“SLICE” AND “POINT” SETS - FIBA.com
“SLICE” AND “POINT” SETS - FIBA.com
“SLICE” AND “POINT” SETS - FIBA.com
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D.8 D.9 D.10<br />
D.11<br />
D.12<br />
nally (diagr. 10), so 4 can pass to 2 near the<br />
basket or hit 1, who is hopefully free after<br />
the screen. If 4 cannot pass to 2, but hits 1,<br />
4 cuts and goes to screen for 1, playing<br />
pick-and-roll with him (diagr. 11).<br />
As 1 <strong>com</strong>es off the screen of 4, 5 goes to<br />
screen for 3 in the opposite corner. This<br />
creates movement and opens up the middle<br />
of the floor. 1 can turn the corner for a shot,<br />
pass to 4 rolling to the hoop, or pass to 3<br />
<strong>com</strong>ing off a screen set by 5 (diagr. 12).<br />
As in most offensive sets, spacing and timing<br />
is crucial to the proper execution. The<br />
more they run the play, the more options<br />
they will see. We have them ask themselves:<br />
Where are the “isolations”? Where<br />
are the “post ups”? Where are the “catchand-shoot”<br />
opportunities <strong>com</strong>ing off<br />
screens? This will enable us the full cycle<br />
of taking advantage of their individual talents<br />
while creating player and ball movement.<br />
Fiba Assist Magazine | 34 2008 | Page 23