Viva Lewes Issue #143 August 2018
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COLUMN<br />
David Jarman<br />
Information overload<br />
Not many days go by without my<br />
cutting something interesting<br />
out of the newspapers and filing<br />
it away, for future reference,<br />
between the leaves of a relevant<br />
book. That, at least, is the idea.<br />
All too often however, it’s a matter<br />
of out of sight, out of mind. And<br />
even when I do remember the<br />
item in question, tracking it down<br />
can prove exasperating.<br />
So I was pleased recently to come<br />
across an article about a radio play satirising overexplanatory<br />
wireless dialogue, which I thought<br />
lost. This Gun that I Have in my Right Hand is<br />
Loaded was written by Timothy West. It contains<br />
many priceless lines such as: ‘A whisky, eh? That’s<br />
a strange drink for an attractive auburn-haired<br />
girl of 29’.<br />
Tom Stoppard did something similar in his<br />
spoof country-house whodunnit The Real<br />
Inspector Hound. Early on, the char, Mrs Drudge,<br />
answers the telephone and announces: “Hello,<br />
the drawing-room of Lady Muldoon’s country<br />
residence one morning in early spring”. Later<br />
in the same conversation she gives voice to her<br />
fears: “I hope nothing is amiss for we, that is<br />
Lady Muldoon and her houseguests, are here<br />
cut off from the world, including Magnus, the<br />
wheelchair-ridden half-brother of her ladyship’s<br />
husband Lord Albert Muldoon who ten years ago<br />
went out for a walk on the cliffs and was never<br />
seen again”.<br />
In Sheridan’s The Critic, first performed at Drury<br />
Lane Theatre in 1779, it’s a play within a play. Mr<br />
Puff has written a tragedy entitled The Spanish<br />
Armada. He takes Mr Dangle and Mr Sneer to see<br />
a rehearsal at… Drury Lane Theatre.<br />
Sir Walter Raleigh and Sir Christopher Hatton<br />
enter, deep in conversation. What<br />
is the meaning of ‘these mighty<br />
armaments? This general muster?<br />
And this throng of chiefs?’ that<br />
Sir Christopher has noticed.<br />
Observant chap that he is, he<br />
concludes: “I cannot but surmise<br />
– Forgive, my friend, if the<br />
conjecture’s rash – I cannot but<br />
surmise – the State some danger<br />
apprehends!”<br />
Sir Walter embarks on his<br />
exposition: “You know, my friend, scarce two<br />
revolving suns and three revolving moons have<br />
closed their course, since haughty Philip, in<br />
despite of peace, with hostile hand hath struck at<br />
England’s trade”. Sir Christopher does. In fact: “I<br />
know it well”.<br />
Sir Walter: “Philip, you know is proud Iberia’s<br />
king”.<br />
Sir Christopher: “He is”.<br />
Raleigh provides a bit of context: “His subjects in<br />
base bigotry and Catholic oppression held, - while<br />
we, you know, the Protestant persuasion hold”. Sir<br />
Christopher: “We do”.<br />
Furthermore, Sir Christopher’s intelligence<br />
extends to knowing that: “the famed Armada, by<br />
the Pope baptised, with purpose to invade these<br />
realms”, has already set sail. Undeterred, Sir<br />
Walter continues: “You also know…”<br />
At this point, Mr Dangle gives vent to his<br />
exasperation: “Mr Puff, as he knows all this, why<br />
does Sir Walter go on telling him?”<br />
Puff explains: “But the audience are not supposed<br />
to know anything of the matter, are they?” Alas,<br />
Sir Christopher’s feigned ignorance, assumed to<br />
enlighten the audience, fails to convince. As Mr<br />
Sneer says: “there certainly appears no reason why<br />
Sir Walter should be so communicative”.<br />
John Hoppner - Portrait of a Gentleman, traditionally been identified as Richard Brinsley Sheridan<br />
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