June 2018 - Scoot In-flight Magazine
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formed into fists and then<br />
moved in horizontal, circular<br />
motions). There is also a lot of<br />
bouncing and grooving<br />
incorporated into the dance.”<br />
<strong>In</strong> the Land Down Under,<br />
dance director Joel Gallarde is<br />
impressed by how well<br />
Melbourne’s popularity is faring<br />
in the hip-hop dance<br />
community. “I feel that<br />
Burn City’s hip-hop<br />
scene is mainly garnering<br />
a lot of attention from the<br />
youth,” he says. “We have<br />
some awesome dance leaders<br />
putting a lot of effort in training<br />
our next generation, so I’m<br />
excited to see what happens in<br />
the next few years with these<br />
up-and-comers!”<br />
STREET JAZZ<br />
Bangkok<br />
Fuse the funky and groovy<br />
elements of hip-hop with<br />
graceful ballet techniques, and<br />
you’ve got street jazz dance.<br />
“Most often, street jazz is<br />
about dancing alongside the<br />
trendiest pop-rock songs and<br />
executing sassy movements,”<br />
Bangkok-based dance teacher<br />
May Thana Limpanich<br />
explains. “A few of my favourite<br />
artists include Beyonce,<br />
Britney Spears, and Janet<br />
Jackson because their music<br />
truly embodies the essence of<br />
street jazz — sleek and freeing<br />
with a whole lot of attitude!”<br />
The former <strong>flight</strong>-attendantturned-choreographer<br />
also<br />
dishes out the Bangkok dance<br />
community’s reception to street<br />
jazz dance. “I love how my city<br />
continues to boost the genre’s<br />
influence through the regular<br />
staging of competitions, thus<br />
giving Thai dancers a bigger<br />
platform to showcase their<br />
talents,” he says proudly.<br />
URBAN<br />
Manila<br />
Adam defines urban dance as a<br />
style that is inspired by different<br />
genres and their subgenres. While<br />
this type of dance includes<br />
various signature movements<br />
from a diverse mix of styles, urban<br />
dance is ultimately built from<br />
one’s unique execution. “When I<br />
teach, I always tell my students to<br />
execute my choreography<br />
according to their interpretation of<br />
the music,” he says. “It’s all about<br />
owning the music and interpreting<br />
its meaning through your<br />
movements.”<br />
Over the last decade that Adam<br />
has been teaching in Manila, he has<br />
witnessed tremendous growth in its<br />
dance scene. “I can confidently say<br />
that our dance community is<br />
nothing short of vibrant and<br />
promising,” he says. “Renowned<br />
international choreographers even<br />
fly to Manila to hold workshops<br />
here because they see a lot of<br />
talent and determination in<br />
Filipino dancers.”<br />
CLOCKWISE:<br />
Jasmine Ahlee<br />
during a<br />
performance;<br />
Adam Alonzo<br />
dancing<br />
on-stage in<br />
Manila;<br />
CIRCLE:<br />
May Thana<br />
Limpanich in<br />
modren street<br />
jazz ensemble<br />
COVER STORY<br />
SCOOT<br />
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