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Peace in the Face of War

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Performers received slightly higher rations but never<strong>the</strong>less many starved<br />

to death. ‘It was an act <strong>of</strong> great courage on <strong>the</strong> part <strong>of</strong> my fellow actors,’<br />

Dmitriev emphasised.<br />

When you are starv<strong>in</strong>g five grams seems an enormous amount to give away.<br />

But <strong>in</strong> fact it was <strong>the</strong> people who gave to o<strong>the</strong>rs who survived. The person<br />

who withdrew <strong>in</strong>to himself, who ate his ration all at once under his blankets<br />

– and I saw this happen – usually died.<br />

This was a <strong>the</strong>me I heard time and aga<strong>in</strong> – those who shared what little<br />

<strong>the</strong>y had were more likely to survive. 1 Those with no food to share gave<br />

<strong>of</strong> <strong>the</strong>mselves <strong>in</strong> whatever way <strong>the</strong>y could. They taught; <strong>the</strong>y nursed;<br />

<strong>the</strong>y performed. For example, aga<strong>in</strong>st all odds, a <strong>the</strong>atre rema<strong>in</strong>ed open<br />

throughout <strong>the</strong> siege, with a mortuary by <strong>the</strong> box <strong>of</strong>fice for those actors who<br />

died on stage or <strong>in</strong> <strong>the</strong> w<strong>in</strong>gs. Ludmila Grigorievna, who has edited several<br />

siege documentaries, told me:<br />

Shows used to beg<strong>in</strong> at four <strong>in</strong> <strong>the</strong> afternoon as bomb<strong>in</strong>g raids were less<br />

frequent <strong>the</strong>n. Audiences went to <strong>the</strong> <strong>the</strong>atre hungry and sat <strong>in</strong> <strong>the</strong>ir felt<br />

boots and fur coats. They relished a bit <strong>of</strong> light and luxury, <strong>the</strong> décor, <strong>the</strong><br />

costumes. It was medic<strong>in</strong>e. When people were too weak to clap <strong>the</strong>y bowed<br />

to <strong>the</strong> actors <strong>in</strong>stead.<br />

Evgenii L<strong>in</strong>d, director <strong>of</strong> St Petersburg Museum, And <strong>the</strong> Muses Were Not<br />

Silenced, put <strong>the</strong> importance <strong>of</strong> <strong>the</strong> <strong>the</strong>atre succ<strong>in</strong>ctly:<br />

Imag<strong>in</strong>e a person half dead from hunger walk<strong>in</strong>g <strong>of</strong>f <strong>the</strong> frozen street <strong>in</strong>to a<br />

place where chandeliers blaze, where <strong>the</strong>re is music and laughter. A person<br />

who laughs is unvanquished.<br />

Actors, musicians and dancers discovered <strong>the</strong> mutually life-susta<strong>in</strong><strong>in</strong>g<br />

power <strong>of</strong> <strong>the</strong>ir work. Trumpet-player, Arkadii Kotlyarskii, expla<strong>in</strong>ed how he<br />

survived at <strong>the</strong> front, play<strong>in</strong>g before <strong>the</strong> troops defend<strong>in</strong>g Len<strong>in</strong>grad.<br />

Enterta<strong>in</strong>ment is an exchange between you and your audience... It is <strong>the</strong><br />

very breath <strong>of</strong> life to an actor, poet or musician. When you enterta<strong>in</strong> people<br />

who are far from home, <strong>the</strong>y welcome you as though you were a member<br />

<strong>of</strong> <strong>the</strong>ir own family. The gratitude <strong>of</strong> those troops overwhelmed me. When<br />

you go out hungry <strong>in</strong> front <strong>of</strong> a thousand soldiers <strong>the</strong>y revive you. Their<br />

gratitude kept me alive.<br />

1<br />

There are parallels here with <strong>the</strong> concentration camps. In Man’s Search for Mean<strong>in</strong>g, Victor Frankl<br />

recalls: ‘We who lived <strong>in</strong> concentration camps can remember <strong>the</strong> men who walked through <strong>the</strong><br />

huts comfort<strong>in</strong>g o<strong>the</strong>rs, giv<strong>in</strong>g away <strong>the</strong>ir last piece <strong>of</strong> bread. They may have been few <strong>in</strong> number,<br />

but <strong>the</strong>y <strong>of</strong>fer sufficient pro<strong>of</strong> that everyth<strong>in</strong>g can be taken from a man but one th<strong>in</strong>g: <strong>the</strong> last <strong>of</strong><br />

human freedoms – to choose one’s attitude <strong>in</strong> any given set <strong>of</strong> circumstances, to choose one’s own<br />

way.’<br />

15

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