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Aziz Art July 2018

History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art

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In 1959, André Breton organized<br />

an exhibit called Homage to<br />

Surrealism, celebrating the<br />

fortieth anniversary of Surrealism,<br />

which contained works by Dalí,<br />

Joan Miró, Enrique Tábara, and<br />

Eugenio Granell. Breton<br />

vehemently fought against the<br />

inclusion of Dalí's Sistine Madonna<br />

in the International Surrealism<br />

Exhibition in New York the<br />

following year.<br />

Late in his career Dalí did not<br />

confine himself to painting, but<br />

explored many unusual or novel<br />

media and processes: for example,<br />

he experimented with bulletist<br />

artworks. Many of his late works<br />

incorporated optical illusions,<br />

negative space, visual puns and<br />

trompe l'œil visual effects. He also<br />

experimented with pointillism,<br />

enlarged half-tone dot grids (a<br />

technique which Roy Lichtenstein<br />

would later use), and stereoscopic<br />

images.He was among the first<br />

artists to employ holography in an<br />

artistic manner.In Dalí's later<br />

years, young artists such as Andy<br />

Warhol proclaimed him an<br />

important influence on pop art.<br />

Dalí also developed a keen interest<br />

in natural science and<br />

mathematics. This is manifested in<br />

several of his paintings, notably<br />

from the 1950s, in which he<br />

painted his subjects as composed<br />

of rhinoceros horn shapes.<br />

According to Dalí, the rhinoceros<br />

horn signifies divine geometry<br />

because it grows in a logarithmic<br />

spiral. He linked the rhinoceros to<br />

themes of chastity and to the Virgin<br />

Mary. Dalí was also fascinated by<br />

DNA and the tesseract an unfolding<br />

of a hypercube is featured in the<br />

painting Crucifixion .<br />

At some point, Dalí had a glass floor<br />

installed in a room near his studio<br />

in Lligat. He made extensive use of<br />

it to study foreshortening, both<br />

from above and from below,<br />

incorporating dramatic perspectives<br />

of figures and objects into his<br />

paintings.17–18, 172 He also<br />

delighted in using the room for<br />

entertaining guests and visitors to<br />

his house and studio. In many of his<br />

paintings, Dalí used anamorphosis,<br />

a form of eccentric and<br />

exaggerated perspective which<br />

distorts objects beyond<br />

recognition; however, when seen<br />

from a particular skewed viewpoint,<br />

a legible depiction emerges.

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