Born 1945 in Boston, Massachusetts<br />
“I have been painting with acrylic<br />
<strong>and</strong> oil in <strong>Mendocino</strong> since 1976.<br />
I would describe myself as a magic<br />
realist.”<br />
ArIAnnA sIegel<br />
Born 1957 in New York, New York<br />
Through <strong>the</strong> years, Arianna has<br />
expressed her creativity through<br />
various media, including painting,<br />
drawing, stained glass, photography<br />
<strong>and</strong> writing. Last year, she did<br />
a series of iconic pencil portraits<br />
of rock artists which were exhibited<br />
in several shows. Her current<br />
work is a series of surreal, dreamlike<br />
oil paintings with historical period<br />
references.<br />
8 <strong>Mendocino</strong> <strong>Art</strong>s Magazine
ArbArA stAnton<br />
Born 1959 in Oakl<strong>and</strong>, California<br />
“My miniature paintings can have a profound<br />
effect on people. How ironic that<br />
when I paint tiny, people notice <strong>the</strong> subject<br />
for <strong>the</strong> first time. The images may<br />
remind you of <strong>the</strong> beauty this world has<br />
to offer. I invite <strong>the</strong> viewer to share <strong>the</strong><br />
feelings I had when I first discovered my<br />
subject. Feel that moment, <strong>and</strong> remember<br />
<strong>the</strong>ir own sacred moments.”<br />
IlJA tInfo<br />
Born 1947 in Elmshorn, Germany<br />
“I just make ‘stuff.’ There are no hidden<br />
meanings or agendas, no narratives, no<br />
deep insight. It’s just what <strong>the</strong> viewer<br />
makes of it. To me, it’s a construction. I<br />
start somewhere <strong>and</strong> end somewhere. I concern myself<br />
with formal elements... composition, color, tone, texture,<br />
edges, balance, harmony, space, <strong>and</strong> try to end up with<br />
something that I think works.”<br />
bob treAster<br />
Born 1940 in Sacramento, California<br />
“By using humor, color, odd juxtaposition, <strong>and</strong> most any<br />
device available to an artist, I attempt to point out <strong>the</strong><br />
absurdities <strong>and</strong> dichotomies of life, from <strong>the</strong> sublime to<br />
<strong>the</strong> ridiculous.”<br />
bIll weber (el gallo)<br />
Born 1949 in Tokyo, Japan<br />
“I believe humankind to be <strong>the</strong> proper goal <strong>and</strong> measure<br />
of an artist’s work. I feel that I’m painting something<br />
worthwhile only to <strong>the</strong> extent that it glorifies mankind’s<br />
existence in a worthy manner. I share Leonardo da Vinci’s<br />
encompassing embrace of life <strong>and</strong> have a great regard for<br />
any work of creation that elevates <strong>the</strong> humanity we share.<br />
I’ll always be passionate about this.”<br />
<strong>Mendocino</strong> <strong>Art</strong> center’s<br />
<strong><strong>Art</strong>ists</strong> Open Studio Tour<br />
Enjoy a behind-<strong>the</strong>-scenes peek at <strong>the</strong> private art studios of<br />
some of <strong>the</strong> <strong>Mendocino</strong> coast’s finest artists<br />
on this free, self-guided tour.<br />
Meet <strong>the</strong> artists · Watch demonstrations · See <strong>and</strong> buy original artwork<br />
Ilja Tinfo<br />
september 17<strong>–</strong>18 & 24<strong>–</strong>25, 2011 · 10 am<strong>–</strong>5 pm<br />
<strong>Mendocino</strong> <strong>Art</strong> center<br />
45200 Little Lake Street at Kasten Street, <strong>Mendocino</strong><br />
707 937-5818 • 800 653-3328<br />
www.<strong>Mendocino</strong><strong>Art</strong><strong>Center</strong>.org<br />
Spring/Summer 2011 9
featured artist<br />
By Peggy Templer<br />
Rita Crane lives in an eclectic, charming rural home that she <strong>and</strong> her partner, Peter<br />
Temple, designed <strong>and</strong> built over a period of years. The home fits naturally <strong>and</strong> unobtrusively<br />
into its wooded surroundings, <strong>and</strong> seems like <strong>the</strong> perfect place for a gentle<br />
soul who has spent a lifetime passionately seeking harmony <strong>and</strong> beauty in her artwork<br />
as well as her personal life.<br />
Photography is Rita Crane’s medium <strong>and</strong> she comes by it naturally. In fact, though<br />
her development as an artist <strong>and</strong> photographer was a slow <strong>and</strong> circuitous process, that<br />
she now captures images of beauty with a camera completes a circle that begins with her<br />
fa<strong>the</strong>r. Ralph Crane was an acclaimed photojournalist, working for <strong>the</strong> New York Times<br />
<strong>and</strong> Life magazine, photographing all <strong>the</strong> newsworthy events, people <strong>and</strong> places from<br />
<strong>the</strong> 1930s into <strong>the</strong> 1980s. At age 16, emulating her fa<strong>the</strong>r, his daughter first picked up a<br />
single lens reflex film camera <strong>and</strong> started shooting in black <strong>and</strong> white. All her spare time<br />
was spent working in what to her was a magical realm: her high school darkroom.<br />
Her fa<strong>the</strong>r’s job also impacted her in ano<strong>the</strong>r way, providing her with <strong>the</strong> subject<br />
matter — Old World Europe — that distinguishes her work: “I spent my childhood in<br />
nor<strong>the</strong>rn Europe when he was working out of <strong>the</strong> Time/Life bureaus in Bonn <strong>and</strong> Paris.<br />
This left me with an abiding love for <strong>the</strong> Old World scenes I grew up around: <strong>the</strong> layers<br />
of human endeavor that one can see through <strong>the</strong>ir expression in buildings, patterns,<br />
<strong>and</strong> everyday objects. I like to observe <strong>and</strong> reflect on <strong>the</strong> consciousness of humanity as<br />
it has unfolded over centuries, leaving its mark on <strong>the</strong>se objects <strong>and</strong> environments…<br />
Evening View From Navarro Ridge. All photos ©2011RitaCranePhotography.<br />
10 <strong>Mendocino</strong> <strong>Art</strong>s Magazine
The Duomo on a Rainy Evening, Florence.<br />
Documenting Old World scenes puts<br />
me in touch with <strong>the</strong> slower, more<br />
grounded pace of life that revolves<br />
around <strong>the</strong> seasons <strong>and</strong> careful, h<strong>and</strong>crafted<br />
art… a different way of life<br />
that for <strong>the</strong> most part we have all left<br />
behind in <strong>the</strong> West.” She also photographs<br />
nor<strong>the</strong>rn coastal California,<br />
finding in those l<strong>and</strong>scapes <strong>the</strong> same<br />
sense of a slower, more meaningful<br />
pace of life that she finds in Old World<br />
Europe.<br />
Rita went to UCLA <strong>and</strong> majored<br />
in <strong>Art</strong> <strong>and</strong> <strong>Art</strong> History, originally considering<br />
a career in teaching. But she<br />
didn’t want to give up her camera, so<br />
she joined <strong>the</strong> campus Photography<br />
Club <strong>and</strong> became enamored of<br />
<strong>the</strong> work of photographer Edward<br />
Weston, intrigued by his ideas about<br />
“<strong>the</strong> essence of <strong>the</strong> Thing Itself.” Upon<br />
graduating from UCLA, she married<br />
a Frenchman, moved to Paris, <strong>the</strong>n<br />
to New York City, San Francisco,<br />
Tahiti, <strong>and</strong> New Mexico (losing <strong>the</strong><br />
Frenchman along <strong>the</strong> way). In New<br />
Mexico, she <strong>and</strong> a friend designed<br />
<strong>and</strong> h<strong>and</strong> built a beautiful territorial<br />
adobe house while Rita studied<br />
silversmithing, lapidary, <strong>and</strong> stained<br />
glass.<br />
In 1979 Rita left for Odiyan, a<br />
Tibetan Buddhist retreat center in<br />
Sonoma County, where she completed<br />
a nine-month meditation<br />
program based on <strong>the</strong> book Time,<br />
Space, <strong>and</strong> Knowledge by Tarthang<br />
Tulku Rinpoche. She <strong>the</strong>n participated<br />
in a four-month stained glass<br />
project under <strong>the</strong> direction of <strong>the</strong><br />
same head lama, where she helped<br />
build <strong>the</strong> stained glass panels for <strong>the</strong><br />
entry pagodas at Odiyan. The entire<br />
13-month experience was pivotal to<br />
her subsequent professional life as an<br />
artist, <strong>and</strong> <strong>the</strong> guidance she received<br />
deepened her underst<strong>and</strong>ing about<br />
what it meant to “make art.” Tarthang<br />
Tulku’s suggestions to her, in response<br />
to drawings she submitted to him,<br />
didn’t revolve so much around personal<br />
expression, creativity or composition,<br />
but ra<strong>the</strong>r focused on <strong>the</strong><br />
idea — <strong>the</strong> way Rita understood it<br />
— that <strong>the</strong> entire image could be seen<br />
metaphorically to resemble a m<strong>and</strong>ala<br />
in meaning. In o<strong>the</strong>r words, <strong>the</strong> background<br />
<strong>and</strong> foreground were equally<br />
important in that <strong>the</strong>y needed to<br />
resonate with one ano<strong>the</strong>r, <strong>and</strong> were<br />
interconnected.<br />
From Berkeley, Rita moved to<br />
Boulder, Colorado, <strong>and</strong> continued to<br />
design stained glass windows. There<br />
she met glass artist Peter Temple, <strong>and</strong><br />
<strong>the</strong>y began <strong>the</strong>ir collaboration on a<br />
highly successful glass art partnership,<br />
Temple-Crane Studios (later renamed<br />
Denali Crystal). Their crystal glass<br />
sculptures were commercially successful,<br />
garnered major commissions<br />
<strong>and</strong> enabled <strong>the</strong>m to make <strong>the</strong> move<br />
to <strong>Mendocino</strong> County, where <strong>the</strong>y<br />
built <strong>the</strong>ir home <strong>and</strong> Peter’s recording<br />
studio on Albion Ridge.<br />
There have been many influences<br />
on Rita Crane’s development as an artist:<br />
her fa<strong>the</strong>r, of course, but also her<br />
mo<strong>the</strong>r, a passionate supporter of <strong>the</strong><br />
arts; growing up in Europe; what she<br />
refers to as her “meditative process.”<br />
In addition, her partner Peter Temple<br />
“has been a big positive influence. All<br />
I can say is that Peter’s creative spirit is<br />
astonishing <strong>and</strong> inspiring!” Ano<strong>the</strong>r<br />
big influence has been Rita’s appreciation<br />
for Asian art, with its understated<br />
portrayal of nature’s innate harmony.<br />
Years of experience with art glass also<br />
affects how she composes her fine art<br />
Spring/Summer 2011 11
photographs: “Designing leaded glass windows <strong>and</strong> crystal<br />
glass sculptures trained me to see shapes <strong>and</strong> lines in a<br />
very fundamental way.”<br />
Also influential were her favorite artists: Vermeer,<br />
Bonnard, Sisley, Matisse, Derain, Monet, Van Gogh <strong>and</strong><br />
Cezanne; she loved <strong>the</strong>m all for <strong>the</strong>ir use of color <strong>and</strong><br />
<strong>the</strong>y influenced how she shapes two-dimensional space.<br />
She also admired <strong>the</strong> photographers Brassai, Edward<br />
Stieglitz, Eugene Atget <strong>and</strong> Henri Cartier-Bresson. And<br />
<strong>the</strong>re was her favorite childhood book,<br />
Edward Steichen’s The Family of Man. Her<br />
fa<strong>the</strong>r had several photos in it <strong>and</strong>, as a<br />
child, Rita spent hours going through it,<br />
getting a “sense of <strong>the</strong> world from it.” She<br />
also believes that her lifelong avoidance of<br />
television has kept her imagination <strong>and</strong> her<br />
artistic vision clear.<br />
Rita says that she has always enjoyed<br />
“<strong>the</strong> art of arrangement.” As a child, she got<br />
a real sense of fulfillment from arranging<br />
<strong>the</strong> furniture in her dollhouse. She derives<br />
<strong>the</strong> same satisfaction from composing a<br />
photograph — creating a composition by<br />
arranging objects in space <strong>and</strong> choosing<br />
<strong>the</strong>ir relationship to o<strong>the</strong>r objects in a way<br />
Gran Caffe Chioggia, Venice<br />
that is unique to her.<br />
According to Rita, when she looks through<br />
<strong>the</strong> lens of her camera, what she wants to create<br />
is an image that will touch a person’s heart<br />
in a healing way. Convinced that art has <strong>the</strong><br />
power to heal <strong>and</strong> uplift, she consciously aspires to create<br />
compositions that evoke balance <strong>and</strong> harmony as her way<br />
of “giving back to <strong>the</strong> world.” She also deliberately creates<br />
images that are meant to be shared with o<strong>the</strong>rs — a<br />
conscious <strong>and</strong> meaningful attempt to communicate <strong>the</strong><br />
beauty that she sees <strong>and</strong> loves.<br />
Rita Crane’s photography can be viewed on her Web<br />
site at www.ritaCranestudio.com, where a link will take<br />
you to a portfolio of her photography on Flickr.<br />
12 <strong>Mendocino</strong> <strong>Art</strong>s Magazine<br />
Left: Peaceful Evening in <strong>the</strong> Castello, Venice.<br />
Right: Little Dog & Bicycle, Florence.
Friday Boogie<br />
& Baseball<br />
with B Thomas<br />
5pm til 10pm*<br />
Boogie woogie, rhythm & blues,<br />
rock & roll<br />
Followed by <strong>the</strong> Joy of Baseball...<br />
songs <strong>and</strong> stories to<br />
celebrate our national pastime<br />
Prizes during <strong>the</strong> 8th inning of every<br />
Friday Giants Game<br />
*Times subject to change for each game. Joy of Baseball<br />
starts 15 minutes before Kruk & Kuip.<br />
Harbor Village <strong><strong>Art</strong>ists</strong><br />
6193<strong>–</strong>6199 East Highway 20<br />
Lucerne, CA 95458<br />
Wed<strong>–</strong>Sun 11:00am<strong>–</strong>4:00pm<br />
The Gourd Gallery<br />
Decorative <strong>Art</strong>istic Gourds<br />
707-274-2346<br />
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Native American <strong>Art</strong><br />
707-348-6045<br />
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Clothing, Accessories & Paintings<br />
707-245-7512<br />
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Paintings, Furniture, Jewelry & Hats<br />
707-739-7010<br />
“MORE USED BOOKS, PLEASE”<br />
MAIN ST. BOOKSHOP<br />
990 MAIN ST. MENDOCINO<br />
937-1537<br />
OPEN DAILY<br />
“THE ONLY USED BOOKSTORE IN<br />
TOWN”<br />
April 28<strong>–</strong>May 29<br />
June 9<strong>–</strong>July 17<br />
The Pillowman<br />
By Martin McDonagh<br />
Directed by<br />
Ann Woodhead<br />
She Stoops to<br />
Conquer<br />
By Oliver Goldsmith<br />
Directed by<br />
Dan Kozloff<br />
July 28<strong>–</strong>september 4<br />
The Pavilion<br />
By Craig Wright<br />
Directed by<br />
Kennedy White<br />
TickeTs: 707 937-4477 or<br />
www.<strong>Mendocino</strong>Theatre.org<br />
Spring/Summer 2011 13