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Viva Lewes Issue #143 August 2018

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COLUMN<br />

Chloë King<br />

The last larp?<br />

It’s a blisteringly hot Sunday<br />

afternoon and I’m in the car<br />

with the family and a giant<br />

chocolate cake.<br />

The cake is four times the<br />

size of a regular cake. It contains<br />

three jars of blackcurrant<br />

jam, 1200g of sugar, and<br />

mercifully, you might say, is<br />

entirely vegan. The lack of<br />

dairy and eggs, however, is,<br />

to my disappointment, doing<br />

nothing to prevent my infant<br />

daughter from becoming<br />

increasingly fractious in the back seat.<br />

I’m on my way to Linda’s Birthday Party, a larp<br />

event hosted by artist Adam James at Liddicoat &<br />

Goldhill Project Space in Margate. Larp stands<br />

for Live Action Role Play, and Mr, as a more<br />

experienced larper, informs me it’s akin to ‘taking<br />

play very seriously’.<br />

The medium spans medieval and Harry Potterinspired<br />

fantasy re-enactments to obscure Nordic-style<br />

games that evoke life dramas, immersive<br />

dance, Lars von Trier and the abyss. It’s becoming<br />

an increasingly popular pastime for many reasons.<br />

Essentially, larp is enjoyed for its ability to transport<br />

you out of your everyday routine, giving the<br />

chance to meet new people, and unknown parts<br />

of yourself, through playing the role of another in<br />

an organised scenario.<br />

Linda’s Birthday Party is a short chamber larp for<br />

which a group of adults become guests at a sixyear-old’s<br />

birthday party. For two hours, I will play<br />

parent to a collection of rowdy, sugared-up adultkids,<br />

hence why my cake is designed to Alice-in-<br />

Wonderland proportions. As parent to an actual<br />

six-year-old this borders on meta. What might I<br />

learn by acting myself in a twisted re-enactment<br />

of my average weekend’s<br />

entertainment?<br />

The event starts with my<br />

arriving late. I’m rarely<br />

early to children’s birthday<br />

parties and so I blunder<br />

into the room, sweating<br />

profusely, waving a hasty<br />

goodbye to my two mildlytroubled<br />

genuine children.<br />

After a hasty warm-up of<br />

Grandma’s Footsteps and<br />

Simon Says, we start with<br />

my opening the door.<br />

I instinctively adopt a sickening tone of voice<br />

somewhere between Hyacinth Bucket and Mr<br />

Tumble, and then the game promptly continues<br />

with lunch. This, I find difficult. You would never,<br />

never, start a child’s party with lunch and, true to<br />

my fears, the meal quickly descends into a war<br />

that lasts the rest of the game. There follow tears,<br />

avoidance, theft, shouting, gorging, dancing, cuddling,<br />

crying, disobedience, recklessness, bubble<br />

bursting, impersonation, defecation and exclusion.<br />

It’s frankly all I can do to hover, administering<br />

shoulder hugs and bubbles and sweeping up<br />

around them.<br />

At the debrief, a player remarks how exhausting it<br />

is to be children, how much we wrongfully lionize<br />

this time that is so inherently fraught. I’m not<br />

sure. I’m not sure I have ever witnessed six-yearolds<br />

fighting to the degree exhibited today. Then<br />

my four-year-old ‘son’ remarks with genuine<br />

sadness that he felt overlooked all afternoon. I<br />

think of my own children having been dragged<br />

to Margate on a sweltering Sunday and the mask<br />

slips. I’m no longer Linda’s Mother, but I’m still<br />

wearing the stuck-on smile that says: us adults,<br />

we’re all living in fear of being found out.<br />

Illustration by Chloë King<br />

33

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