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June 2018 - Scoot In-flight Magazine

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formed into fists and then<br />

moved in horizontal, circular<br />

motions). There is also a lot of<br />

bouncing and grooving<br />

incorporated into the dance.”<br />

<strong>In</strong> the Land Down Under,<br />

dance director Joel Gallarde is<br />

impressed by how well<br />

Melbourne’s popularity is faring<br />

in the hip-hop dance<br />

community. “I feel that<br />

Burn City’s hip-hop<br />

scene is mainly garnering<br />

a lot of attention from the<br />

youth,” he says. “We have<br />

some awesome dance leaders<br />

putting a lot of effort in training<br />

our next generation, so I’m<br />

excited to see what happens in<br />

the next few years with these<br />

up-and-comers!”<br />

STREET JAZZ<br />

Bangkok<br />

Fuse the funky and groovy<br />

elements of hip-hop with<br />

graceful ballet techniques, and<br />

you’ve got street jazz dance.<br />

“Most often, street jazz is<br />

about dancing alongside the<br />

trendiest pop-rock songs and<br />

executing sassy movements,”<br />

Bangkok-based dance teacher<br />

May Thana Limpanich<br />

explains. “A few of my favourite<br />

artists include Beyonce,<br />

Britney Spears, and Janet<br />

Jackson because their music<br />

truly embodies the essence of<br />

street jazz — sleek and freeing<br />

with a whole lot of attitude!”<br />

The former <strong>flight</strong>-attendantturned-choreographer<br />

also<br />

dishes out the Bangkok dance<br />

community’s reception to street<br />

jazz dance. “I love how my city<br />

continues to boost the genre’s<br />

influence through the regular<br />

staging of competitions, thus<br />

giving Thai dancers a bigger<br />

platform to showcase their<br />

talents,” he says proudly.<br />

URBAN<br />

Manila<br />

Adam defines urban dance as a<br />

style that is inspired by different<br />

genres and their subgenres. While<br />

this type of dance includes<br />

various signature movements<br />

from a diverse mix of styles, urban<br />

dance is ultimately built from<br />

one’s unique execution. “When I<br />

teach, I always tell my students to<br />

execute my choreography<br />

according to their interpretation of<br />

the music,” he says. “It’s all about<br />

owning the music and interpreting<br />

its meaning through your<br />

movements.”<br />

Over the last decade that Adam<br />

has been teaching in Manila, he has<br />

witnessed tremendous growth in its<br />

dance scene. “I can confidently say<br />

that our dance community is<br />

nothing short of vibrant and<br />

promising,” he says. “Renowned<br />

international choreographers even<br />

fly to Manila to hold workshops<br />

here because they see a lot of<br />

talent and determination in<br />

Filipino dancers.”<br />

CLOCKWISE:<br />

Jasmine Ahlee<br />

during a<br />

performance;<br />

Adam Alonzo<br />

dancing<br />

on-stage in<br />

Manila;<br />

CIRCLE:<br />

May Thana<br />

Limpanich in<br />

modren street<br />

jazz ensemble<br />

COVER STORY<br />

SCOOT<br />

43

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