Viva Lewes Issue #143 August 2018
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COLUMN<br />
Chloë King<br />
The last larp?<br />
It’s a blisteringly hot Sunday<br />
afternoon and I’m in the car<br />
with the family and a giant<br />
chocolate cake.<br />
The cake is four times the<br />
size of a regular cake. It contains<br />
three jars of blackcurrant<br />
jam, 1200g of sugar, and<br />
mercifully, you might say, is<br />
entirely vegan. The lack of<br />
dairy and eggs, however, is,<br />
to my disappointment, doing<br />
nothing to prevent my infant<br />
daughter from becoming<br />
increasingly fractious in the back seat.<br />
I’m on my way to Linda’s Birthday Party, a larp<br />
event hosted by artist Adam James at Liddicoat &<br />
Goldhill Project Space in Margate. Larp stands<br />
for Live Action Role Play, and Mr, as a more<br />
experienced larper, informs me it’s akin to ‘taking<br />
play very seriously’.<br />
The medium spans medieval and Harry Potterinspired<br />
fantasy re-enactments to obscure Nordic-style<br />
games that evoke life dramas, immersive<br />
dance, Lars von Trier and the abyss. It’s becoming<br />
an increasingly popular pastime for many reasons.<br />
Essentially, larp is enjoyed for its ability to transport<br />
you out of your everyday routine, giving the<br />
chance to meet new people, and unknown parts<br />
of yourself, through playing the role of another in<br />
an organised scenario.<br />
Linda’s Birthday Party is a short chamber larp for<br />
which a group of adults become guests at a sixyear-old’s<br />
birthday party. For two hours, I will play<br />
parent to a collection of rowdy, sugared-up adultkids,<br />
hence why my cake is designed to Alice-in-<br />
Wonderland proportions. As parent to an actual<br />
six-year-old this borders on meta. What might I<br />
learn by acting myself in a twisted re-enactment<br />
of my average weekend’s<br />
entertainment?<br />
The event starts with my<br />
arriving late. I’m rarely<br />
early to children’s birthday<br />
parties and so I blunder<br />
into the room, sweating<br />
profusely, waving a hasty<br />
goodbye to my two mildlytroubled<br />
genuine children.<br />
After a hasty warm-up of<br />
Grandma’s Footsteps and<br />
Simon Says, we start with<br />
my opening the door.<br />
I instinctively adopt a sickening tone of voice<br />
somewhere between Hyacinth Bucket and Mr<br />
Tumble, and then the game promptly continues<br />
with lunch. This, I find difficult. You would never,<br />
never, start a child’s party with lunch and, true to<br />
my fears, the meal quickly descends into a war<br />
that lasts the rest of the game. There follow tears,<br />
avoidance, theft, shouting, gorging, dancing, cuddling,<br />
crying, disobedience, recklessness, bubble<br />
bursting, impersonation, defecation and exclusion.<br />
It’s frankly all I can do to hover, administering<br />
shoulder hugs and bubbles and sweeping up<br />
around them.<br />
At the debrief, a player remarks how exhausting it<br />
is to be children, how much we wrongfully lionize<br />
this time that is so inherently fraught. I’m not<br />
sure. I’m not sure I have ever witnessed six-yearolds<br />
fighting to the degree exhibited today. Then<br />
my four-year-old ‘son’ remarks with genuine<br />
sadness that he felt overlooked all afternoon. I<br />
think of my own children having been dragged<br />
to Margate on a sweltering Sunday and the mask<br />
slips. I’m no longer Linda’s Mother, but I’m still<br />
wearing the stuck-on smile that says: us adults,<br />
we’re all living in fear of being found out.<br />
Illustration by Chloë King<br />
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