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PW OPINION PW NEWS PW LIFE PW ARTS<br />

•INTO THE NIGHT•<br />

BY BLISS BOWEN<br />

‘The Blues is<br />

Alive and Well’<br />

LEGENDARY GUITARIST BUDDY GUY LIGHTS UP THE ROSE SATURDAY NIGHT<br />

•NITELIFE•<br />

Thursday Aug. 09 through Wednesday Aug. 15<br />

PLEASE NOTE: Deadline for Calendar submissions<br />

is noon. Wednesday of the week before<br />

the issue publishes.<br />

PASADENA, SOUTH<br />

PASADENA & ALTADENA<br />

1881 Bar<br />

1881 E. Washington Blvd., Pasadena<br />

(626) 314-2077<br />

facebook.com/1881bar<br />

Fridays—Live jazz<br />

Saturdays—Gypsie jazz<br />

Wednesdays—Reggae<br />

The Blue Guitar<br />

Arroyo Seco Golf Course<br />

1055 Lohman Lane, South Pasadena<br />

blueguitar.club<br />

Thursday—Acoustic Asylum<br />

The Boulevard Bar<br />

3199 E. Foothill Blvd., Pasadena<br />

(626) 356-9304<br />

blvdbar.com<br />

Fridays—Drag performances hosted by Tia<br />

Wanna every Friday<br />

Cabrera’s Mexican Cuisine<br />

655 N. Lake Ave., Pasadena<br />

(626) 795-0230<br />

cabreras.com<br />

Thursdays—Live jazz<br />

Fridays, Saturdays and Sundays—Karaoke<br />

Coffee Gallery Backstage<br />

2029 N. Lake Ave., Altadena<br />

(626) 798-6236<br />

coffeegallery.com<br />

Friday—Jennifer Leitham & Yarone Levy<br />

Saturday—Tall Men Group<br />

Sunday—Ellen Snortland’s “Now that She’s<br />

Gone” solo show<br />

Wednesday—Rize Up w/Roy Zimmerman<br />

Der Wolfskopf<br />

72 N. Fair Oaks Ave., Pasadena<br />

(626) 219-6054<br />

derwolfskopf.com<br />

Fridays—“Night Court” features Deejay Kind<br />

Cromang spinning vinyl soul, funk, disco and<br />

boogie<br />

Edwin Mills by Equator<br />

22 Mills Place, Pasadena<br />

(626) 564-8656<br />

edwinmills.com<br />

Friday—Ana Gazzola<br />

Tuesday—Close Quarters Jazz Quartet<br />

Wednesday—Matt Barber<br />

El Portal Restaurant<br />

695 E. Green St., Pasadena<br />

(626) 795-8553<br />

elportalrestaurant.com<br />

Fridays—Mariachi México<br />

Saturdays—Alanniz<br />

Sundays—Mariachi Bella<br />

Ice House<br />

24 N. Mentor Ave., Pasadena<br />

(626) 577-1894<br />

icehousecomedy.com<br />

Thursday—Matt Braunger and Friends<br />

Friday—Hollywood Comes to Pasadena; The<br />

Chill w/Josh Adam Meyers<br />

Saturday—Cool Beans Comedy; 5-Star Comedy<br />

w/Bob Zany<br />

Sunday—Harriet Rose: Don’t Worry, I’m<br />

Jewish; Fritz Coleman Speaks to a Generation<br />

Benefit for Union Station Homeless Services<br />

and Knights of Columbus; Dave McNary’s All-<br />

Star Variety Show<br />

–CONTINUED ON PAGE 26<br />

BADASS. That might as well<br />

be enshrined in quotes<br />

between “Buddy” and “Guy,”<br />

a la Bobby “Blue” Bland’s defining<br />

nickname. The Chicago legend’s<br />

revered by guitarists as much for<br />

his enduring tenacity as for his<br />

virile, searing tone. He never projected<br />

the earthy majesty of Muddy<br />

Waters or the hypnotic mojo of<br />

John Lee Hooker, and his onstage<br />

flash contrasted sharply with the<br />

tasteful restraint of B.B. King (an<br />

early influence). But rock icons<br />

Jeff Beck, Eric Clapton, Keith<br />

Richards and Stevie Ray Vaughan<br />

all bowed at the altar of Guy’s<br />

swagger and fearless style.<br />

No doubt flattered but also<br />

business-savvy, Guy encouraged<br />

those connections with the rock<br />

world — and its larger audiences.<br />

In his early years, after migrating<br />

from his native Louisiana<br />

to Chicago in 1957, Guy ran with<br />

the supportive likes of Willie<br />

Dixon, Freddie King, Otis Rush<br />

and Magic Sam. Despite recording<br />

for the venerable Chess<br />

Records, solo success proved<br />

elusive, so he played sessions for<br />

Koko Taylor and Howlin’ Wolf,<br />

and provided the fierce guitar<br />

spark to Junior Wells’ charismatic<br />

vocal and harmonica presence<br />

on 1965’s landmark “Hoodoo Man<br />

Blues.” Clapton, Jimi Hendrix<br />

and Jimmy Page publicly sang the<br />

praises of Guy’s albums for Chess<br />

and Vanguard — Clapton even<br />

co-produced 1972’s “Buddy Guy<br />

& Junior Wells Play the Blues,”<br />

and guested, along with Beck<br />

and Mark Knopfler, on 1991’s<br />

statement-making “Damn Right,<br />

I’ve Got the Blues” (a title Guy<br />

repurposed for his 1999 autobiography).<br />

Not until then did Guy<br />

finally experience the career<br />

breakthrough that had long been<br />

predicted for him.<br />

His studio recordings have<br />

received more mainstream attention<br />

since then, while a steady<br />

stream of compilations (especially<br />

the 2006 box set “Can’t Quit the<br />

Blues”) have introduced newcomers<br />

to his back catalogue. Most<br />

importantly, Guy, who marked<br />

his 82nd birthday on July 30, has<br />

retained his musical potency. His<br />

recently released “The Blues is<br />

Alive and Well” is a 15-track celebration<br />

with a starry guest list:<br />

Beck, Richards, James Bay, and a<br />

harmonica-blowing Mick Jagger<br />

all show up to pay their respects.<br />

In those collective hands, the<br />

album’s title speaks truth.<br />

“The last man standing on a<br />

empty stage/ If life was the book<br />

I’d be the last page,” Guy moans<br />

over defiant guitar lines during<br />

“End of the Line.” “Even though I<br />

got one foot in the grave/ I won’t<br />

be quiet and I won’t behave,<br />

no.” Swampy stomper “Whiskey<br />

for Sale” and “Cognac,” a greasy<br />

exchange of solos with Beck and<br />

Richards, both demonstrate that<br />

age has not extinguished Guy’s<br />

taste for mischief — nor his<br />

ability to outshine his acolytes<br />

with still muscular fretwork and<br />

vocals. Unlike many such releases<br />

by elder musical statesmen, Guy<br />

doesn’t need celebrity supporters<br />

to prop him up. He’s still showing<br />

them how it’s done. n<br />

Buddy Guy headlines at the Rose in<br />

Paseo Colorado, 245 E. Green St.,<br />

Pasadena, at 9 p.m. Saturday, Aug.<br />

11; $88-$108. Doors open 6 p.m. Box<br />

office: (888) 645-5006. Buddyguy.com,<br />

wheremusicmeetsthesoul.com<br />

Brothers in Song<br />

DELGADO BROTHERS RELEASE NEW CD<br />

AT THE LANGHAM<br />

For some great Latin blues, check out the Langham Huntington, Pasadena<br />

Saturday night as the Delgado Brothers perform at a release party for their new<br />

CD, “Two Trains.”<br />

The band — three brothers and a friend — have been an LA fixture for more<br />

than 30 years now. The band delivers a sound that’s driven by a fiercely independent<br />

attitude, call-to-action lyrics and unified by a strong sense of family and a good dose<br />

of East LA soul.<br />

The group has succeeded by using their music to speak to the “every man”<br />

sensibilities of life, including love, loss and triumph, cutting across racial and socioeconomic<br />

lines. It’s based on life experience that’s relatable to nearly everyone. Each<br />

member brings to the musical table a unique style of musicianship that has helped<br />

make the band a worldwide phenomenon.<br />

Check them out at delgadobrothers.com. — John Sollenberger<br />

Music starts at 9 p.m. Saturday at the Langham Huntington, Pasadena, 1401 S. Oak Knoll<br />

Ave., Pasadena. No cover. Call (626) 568-3900 or visit langhamhotels.com/pasadena.<br />

<strong>08.09.18</strong> | PASADENA WEEKLY 25

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