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VOICE OF THE AUSTRALIAN JEWELLERY INDUSTRY<br />
AUGUST <strong>2018</strong><br />
Top tech<br />
EQUIPMENT INNOVATIONS PUSHING<br />
THE JEWELLERY LANDSCAPE<br />
Bezel boys<br />
+ +<br />
MEN’S AND SPORTS WATCHES<br />
CONTINUE TO EXCEL<br />
Gem fields<br />
DELVING INTO THE SAPPHIRE FIELDS<br />
OF ETHIOPIA
Registered trademark and designs. Patents pending - Copyright © <strong>2018</strong> Altesse.<br />
Mix, Match & Colour<br />
Made in France<br />
contactaus@lesgeorgettes.com - @lesgeorgettes_byaltesse
WORLD SHINER PTY LTD<br />
Inspired Performance. Year After Year...<br />
WORLD SHINER<br />
World Shiner proudly introduces Argyle Pink Diamonds<br />
NEW SOUTH WALES Suite 301, Level 3, 70 Castlereagh Street, Sydney 2000, P: 02 9232 3557, E: sydney@worldshiner.com<br />
VICTORIA Suite 502, Wales Corner, 227 Collins Street, Melbourne 3000, P: 03 9654 6369, E: melbourne@worldshiner.com<br />
QUEENSLAND Unit 17, Level 11, 138 Albert Street, Brisbane 4000, P: 07 3210 1237 E: brisbane@worldshiner.com<br />
NEW ZEALAND Suite 4K, 47 High Street, Auckland P: 09 358 3443 E: nz@worldshiner.com<br />
WWW.WORLDSHINER.COM<br />
• AUSTRALIA • BELGIUM • CANADA • GERMANY • INDIA • JAPAN • SPAIN • TAIWAN • UNITED KINGDOM • USA • NEW ZEALAND
S
EQUIPMENT INNOVATIONS PUSHING<br />
THE JEWELLERY LANDSCAPE<br />
VOICE OF THE AUSTRALIAN JEWELLERY INDUSTRY<br />
MEN’S AND SPORTS WATCHES<br />
CONTINUE TO EXCEL<br />
AUGUST <strong>2018</strong><br />
DELVING INTO THE SAPPHIRE FIELDS<br />
OF ETHIOPIA<br />
CONTENTS<br />
AUGUST <strong>2018</strong><br />
21/<br />
31/<br />
43/<br />
FEATURES REGULARS BUSINESS<br />
21/ INDUSTRY TECH<br />
How technology is re-shaping<br />
the jewellery sector<br />
31/ MAKING THE MAN<br />
A look at men’s and sports<br />
watch trends<br />
43/ SAPPHIRE FIELDS<br />
An exploration into the<br />
gemstone fields of Ethiopia<br />
9/ Editorial<br />
11/ Upfront<br />
15/ News<br />
49/ Gems<br />
Colour investigation: tourmaline<br />
50/ ARA<br />
57/ MyStore<br />
Be inspired by the most<br />
unique store layouts around<br />
58/ 10 Years Ago<br />
59/ Calendar<br />
60/ My Bench<br />
62/ Soapbox<br />
We must preserve the mystique<br />
of manufactured jewellery,<br />
Alfie Gryg urges<br />
51/ Business feature<br />
Steven Van Belleghem explores<br />
the evolution of the customerretailer<br />
relationship<br />
53/ Selling<br />
Higher prices offer retailers an<br />
opportunity to negotiate,<br />
Dale Furtwengler reports<br />
54/ Management<br />
A mentor can offer invaluable<br />
support to business owners,<br />
David Brown says<br />
55/ Marketing<br />
The rise of the Amazon era is no<br />
excuse for lazy customer service,<br />
Barry Urquhart explains<br />
56/ Logged On<br />
Simon Dell offers tips to increase<br />
search engine optimisation<br />
Top tech<br />
Bezel boys<br />
+ +<br />
Gem fields<br />
Front cover advertiser:<br />
Ania Haie is a new London-based<br />
sterling silver jewellery brand<br />
bringing you fashion pieces at<br />
an affordable price. Supplied by<br />
Duraflex Group Australia.<br />
Visit: www.dgau.com.au<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 5
PROUD TO BE SUPPORTING THE INDEPENDENTS<br />
OF AUSTRALIA & NEW ZEALAND’S JEWELLERY INDUSTRY.<br />
WE’RE IN THE<br />
BUSINESS OF<br />
GROWING YOUR<br />
BUSINESS.<br />
What you receive<br />
• Easily accessed advice and professional services<br />
• World class training systems + free ARA membership<br />
• Marketing and digital resource guidance<br />
• Fully customisable websites & catalogues<br />
• Access to exclusive Showcase brands<br />
• Member owned jewellery focused business<br />
• Maximum supplier discounts to you the retailer<br />
• No ongoing monthly management fees<br />
• Professional advice & assistance<br />
What it delivers<br />
• Increased productivity<br />
• Exclusive incentives back to members<br />
• The ability to build your own brand<br />
• Your identity presented professionally<br />
• Increased margins<br />
• Profits back to members<br />
• Maximised buying power<br />
• Better bottom-line results<br />
• Growth of your business<br />
VISIT US AT THE INTERNATIONAL JEWELLERY FAIR<br />
ICC SYDNEY 25 - 27 AUGUST<br />
Can’t wait? Contact us today<br />
We’re ready when you are. So if you think it’s time to get serious about where you’re going, email us today.<br />
Our team will be happy to show you how we can grow your business together.<br />
Email: enquiries@showcasejewellers.com.au<br />
www.showcasejewellers.com.au
CONTACT: (02) 9417 0177<br />
WWW.THOMASSABO.COM<br />
#ICONICBYTS
EDITORIAL<br />
CHANCE FOR BREATH OF FRESH AIR IN 2019<br />
The industry politics of the past few years<br />
has certainly quietened down. In fact, there’s<br />
far less controversy in general, particularly<br />
surrounding the JAA; however, this doesn’t<br />
mean dissatisfaction has subsided.<br />
It’s been more than two years since the JAA<br />
made the disastrous decision in April 2016 to<br />
launch and manage its own jewellery trade<br />
fair, ending its relationship with Expertise<br />
Events and losing the financial support<br />
that came with it. History shows that the<br />
JAA’s decision split the industry – directors<br />
resigned, members quit en masse and<br />
Australia’s largest retail group Nationwide<br />
<strong>Jeweller</strong>s declined to renew its membership<br />
after 25 years.<br />
The fallout has been financially disastrous<br />
with the JAA reporting a $131,829 loss to<br />
members in its 2017 financial statements,<br />
a result that pushed the association into<br />
negative equity. Worse still, one can’t be<br />
sure if this loss is even accurate; the financial<br />
statements were riddled with errors,<br />
which are now under investigation by the<br />
compliance division of the Institute of<br />
Public Accountants.<br />
Not only were the original financial accounts<br />
issued to members last October error-ridden,<br />
they also showed that the JAA business<br />
model during that year was unsustainable<br />
given that its executive director was paid 52<br />
cents in every membership dollar!<br />
Around the same time, information emerged<br />
that JAA president and board member<br />
Selwyn Brandt had decided against his<br />
company, Australian <strong>Jeweller</strong>s Supplies (AJS),<br />
participating at the new JAA fair. And this is<br />
despite he being one of the instigators of<br />
the decision to break away from Expertise<br />
Events and start a rival show. Brandt’s own<br />
business wasn’t going to exhibit at the very<br />
fair he was promoting!<br />
At the time, some JAA directors declared<br />
that they were unaware of this, with one<br />
director telling me that he/she would not<br />
have supported the breakaway move if<br />
they’d known that the president’s business<br />
would not be supporting the new fair.<br />
The JAA’s many missteps continued, and<br />
so has the resulting fallout. Just recently,<br />
I received a phone call from someone<br />
who expressed utter dissatisfaction after<br />
contacting the JAA head office. He said<br />
when his phone call was finally returned<br />
“they seemed to be disinterested in<br />
anything I said.”<br />
I still receive emails about JAA membership,<br />
and the sad thing is that all carry the same<br />
message: we would like to support an<br />
industry association, but we also don’t want<br />
our money going down the drain.<br />
It is perhaps expressed best by the following<br />
email, which has been slightly edited for<br />
clarity and anonymity: “I would like to know<br />
if you can offer a suggestion with regards to<br />
renewal of JAA membership. We have been<br />
“WE RARELY<br />
MAKE USE<br />
OF THE<br />
ASSOCIATION,<br />
HOWEVER WE<br />
PREFER TO BE<br />
A PART OF ONE<br />
FOR DIFFERENT<br />
REASONS.”<br />
members for years because we like to belong<br />
to the association or at least be a part of an<br />
association for jewellers. I am happy to pay<br />
membership fees as long as it’s not wasted<br />
because of their problems. We rarely make<br />
use of the association, however we prefer to<br />
be a part of one for different reasons.”<br />
Sadly, this sentiment is rampant across the<br />
industry; while the noise may have stopped,<br />
the dissatisfaction hasn’t.<br />
Now that the <strong>2018</strong> financial year has ended,<br />
it’s likely that the JAA will record another loss,<br />
and as expected, if up to $60,000 is writtenoff<br />
in bad debts, which perhaps should have<br />
been accounted for last year.<br />
With JAA membership at an all-time low,<br />
I have previously called on Selwyn Brandt<br />
to stand down from the JAA in a bid to<br />
reconcile industry factions under a new<br />
leadership. Instead, Brandt stood for reelection,<br />
which is his right, and re-assumed<br />
the presidency.<br />
However, there’s a chance for a breath<br />
of fresh air in 2019 given that the JAA<br />
Constitution precludes Brandt standing<br />
again. It states “a director shall not hold<br />
office for more than six consecutive years”<br />
and depending on the outcome of the<br />
accounting investigation, it may well be<br />
prudent for other directors to consider<br />
their position too.<br />
Coleby Nicholson<br />
Managing Editor<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 9
See it all!<br />
See, touch and hear about<br />
the latest jewellery trends<br />
to entice your customers,<br />
grow your sales and<br />
maximise your<br />
profitability at<br />
the International<br />
<strong>Jeweller</strong>y Fair.<br />
It’s not just about finding the<br />
right range for your store –<br />
it’s your go-to event to be inspired,<br />
educated, connected and entertained,<br />
all under one roof over three<br />
convenient days.<br />
In between sourcing the hottest<br />
new items you can watch fascinating live<br />
demonstrations in diamond<br />
setting and hand engraving.<br />
INSTITUTE OF AUSTRALIA<br />
JEWELLERY<br />
JIA<br />
JEWELLERY INSTITUTE OF AUSTRALIA ®<br />
Now with easier security access straight<br />
to the Fair floor, this year’s Fair is your<br />
one stop shop for everything you need<br />
for a successful year.<br />
Seeing is believing<br />
Enjoy Saturday night Happy Hour Drinks on the show floor from 5pm – it’s the perfect opportunity<br />
for relaxed networking over drinks, nibbles and music.<br />
Happy Hour sponsored by:<br />
Hurry… you don’t have long to register your attendance<br />
at the jewellery event of the year!<br />
pms 2935 C<br />
pms 2935 C<br />
<strong>August</strong> 25 > 27, <strong>2018</strong><br />
ICC Sydney > Exhibition Centre > Darling Harbour<br />
Register at www.jewelleryfair.com.au<br />
Organised by
UPFRONT<br />
“Yes. We’re trying<br />
to develop a ring<br />
(or wand), which<br />
can be used<br />
instead of a MYKI<br />
card. We love the<br />
idea of people<br />
touching on/off<br />
with a wand!”<br />
Would you ever consider selling ‘smart’ jewellery?<br />
MARK BOLDISTON,<br />
LORD COCONUT<br />
BULLETIN BOARD<br />
n HOME-BOUND RINGS<br />
One wedding jewellery business<br />
has taken the ‘try before you buy’<br />
idea to the next level. Based in the<br />
US, Hayden Cudworth offers ‘try-on<br />
kits’ for customers wanting to try on<br />
engagement and wedding bands at<br />
home. Customers are able to order up to<br />
five replica pieces, which are fashioned<br />
from cubic zirconia and silver alloy.<br />
n CUSTOMERS CONNECT<br />
For jewellers who offer wifi in store<br />
– whether free or not – one tip is to<br />
ensure the wifi connection name<br />
matches the business. After all, this<br />
will ensure retailer’s business name<br />
then appears on mobile phones,<br />
tablets and computers in the area.<br />
Free advertising, anyone?<br />
n TECH TOUR<br />
US-base jeweller Greg Fakier found an<br />
interesting way to engage customers –<br />
offering tours of their store. Customers<br />
are handed earphones, which are then<br />
used to guide them around as if they<br />
are in a museum tour. Retailers wanting<br />
inspiration on ‘outside the box’ ideas<br />
could incorporate similar unique, digital<br />
strategies in-store.<br />
“Not at this stage,<br />
my customer<br />
is very fashion<br />
driven so at this<br />
point in time I<br />
can’t see tech<br />
capabilities being<br />
a feature needed<br />
for my product.”<br />
SHARONA HARRIS,<br />
F & H JEWELLERY<br />
DIGITAL<br />
BRAINWAVE<br />
“Yes, we would<br />
consider selling<br />
smart jewellery<br />
if they were<br />
manufactured<br />
by one of the<br />
four major smart<br />
brands like<br />
Samsung, Apple,<br />
Garmin or Fitbit.”<br />
BEVAN HILL,<br />
JBD DIAMOND<br />
CENTRE CASTLETOWN<br />
INSTA(NT) MARKETING<br />
Heavy-hitter social media platform Instagram has<br />
branched out and now offers users long-form video<br />
streaming. With Instagram videos previously capped<br />
at one minute, the new feature, dubbed Instagram TV (IGTV), will allow users to upload<br />
footage of up to one hour in length for followers to view. This means retailers now have<br />
the opportunity to shoot more in-depth footage for their consumers and fans. Retailers<br />
could also use IGTV to shoot more insightful ‘behind the scenes’ footage as part of their<br />
digital marketing plans.<br />
SPOTLIGHT<br />
Peter W Beck’s matching set of two-tone<br />
weddings rings each feature a single<br />
0.04-carat princess cut diamond. Available<br />
in 18-carat and 9-carat gold, it was the<br />
most popular product last month ranked<br />
by views at jewellermagazine.com.<br />
VOICE OF THE AUSTRALIAN<br />
JEWELLERY INDUSTRY<br />
jewellermagazine.com<br />
Managing Editor<br />
Coleby Nicholson<br />
Journalists<br />
Talia Paz<br />
talia.paz@gunnamattamedia.com<br />
Lucy Johnson<br />
lucy.johnson@jewellermagazine.com<br />
Keith Noyahr<br />
keith@gunnamattamedia.com<br />
Advertising Manager<br />
Julie-Anne Bosworth<br />
julieanne@jewellermagazine.com<br />
Digital Manager<br />
Angela Han<br />
angela.han@gunnamattamedia.com<br />
Production Manager<br />
& Graphic Design<br />
Jo De Bono<br />
art@gunnamattamedia.com<br />
Accounts<br />
Paul Blewitt<br />
accounts@gunnamattamedia.com<br />
Subscriptions<br />
info@jewellermagazine.com<br />
<strong>Jeweller</strong> is published by:<br />
Gunnamatta Media Pty Ltd<br />
Locked Bag 26, South Melbourne,<br />
VIC 3205 AUSTRALIA<br />
ABN 64 930 790 434<br />
Phone: +61 3 9696 7200<br />
Fax: +61 3 9696 8313<br />
info@gunnamattamedia.com<br />
Copyright: All material appearing<br />
in <strong>Jeweller</strong> is subject to copyright.<br />
Reproduction in whole or in part is<br />
strictly forbidden without prior written<br />
consent of the publisher.<br />
Gunnamatta Media Pty Ltd strives to<br />
report accurately and fairly and it is<br />
our policy to correct significant errors<br />
of fact and misleading statements in<br />
the next available issue. All statements<br />
made, although based on information<br />
believed to be reliable and accurate at<br />
the time, cannot be guaranteed and<br />
no fault or liability can be accepted<br />
for error or omission. Any comment<br />
relating to subjective opinions should<br />
be addressed to the editor.<br />
Advertising: The publisher reserves<br />
the right to omit or alter any<br />
advertisement to comply with<br />
Australian law and the advertiser<br />
agrees to indemnify the publisher for<br />
all damages or liabilities arising from<br />
the published material.<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 11
CAPTURING SUCCESS OF<br />
THE RISING NICHE MARKETS<br />
As the first gems and jewelry show that highlights segment<br />
products in the emerging niche markets, Bangkok Gems &<br />
Jewelry Fair underlines the up-and-coming niche market<br />
trends such as:<br />
The Moment<br />
Jewelry for special occasions<br />
such as jewelry for wedding<br />
ceremonies and anniversaries.<br />
7-11 SEPTEMBER <strong>2018</strong><br />
Challenger Hall 1-3<br />
IMPACT Muang Thong Thani<br />
Bangkok, Thailand<br />
THE ULTIMATE<br />
TRADING<br />
PLATFORM<br />
Bangkok Gems and Jewelry Fair (BGJF)<br />
has been celebrated among the world’s<br />
leading gems and jewelry shows and<br />
regarded as Thailand’s longest established<br />
gems and jewelry fair. Organized twice<br />
a year in February and September by<br />
the Department of International Trade<br />
Promotion (DITP), BGJF does not only<br />
demonstrate the whole spectrum of<br />
products and services the industry has<br />
to offer, but it also shines the spotlight<br />
on innovative design and latest global<br />
trends from both well-established brands<br />
to the new entries.<br />
Spiritual Power<br />
Jewelry for spirituality,<br />
supernatural belief, amulets,<br />
soul protections and morale<br />
-boosting gems.<br />
Beyond Jewelry<br />
Lifestyle products and home<br />
décor items decorated with<br />
gemstones, ornamental jewelry,<br />
and precious metal.<br />
Metro Men<br />
The emerging jewelry<br />
products for metrosexual<br />
stylish men.<br />
Heritage &<br />
Craftsmanship<br />
For art and craft connoisseurs<br />
inspired by elaborate original<br />
techniques, historical and<br />
cultural values.
NEWS<br />
NEWS<br />
Michael Hill closes Emma & Roe stores<br />
Michael Hill International (MHI) announced<br />
last month it would close its remaining<br />
six Emma & Roe stores after it closed a<br />
majority of the chain earlier this year.<br />
In a company statement, the closure<br />
was attributed to the result of a strategic<br />
review, with MHI CEO Phil Taylor<br />
announcing it would have a “singular<br />
focus on the Michael Hill brand”<br />
going forth.<br />
“Management resource and capital that<br />
would have been required to reposition the<br />
Emma & Roe brand will instead be directed<br />
to our core business, Michael Hill,” he stated.<br />
“We will continue to take steps to remain<br />
at the forefront of industry innovation,<br />
Gold future looking bright<br />
Increased consumer demand by Asian<br />
giants and greater ethical responsibilities<br />
of the gold mining sector will brighten<br />
the industry over the next few decades,<br />
according to a new report conducted by the<br />
World Gold Council (WGC).<br />
“As the middle class expands rapidly in<br />
China, India and elsewhere, demand for<br />
gold will undoubtedly increase. The gold<br />
mining industry is going to be challenged to<br />
produce as much gold in the next 30 years<br />
as it has done during recent years,” WGC CEO<br />
Aram Shishmanian stated.<br />
Sluggishness in the two largest markets,<br />
India and China, was attributed as one of the<br />
customer service and product design,<br />
to maximise efficiencies and improve<br />
business processes.”<br />
The announcement came just days after<br />
Michael Hill announced a restructuring of<br />
its leadership. General manager of Emma &<br />
Roe, Tishara Mina now oversees almost half<br />
of Michael Hill Australia’s stores.<br />
Mina now heads six of the company’s<br />
13 regions to minimise retail general<br />
manager Kevin Stock’s workload in order<br />
to “focus on the core Michael Hill business”,<br />
being its namesake franchise.<br />
Emma & Roe experienced a 5.4 per cent<br />
decline in sales in nine months up until<br />
31 March <strong>2018</strong>.<br />
principal causes for gold jewellery<br />
demand falling to a seven-year low of<br />
2,042 tonnes in 2016, according to<br />
the WGC Gold Demand Trends Full Year<br />
2016 report.<br />
According to the latest study, technological<br />
advancement will become an increasingly<br />
important factor in the industry, while<br />
economic growth will continue to support<br />
global mining.<br />
“Production methods and stakeholder<br />
relations will need to evolve if the<br />
gold industry is to make a meaningful<br />
contribution to society over the next three<br />
decades,” Shishmanian added.<br />
Swarovski increases local presence<br />
China slashes tariffs<br />
on jewellery<br />
China has cut import tariffs on 18<br />
categories of jewellery, including those<br />
set with diamonds and precious stones,<br />
according to a state-approved diamond<br />
service platform.<br />
The new most favoured nation (MFN)<br />
tariffs were reduced for nearly 1,500<br />
categories including jewellery, and this<br />
came into effect in July, Guangzhou<br />
Diamond Exchange (GZDE) announced.<br />
While the overall rate reduction of tariffs<br />
was 67.5 per cent, the rate for gold and<br />
silver jewellery products, including those<br />
set with diamonds, declined from 20 per<br />
cent to 8 per cent.<br />
The rate for gemstones or semiprecious<br />
stones products, natural or<br />
cultural pearl products reduced from<br />
35 to 10 per cent.<br />
The rate for platinum and other precious<br />
metal products also declined from 35 to<br />
10 per cent.<br />
However, a value-added tax of 16 per<br />
cent will be collected at the import<br />
stage, while a consumption tax will be<br />
further levied for some items, according<br />
to the statement.<br />
This is the first time in recent years that<br />
tariffs were cut on jewellery, offering<br />
a significant opportunity for overseas<br />
brands wishing to enter the Chinese<br />
jewellery market, according to Liang<br />
Weizhang, general manager of GZDE.<br />
<strong>Jeweller</strong>y was earlier regarded as a<br />
“luxury item”, but is now covered under<br />
the latest Notice on Reducing the<br />
Import Tariffs of Daily Consumer Goods,<br />
issued by the Customs Tariff Commission<br />
of the State Council in China, the<br />
statement adds.<br />
Swarovski will continue to expand<br />
throughout Australia after announcing it will<br />
open a store in Hornsby, New South Wales.<br />
The company’s latest concept store<br />
will showcase its ‘Crystal Forest’, which<br />
uses crystal designs to demonstrate<br />
Swarovski’s craftsmanship and design<br />
elements to consumers.<br />
In a company statement, executive board<br />
member Robert Buchbauer said, “Our store<br />
design is not only a tremendous illustration of<br />
Swarovski’s contemporary vision and taste for<br />
design, this environment is perfect for us to<br />
share our commitment to excellence, a sense<br />
of creativity, surprise and delight.”<br />
Swarovski continues to expand its bricks-andmortar<br />
offerings and now has over 2,500<br />
stores worldwide. The company also<br />
opened a new store in Green Hills, NSW<br />
earlier this year.<br />
+ MORE BREAKING NEWS<br />
JEWELLERMAGAZINE.COM<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 15
NEWS<br />
French Royal jewellery for sale<br />
<strong>Jeweller</strong>y once owned by the famous Queen<br />
of France, Marie Antoinette, will be up for<br />
auction through Sotheby’s in November.<br />
The Royal Jewels from the Bourbon-Parma<br />
Family lots span centuries of European<br />
history, including the reign of King Louis XVI<br />
and the fall of the Austro-Hungarian Empire.<br />
Sotheby’s considers the collection owned<br />
by Marie Antoinette to be one of the “most<br />
important jewellery collections to ever<br />
appear on the market”.<br />
“Each and every jewel is absolutely imbued<br />
with history. Never before seen in public,<br />
this extraordinary group of jewels offers<br />
a captivating insight into the lives of its<br />
owners going back hundreds of years,”<br />
Sotheby’s deputy chairman Daniela<br />
Mascetti stated.<br />
“The precious gems they are adorned with<br />
and the exceptional craftsmanship they<br />
display are stunning in their own right.”<br />
Marie Antoinette’s natural pearl and<br />
diamond pendant is one notable piece,<br />
expected to fetch between US$1-2 million<br />
(AU$1.3-2.7 m). Famously fond of pearls, her<br />
multi-strand 331 pearl necklace and natural<br />
pearl drop earrings are also on offer.<br />
It will be the second time the Queen’s jewels<br />
have graced a Sotheby’s auction in <strong>2018</strong>.<br />
The auction house sold the French Royal’s<br />
6-carat blue diamond for US$6.7 million<br />
(AU$9 m) back in May.<br />
Many of the Queen’s jewels have not been<br />
viewed since her reign and were shipped by<br />
the royal family to Brussels during political<br />
upheaval of the French Revolution.<br />
Other jewels in the 100 lots for sale<br />
belonged to generations of the Bourbon-<br />
Parma family and include pieces once<br />
owned by Kings of France, Spain, Austria and<br />
various other European reigning dignitaries<br />
spanning more than 200 years.<br />
Diamond ring breaks record<br />
Indian jewellers have constructed a piece that<br />
has broken the record for the most diamonds<br />
on a single ring.<br />
The 18-carat rose gold band includes<br />
6,690 diamonds and was designed by<br />
Surat jewellers Vishal Agarwal and<br />
Khushbu Agarwal.<br />
The lotus, flower-shaped ring comprises<br />
48 bejewelled petals and weighs more than a<br />
golf ball. The piece has an estimated value of<br />
more than US$4 million (AU$5.4 m).<br />
Vishal created the design for the ring, and<br />
Khushbu funded and provided the resources<br />
for the Guinness World Record-breaking<br />
project. The ring was manufactured by<br />
Hanumant Diamonds artisans, based in<br />
Mahidarpura, India, who spent six months<br />
putting the final piece together.<br />
According to Vishal, the lotus flower style was<br />
created in order to “raise awareness about<br />
the importance of water conservation.” Being<br />
the national flower of India, it also depicts the<br />
“beauty growing in the water-world”.<br />
In order to qualify for the Guinness World<br />
Records, all diamonds had to be conflict-free<br />
and independently sourced.<br />
Prior to the lotus ring’s construction, fellow<br />
Indian <strong>Jeweller</strong> Savio Jewelry held the<br />
world-record after its team created the<br />
Peacock Ring, which comprised of 3,847 cut<br />
diamonds in 2015.<br />
Savio’s ring combined 16.5 carats in total and<br />
weighed around 50 grams, with an estimated<br />
value of US$270,000 (AU$366,000).<br />
<strong>Jeweller</strong>y awards’ Melbourne move<br />
Supporting retailers with unique,<br />
quality designs for over 30 years.<br />
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@pastichejewellery /pastichejewellery<br />
Entries for Diamond Guild Australia <strong>Jeweller</strong>y<br />
Awards are now open. The ceremony will<br />
celebrate its 13th year and its first visit in<br />
Melbourne on 16 October. The awards<br />
will showcase the work of jewellers across<br />
categories covering solitaire, fancy colour,<br />
diamonds for everyday, diamonds for men,<br />
red carpet and emerging talent. Finalists will<br />
be announced on 3 September, with all in<br />
contention for the supreme award, an overall<br />
prize to be showcased as the pinnacle of<br />
jewellery design excellence.
Tiffany & Co defies odds<br />
Despite the marriage rate in the US at a<br />
record low, Tiffany & Co’s engagement ring<br />
sales have increased by 11 per cent after<br />
three years of declines.<br />
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The New York-based jeweller has transformed<br />
its marketing under the management of<br />
CEO Alessandro Bogliolo, who joined the<br />
company last October.<br />
The former Bulgari executive said the<br />
181 year-old company “played it a bit too<br />
conservatively” and has worked to include<br />
more diversity in its advertising campaigns.<br />
“You have to take some risks and evolve the<br />
brand,” he added.<br />
According to the latest US Census Bureau,<br />
48 per cent of American couples are married,<br />
down from the 78 per cent in the 1950<br />
TIFFANY & CO SALES HAVE INCREASED RECENTLY<br />
survey. This has been a challenge for the<br />
company that gets a quarter of its sales from<br />
engagement and wedding rings.<br />
Despite this, the company recorded a 10 per<br />
cent increase in sales in the quarter ending 30<br />
April, while net income jumped 53 per cent<br />
to US$142 million (AU$192 m).<br />
CATALOGUE<br />
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India loves Argyle diamonds<br />
BANNER 30CM X 95CM<br />
Rio Tinto has launched an international<br />
diamond campaign showcasing its new<br />
range of jewellery from the company’s Argyle<br />
diamond mine in Western Australia.<br />
The pieces from the ‘As Real As You’ campaign<br />
will be available from 63 Indian retailers and<br />
include designs using predominantly uncut<br />
diamonds. The uncut styles continue to rise in<br />
popularity amongst Indian consumers, with<br />
the diamonds no longer exclusively being<br />
purchased by India’s elite and wealthy.<br />
Rio Tinto diamond sales and marketing<br />
director Vikram Merchant said the new<br />
collection reflected consumers’ desires.<br />
“Today’s consumer wants to know where<br />
their jewellery comes from and the Australian<br />
Diamonds program celebrates Rio Tinto’s<br />
diamond heritage and pedigree from a clean,<br />
traceable source of diamonds,” Merchant said.<br />
“The biggest opportunity for change lies<br />
in developing diamond jewellery offerings<br />
that track the diamonds from the mine to<br />
the market.”<br />
Ethical jewellery gets star treatment<br />
Swarovski has collaborated with actress<br />
Penelope Cruz for the brand’s latest ecofriendly<br />
collection.<br />
Launched in July, the collection features<br />
only synthetic diamonds, sapphires,<br />
emeralds and rubies.<br />
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Cruz first previewed pieces from the<br />
collection back in May at the Cannes Film<br />
Festival, donning a pair of ethical ruby and<br />
diamond earrings and a matching ring.<br />
Atelier Swarovski executive board member<br />
Nadja Swarovski told Vogue that Cruz<br />
“designs from the point of view of a<br />
celebrity. But above all, she creates jewellery<br />
she would wear herself.”<br />
SWAROVSKI COLLABORATOR, PENELOPE CRUZ<br />
The collection’s synthetic diamonds were<br />
formed in the Atelier laboratory while natural<br />
topaz was sourced from traceable supply<br />
chains in Brazil, Tanzania and Sri Lanka. The<br />
Fairtrade gold was mined in Peru.<br />
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NEWS<br />
Safety pendant wins prize<br />
LEAF WEARABLES’<br />
SAFER PENDANT<br />
A wearables company that designed a<br />
pendant has won a US$1 million prize for its<br />
contribution to improving women’s safety.<br />
Leaf Wearables has won the US$1 million<br />
Women’s Safety XPRIZE for developing a<br />
wearable to improve women’s safety.<br />
The Women’s Safety XPRIZE competition,<br />
funded by husband and wife entrepreneurs<br />
Anu and Naveen Jain, aimed to encourage<br />
tech developers to produce a wearable<br />
device that would retail at under US$40 and<br />
could “autonomously and inconspicuously<br />
trigger an emergency alert while<br />
transmitting information to a network of<br />
community responders, all within<br />
90 seconds.”<br />
Leaf Wearables won the large cash prize for<br />
its Safer pendant, which connects through<br />
Bluetooth to the wearer’s smartphone.<br />
When the user presses the button on the<br />
pendant twice, an automated message<br />
is sent to their emergency contacts and<br />
pinpoints the wearer’s location.<br />
The pendant also records audio during<br />
a distress signal, which Leaf Wearables<br />
believes could be useful in providing<br />
evidence and deterring harrassers.<br />
“Safety is a fundamental human right<br />
and shouldn’t be considered a luxury<br />
for women. It is the foundation in<br />
achieving gender equality,” Anu Jain<br />
stated at the announcement.<br />
“Having the capability to record audio<br />
after sending the alert was one of the main<br />
differentiators for Leaf Wearables.<br />
Their chip design and software was<br />
also easy to be integrated into<br />
other accessories.”<br />
Lightbox factory gets green light<br />
De Beers has commenced construction on<br />
the factory that will manufacture its Lightbox<br />
Jewelry synthetic diamonds.<br />
The Element Six facility will have the capacity<br />
to produce over 500,000 carats of synthetic<br />
diamonds once its construction in Oregon,<br />
North America, is completed in 2019.<br />
Spanning 60,000 sq ft and costing the<br />
company US$94 million (AU$125.5 m),<br />
the factory will be De Beers’ second<br />
partnership with Element Six, which is<br />
currently headquartered in Maidenhead,<br />
United Kingdom.<br />
While the facility will not be in operation until<br />
at least <strong>August</strong> next year, De Beers’ Lightbox<br />
Jewelry is touting a launch this September,<br />
with its range initially available online through<br />
its website before being trialled in select<br />
bricks-and-mortar stores.<br />
The first collection will feature white, pink<br />
and pastel blue synthetic diamonds, with<br />
Lightbox Jewelry general manager Steve Coe<br />
stating they will explore other colour options<br />
in the future. The diamonds will not be sold<br />
loose, nor will they be graded.<br />
“We will introduce more designs and colours<br />
as the range evolves,” Coe said in May during<br />
the announcement of the brand’s launch at<br />
JCK Las Vegas.<br />
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Unique pink synthetic diamond<br />
A New York-based synthetic diamond<br />
laboratory claims to have produced the<br />
largest pink synthetic diamond in the world.<br />
Unique Lab Grown Diamond created a<br />
square, radiant-shaped pinkish-orange<br />
diamond, which has the synthetic equivalent<br />
of SI clarity. The diamond was created using<br />
chemical vapour deposition (CVD).<br />
The Gemological Institute of America (GIA)<br />
graded the 5-carat diamond last month and<br />
reported the diamond displayed “outstanding<br />
gemmological features”. It added that the<br />
combination of size, colour and clarity “make<br />
this the most remarkable CVD synthetic<br />
diamond the GIA has tested so far.”<br />
Another US synthetic diamond company,<br />
WD Lab Grown Diamonds broke the record<br />
for the largest synthetic clear diamond<br />
back in May with a 9-carat round-brilliant<br />
gemstone. The VS2-clarity diamond broke the<br />
record previously held by the same producer.<br />
The gemstone with the record beforehand<br />
was 6 carats.
A Trending<br />
Success<br />
Duraflex Group Australia are proud to introduce<br />
Ania Haie - the latest European sterling silver<br />
jewellery brand bringing quality affordable<br />
style to the forefront. Launching in Australia<br />
and New Zealand at the DGA Roadshow and<br />
International <strong>Jeweller</strong>y Fair (<strong>August</strong> <strong>2018</strong>), the<br />
special inexpensive jewellery items will be priced<br />
from $29 RRP up to $249 RRP.<br />
Combining exquisite jewellery without<br />
compromising on quality or affordability<br />
is exactly what young fashion-orientated<br />
women want; and that is why everyone<br />
loves Ania Haie.<br />
Only launched internationally earlier this year,<br />
Ania Haie has experienced overwhelming<br />
success by opening accounts in leading<br />
boutiques and jewellers all across Europe and<br />
the US, and has now expanded into shop-inshops<br />
through existing and new accounts.<br />
This new brand offers a range of collections<br />
all crafted in 925 sterling silver with rhodium,<br />
14kt gold or 14kt rose gold plating. Every<br />
piece defines the latest fashion trend, and<br />
whilst being fashion forward, the unique<br />
designs make them unmistakably individual:<br />
modern statement-making with ease.<br />
Ania Haie is the perfect complement to one’s<br />
personal style; making that office to cocktails<br />
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Prices start from AUD $29 RRP.<br />
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INNOVATIONS<br />
EVOTECH PACIFIC<br />
Tools and tech:<br />
the jeweller’s latest must-haves<br />
A SLEW OF TOOLS, MACHINERY AND EQUIPMENT HAS EMERGED<br />
THIS YEAR TO GIVE JEWELLERS A SERIOUS COMPETITIVE EDGE.<br />
TALIA PAZ REVIEWS THE LATEST INNOVATIONS.<br />
n an uphill battle against cheap offshore manufacturing, the right tools<br />
can help bench jewellers and retailers to compete by improving the<br />
quality, speed and efficiency of their work and services, boosting margins<br />
in the process.<br />
Anthony Nowlan, director of jewellery technology company Evotech Pacific,<br />
believes there are many technological innovations for jewellers to be excited<br />
about, especially where new services are concerned.<br />
“We have just released two new software programs to assist manufacturing and<br />
retail jewellers – Evotech Marketplace and the Evotech Vendor Store,” he says.<br />
“The Evotech Marketplace enables retail jewellers to upload a brief of their<br />
requirements, including images and sketches. The brief can then be distributed<br />
to registered designers who can view it and provide a quote. Registration to the<br />
marketplace is free for both retailers and designers,” he adds.<br />
Nowlan points to the Evotech Vendor Store as an online sales channel for<br />
jewellers who want an uncomplicated e-commerce solution.<br />
“The Evotech Vendor Store is an e-commerce website for jewellers who don’t<br />
have a website or don’t have an e-commerce facility on their sites,” he says.<br />
“Retailers can register their business names and upload images of their pieces<br />
then use the Vendor store to sell these pieces.”<br />
Rapid Casting is another company focusing on service innovation.<br />
“We have introduced the first automated online ordering and tracking system for<br />
CAD/CAM and casting order placement,” production manager Ben Farago says.<br />
“Our system provides customers with live quoting and an online gallery of their<br />
previous jobs for easy re-ordering. We also provide the fastest overnight printing<br />
and casting with door-to-door delivery and online order tracking.”<br />
Farago believes service innovation provides large benefits to retailers, boosting<br />
efficiency and customer retention: “By streamlining access to these services,<br />
we’ve created opportunities for jewellers to improve their productivity and make<br />
their businesses more responsive to customer needs.”<br />
Another innovation from Rapid Casting is web-based portal LiveDesign.<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 21
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“LiveDesign allows for interactive ordering<br />
and customisation of classic style<br />
engagement rings and to generate 3D<br />
models in real-time,” Farago notes. “We felt<br />
we were solving the problem of producing<br />
standard designs to fit customer needs<br />
perfectly, rather than trying to rework a<br />
stock piece.”<br />
Chris Botha is the operations manager of<br />
Pallion’s jewellery division. He explains how<br />
his company’s ‘knowledge repository’ will<br />
make life easier for jewellers.<br />
“Technology has introduced faster and<br />
smarter ways to derive the origin point<br />
of manufacturing, in the guise of CAD<br />
and CAM advancements, but developers<br />
of technology have overlooked a critical<br />
component: the art of model making – how<br />
to make a jeweller’s design work perfectly<br />
for casting.<br />
“We will offer this knowledge in various<br />
free-to-access formats, including web<br />
platforms, mobile apps and CAD plugins,<br />
where our teams will address common<br />
recurring problems and share the extensive<br />
knowledge they possess. This will help<br />
jewellers become better users of the<br />
technology,” he adds.<br />
NEW PRODUCTS GALORE<br />
Olympus Innov-X is a leading manufacturer<br />
of portable, precious metal analysers.<br />
Sales specialist Andrew Saliba believes the<br />
company’s latest range of analysers will be<br />
especially useful for jewellers.<br />
“[Products in] our latest Vanta range are<br />
drop-tested to help prevent breakages and<br />
costly repairs. They also have an intuitive<br />
gesture driven interface, which works like<br />
most modern smartphones,” Saliba explains.<br />
“The gold-plate alerts feature detects<br />
possible gold plating or coating when<br />
analysing the composition of gold pieces.<br />
If the analyser determines that<br />
there is a possibility of gold coating or<br />
plating, it notifies the user by displaying an<br />
on-screen message.”<br />
Tino Vella of Tino Vella Designs (TVD) supplies<br />
glass display cabinets to the jewellery<br />
industry. When asked about the company’s<br />
latest innovations, Vella offers the following<br />
comments: “The TVD Luxury Showcase range<br />
was developed as a result of various requests<br />
to provide display units, suitable for the highend<br />
retail market and available for long and<br />
short term hire.<br />
“We have included adjustable colour<br />
temperature LED lighting; this allows retailers<br />
to select the correct colour temperature<br />
to match the jewellery they are displaying.<br />
The lighting of our showcases can easily be<br />
adjusted to whatever lighting temperature is<br />
required at a touch of a button.”<br />
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INNOVATIONS<br />
CHEMGOLD<br />
PALLOYS – PALLION<br />
keeping jewellery secure – perfect for pop-up or industry events,” he adds.<br />
Chemgold provides 3D printing and casting services to jewellers. Director Larry<br />
Sher outlines some of his latest equipment and service innovations.<br />
“Chemgold has continued to expand its huge range of 3D printers in order to<br />
cater for the increase of jewellers aiming to produce their jewellery via CAD/<br />
CAM,” he says. “We also have invested in additional platinum-casting technology<br />
to take our quality to the next level.<br />
“This was a key factor in developing our revolutionary platinum-casting alloy<br />
‘PTG’, which has incomparable qualities, innovative material properties and<br />
outstanding workability. With a brilliant white colour, PTG is easier for setting, has<br />
a superior polishing performance and a higher precious-metal content.”<br />
“The inclusion of rotating display bases is another innovation we have added as<br />
an optional extra,” he continues. “These allow jewellers to highlight the facets in<br />
diamonds and add that extra amount of shine and sparkle. Rotating displays also<br />
allow the merchandise to be viewed from every angle.”<br />
Vella says the company’s newest showcases highlight innovations in security,<br />
materials and construction.<br />
“With Bi-Lock security key systems, laminated secure glass and solid stainless<br />
steel construction, our showcases display jewellery to its full potential while also<br />
Sher attests that Chemgold’s innovations save jewellers time and money:<br />
“<strong>Jeweller</strong>s save a huge amount of time on the bench and are also ensured an<br />
overall higher quality piece of jewellery from casting in the long run. Other<br />
benefits include less metal wastage and more precision.”<br />
EXPANDING POSSIBILITIES<br />
So how do the above tools help jewellers improve and expand on<br />
opportunities?<br />
For Saliba, it’s about ease of use. “Our range of desktop and portable XRF<br />
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INNOVATIONS<br />
TINO VELLA DESIGNS<br />
EVOTECH PACIFIC<br />
Greg Brennan is the director of Electrical Factory Outlet (EFO), a supplier of<br />
lighting for retail stores and display cabinets that, Brennan claims, can boost<br />
store traffic.<br />
“As EFO is very new to the jewellery industry, we bring fresh ideas around<br />
lighting and displays,” he says. “This year, we are launching our jewellery<br />
merchandising light Scintalite. It has been designed to maximise the natural<br />
brilliance of diamonds and gems by turning a static, diamond store-display into<br />
an impressive glimmer of shining light – we’re invested in helping jewellers<br />
capture greater customer attention and drive more store traffic.”<br />
Abraham Tok of Sydney-based Tok Brothers offers CAD/CAM services to retailers.<br />
He believes 3D printing is one technology that will only improve.<br />
analysers are extremely simple to use and provide laboratory comparable<br />
elemental analysis. XRF testing method is completely non-destructive and there<br />
is no need to use dangerous acids,” he says.<br />
“Axon technology provides test-to-test and instrument-to-instrument<br />
repeatability so your first test is the same as your last test, no matter what<br />
instrument you may use – even a five-second test provides adequate results for<br />
most customers.”<br />
“We recently expanded our fleet of 3D printers by adding a new FormLabs 2 3D<br />
printer. This has allowed us to 3D-print more models at faster speeds without<br />
compromising on quality,” he says.<br />
Tok notes that his business has also started using a synthetic diamond screener.<br />
“We’ve started using an advanced Presidium synthetic diamond screener that<br />
allows us to quickly and accurately test diamonds – loose and mounted – in<br />
front of our customers,” he says, adding, “Using this also protects us from the<br />
rising instances of synthetic diamonds being mixed with naturals. This shows<br />
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transparency to our clients and gives them even more confidence in us.”<br />
Nowlan also believes in the value of 3D printing.<br />
“We have specifically seen an increase in jewellers utilising 3D printing,<br />
including the Asiga range of 3D printers,” he says. “<strong>Jeweller</strong>s who are utilising<br />
this technology benefit from the ability to control the model manufacturing<br />
capability in-house and also check prototypes to identify potential design<br />
faults or issues prior to casting. This leads to a greater chance of success in the<br />
manufacturing process.”<br />
Desma Noble, a goldsmith and jeweller who owns Desma Designs, believes<br />
jewellers should be aware of innovations in welding technology also.<br />
“The techniques of making and repairing jewellery have barely changed for<br />
hundreds of years but new welding technology is changing that,” she says.<br />
“Electronic-fusion welding in jewellery enables a relatively instant, clean join with<br />
precise control through a digital interface and microscopic accuracy.”<br />
According to Noble, the benefits are large.<br />
“These techniques can bring incredible productivity to a jewellery workshop as<br />
very fine and delicate jewellery can be more easily repaired – metal joins can be<br />
within a millimetre of heat-sensitive gems and less oxidisation means very little<br />
finishing required,” she adds.<br />
LOOKING AHEAD<br />
The general consensus among<br />
the suppliers included here is that<br />
innovations are easing the burden<br />
and cost of manufacture and design<br />
and that these innovations should<br />
continue in coming years.<br />
OLYMPUS<br />
Botha sees the future as a melding of old<br />
and new technologies. “More Australian jewellers<br />
requiring low to mid-levels of product supply are leveraging<br />
online platforms,” he says. “These volumes will not be entertained by offshore<br />
manufacturers, so we’re seeing a marked increase in model-making and<br />
finishing in Australia. This is great news for the industry!<br />
“[We will also see] direct-metal printing and direct-mould printing,” he continues.<br />
“As per all other technologies, this will become cheaper and faster.”<br />
Sher concurs but believes such innovations might still take time to emerge here.<br />
“Direct metal printing could be an option if it becomes economically viable –<br />
currently, the machines are extremely expensive to run and the quality is not at<br />
the standards required,” he says.
INNOVATIONS<br />
Vella notes that Tino Vella Designs is working to ensure power leads<br />
and cables become a thing of the past.<br />
“We are exploring the possibility of incorporating portable batteries<br />
into our showcases – this will mean that our showcases will no<br />
longer be restricted by location,” he says. “We are also producing a<br />
prototype for a glassless, open-display showcase with removable<br />
LED stem lighting, as well as a tabletop display cube that would work<br />
perfectly for product-launches,” he adds.<br />
Brennan also sees the lighting industry continuing to innovate:<br />
“Lighting efficiency and LED driver technology is continually<br />
developing so any range of lighting effects imaginable will<br />
be possible.”<br />
Noble believes that coming technological innovations will embrace<br />
broader and “more diverse” applications within the industry.<br />
“I hope one day we will see fusion-welding technology as<br />
commonplace but Australia is still catching up in this regard,” she<br />
says. “The technology is still a reasonably big investment for smaller<br />
workshops, but I hope the affordability will improve as it becomes<br />
more common-place.”<br />
Speedy advances in technology mean new tools, machines and<br />
equipment continuously enter the market but technology means<br />
little if jewellers lose the original, emotional aspects behind<br />
jewellery manufacture.<br />
After all, jewellers can work with all the tools in the world but they<br />
should also embrace the most important tool of all – the human<br />
touch, Botha says. “While we will continue to invest in newer<br />
technologies to aid our processes, we will also concentrate heavily<br />
on the most important – the ‘human’ technology.”<br />
A December 2017 Forbes article succinctly sums it up: “There are<br />
[technological] ideas emerging and developing that will be highly<br />
impactful. These new ideas and software will affect almost every<br />
store experience in the future, they will change what it means to go<br />
to a store and they will make store experiences more worthwhile<br />
than ever,” writes Richard Kestenbaum.<br />
“[However], the most important thing will always be the products<br />
and services offered for sale. Technology can facilitate the<br />
connection between the product and the consumer but the main<br />
event is always going to be whether the consumer and the product<br />
are right for each other.”<br />
After all, technology is a useful and necessary tool but still<br />
just a tool. i<br />
PALLOYS – PALLION
TINO VELLA DESIGNS<br />
The<br />
Here, retailers and suppliers lay down their<br />
concluding thoughts on the latest jewellery<br />
and equipment innovations.<br />
“We are in the initial beta phase of<br />
our ‘knowledge repository’ and we<br />
have asked all of our users to join the<br />
platform. What these improvements<br />
give to jewellers is the most valuable<br />
resource – time.”<br />
CHRIS BOTHA, PALLION<br />
“We have recently become a reseller<br />
of BlueCast, a producer of 3D printer<br />
resin, which will facilitate our customers’<br />
requirements for a universal resin that<br />
suits the majority of resin printers.”<br />
LARRY SHER, CHEMGOLD<br />
“We are currently producing a<br />
prototype for a glassless, open-display<br />
showcase with removable LED stem<br />
lighting, as well as a tabletop display<br />
cube that would work perfectly for<br />
product launches.”<br />
TINO VELLA, TINO VELLA DESIGNS<br />
“We are currently witnessing an<br />
increase in the development of metallic<br />
powders used in 3D metal printing and<br />
an experimentation with new powder<br />
alloys. When combined with some<br />
of the new 3D metal printers, higher<br />
resolution, direct to manufacture pieces<br />
are being produced.”<br />
ANTHONY NOWLAN,<br />
EVOTECH PACIFIC
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MEN’S WATCHES<br />
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for men’s watches<br />
MEN CONTINUE TO EXPRESS THEIR<br />
PERSONAL STYLE WITH WATCHES.<br />
LUCY JOHNSON DISCOVERS<br />
WHY TIMEPIECES ARE STILL THE<br />
ULTIMATE ACCESSORY OF CHOICE.<br />
he men’s watch market has been inundated with<br />
smartwatches and wearables for a few years<br />
now. Some international suppliers are now even<br />
producing ‘hybrids’ – traditional watches that integrate<br />
smartwatch functionalities – in order to keep up with the times.<br />
Despite this, traditional timepieces have maintained their<br />
relevance and stature as the go-to male accessory, assuring<br />
many within the industry that a classic timepiece that reflects<br />
the wearer’s personal style is still the most important aspect for<br />
male consumers.<br />
Stuart Smith is the group marketing manager of Seiko Australia.<br />
He notes technological innovations only continue to propel the<br />
category forward.<br />
“The mechanical side of the business has improved with<br />
technology over the years and is a lot more stable,” Smith says.<br />
“Many of the ranges have changed over to solar technology,<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 31
COME SEE US AT STAND F17<br />
MEN’S WATCHES<br />
where previously we had mechanical<br />
movements and mechanical moved into<br />
quartz movements and then quartz moved<br />
into quartz-solar. Nowadays, watches have<br />
a lot more functionality.”<br />
David Faraday, general manager of Oozoo,<br />
Dukudu and Pernille Croydon distributor<br />
hiPP, believes consumers are gravitating<br />
back towards the beauty of analogue<br />
watch faces.<br />
“While smartwatches have their market,<br />
they are not for everyone or for every<br />
occasion. Traditional watches are still<br />
very much sought after as they represent<br />
fashion, style and classy aesthetic values,”<br />
he says.<br />
“In a fashion-driven world, people are<br />
always conscious of being on point –<br />
men included.”<br />
Faraday also believes the fast-fashion<br />
landscape means men are now more<br />
inclined to own more than one watch in<br />
order to keep up with rolling trends.<br />
“Men are now much more likely to add<br />
to their collection, rather than just having<br />
one higher-priced watch that they wear for<br />
years as they did in the past,” he notes.<br />
TIMESUPPLY<br />
TIMELY TRENDS<br />
Minimalistic designs have been one of the<br />
biggest trends in the watch industry in<br />
recent years, according to John Wohlers, a<br />
retailer who runs his namesake business in<br />
Wangaratta, Victoria.<br />
“In our regional area, we sell a lot of<br />
everyday work watches. These are mostly<br />
minimalistic designed watches on leather<br />
bands of 38 to 40mm,” Wohlers says. “Digital<br />
sports watches are also very popular.”<br />
Faraday agrees with those sentiments.<br />
“We still see consumers leaning to<br />
classic, vintage slimline styles,<br />
particularly with oversized case<br />
diameters; however, textured faces and<br />
Capitalising<br />
on sport watch sales is easy. Here’s how:<br />
BEZEL READY – ensure all staff know how to use chronographs and bezels so they<br />
can show their customers with ease.<br />
ASK QUESTIONS – find out what physical activities customers partake in and what<br />
functions they require in a sports watch; there’s no point in an abseiler seeking out a<br />
diver’s watch!<br />
KEEP IT SIMPLE – if the salesperson cannot explain the technicalities of a<br />
complicated sports watch, learn it or do not stock it. To avoid confusing customers<br />
who know little about timepieces, never introduce them to more than three brands<br />
in a single visit.<br />
www.ClassiqueWatches.com<br />
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STAFF SPECIALISTS – designate specific sales associates to become experts on<br />
various brands. The store then has a go-to person for times when tough product<br />
questions arise.<br />
EDUCATE – regularly invite representatives from every watch manufacturer<br />
represented in your store to provide training sessions for your sales staff.
seikowatches.com
MEN’S WATCHES<br />
SEIKO<br />
DURAFLEX GROUP AUSTRALIA<br />
rugged strap styles are popular in the casual styles,” he adds.<br />
Mulco Watches Australia CEO Randolf Ramos says a combination of<br />
simple and elegant features continue to prove popular this season.<br />
“Watches are a very personal purchase; for many, they are after<br />
something quite particular,” he says. “Elegant watches with leather<br />
bands and stainless steel bands are proving to be popular, with<br />
silicone bands now part of the smart casual look.”<br />
Smith notes a penchant for dark dials, classic bands and<br />
hardy materials.<br />
“Stainless steel is still popular with many models featuring dark<br />
blue and black dials. In terms of casing materials, black hard<br />
plate is very popular – it almost looks like a dress design but is<br />
quite hardwearing. Black and gold is also quite a popular colour<br />
combination with men,” he says.<br />
Sam’s Group Australia managing director Sam Der Bedrossian offers<br />
a differing view. He notes his consumers have been bucking the<br />
minimalistic trend, instead purchasing more ‘complex’ designs in<br />
recent months.<br />
“Generally speaking, the change in demand for men’s watches has<br />
shifted from basic to more complicated styles, like chronographs,<br />
tourbillions, multi-functions and automatic watches, and<br />
accordingly a larger-size watch case,” he says.<br />
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“Skeleton automatic watches, where the movement is visible<br />
through the front or back of the watch, have also been<br />
performing well.”<br />
CHANGING ATTITUDES<br />
Ken Abbott, managing director of Timesupply, says he has noticed<br />
a shift in how men purchase timepieces. He believes they assess<br />
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whether the watch will work as a fashion<br />
accessory, rather than viewing timepieces as<br />
long-term investments.<br />
“There are so many things now taking the<br />
place of what watches used to do, such as<br />
phones, fitness trackers and smartwatches,”<br />
he notes. “The opportunity for sales is now<br />
in selling watches as fashion accessories,<br />
which are being treated more like a piece<br />
of jewellery – it’s a short term or seasonal<br />
purchase now.”<br />
Der Bedrossian believes consumers who<br />
prefer traditional watches do so because<br />
OOZOO TIMEPIECES<br />
they present an opportunity to express their<br />
own personal style.<br />
“Traditional watches will always maintain<br />
their elegance and timelessness and can<br />
be worn like an item of jewellery; there will<br />
always be a market for them,” he says.<br />
Phil Edwards, managing director of Duraflex<br />
Group Australia, agrees. He goes on to offer<br />
his view on the smartwatch market and<br />
how it consequently affects retailers selling<br />
traditional watches.<br />
“The market has changed significantly in<br />
Diving into<br />
sports watches<br />
Men’s lifelong love affair with the sporting world<br />
is reflected in the continuing popularity of sport<br />
watches, which offer functionality, style and<br />
adventure all in one.<br />
Seiko Australia’s Stuart Smith says one key feature<br />
of sports watches is their durability in various<br />
environments, including ranging temperatures<br />
and water resistance.<br />
“Men do still want to buy a mechanical watch, especially divers;<br />
they’re certainly well sought. People appreciate the mechanical<br />
movement but there are many more options available for professional<br />
divers, and this covers sports watches overall,” he says.<br />
SEIKO<br />
In order for this category to gain traction in the market, Hans Marti of<br />
Swisstime HQ says suppliers of sport watches must continue to offer a<br />
variety of products to suit every man.<br />
“Our traserH3 appeals to those pursuing sports, military and outdoor activities,<br />
marketed for the adventure type person,” he says. “On the other hand, we also carry<br />
design-focused products like the XEMEX or Jowissa for the style-conscious man.”<br />
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OOZOO TIMEPIECES<br />
numerous ways; there are more competitor<br />
brands now in the market and customers are<br />
spoilt for choice,” he says.<br />
“You’re either a traditional watch customer<br />
or a smartwatch customer; we quite simply<br />
don’t need to try to compete.”<br />
Smith concurs, adding that consumers sway<br />
towards either category exclusively, which is<br />
ultimately a positive for retailers.<br />
“I think smartwatches are good for some<br />
people; however, they have a completely<br />
different DNA when compared to the<br />
watches that have been on the marketplace<br />
for over 100 years,” he says.<br />
“People associate with the DNA of a watch<br />
brand and the style that brand actually<br />
brings with it. Smartwatches are still growing<br />
– the technology is changing quite rapidly<br />
at the moment – so I tend to think that what<br />
is happening now with smartwatches might<br />
not be happening in the future.”<br />
Hans Marti of Swisstime HQ believes<br />
smartwatches are most popular “at the<br />
younger end of the demographic”, and<br />
rely heavily on social media and influencer<br />
marketing, whereas traditional timepieces<br />
have other means of drawing in consumers.<br />
“Influence is dominated by social media and<br />
peers but it is also very fickle; brand loyalty<br />
is not strong in this market as these items<br />
are usually positioned at the ‘throw-away<br />
commodity’ end of the market. Therefore,<br />
traditional watches will continue to prosper,”<br />
he declares.<br />
TIME TO SELL<br />
Abbott says retailers looking to capitalise<br />
on men’s watch sales should focus on what<br />
trends are making waves locally and abroad.<br />
“In order to forecast trends, retailers only<br />
need look to places like the United Kingdom<br />
to see what is popular in the season ahead,”<br />
he says, adding that suppliers do much of<br />
the trend analysis already.<br />
“Ultimately it is up to the brands to have<br />
a grasp of what is on-trend or even to<br />
create the products to push that trend; if<br />
the retailer has a good supplier and a good<br />
brand in stock then they should already have<br />
an understanding of the trends<br />
on the market.”<br />
@stonesandsilverjewellery<br />
Ph: +61 3 9587 1215<br />
Email: info@stonesandsilver.com.au<br />
DURAFLEX GROUP AUSTRALIA<br />
MULCO
watch on sales<br />
Fall back on these timeless tips to<br />
increase men’s fashion watch sales:<br />
KNOW THE CUSTOMER – select watch brands<br />
that match the store’s demographic. Consider the<br />
generation’s interests and see if there are any brands<br />
on the market that reflect these.<br />
SCOUT TRENDS – dedicate time to researching watch<br />
trends online through various resources. This will assure<br />
customers that staff are up-to-date on the latest styles.<br />
THE MIGHTY TOUCH – get the customer to hold the<br />
watch while describing its features. All customers<br />
appreciate the tactile elements behind watch<br />
shopping.<br />
SHOW PASSION – get excited about the<br />
product. Enthusiasm is contagious.<br />
TAKE CARE – when showing expensive<br />
watches, wear one, not two gloves. One glove<br />
suggests care and prestige, while two can be<br />
pretentious and off-putting.<br />
CAREER MILESTONE – for young consumers,<br />
buying a quality timepiece is less of a necessity<br />
than it once was. Help them to perceive the<br />
purchase as a rite of passage of a young professional.<br />
In doing so, the retailer can hope they will return later at<br />
different points in their professional career.<br />
FRESH LANGUAGE – avoid repeatedly using the<br />
phrase “watch”. This can be swapped out for<br />
“timepiece”, “masterpiece”, or the name of the<br />
particular model. In doing so, the presentation of the<br />
product has more finesse<br />
and the customer<br />
acknowledges the<br />
important nature<br />
of purchasing<br />
the watch.<br />
SWISSTIME HQ
MEN’S WATCHES<br />
SAMS GROUP AUSTRALIA<br />
Ramos says retailers can maximise their watch sales by stocking<br />
products that have strong brand recognition, as he believes loyalty in<br />
this category is stronger than other sectors of the jewellery industry.<br />
“In a brand’s online presence, ‘influencers’ are very effective in<br />
selling men’s fashion watches. All the brands are integrating online<br />
sponsorship into their digital marketing strategies,” he explains.<br />
“Retailers who are a bit scared about stocking new watch collections<br />
may find security in brands with these partnerships. In my opinion,<br />
the retailers need to be more focused on display and should offer<br />
more styles, especially something different to their customers.”<br />
Marti agrees with these sentiments, adding, “Influence at the<br />
traditional watch level is dominated by traditional print, sporting<br />
events like Rolex at the tennis, social marketing influencers<br />
and ambassadors. Traditional watches are aspirational so<br />
loyalty is very high.”<br />
Ramos acknowledges the apprehension some retailers may face<br />
when wanting to introduce new watch brands and recommends<br />
starting with around 12 watches, as well as carrying products across<br />
various collections.<br />
“We are flexible with our brand and are always happy for our<br />
stockists to switch collections and models on display,” he says.<br />
“It is about finding what products fit best for their store and<br />
their customers.”<br />
Wohlers believes it is ultimately the responsibility of the retailer to<br />
conduct thorough research before stocking new watch brands.<br />
“Do your homework, explore the watch market and see what brands<br />
are selling well both in store and online,” he recommends. “If stocking<br />
a new brand, make sure you can compete with online sellers and ask<br />
distributors about advertising.”<br />
There’s no doubt that the men’s watch category is replete<br />
with choices for stylish, fashion-forward males. Retailers would<br />
do well to ensure they’re keeping up with the latest releases and<br />
stocking accordingly.<br />
The staple timepiece is here to stay. i
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GEMSTONE ORIGINS<br />
Expedition to<br />
Ethiopia’s sapphire<br />
fields<br />
t the 2017 Tucson Gem Show, author Andrew Lucas was approached<br />
by Ethiopian dealers attending a seminar given by Shane McClure,<br />
Global Director, Colored Stone Svc. They proposed to Lucas and<br />
McClure to conduct research on Ethiopian gemstone deposits for<br />
GIA. This led to correspondence between Lucas and Teweld Abay, director<br />
of the Mineral Marketing and Value Chain Directorate over the next several<br />
months to coordinate a joint project between GIA and the Ethiopian Ministry of<br />
Mines Petroleum & Natural Gas. Tucson 2017 and <strong>2018</strong> were abuzz with interest<br />
regarding Ethiopian emeralds and to a lesser degree Ethiopian sapphires. A few<br />
Ethiopian dealers showed sapphires at the show that were obviously magmatic<br />
in nature. Most of the gemstones were very dark blue and heavily included with<br />
silk. There were some bright blue stones, however, that sparked a great deal of<br />
interest. News of the sapphires had begun entering the gem trade in early 2017.<br />
As much of the talk in the gem trade was of this upcoming source of gemstones,<br />
GIA was compelled to conduct firsthand on-the-ground research. The Ethiopian<br />
Ministry of Mines also wanted third-party expertise to be involved in joint<br />
research on the Ethiopian gem deposits.<br />
The decision was made for GIA to visit the main gem producing areas of the East<br />
African country of Ethiopia, including sapphire, emerald and opal mining areas.<br />
The expedition dates were set for the end of February <strong>2018</strong> through the<br />
third week of March and the first mining areas to be visited during the visit<br />
were the sapphire fields.<br />
ETHIOPIA<br />
Ethiopia is composed of over one million square miles with elevations that range<br />
from 125 m below sea level to 4,550 m with a mean elevation of 1,330 m. The<br />
terrain is dominated by high plateaus, which are divided by the Great Rift Valley.<br />
The population of over 105 million makes it the second most populous in<br />
Africa. Ethnically, Ethiopia is composed of several ethnic groups with the two<br />
largest being Oromo (34.4%) and Amhara (27%). While the official National<br />
language is Amharic, local states will also designate working languages such as<br />
Oromo for the State of Oromia, Somali for the Sate of Sumale, and Tigrinya<br />
for the State of Tigray.<br />
Approximately 80 per cent of the population lives in rural areas and<br />
this reflects that about 72 per cent of the workforce is involved in the<br />
agricultural industry.<br />
Approximately 43 per cent of the population is Ethiopian Orthodox Christian,<br />
33 per cent Muslim, and 18 per cent Protestant. Many of the tourist attractions<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 43
GEMSTONE ORIGINS<br />
MANY OF THE MINERS WERE FAMILIES WORKING<br />
IN SMALL GROUPS WITH WOMEN DOING MUCH<br />
OF THE HEAVY LABOUR<br />
PICKS, SHOVELS, BUCKETS AND HUMAN MUSCLE<br />
WERE THE ONLY MINING TECHNIQUES USED IN<br />
THE SAPPHIRE FIELDS<br />
in the country are to do with religious sites<br />
such as the Rock-Hewn Churches at Lalibela,<br />
which is a UNESCO World Heritage site. This<br />
site consists of 11 medieval monolithic cave<br />
churches from the 12th to 13th centuries<br />
and are still a place of pilgrimage and<br />
worship today.<br />
SAPPHIRE FIELDS NEAR CHILA<br />
Our expedition started with the sapphire<br />
fields near Chila. This was an area where<br />
we had the least information as to what<br />
was going on and did not know what<br />
to expect as far as the size of the mining<br />
area, the amount of miners involved or the<br />
nature of the mining. While much of what<br />
we witnessed met our preconceived ideas<br />
of the artisanal mining operations, seeing<br />
the exact nature of the mining proved<br />
very interesting, as well as learning about<br />
the reported transformation of the socioeconomic<br />
nature of the area.<br />
GEOLOGY<br />
Based on analytical results, it is clear that<br />
the sapphires are related to alkali-basalt<br />
flows. According to geological maps, there<br />
are several alkali basalt outcrops in the area,<br />
but the maps don’t indicate their presence<br />
around Chila. However, there are clearly<br />
basalt flows near the sapphire mines. Basalt<br />
flows can cover incredibly large areas<br />
with thick layers of molten rock, often in<br />
successive events.<br />
Based on our observations, the sapphirecontaining<br />
basalt flows were deposited<br />
on a flattened basement. This basement<br />
contains heterogeneous rocks of a granitic<br />
composition that belong to the Precambrian<br />
era (older than 540 Ma). The basalt flows<br />
are much younger and were deposited<br />
in the Cenozoic period (younger than 65<br />
Ma). The basalts erode much easier than<br />
the basement, creating a very wide valley<br />
flanked by flat plateaus.<br />
In the centre of the valley, we could see<br />
exposed basement. The sapphires have<br />
been released from their basalt host<br />
rock by weathering. The richest sapphire<br />
concentrations are found in the centre of<br />
the valley near the riverbed, although many<br />
miners are also working on the hill flanks.<br />
According to the locals, sapphires have also<br />
been found on top of the basalt plateaus,<br />
indicating that a lot of the basalts are<br />
sapphire bearing.<br />
MINING<br />
All of the mining we saw was classic<br />
artisanal mining on the secondary deposits.<br />
The deposits are ideal for artisanal mining<br />
techniques and family/community mining<br />
efforts. We saw no mechanisation in the<br />
mining whatsoever. All the miners in the<br />
area first dug pits with picks and shovels.<br />
Then, the gravel was taken out of the pits,<br />
often by just flinging it to the top of the pit<br />
with a shovel or by using buckets. It was<br />
then sorted through for sapphires by hand,<br />
often with just dry picking.<br />
It appeared that the dry sorting missed<br />
many of the smaller size sapphires and that<br />
most of the stones the artisanal miners were<br />
recovering were above one gram. This was<br />
also evident when we tried to buy samples<br />
for research in one-carat to half-gram sizes.<br />
It was difficult to find any sapphires in that
ange with most of the miners and traders offering one gram and larger sizes.<br />
There are potentially numerous rough sapphires under one-gram sizes being left<br />
behind in the gravels sorted by the artisanal miners.<br />
When the miners hit ground water in the pits, they would bring it up by bucket<br />
for a very rudimentary use of water during the sorting process, which in either<br />
case was done right at the top of the pit by the small group working that pit. We<br />
did not see communal sorting or washing efforts.<br />
The mining efforts were very labour intensive. We saw approximately as many<br />
women miners as men and the women were often performing the same heavy<br />
labour tasks such as digging with picks and shovels. The mining was always a<br />
team effort at each pit with some members digging while others went through<br />
the gravel for sapphires. The teams were almost always less than 10 people and<br />
appeared to often be family and extended family groups.<br />
The pits themselves were often very shallow although the depths varied<br />
depending on their location. The pits that were at the bottom of the Granite<br />
Gorge were the shallowest as the weathered granite bedrock was reached after<br />
just digging to between half a metre and one and a half metres. Many of these<br />
shallow pits were being mined.<br />
Others were abandoned after the bedrock had been reached and the potential<br />
gem-bearing gravel processed. As the mining moved away from the valley<br />
centre, up the hill flanks, the depth of the pits would often increase as bedrock<br />
was not reached until six metres in some cases. These were the deepest pits we<br />
ROUGH ETHIOPIAN SAPPHIRES. IMAGE COURTESY WIM VERTRIEST/GIA<br />
saw. They are often approaching agricultural land or in some cases agricultural<br />
land is dug up to search for sapphires.<br />
The deeper pits often had a problem of hitting ground water and filling up<br />
partially or completely overnight. Even some of the shallow pits had this<br />
problem if they were right at the riverbed. The miners would then have to<br />
remove the ground water first thing in the morning before mining could<br />
continue. They usually accomplished this by hand held buckets with a miner<br />
standing in the water and shopping it up, then handing the bucket to a miner at<br />
the top of the pit who would toss it aside. If the pits were on the deeper range,<br />
there would be two miners in the pit to hand it up to the miner on the top of
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COURTESY ANDREW LUCAS/GIA<br />
THERE WERE MANY BROKERS IN THE MINING<br />
AREAS BUYING STONES. IMAGE COURTESY<br />
ANDREW LUCAS/GIA<br />
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the pit. They may also have to continually<br />
remove water during the entire day to<br />
keep mining.<br />
We only saw two diesel pumps being used<br />
to remove the water as the cost for the<br />
pump and fuel was likely prohibitive for<br />
most of the artisanal miners. At one crowded<br />
mining location, we saw an ingenious foot<br />
pedal powered pump to remove the water.<br />
Camels were commonly used as beasts of<br />
burden to haul material, while cows were<br />
commonly seen wandering through the<br />
mining areas.<br />
BUSINESS AND SOCIAL ASPECTS<br />
The Government issues six-month licences<br />
for exploration. After the exploration licence,<br />
the parties can apply for a mining licence<br />
with the Ministry of Mines by showing them<br />
the results from the exploration, which<br />
includes the amount of material recovered.<br />
If the Government approves, the parties are<br />
issued the mineral rights for the property.<br />
The mining along the gorge by artisanal<br />
miners is considered legal, however, the<br />
mining that moves up the hills, and is on<br />
agricultural land, is not legal at this time.<br />
Even with permission from the landowner,<br />
the mining operations are not lawful<br />
because the landowners do not own the<br />
mineral rights for their land.<br />
The landowners usually make an<br />
arrangement with the miners that the<br />
proceeds from any sapphires found while<br />
mining on their property would be divided,<br />
usually 50/50. Many farmers are also getting<br />
involved in sapphire mining, especially the<br />
younger generation helping their family’s<br />
farming business.<br />
We saw no foreign buyers in the sapphire<br />
fields or in the local trading town Chila.<br />
Foreign buyers are not allowed in the<br />
sapphire bearing area. In fact, it is difficult<br />
for any foreigner to come to the area.<br />
When travelling to the mining sites, we saw<br />
soldiers monitoring who was accessing the<br />
sapphire mining areas.<br />
Since we were with the Ministry of Mines, we<br />
had permission. We were provided an official<br />
letter allowing us into the area and into the<br />
mining sites, while being accompanied by<br />
someone from the ministry.<br />
Foreign buyers are not allowed to buy<br />
directly from artisanal miners, even in the<br />
trading town of Chila or in the nearby larger<br />
city of Aksum. Foreigners must buy from<br />
licensed brokers in Addis Ababa that have<br />
a permit to export. Most of the foreign<br />
buyers for sapphire in Ethiopia are Sri<br />
Lankans and Thais.<br />
GEMMOLOGY<br />
A preliminary study of the Tigray sapphires<br />
by GIA provides some technical information.<br />
Chemical analysis has shown that all<br />
sapphires have high Fe-content and no<br />
detectable Be or Cr concentrations. The<br />
high Fe-content, certain inclusions and<br />
a typical UV-VIS-NIR spectrum show that<br />
the sapphires are related to alkali basalt<br />
extrusions. This type of deposit commonly<br />
produces blue, green and yellow sapphires,<br />
all of which are found in Ethiopia.<br />
Blue stones are dominant, with yellow and
green stones being much rarer, although green zones are common<br />
in the larger stones. Parti-coloured stones are also seen.<br />
Some dealers have also reported purple sapphires, which might be<br />
an indication that some corundum contains traces of Cr (red colour)<br />
in combination with Fe-Ti pairs (blue colour).<br />
Most stones exhibit strong blue-green dichroism, but a considerable<br />
number have a milky appearance, which scatters the light and gives<br />
a yellow cast to the stone when illuminated from the side. These<br />
stones generally have a lighter body colour and are considered more<br />
attractive for buyers.<br />
SUMMARY<br />
When the sapphire mining started, it was estimated that 4,000<br />
people became involved very quickly and today over 10,000 people<br />
are involved in artisanal sapphire mining. Within a year, the sapphire<br />
trade made a huge impact on Chila, the local trading town.<br />
Before the sapphire mining rush started, there was one bank office,<br />
but at the time of our visit, three banks had a branch there and the<br />
police station had expanded. We could also see many construction<br />
sites all over town. When we visited, more than 20 Ethiopian gem<br />
dealers had an office in Chila.<br />
The deposits are potentially large. Qualities can vary depending on<br />
the exact mining location. There are three major areas being worked<br />
on, with one producing high quality bright blue stones that are<br />
smaller than the other areas that produce larger but often darker<br />
material. The average size of the sapphire rough is reported to be<br />
3 to 7 grams. However, some of the larger stones we saw had good<br />
TAKEN FROM DRONE FOOTAGE THIS SHOT CLEARLY SHOWS THE NUMEROUS<br />
PITS SEEN IN THE MINING AREAS. IMAGE COURTESY WIM VERTRIEST/GIA<br />
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NUMEROUS DEALER OFFICES WERE SEEN IN CHILA. ON SATURDAYS<br />
MANY OF THE ADDIS ABABA BUYERS WOULD COME TO TOWN AND BUY IN<br />
QUANTITY FROM MINERS. IMAGE COURTESY ANDREW LUCAS/GIA<br />
colour and quality, and sizes ranged from 10 to 20 grams. Other<br />
colours produced include yellow and green, but the most are blue.<br />
With the size of the deposits and variety of qualities, mining is<br />
economically viable for the local artisanal miners. Demand from Sri<br />
Lankan and Thai buyers seems to remain strong and prices offered<br />
by miners and dealers firm. The sapphire deposits have definitely<br />
transformed the economic nature of the local communities and the<br />
town of Chila, that can be observed with the small town going from<br />
one bank to new ones opening up constantly.<br />
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The Ethiopian Government looks to work with the country’s gem<br />
trade to achieve the greatest potential from their sapphire deposits,<br />
as well as other gem deposits in their country. They are looking to<br />
brand Ethiopian gemstones and hoping to bring in investment<br />
and training to better exploit their deposits and bring new skills<br />
so the people of the country can move up the value chain into<br />
manufacturing in the future.<br />
Ethiopia’s government and industry want to tell the story of their<br />
gemstones themselves to the global industry. For this purpose<br />
they are working with international organisations for research<br />
and training. This up and coming gemstone producer is proud of<br />
their gem wealth and looking to capitalise on it for the future<br />
of the country. i<br />
IP8488E-RGP<br />
ABOUT THE AUTHORS<br />
Andrew Lucas is Manager of Field Gemology for GIA in Carlsbad. Wim<br />
Vertriest is Supervisor Field Gemology for GIA in Bangkok, Thailand.<br />
Daniel Girma is an analytics Technician for GIA in New York. Teweldbrhan<br />
Abay is a director for the Mineral Marketing and Value Chain Directorate<br />
within the Ethiopian Ministry of Mines Petroleum and Natural Gas in<br />
Addis Ababa. Biniyam Bekele is a geologist for the Ethiopian Ministry of<br />
Mines Petroleum and Natural Gas in Addis Ababa.<br />
IP767-ERG<br />
This article was first published in Summer <strong>2018</strong> edition of InColor<br />
magazine: incolormagazine.com<br />
Reprinted with permission from International Colored Gemstones<br />
Association: gemstone.org<br />
+61 2 9266 0636 +61 2 9266 0969 enquiries@ikecho.com.au
GEMS<br />
COLOUR INVESTIGATION: TOURMALINE – PART I<br />
crystals, allowing some unusual long slender<br />
cuts. Pink to red crystals often have more<br />
visible inclusions than other coloured varieties<br />
although clean crystals are not uncommon in<br />
sizes under 2 carats.<br />
IMAGE COURTESY: GIA.EDU<br />
Boasting an array of colour and colour<br />
combinations unrivalled by any gem<br />
species, one can find tourmaline in shades<br />
of almost every hue. Throughout history<br />
this gem was often confused with other<br />
minerals until tourmaline was identified<br />
as its own mineral species in the 1800s.<br />
STACEY LIM reports.<br />
The name ‘toramalli’ (the Sinhalese word for<br />
“gems of mixed colours”) was originally used<br />
to describe these unknown coloured crystals.<br />
The tourmalines are a group of mineral<br />
species called borosilicates, that is, they are<br />
silicates containing boron, but also a mix of<br />
other elements.<br />
Consequently, they have a similar crystal<br />
structure but their varying chemical<br />
composition means they have different<br />
physical properties. In particular, the inclusion<br />
of other elements, such as chromium,<br />
iron and manganese, creates the variety of<br />
colour for which tourmaline is famous.<br />
The major tourmaline species are elbaite,<br />
liddicoatite, dravite, uvite and schorl, but most<br />
gem tourmalines are elbaites, which contain<br />
sodium, lithium and aluminium. Coloured by<br />
traces of various other elements, elbaites can<br />
be blue, green, yellow, pink to red, colourless<br />
or zoned with a combination of colours.<br />
Traces of manganese, for example, are<br />
thought to produce reds and pinks,<br />
although pinks may also owe their hues to<br />
colour centres caused by either natural or<br />
laboratory-induced radiation.<br />
Some varieties of tourmaline flaunt trade<br />
names such as ‘rubellite’, the name given to a<br />
range of red tourmalines, often tinged with<br />
orange, purple or brown. Some members of<br />
the trade argue that terms such as rubellite<br />
are archaic and varieties should be named<br />
after their colour and species alone.<br />
Tourmaline typically forms as long prismatic<br />
NEARLY ALL<br />
TOURMALINES<br />
DISPLAY<br />
DIFFERENTIAL<br />
ABSORPTION OF<br />
LIGHT, WHERE<br />
THE HUE AND<br />
SOMETIMES TONE<br />
VARY WITH THE<br />
ORIENTATION OF<br />
THE CRYSTAL<br />
Nearly all tourmalines display differential<br />
absorption of light, where the hue and<br />
sometimes tone vary with the orientation of<br />
the crystal. Pink crystals appear darker pink<br />
in the direction of the optic axis (parallel to<br />
the length of the crystal), and lighter pink<br />
perpendicular to the optic axis. This enables<br />
a degree of control over the depth of colour<br />
when fashioning a stone. Carefully controlled<br />
heating or irradiation can also alter colour,<br />
and while the results of both methods are<br />
rather uncertain, these treatments are still<br />
extensively used commercially, and are often<br />
very difficult to detect.<br />
Known for showing multiple colours in<br />
a single crystal, ‘watermelon tourmaline’<br />
is a particularly desirable parti-coloured<br />
variety. Looking exactly as it is named,<br />
these impressive crystals show pink in the<br />
centre, running down the crystal axis with a<br />
concentration of green around the outside.<br />
It is typically cut into slices to display this<br />
astonishing colour arrangement.<br />
The warm hues of tourmaline display a<br />
wide range of colour intensity and tone and<br />
while rubellite is generally a more available<br />
coloured variety of tourmaline, those with a<br />
hue and depth of colour that approach the<br />
intensity of fine ruby and pink sapphire can<br />
attract higher prices.<br />
A vibrant and impressive gemstone,<br />
tourmaline will continue to rival its precious<br />
counterparts with a seemingly endless array<br />
of colours. i<br />
STACEY LIM FGAA BA Design, is a qualified<br />
gemmologist and gemmology teacher/assistant.<br />
She is a jewellery designer, marketing manager<br />
and passionate communicator on gemmology.<br />
For information on gemstones, visit: gem.org.au<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 49
RETAIL<br />
ARA<br />
PENALTY REDUCTIONS; ILLICIT TRADE TO BE TACKLED<br />
RUSSELL ZIMMERMAN offers retailers a<br />
snapshot of the latest issues facing the<br />
industry, and explains why the ARA is<br />
looking towards a positive future for retail.<br />
The Australian Retailers Association (ARA) is<br />
looking forward to seeing further growth for<br />
small businesses and increased employment<br />
within the industry as the second stage of the<br />
penalty rate reduction takes shape.<br />
Last year’s decision to reduce Sunday penalty<br />
rates under the General Retail Industry Award<br />
2010 (GRIA) from double-time (200%) to timeand-a-half<br />
(150%) was an incredible outcome<br />
for Australian retailers as it will provide longterm<br />
benefits for employers and employees<br />
in the industry.<br />
Sunday penalties will now be reduced to 180<br />
per cent for permanent staff and 185 per cent<br />
for casual employees, alleviating some of the<br />
constant cost pressures retailers face today.<br />
With Labor’s recent moves to block the<br />
penalty rates reduction, the ARA is concerned<br />
that some people have misunderstood the<br />
recent changes to penalty rates – or worse,<br />
are being misinformed.<br />
Sunday penalty rates have not been abolished,<br />
nor will they be. We have simply reduced<br />
the rate from 200 per cent to 150 per cent as<br />
these excessive penalty rates were deterring<br />
employers from giving their staff Sunday shifts,<br />
and forcing some retailers to close their doors.<br />
As the decision was made by the Fair Work<br />
Commission (FWC) and an independent<br />
umpire established by the Labor Party, and<br />
then upheld by the Federal Court, the ARA<br />
trusts all sides of politics will support this<br />
revolutionary decision for the industry.<br />
THE ARA IS<br />
CONCERNED<br />
THAT SOME<br />
PEOPLE HAVE<br />
MISUNDERSTOOD<br />
THE RECENT<br />
CHANGES TO<br />
PENALTY RATES<br />
– OR WORSE,<br />
ARE BEING<br />
MISINFORMED.<br />
TACKLING ILLICIT TRADE<br />
With up to 15 per cent of global GDP lost<br />
each year to illicit trade, the ARA believes<br />
more needs to be done to combat such a<br />
phenomenal loss.<br />
According to the World Economic Forum,<br />
US$2.2 trillion worth of global GDP is lost per<br />
year due to organised crime and corruption.<br />
To tackle this serious issue, the ARA has<br />
been working with various government<br />
organisations and associations forming the<br />
Australians to Stop Counterfeiting and Piracy<br />
(AUSCAP) industry group to stem the illegal<br />
trade in consumer goods.<br />
More recently, the ARA and AUSCAP have<br />
been working closely to develop the<br />
Global Illicit Trade Environment Index, which<br />
evaluated 84 nations around the world<br />
and their efforts in combating this global<br />
economic scourge and plans to do better.<br />
Although Australia received the highest score<br />
in the Asia-Pacific region, there is much to<br />
be done to build a better environment and<br />
prevent illicit trade.<br />
After all, an Australia that is strong against illicit<br />
trade that supports its region to be the same<br />
is a safer and more prosperous Australia for all.<br />
OVERSEAS ORDERS AND THE GST<br />
The ARA believes the low value import<br />
threshold (LVIT) GST that has recently come<br />
into effect will create a fairer tax system and<br />
put local retailers on a level playing field.<br />
We’re hoping this tax fairness will give a<br />
much-needed boost to the industry and we<br />
will continue to work with the Government to<br />
ensure a 100 per cent collection rate.<br />
The ARA worked closely with the ATO in<br />
the lead-up to the implementation of<br />
the LVIT GST, and hopes to continue this<br />
relationship to ensure the best possible<br />
outcome for the local retail industry,<br />
including proposing additional collection<br />
models to improve compliance. i<br />
RUSSELL ZIMMERMAN is<br />
is the executive director<br />
of the Australian Retailers<br />
Association (ARA).<br />
Email: info@retail.org.au<br />
The Australian Retailers Association (ARA) is the largest association representing the country’s<br />
$310 billion retail sector, which employs more than 1.2 million people. Providing expert advice<br />
across multiple disciplines including leasing and wage rates, the ARA’s mission is to ensure<br />
retail success by informing, protecting, advocating, educating and saving money for members.<br />
50 <strong>Jeweller</strong> <strong>August</strong> <strong>2018</strong>
BUSINESS<br />
THE FUTURE OF CUSTOMER RELATIONSHIP<br />
As online shopping increases, STEVEN<br />
VAN BELLEGHEM says that customer<br />
relationships remains an important driver<br />
of loyalty in the minds of consumers.<br />
Customer relations are in transformation and<br />
pre-sales, sales and after-sales are changing<br />
at high speed. Companies need to figure<br />
out the current customer journey, the role<br />
of self-service, their data strategy and<br />
much more.<br />
A few years ago, this author conducted<br />
a global study on the future of customer<br />
relationships in collaboration with<br />
data-collection company SSI and<br />
translation agency No Problem! The study<br />
investigated all aspects of a modern<br />
customer relationship and the highlights<br />
were as follows:<br />
ADOPTION OF NEW TECHNOLOGIES<br />
Rogers’ Adoption Curve is a concept by a<br />
communications studies professor named<br />
Everett Rogers that seeks to explain how,<br />
why and at what rate new ideas and<br />
technologies spread.<br />
Rogers first published the concept in 1962<br />
in his book The Diffusion of Innovations and<br />
the curve is well-known – every manager,<br />
marketer and entrepreneur refers to this<br />
body of thought from time to time. He<br />
divides adopters into five categories:<br />
innovators, early adopters, early majority, late<br />
majority and laggards.<br />
People are more aware than ever before of<br />
the newest products and models as soon as<br />
they hit the market, and never has the public<br />
been so awake to the possibilities that are<br />
coming their way.<br />
Furthermore, the intention to buy these<br />
new products is high, a position that sharply<br />
contrasts consumers’ approach to new<br />
technology just two decades ago. In studies<br />
from the early 1990s in which respondents<br />
were asked about their intention to buy a<br />
mobile phone someday, the most popular<br />
answer was a firm ‘No!’ Some 25 years later,<br />
that sentiment has changed completely.<br />
This is how it usually went with new<br />
concepts: the ‘average Joe’ or Rogers’ socalled<br />
‘early majority’ failed to see the point<br />
LIFE IS FASTER<br />
NOWADAYS AND<br />
THAT INCLUDES<br />
NOT ONLY THE<br />
INTRODUCTION<br />
OF NEW<br />
TECHNOLOGIES<br />
BUT THE<br />
OBSOLESCENCE<br />
OF OUTDATED<br />
ONES<br />
of most new technology, yet reactions today<br />
are very different. For instance, 66 per cent<br />
of people say they are interested in buying<br />
a smart TV one day, one in two are actually<br />
looking forward to the introduction of<br />
smart cars, smart shoes and refrigerators are<br />
slightly lower down on the wish list but the<br />
idea of a smart thermostat is very popular.<br />
Today, a mobile phone has become just<br />
another fast-moving consumer good<br />
(FMCG) and the average consumer replaces<br />
their smartphone every 18 months – one<br />
wouldn’t have to travel back in time too<br />
far to find a generation who had the same<br />
home phone for 18 years!<br />
Things are moving quickly indeed. The<br />
classic Rogers’ Adoption Curve probably still<br />
exists, although its upward or downward<br />
tilt is probably slightly more pronounced<br />
than before. Life is faster nowadays and<br />
that includes not only the introduction of<br />
new technologies but the obsolescence of<br />
outdated ones.<br />
THE RISE OF DIGITAL OFFLINE<br />
Traditional retailers are afraid of<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 51
BUSINESS<br />
CONSUMERS STILL VALUE PERSONAL TOUCHES<br />
‘showroomers’, the shoppers who look<br />
around their stores and ask staff for expert<br />
advice only to go home and order the<br />
product online. This fear is justified: a study<br />
has shown that 46 per cent of Americans<br />
have been known to ‘showroom’; however,<br />
the same study also revealed that ‘reverse<br />
showrooming’ is an even bigger trend – 69<br />
per cent of consumers research products<br />
online and then visit an offline store to<br />
order the product of their choice.<br />
In the SSI/No Problem! study mentioned<br />
earlier, one of the aspects under<br />
investigation was how consumer<br />
expectations are changing with regard to<br />
the offline (bricks-and-mortar) shopping<br />
experience. The results were clear:<br />
consumers expected the online and offline<br />
worlds to integrate in the near future. In<br />
many cases, that’s exactly<br />
what is happening.<br />
The study showed that consumers expect<br />
an increasing level of interaction and<br />
digitisation in the offline sales outlets, 63<br />
per cent expect stores to install interactive<br />
screens enabling consumers to look up<br />
details on specific products during their<br />
visit and 64 per cent want the option of<br />
ordering a product online right away if it’s<br />
not on stock.<br />
The latter figure illustrates the evolution<br />
of offline toward online and back again.<br />
What’s more, 73 per cent of consumers<br />
feel it’s a plus when an online store also<br />
has an offline sales outlet. Flexible pickup<br />
and delivery options will also become an<br />
increasingly crucial part of any retailer’s<br />
online strategy.<br />
KNOW THE CUSTOMERS<br />
Consumers exhibit a growing aversion to<br />
repeating themselves so the key issue for<br />
consumers is to be recognised as a customer<br />
across all channels. Currently one in three<br />
people expect sales personnel to know that<br />
they searched online and browsed a product<br />
prior to their visit; they want to hear the right<br />
answers right away without having to tell<br />
the same story over and over.<br />
Strikingly enough, this phenomenon is<br />
roughly the same across the world.<br />
DATA BENEFITS ALL<br />
A large portion of the public is still clueless<br />
as to how companies can use their data.<br />
The SSI/No Problem! report showed very<br />
little opposition to the possible use of<br />
consumer data for specific purposes but,<br />
at the moment, only a limited number of<br />
consumers are in favour of such practices<br />
– most consumers are indifferent and have<br />
adopted a ‘wait and see’ attitude.<br />
If consumers had their way, retailers would<br />
primarily use their data to send them<br />
personalised information, something that<br />
46 per cent of respondents would welcome.<br />
It’s striking to note that the Dutch, who<br />
are traditionally frontrunners in the field<br />
of digitisation, are the most sceptical of<br />
corporate use of personal data – just 30<br />
per cent of Dutch consumers are okay with<br />
companies using their data.<br />
Countries such as Belgium, Spain, Italy<br />
and also Singapore are much more open<br />
to such strategies, and over 50 per cent of<br />
consumers in those nations expect better<br />
service through the use of consumer data.<br />
THE PERSONAL DIGITAL WORLD<br />
Several years ago, Peter Hinssen wrote<br />
The New Normal, where he argued that<br />
businesses would address a society without<br />
digital limits, where they are increasingly<br />
faced with customers and consumers who<br />
no longer tolerate limitations in terms of<br />
pricing, timing, patience, depth, privacy,<br />
convenience and intelligence.<br />
This is now a reality. Still, it would be<br />
premature to write-off everything situated<br />
in the human and offline realm just because<br />
the digital society has become the norm.<br />
On the contrary, consumers all over the<br />
NEVER<br />
UNDERESTIMATE<br />
THE IMPACT OF<br />
REAL PEOPLE.<br />
HUMAN CONTACT<br />
IS CRUCIAL IN<br />
MOST CUSTOMER<br />
RELATIONSHIPS,<br />
EVEN IN THE<br />
DIGITAL WORLD<br />
world share the same basic concern for<br />
wanting to build a digital relationship<br />
without losing the interpersonal, human<br />
contact of face-to-face relationships.<br />
Only a handful of companies can do without<br />
but, as always, there are exceptions to the<br />
rule – companies like Amazon and Booking.<br />
com are hugely successful despite minimum<br />
human interventions. Google is another case<br />
in point, but how many companies can do<br />
what these leading companies are doing?<br />
The answer lies in their exceptional DNA<br />
and also their excellent track record when<br />
it comes to customer interaction. Consider<br />
these and it’s easy to see why they are<br />
the exceptions.<br />
A company like Dutch e-commerce business<br />
Coolblue has made a conscious choice to<br />
cultivate human contact. When an online<br />
player opens offline stores and records<br />
videos of employees recommending their<br />
services, it is a well-considered and very<br />
intelligent strategy.<br />
THE PERSONAL TOUCH IS KEY<br />
Never underestimate the impact of real<br />
people. Human contact is crucial in most<br />
customer relationships, even in the digital<br />
world. Seventy-three per cent of consumers<br />
like to have the option of talking to a fleshand-blood<br />
person from time to time even<br />
when the digital channels are working<br />
perfectly. The simple fact that this possibility<br />
exists creates peace of mind that many<br />
people still value.<br />
The personal touch is in the little things<br />
– one in two consumers like it when a<br />
business addresses them by name, for<br />
example. Retailers must get to know their<br />
customers so they can personalise the<br />
customer experience.<br />
Of course, the great thing about all this is<br />
that jewellery retailing is one business that<br />
still thrives on human contact, excellent<br />
advice and emotional purchasing. i<br />
STEVEN VAN BELLEGHEM<br />
provides coaching, workshops<br />
and advice about social media<br />
and conversation management.<br />
stevenvanbelleghem.com<br />
52 <strong>Jeweller</strong> <strong>August</strong> <strong>2018</strong>
SELLING<br />
YOUR PRICE IS TOO HIGH<br />
TOO OFTEN, STORES ARE PARANOID ABOUT PRICE WITHOUT REALISING THAT A HIGH PRICING STRATEGY<br />
BRINGS BENEFITS THAT OUTWEIGH DISCOUNTING. DALE FURTWENGLER REPORTS.<br />
“Your price is too high!” These words strike<br />
fear into the hearts of business owners and<br />
salespeople like no others but the reality is<br />
that this is the one statement they should be<br />
happy to hear; it can be music to the ears of<br />
good salespeople.<br />
Why? Well, because it opens the door<br />
to negotiation.<br />
Now if you’re not an experienced negotiator<br />
I suggest that you take some classes, read<br />
some books and do whatever you need to<br />
do to develop this skill. It’s one that will serve<br />
you not only in your business but also in your<br />
relationships with family and friends.<br />
ONE SIMPLE QUESTION<br />
In the meantime, here’s one question that<br />
will help you launch the negotiation. When a<br />
customer says your price is too high, simply<br />
ask, “What would you like to give up?”<br />
This simple question puts them on the<br />
defensive; they now have to explain why they<br />
think the price should be lower instead of you<br />
trying to convince them that your price is fair.<br />
Often they’ll cite another store, usually online,<br />
where they can get a cheaper price. To that<br />
you’ll respond, “I have no doubt that you can<br />
find a cheaper price but what will you be<br />
giving up to get that lower price?”<br />
Again, don’t be surprised if they say, “Nothing.<br />
It’s the same product.”<br />
Agree that it is the same or similar product<br />
then ask what they’ll do when they<br />
experience any of the myriad of problems<br />
that can occur after the sale. How will those<br />
be handled? How will they feel dealing<br />
with a call-centre representative in a distant<br />
location that isn’t authorised to deal with<br />
their problem?<br />
How will they feel when left to their own<br />
devices because exchanges aren’t company<br />
policy? If exchanges are allowed, how much<br />
time will they spend shipping the defective<br />
product back and forth instead of exchanging<br />
an item on the spot at your store?<br />
WHEN A<br />
CUSTOMER SAYS<br />
YOUR PRICE<br />
IS TOO HIGH,<br />
SIMPLY ASK,<br />
“WHAT WOULD<br />
YOU LIKE TO<br />
GIVE UP?” THEY<br />
NOW HAVE TO<br />
EXPLAIN WHY<br />
THEY THINK THE<br />
PRICE SHOULD<br />
BE LOWER<br />
OFFER REASONS WHY YOUR PRICE IS HIGHER<br />
THE GOAL<br />
The goal is not to denigrate your competition;<br />
it’s to help your prospect understand why your<br />
price is higher than your competitors. There<br />
are intangibles that are often overlooked that<br />
add real value and can warrant a higher price.<br />
This approach also helps the customer to<br />
make conscious decisions about the choices<br />
they make. If the price really is outside<br />
their budget, it opens the door for you to<br />
guide them to alternatives that will meet<br />
the majority of their needs and provide an<br />
enjoyable experience for them.<br />
It can mean tailoring the offering to their<br />
specific needs or suggesting alternative<br />
products after your questions have ferreted<br />
out what’s most important to them.<br />
LOGIC VS EMOTION<br />
Retail experts will tell you that businesses<br />
looking to avoid a race to the bottom on<br />
price require the following three attributes:<br />
• Offer a distinct, differentiated product<br />
• Be authentic in their pricing strategies with<br />
an accurate understanding of the customer<br />
value quotient<br />
• Stay true to who they are as a brand<br />
• If retailers already know this, why don’t<br />
their pricing strategies reflect it? The short<br />
answer is that there is a huge difference<br />
between logical and emotional acceptance.<br />
Anyone who has worked in sales, however<br />
briefly, has experienced the frustration of<br />
buyers refusing to make a decision even<br />
after acknowledging everything the<br />
salesperson says.<br />
The lesson here is that emotions trump logic<br />
every time. I believe this is what’s happening<br />
with retailers; they know what they need to<br />
do to stop discounting but they can’t get<br />
past the fear of losing a sale to a competitor<br />
with a lower price.<br />
STRATEGY<br />
Here are three reasons why your sales<br />
strategy should include prices that are high<br />
enough to get prospective customers to say,<br />
“Your price is too high.”<br />
It opens the door for you to:<br />
• High prices help you discover what’s really<br />
important to your customers versus what’s<br />
nice to have<br />
• High prices help you guide customers<br />
towards informed decisions that benefit<br />
both you and them<br />
• High prices help you increase margins<br />
despite what your competitors are doing.<br />
Most importantly, high prices help you<br />
recognise early those instances when a<br />
customer really only cares about price.<br />
You can then limit the amount of time and<br />
energy expended in what will inevitably be a<br />
failed effort.<br />
Once you’ve developed the above skills,<br />
you’ll find that negotiating is actually a lot of<br />
fun and a wonderful outlet for the creativity<br />
that exists within each of us so boost your<br />
prices today. i<br />
DALE FURTWENGLER is<br />
founder of Furtwengler &<br />
Associates. He is a speaker,<br />
author and consultant.<br />
pricingforprofitbook.com<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 53
MANAGEMENT<br />
THE POWER OF A MENTOR<br />
IN THIS DIGITAL AGE, NEVER BEFORE COULD THE OLD MAXIM ‘CANT SEE THE FOREST FOR THE TREES’ BE TRUE HOWEVER,<br />
SOLVING SOME CHALLENGES OF BUSINESS CAN BE AS SIMPLE AS HIRING A MENTOR. DAVID BROWN REPORTS.<br />
Sometimes being in business can feel as<br />
though you’re the only one who understands<br />
the trials and tribulations you are going<br />
through. Such loneliness means a support<br />
network is invaluable for any business owner,<br />
regardless of the size of their operation.<br />
Peers and fellow business owners can be<br />
invaluable resources, however working with<br />
a business mentor can help you deal with<br />
specific issues and decisions you may<br />
have to make.<br />
Here are some of the most valuable reasons<br />
why adding a mentor to your team can be<br />
one of the best steps you can take to preserve<br />
and increase sales.<br />
MENTORS PROVIDE KNOWLEDGE<br />
A mentor will have a strong level of<br />
experience in business. They may not<br />
necessarily be involved in the jewellery<br />
industry, but they will be able to bring a level<br />
of business expertise to the table that you<br />
may not have. A mentor can therefore often<br />
see what you can’t.<br />
A SUPPORT NETWORK IS INVALUABLE FOR ALL<br />
MENTORS BRING ACCOUNTABILITY<br />
One of the toughest tasks as a business<br />
owner is staying disciplined and focused.<br />
Without accountability, there is no strong<br />
incentive to stay on track and drive your<br />
business forward. A mentor can provide this<br />
function by making sure you follow through<br />
on your commitments to yourself.<br />
more mistakes than most.<br />
Why make the same mistakes twice when<br />
there are others who have been there a<br />
nd who can prevent you from erring<br />
as they did?<br />
Knowing you need a mentor is one thing,<br />
but where do you find a good mentor? Well,<br />
you can start by asking other jewellers or<br />
business colleagues.<br />
Some may have their own support network<br />
or advisors they can introduce to you.<br />
Recommendations are always one of the<br />
most effective ways to seek the services<br />
you require.<br />
Once you find a prospective mentor,<br />
make sure they’ve walked the walk. There<br />
are plenty of so-called ‘experts’ who set<br />
themselves up as advisors or consultants,<br />
but the important question is, ‘What are<br />
their credentials?’ Have they had business<br />
success at a level you want to achieve?<br />
If not, then are they the right person to<br />
advise you?<br />
Sometimes in business you can’t see the forest<br />
for the trees. A mentor will often approach<br />
problems from an impersonal, detached<br />
and unemotional perspective that will allow<br />
them to provide insights you may not have<br />
discovered otherwise.<br />
They are in the unique position of being able<br />
to appreciate the strengths you may take for<br />
granted while acknowledging the weaknesses<br />
you fail to see.<br />
MENTORS OFFER ENCOURAGEMENT<br />
US President Harry Truman famously had a<br />
sign on his desk in the Oval Office that said,<br />
‘The buck stops here’. There’s no escaping<br />
the responsibility of business ownership, but<br />
there’s also no one around to congratulate<br />
you when things go well, or encourage you<br />
when things get tough. A good mentor can<br />
provide that much-needed pat on the back or<br />
just some words of support when challenges<br />
are mounting.<br />
KNOWING YOU<br />
HAVE SOMEONE<br />
TO SUPPORT<br />
YOU, AND WITH<br />
WHOM YOU<br />
CAN DISCUSS<br />
CONFIDENTIAL<br />
MATTERS, CAN<br />
HELP YOU WORK<br />
THROUGH<br />
ISSUES MORE<br />
SURELY<br />
MENTORS CAN BE A SOUNDING BOARD<br />
Sometimes you just need someone who<br />
will listen. A good mentor can help you<br />
work through issues without saying a word!<br />
Knowing you have someone to support<br />
you, and with whom you can discuss<br />
confidential matters, can help you work<br />
through issues more surely.<br />
MENTORS HAVE CONTACTS<br />
An experienced mentor will have<br />
developed a network of contacts during<br />
their years in business. They may be able to<br />
introduce you to people who can help you<br />
take your business to the next level.<br />
MENTORS HAVE EXPERIENCE<br />
Mentors have no doubt made mistakes<br />
along the way, which means they can help<br />
you avoid making similar errors. Everyone<br />
makes mistakes and those who have been<br />
the most successful have probably made<br />
Choosing a mentor is not a decision to<br />
take lightly. You may find a retired business<br />
owner who is happy to give back because<br />
they were once supported themselves.<br />
This person may want nothing in return but<br />
just enjoys staying involved in business. You<br />
may hire a professional consultant instead.<br />
Some prefer to pay for help, as they don’t<br />
value advice if they’re obtaining if for free.<br />
Either way is fine, as long as you are gaining<br />
the support and assistance you require.<br />
Business doesn’t have to be done alone.<br />
Seek the support you need to achieve the<br />
results you deserve. i<br />
DAVID BROWN is<br />
co-founder and<br />
business mentor of<br />
Retail Edge Consultants.<br />
retailedgeconsultants.com<br />
54 <strong>Jeweller</strong> <strong>August</strong> <strong>2018</strong>
MARKETING & PR<br />
BUSINESS CAN PROSPER IN THE AMAZON ERA<br />
THE EMERGENCE OF GLOBAL MEGA-RETAILERS ON THE AUSTRALIAN MARKET DOESN’T HAVE TO SPELL DOOM FOR<br />
TRADITIONAL RETAILERS. BARRY URQUHART DISCUSSES THE IMPORTANCE OF BUILDING A SERVICE CULTURE.<br />
When Amazon launched its marketplace<br />
in Australia, it was a limited offering. The<br />
mega-retailer didn’t offer its priority delivery<br />
subscription service Amazon Prime, nor its<br />
store-within-a-store service Fulfilment by<br />
Amazon (BBA). The company also denied<br />
Australians access to Amazon.com, which<br />
operates from the US.<br />
Soft launches like this incomplete ‘rolling’<br />
launch are fraught with danger, because a<br />
brand only gets one chance to make a first<br />
impression. Consumers can be lost forever<br />
because of an underwhelming first offering<br />
and Amazon not only risked short-term<br />
damage to its sales, but longer term damage<br />
to its brand image. Winning a customer is<br />
always easier than winning back a customer.<br />
A MOMENT OF HOPE<br />
The public’s lukewarm reception to Amazon’s<br />
Australian launch brought hope to retailers<br />
who had been told by the usual harbingers<br />
of doom that Amazon would end their<br />
businesses. The day after the launch, the<br />
earth still turned on its axis and the sun<br />
rose in the east.<br />
It seems competitive edge is still possible for<br />
big and small businesses that are committed<br />
to lifting their service standards, updating<br />
their business models, reviewing their pricing<br />
policies and establishing and sustaining<br />
strong relationships with existing and<br />
past customers.<br />
PLUG THE LEAK<br />
The prospect of bricks-and-mortar and<br />
online businesses both losing market share<br />
to new interlopers like Amazon, Aldi, Costco<br />
and numerous fast-fashion outlets is really<br />
the consequence of poor and impersonal<br />
service at retail level.<br />
The number of consumers who are frustrated<br />
and intolerant with sloppy retail experiences<br />
has increased substantially during the past<br />
decade, and Australian entities are no longer<br />
protected from Amazon and other giants by<br />
geographical isolation.<br />
MANAGING<br />
EXPECTATIONS<br />
IS A<br />
FUNDAMENTAL<br />
PILLAR OF<br />
ATTRACTING<br />
CONSUMER<br />
INTEREST, VISITS,<br />
SALES AND,<br />
ULTIMATELY,<br />
REPEAT<br />
BUSINESS<br />
PERSONALISED CUSTOMER SERVICE IS KEY<br />
With the advent of online channels and<br />
digital marketing, convenience and<br />
access have both boomed. Product range<br />
and delivery are no longer hindered by<br />
geographical factors and now seem almost<br />
unlimited, extending far beyond what<br />
traditional retailers can offer.<br />
Furthermore, a slow uptake of e-commerce<br />
by long established and recognised traders<br />
has lowered the barriers and accelerated the<br />
entry of global disruptors.<br />
Correspondingly, and as a consequence<br />
of managerial inaction, price has eclipsed<br />
branding for the first time in two decades<br />
as the third most important criterion in<br />
purchase decision making.<br />
It seems everything has changed,<br />
necessitating a total audit of marketing,<br />
advertising, merchandising, promotions,<br />
sales, service, operations, inventory, pricing<br />
and staffing.<br />
FIRST THING’S FIRST<br />
Without question, a primary cause of why<br />
retailers are leaking revenue and customers<br />
to new, mostly global entrants is the<br />
disturbingly regular instances of negative<br />
shopping experiences.<br />
To reiterate a quote popular in business<br />
development workshops, “We have<br />
met the enemy and they are us.”<br />
Attacking, competing with and beating<br />
Amazon cannot be achieved by focusing<br />
on where Amazon is strongest – lower<br />
prices, a huge range, house-branded<br />
products, priority servicing and delivery,<br />
prompt customer responses and global<br />
product access.<br />
Instead, the most immediate and scalable<br />
opportunity for traditional retailers is<br />
personalised customer service. Online<br />
interactions lack the emotion that flows<br />
from a personalised encounter. Digital<br />
customer service can feel transactional<br />
in nature and is not an easy medium for<br />
building relationships, stimulating loyalty<br />
and encouraging repeat business because<br />
everything focused on now.<br />
A PROPER FOCUS ON SERVICE<br />
Sadly, opportunities are often lost because<br />
of service myopia. A narrow view upon<br />
convenience and immediacy leads to<br />
perfunctory exchanges bereft of even<br />
the most popular elements of service<br />
excellence, such as customer empathy and<br />
after sales service.<br />
Managing expectations is a fundamental<br />
pillar of attracting consumer interest, visits,<br />
sales and, ultimately, repeat business.<br />
Generating a sense of intrigue is fulfilling<br />
to prospective customers and therefore<br />
satisfying for businesses.<br />
Consider this final thought: businesses can<br />
survive and even thrive in the presence of<br />
Amazon and other global retailers. Those<br />
that will do best are the ones that can lift<br />
their sights, standards and disciplines to the<br />
benefit of all. Do that and the customers will<br />
keep coming. i<br />
BARRY URQUHART<br />
is managing director of<br />
Marketing Focus and an<br />
international keynote speaker.<br />
marketinginfocus.net.au<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 55
LOGGED ON<br />
HOW TO WRITE FOR SEO (AND WHY IT MATTERS)<br />
SEO REMAINS A NECESSARY PART OF RETAIL MARKETING AND WRITING FOR SEARCH ENGINE OPTIMISATION STARTS<br />
WITH A STRONG PAGE TITLE AND DESCRIPTION. SIMON DELL REPORTS.<br />
Your website’s page title and description can<br />
have a big effect on your SEO. That’s why<br />
it’s important to learn the basics of these<br />
marketing tactics so you can apply them for<br />
better rankings and overall success in your<br />
business’ search results.<br />
First, let’s start with the title. To set your page<br />
title, you need to edit your title tag.<br />
WHAT’S A TITLE TAG?<br />
The title tag is the part of the HTML code<br />
that defines the official title of the web<br />
page. It is what shows up as the clickable<br />
headline for search engine results. In the<br />
Google result below, the large blue headline<br />
is the page title.<br />
A title tag is important for a few reasons –<br />
firstly, it should be an accurate description<br />
of the page content that tells Google what<br />
your page is about so the search engine<br />
can include it in relevant search queries;<br />
secondly, a title tag tells users what to expect<br />
from your page. When catchy and relevant,<br />
title tags can increase page conversions.<br />
CTR<br />
The CTR or click-through rate is an essential<br />
part of effective SEO. This is especially true<br />
with your page title. Google uses CTR to<br />
determine how relevant your content is to<br />
the searcher.<br />
A higher CTR will bring you a higher ranking<br />
and thus even more clicks and a low CTR<br />
will do the opposite. In addition, the higher<br />
your CTR then the higher your sales or other<br />
back-end conversions will be, naturally.<br />
This combination makes it one of the most<br />
important parts of your SEO arsenal.<br />
WRITE A GOOD PAGE TITLE<br />
Always include your focus keyword in your<br />
title. The focus keyword is the search term<br />
that most appeals to your page. This is<br />
how Google knows what your page is about<br />
and it sharply increases your chances of<br />
ranking higher.<br />
You need your title to catch attention<br />
immediately. After all, you are competing<br />
with other sites who are sometimes using<br />
the same keywords to get people to visit<br />
their pages.<br />
It can be helpful to put your keyword at the<br />
beginning of the title but, if most of your<br />
competitors are putting the focus keyword<br />
at the beginning as well, consider adding<br />
one or two words beforehand to ensure your<br />
title stands out.<br />
OPTIMAL LENGTH<br />
Google displays search-engine results pages<br />
(SERPs) in three different modes: wide<br />
screen, smaller screen and mobile.<br />
The number of search results per page<br />
depends upon which of these three views<br />
Google is using.<br />
Titles typically max out at 50-60 characters<br />
but they may cut off at different lengths<br />
depending on the view. There is no set<br />
number of characters that is the optimal<br />
length – Google might show more of the<br />
letter ‘i’ than the letter ‘w’ due to the pixel<br />
width, for example – so it is recommended<br />
to keep titles under 55 characters.<br />
For best results, manually review all titles<br />
to make sure you’re getting the proper<br />
information to appear in the right views.<br />
OTHER TITLE BEST PRACTICES<br />
Be sure to include the keyword or main<br />
theme in the first half of your titles, just<br />
in case the second half gets cut off, again<br />
due to the screen size or responsive design<br />
trimming the title.<br />
It might be tempting to leave out your<br />
brand name to save space but Google<br />
actually prefers that you include it. If you<br />
don’t, Google might change your title for<br />
you down the road, causing confusion and<br />
putting a dent in your rankings and traffic.<br />
As with any marketing, constantly test the<br />
results – test different titles and see which<br />
ones are driving more clicks to your brand.<br />
A WEBSITE’S PAGE TITLE AND DESCRIPTION WILL IMPACT WEB TRAFFIC<br />
IF MOST OF YOUR<br />
COMPETITORS<br />
ARE PUTTING<br />
THE FOCUS<br />
KEYWORD AT<br />
THE BEGINNING,<br />
CONSIDER<br />
ADDING ONE<br />
OR TWO WORDS<br />
BEFOREHAND TO<br />
ENSURE YOUR<br />
TITLE STANDS OUT<br />
UNDERSTANDING META DESCRIPTIONS<br />
Now it’s time for the meta description. This<br />
is the portion of text that appears beneath<br />
your title in SERPs. It’s typically a few<br />
lines long.<br />
USER IN MIND<br />
Always write meta descriptions for people,<br />
not for search engines. Meta descriptions<br />
don’t directly determine page rank but they<br />
do affect your CTR and a good CTR means a<br />
better ranking.<br />
Write descriptions under 160 characters that<br />
tell users exactly what they can expect and<br />
include a clear call to action.<br />
SEO remains a necessary part of any online<br />
marketing strategy. Just as a website needs<br />
good and relevant content, it also needs<br />
strong titles and meta descriptions to ensure<br />
it is treated accordingly by search engines.<br />
Take note of the tactics above to ensure your<br />
webpage ranks higher in search results and<br />
converts more traffic. i<br />
SIMON DELL operates his<br />
own agency, focusing on<br />
digital marketing strategies<br />
and customer engagement.<br />
simondell.com<br />
56 <strong>Jeweller</strong> <strong>August</strong> <strong>2018</strong>
MY STORE<br />
DNS JEWELLERS<br />
COUNTRY: Australia<br />
NAME: Dean and Nic Sumner<br />
POSITION: Co-owners<br />
When was the renovated space<br />
completed?<br />
Originally established in 1960 as<br />
Penshurst <strong>Jeweller</strong>s, we relocated to<br />
Mortdale [Sydney] and opened in<br />
January <strong>2018</strong>.<br />
Who is the target market and how did<br />
they influence the store design?<br />
I don’t think we have a target market;<br />
generations of families have been<br />
coming to us including grandparents,<br />
their children and grandchildren. When<br />
we decided to make the move it was<br />
very important to maintain our customer<br />
base but also attract new clientele with<br />
a fresh new look. We set out to go for a<br />
modern boutique style incorporating a<br />
‘lux’ jewellery feel. We want our style to<br />
feel comfortable and inviting, with the<br />
right look, feel and layout.<br />
With the relationship between store<br />
ambience and consumer purchasing<br />
in mind, which features in the store<br />
encourage sales?<br />
Our main focus is manufacturing and<br />
repairs but we feel we have the right<br />
balance of the jewellery basics that<br />
people are after such as chains, earrings<br />
and watches, along with custom makes.<br />
From the street we have an eye-catching<br />
display cabinet that showcases our<br />
higher-end rings. This placement was<br />
important to the shop lay out, as it<br />
catches the customers eye at street<br />
level but visually allows a clear view of<br />
our cabinets inside that we feel entices<br />
customers to come in and shop.<br />
What is the store design’s ‘wow factor’?<br />
We like the flow of the shop and the<br />
visual concept from the outside in.<br />
The shop takes in lots of natural light,<br />
which makes the white cabinets and<br />
jewellery reflect brilliantly. We also<br />
love our back gold wall that reflects<br />
gemstone cuts. Our logo is prominently<br />
displayed and our large doublesided<br />
mirror ties in with the shop but is<br />
also fully functional for our workshop<br />
out the back. i<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 57
10 YEARS AGO<br />
WHAT WAS MAKING NEWS 10 YEARS AGO?<br />
A SNAPSHOT OF THE INDUSTRY EVENTS THAT MADE NEWS HEADLINES IN THE AUGUST 2008 ISSUE OF JEWELLER.<br />
Precious metal<br />
standards update<br />
The story: Representatives from the jewellery trade<br />
are currently working with Standards Australia<br />
(SA) to compile new precious metal and plating<br />
standards for the industry. Drafts of these standards<br />
are now complete.<br />
The committee has already attended four meetings<br />
to devise two separate standards, according to<br />
committee member Peter Beck, CEO of supplier<br />
Peter W Beck and representative of the Australian<br />
<strong>Jeweller</strong>y and Gemstones Council. The new<br />
standards – Australian Standard – Requirements<br />
Nationwide to<br />
release price book<br />
The story: A slowing economy and<br />
continuing gold price hikes have prompted<br />
Nationwide <strong>Jeweller</strong>s to release version<br />
three of its Repair Price Book at the JAA<br />
Australian <strong>Jeweller</strong>y Fair in September. The<br />
price book includes recommended retail on<br />
most jewellery and watch repair services.<br />
“With the slowing economy, there will be<br />
a surge in demand for repairs of all types<br />
of goods, including jewellery and watches,”<br />
managing director Colin Pocklington said.<br />
“So, jewellers need to ensure that their<br />
prices reflect current cost factors.”<br />
for rolled gold and plated jewellery; Australian<br />
Standard – <strong>Jeweller</strong>y-fineness of precious metal<br />
alloys – will cover all precious metals and their<br />
alloys, as well as rolled gold, plating thicknesses<br />
and so forth.<br />
BETTER TRADE PRACTICES<br />
LAWS TO BENEFIT SMALL<br />
BUSINESS<br />
The story: Small businesses<br />
will soon enjoy what has been<br />
dubbed the greatest protection in<br />
30 years against predatory pricing<br />
and misuse of market power as the<br />
result of proposed changes to the<br />
Trade Practices Act.<br />
Speaking at the National Small<br />
Business Summit in Sydney,<br />
Australian ACCC chairman, Graeme<br />
Samuel said the government was<br />
now preparing to remove blockages<br />
in the law that would allow the<br />
regulator to take more action on<br />
behalf of small businesses.<br />
According to an ACCC release, the<br />
regulator has been actively working<br />
to assist small business on a number<br />
of fronts from protecting them from<br />
cartels, bullying conduct, misleading<br />
conduct and scams (false business<br />
opportunities).<br />
Samuel said the ACCC took a holistic<br />
approach that recognised that small<br />
businesses are also consumers.<br />
“Protecting their welfare means<br />
dealing with a number of issues, from<br />
scams to cartels, to bullying by other<br />
businesses,” he said.<br />
More DCLA questions<br />
The story: Questions from <strong>Jeweller</strong> about the<br />
DCLA-controlled website that purports “to help<br />
the diamond consumer locate reputable Australian<br />
diamond jewellers dedicated to the fair, ethical, and<br />
honest sale of diamonds and diamond jewellery” have<br />
not been answered by DCLA directors.<br />
After <strong>Jeweller</strong> published a story in its March issue<br />
about www.independentlycertifieddiamonds.<br />
com, (ICD) DCLA directors wrote to the magazine<br />
complaining about the accuracy of the story and<br />
also lodged a formal complaint with the Australian<br />
Press Council. Just prior to the story being published,<br />
the ICD website underwent a massive redesign.<br />
<strong>Jeweller</strong> wrote to DCLA director Roy Cohen but Cohen<br />
declined to answer.<br />
58 <strong>Jeweller</strong> <strong>August</strong> <strong>2018</strong>
EVENTS<br />
JEWELLERY AND WATCH CALENDAR<br />
A GUIDE TO THE LOCAL AND INTERNATIONAL JEWELLERY AND WATCH EVENTS SCHEDULED TO TAKE PLACE IN THE YEAR AHEAD.<br />
AUGUST<br />
AUSTRALIAN OPAL<br />
EXHIBITION<br />
Gold Coast, QLD<br />
<strong>August</strong> 2–3<br />
Learn more: austopalexpo.com.au<br />
LEADING EDGE GROUP<br />
JEWELLERS MEMBER AND<br />
SUPPLIER CONFERENCE<br />
Sydney, NSW<br />
TBA<br />
SHOWCASE JEWELLERS<br />
MEMBER AND SUPPLIER<br />
CONFERENCE<br />
Hunter Valley, NSW<br />
<strong>August</strong> 20–24<br />
NATIONWIDE JEWELLERS<br />
MEMBER EVENTS<br />
(in conjunction with<br />
International <strong>Jeweller</strong>y Fair)<br />
Sydney, NSW<br />
<strong>August</strong> 25–27<br />
INTERNATIONAL<br />
JEWELLERY FAIR<br />
Sydney, NSW<br />
<strong>August</strong> 25–27<br />
Learn more: jewelleryfair.com.<br />
au/<strong>2018</strong><br />
JAPAN JEWELLERY FAIR<br />
Tokyo, Japan<br />
<strong>August</strong> 28–30<br />
Learn more: japanjewelleryfair.com<br />
FACETS SRI LANKA<br />
Colombo, Sri Lanka<br />
<strong>August</strong> 30–September 2<br />
Learn more: facetssrilanka.com<br />
SEPTEMBER<br />
INTERNATIONAL<br />
JEWELLERY LONDON<br />
London, UK<br />
September 2–4<br />
Learn more: jewellerylondon.com<br />
HONG KONG WATCH &<br />
CLOCK FAIR<br />
Hong Kong, China<br />
September 4–8<br />
Learn more: m.hktdc.com/fair/<br />
hkwatchfair-en/HKTDC-Hong-Kong-<br />
Watch-and-Clock-Fair.html<br />
BIJORHCA PARIS<br />
Paris, France<br />
September 7–10<br />
Learn more: bijorhca.com<br />
JEWELLERS AND<br />
WATCHMAKERS OF NEW<br />
ZEALAND TRADE FAIR<br />
Auckland, New Zealand<br />
September 9–10<br />
Learn more: jwnz.co.nz<br />
BANGKOK GEMS<br />
& JEWELRY FAIR<br />
Bangkok, Thailand<br />
TBA<br />
Learn more: bkkgems.com<br />
NATIONWIDE JEWELLERS<br />
ANTWERP TRIP<br />
Antwerp, Belgium<br />
September 22–28<br />
INTERNATIONAL<br />
JEWELLERY TOKYO<br />
AUTUMN<br />
Yokohama, Japan<br />
September 24–26<br />
Learn more: ijt-aki.jp<br />
OCTOBER<br />
MALAYSIA INTERNATIONAL<br />
JEWELLERY FESTIVAL<br />
Kuala Lumpar, Malaysia<br />
October 11–14<br />
Learn more: mij.com.my<br />
INTERNATIONAL<br />
JEWELLERY & WATCH<br />
SHOW<br />
Abu Dhabi, United Arab Emirates<br />
October 25–29<br />
Learn more: jws.ae<br />
NOVEMBER<br />
VIETNAM INTERNATIONAL<br />
JEWELRY FAIR<br />
Ho Chi Minh City, Vietnam<br />
November 8–12<br />
Learn more: vietnamjewelryfair.com/en<br />
CHINA INTERNATIONAL<br />
JEWELLERY FAIR<br />
Beijing, China<br />
JEWELLERY ARABIA<br />
Manama, Bahrain<br />
November 20–24<br />
Learn more: jewelleryarabia.com<br />
JANUARY 2019<br />
VICENZAORO T-GOLD<br />
Vicenza, Italy<br />
January 18–23<br />
Learn more: 10times.com/t-gold<br />
FEBRUARY 2019<br />
TUCSON GEM, MINERAL &<br />
FOSSIL SHOWCASE<br />
Tucson, US<br />
February 2 –17<br />
Learn more: visittucson.org/events/<br />
gem-show<br />
JEWELLERY & WATCH<br />
Birmingham, UK<br />
February 3 –7<br />
Learn more:<br />
jewelleryandwatchbirmingham.com<br />
HONG KONG<br />
INTERNATIONAL DIAMOND,<br />
GEM & PEARL SHOW<br />
Hong Kong, China<br />
February 26 – March 2<br />
Learn more: m.hktdc.com/fair/hkdgp-<br />
en/HKTDC-Hong-Kong-International-<br />
Diamond--Gem---Pearl-Show.html<br />
November 9–13<br />
Learn more: newayfairs.com/EN<br />
<strong>August</strong> <strong>2018</strong> <strong>Jeweller</strong> 59
MY BENCH<br />
Craig Dodd<br />
WORKS AT: Christopher<br />
Green <strong>Jeweller</strong>s<br />
AGE: 47<br />
YEARS IN TRADE: 30 years<br />
TRAINING: On the job<br />
training with a diamond<br />
ring maker (John M Roberts)<br />
for 15 years<br />
FIRST JOB: John M Roberts<br />
<strong>Jeweller</strong>s – Started in 1987<br />
OTHER QUALIFICATIONS:<br />
diamond ring maker,<br />
diamond setter, designer<br />
Favourite gemstone:<br />
Natural deep red rubies<br />
– especially when they’re<br />
accompanied with bright<br />
white diamonds.<br />
Favourite metal:<br />
Any metal that is not silver!<br />
Favourite tool:<br />
My hands (without these<br />
nothing would get done!)<br />
and my imagination.<br />
Best part of job:<br />
No two handmakes are<br />
the same, which keeps it<br />
challenging and interesting.<br />
Worst part of job:<br />
I’m yet to find one!<br />
Best tip from a jeweller:<br />
It’s right or it’s wrong – don’t<br />
compromise.<br />
Best tip to a jeweller:<br />
Always listen to a<br />
customer’s requirements<br />
– you can never have too<br />
many details.<br />
Biggest health concern on<br />
the bench:<br />
Failing eyesight and<br />
back problems.<br />
Love jewellery because:<br />
The pieces of jewellery that<br />
can be created are endless.<br />
My bench is always:<br />
Reasonably tidy, because<br />
it is a bench that is used<br />
and not for display<br />
purposes only!
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SOAPBOX<br />
LET’S NOT LOSE THE MYSTIQUE<br />
OF CUSTOM MADE JEWELLERY<br />
The industry sure has changed a lot<br />
over the years. Like many others my age,<br />
I started out in the business with my<br />
father, cutting gemstones and making<br />
jewellery by hand.<br />
Everything was passed on from one<br />
generation to the next. Sitting alongside<br />
another bench jeweller and learning their<br />
techniques was one of the traditional<br />
methods of learning.<br />
Unfortunately a lot the ‘old guards’ who have<br />
retired never ended up training younger<br />
jewellers. Their businesses have closed and<br />
their jewellery manufacturing techniques –<br />
like the art of engraving and diamond setting<br />
– are no more in vogue. Many techniques<br />
are now computerised, with many jewellers<br />
having adapted by solely using CAD/CAM to<br />
design jewellery.<br />
This means there are many jewellers who<br />
have never been taught how to set or<br />
properly repair pieces.<br />
How’s that for doom and gloom?<br />
Now, I don’t think the industry is actually<br />
doomed – I think we just have a lot that needs<br />
to be worked out.<br />
For starters, jewellers who are entering<br />
the trade need to be trained in all of the<br />
fundamental techniques. At gemmological<br />
associations for example, trainees are tested<br />
on their competencies, where they’re marked<br />
against a set of criteria. I think after this, these<br />
young trainees need to be followed up on, to<br />
ensure their techniques are still current and<br />
that they can do the tasks they’re set.<br />
Training facilities also need to be protected<br />
notwithstanding the dwindling funds. Those<br />
entering the industry need to be able to<br />
replace a claw or a broken shank or know<br />
how to restore jewellery back to its pristine<br />
glory; as my father said, “Even if you hire<br />
somebody, you need to know they’re going<br />
to do the same standard as what you<br />
would do yourself.”<br />
As well as continuing to take on apprentices,<br />
we should also be making sure that we do<br />
everything within our power to bolster the<br />
reputation of manufacturing jewellers. People<br />
search for a good hairdresser or cabinetmaker<br />
based on quality of work, so our industry<br />
needs to do the same.<br />
Legal professionals or accountants always<br />
have testimonials from customers on their<br />
website and list their credentials so that<br />
the customer knows exactly who they’ll be<br />
dealing with – again, I believe we should be<br />
doing the same too.<br />
Yes, it’s good to embrace all these new<br />
technologies because it seems quite<br />
inevitable that’s where the industry is<br />
heading; however the importance of<br />
traditional techniques is being lost. I have<br />
too many potential customers come to our<br />
store who stand at the front and ask, “Is there<br />
a jeweller on the premises? Is everything<br />
repaired on site or is it sent away?”<br />
That says a lot to me about the current state<br />
of the industry. It’s an issue of education – our<br />
customers assume that there is no longer a<br />
jeweller on the premises! They think that all<br />
their work will be sent offshore and returned<br />
six weeks later.<br />
Another way we can ensure the mystique<br />
GET OUTSIDE<br />
YOUR COMFORT<br />
ZONE AND TRY<br />
SOMETHING A<br />
LITTLE MORE<br />
ORNATE, RATHER<br />
THAN JUST HAVING<br />
EVERYTHING<br />
‘BREAD AND<br />
BUTTER’<br />
behind hand-made jewellery won’t be lost<br />
is to keep educating our youth. I’m all for<br />
fostering an interest and explaining the values<br />
of the industry in kids from an early age.<br />
I do some informal teaching at primary and<br />
secondary schools, where I introduce students<br />
to gemstones and jewellery as part of their<br />
geology and other classes. Many of these kids<br />
are looking forward to using their hands in the<br />
future – and you could say I’m also looking at<br />
many future potential customers.<br />
What else can be done? Unfortunately, there<br />
seems to be a notion that jewellers think they<br />
know it all and refuse to adapt to change. I<br />
worked beside another jeweller for 28 years,<br />
but he was reluctant to change any of his<br />
techniques during that time. You have to be a<br />
bit of both – you have to carry on with some<br />
of the original techniques as well as take on all<br />
the new ways that might actually be better.<br />
I think we also need to make sure we never<br />
stop learning. There’s a variety of online<br />
tutorials and old-fashioned books you can flick<br />
through to get outside your comfort zone and<br />
try something a little more ornate, rather than<br />
just having everything ‘bread and butter.’<br />
After all, when you get too complacent you<br />
get redundant.<br />
I’ve been around in the trade for 40 years,<br />
and I’m still adapting, still making changes<br />
and trying to figure out what’s the right<br />
thing to do. i<br />
Name: Alfie Gryg<br />
Business: Allgem <strong>Jeweller</strong>s<br />
Position: Master jeweller<br />
Location: Perth, WA<br />
Years in the industry: 38 years<br />
62 <strong>Jeweller</strong> <strong>August</strong> <strong>2018</strong>
COME<br />
SEE US AT<br />
STAND F17<br />
SAMS GROUP<br />
AUSTRALIA<br />
www.PinkKimberley.com.au<br />
E pink@samsgroup.com.au W samsgroup.com.au P 02 9290 2199