Jan_Feb_1997
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<strong>Jan</strong>uary/<strong>Feb</strong>ruary, <strong>1997</strong><br />
About those JO-year-olds<br />
By Jack "Trlkl" King<br />
921 Duskin Dr.<br />
El Paso, TX 79907<br />
I have clowned around Texas, New Mexico, Central<br />
America and Mexico and have entertained possibly<br />
thousands of 10-year-olds and would like to add my two<br />
cents worth to the "You're not a real clown" syndrome which<br />
seems to be bothering a lot of my fellow joeys. -<br />
I for one never attempt to match wits with a 10-year-old,<br />
who perhaps in his or her younger years was frightened by<br />
a clown and was told by the parents that "It's just a person<br />
with clown makeup," or a 10-year-old who's trying to prove<br />
to his "peers" that he is smarter or for whatever dozen<br />
reasons. Nor do I try to razzle-dazzle them with my best<br />
magic trick, either. But rather, I ignore the statement and<br />
continue clowning.<br />
You see, I know I'm a real clown, and I also know that<br />
once that (or those) 10-year-olds see my show, they 'll know<br />
Penne Peterson<br />
9th Annual<br />
FELIH HDLER<br />
DRYS<br />
June 13-15, <strong>1997</strong><br />
Clinton, Iowa<br />
Kenny Rhern<br />
performs<br />
"R Slippery Uniuerse"<br />
Sewall<br />
leads clown worship seruice<br />
Clown parade, performances,<br />
seminars and moref<br />
For more information write<br />
FeliH Rdler Memorial Rssociation<br />
P .0. OOH 752, Clinton, IR 52733-0752<br />
or call 319-242-1903 or 815- 772-2115<br />
I'm a real clown, too. How do I know? Because those same<br />
10-year-olds have either come up and shook my hand, or<br />
hugged me, and told me so. As a wise philosopher once<br />
said, "Actions speak louder than words."<br />
Are you a real clown? Let your audience be the judge.<br />
-----------------<br />
Reaction to makeup flap<br />
By Richard "Deslgn-O" Smith<br />
97 Grafton St.<br />
Shrewsbury, MA 01545<br />
I have read The New Calliope articles about makeup<br />
competition and have discussed some of them with many of<br />
the clowns that competed with me recently. We have al:<br />
come to similar conclusions. I know I can speak on behalf of<br />
many of the clowns I have talked to when I say that we all<br />
enjoy competing annually in whatever category we have<br />
chosen, whether it be makeup, skits or any other field we<br />
wish to enter. I personally expect to compete as well as<br />
learn when I attend any of the conventions. Part of<br />
competing is knowing the rules and being properly<br />
prepared to be judged fairly and constructively by the COAi<br />
judges I recognize that on occasion I too may have felt<br />
judges were being less than fair ... At times I have also<br />
believed that some of the judges needed to take a<br />
refresher course. However, when a judge doesn't know the<br />
difference between a clown and a character that is not a<br />
clown, and gives an unwarranted award, then all one can<br />
say is, "Whoops." None of us are perfect and we can only<br />
hope we are all capable of learning from our mistakes.<br />
I agree strongly that Whiteface needs to be split into<br />
two categories ... There has been obvious favoritism with<br />
judges picking Classic Whiteface over the Comedy<br />
Whiteface ...<br />
Since attending my first convention I know I have<br />
witnessed the growth of competition. I feel the changes<br />
from year to year have helped many of us grow, as it has<br />
introduced us to new changes versus staying with the same<br />
old thing. I have gone from one convention to the next<br />
learning the rules and guidelines of what defines different<br />
clown types. Bringing clowns from the old-fashioned look<br />
up to the 20th Century and competing helps us all grow and<br />
change by watching and learning from other clowns.<br />
I believe change is always necessary to progress and<br />
learn. I think there are many people out there that simply<br />
need to read the guidelines to be opened to change and<br />
recognize that judges and conventioneers don't always see<br />
Continued on page 6<br />
4 The New Calliope