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Jan_Feb_1997

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<strong>Jan</strong>uary/<strong>Feb</strong>ruary, <strong>1997</strong><br />

About those JO-year-olds<br />

By Jack "Trlkl" King<br />

921 Duskin Dr.<br />

El Paso, TX 79907<br />

I have clowned around Texas, New Mexico, Central<br />

America and Mexico and have entertained possibly<br />

thousands of 10-year-olds and would like to add my two<br />

cents worth to the "You're not a real clown" syndrome which<br />

seems to be bothering a lot of my fellow joeys. -<br />

I for one never attempt to match wits with a 10-year-old,<br />

who perhaps in his or her younger years was frightened by<br />

a clown and was told by the parents that "It's just a person<br />

with clown makeup," or a 10-year-old who's trying to prove<br />

to his "peers" that he is smarter or for whatever dozen<br />

reasons. Nor do I try to razzle-dazzle them with my best<br />

magic trick, either. But rather, I ignore the statement and<br />

continue clowning.<br />

You see, I know I'm a real clown, and I also know that<br />

once that (or those) 10-year-olds see my show, they 'll know<br />

Penne Peterson<br />

9th Annual<br />

FELIH HDLER<br />

DRYS<br />

June 13-15, <strong>1997</strong><br />

Clinton, Iowa<br />

Kenny Rhern<br />

performs<br />

"R Slippery Uniuerse"<br />

Sewall<br />

leads clown worship seruice<br />

Clown parade, performances,<br />

seminars and moref<br />

For more information write<br />

FeliH Rdler Memorial Rssociation<br />

P .0. OOH 752, Clinton, IR 52733-0752<br />

or call 319-242-1903 or 815- 772-2115<br />

I'm a real clown, too. How do I know? Because those same<br />

10-year-olds have either come up and shook my hand, or<br />

hugged me, and told me so. As a wise philosopher once<br />

said, "Actions speak louder than words."<br />

Are you a real clown? Let your audience be the judge.<br />

-----------------<br />

Reaction to makeup flap<br />

By Richard "Deslgn-O" Smith<br />

97 Grafton St.<br />

Shrewsbury, MA 01545<br />

I have read The New Calliope articles about makeup<br />

competition and have discussed some of them with many of<br />

the clowns that competed with me recently. We have al:<br />

come to similar conclusions. I know I can speak on behalf of<br />

many of the clowns I have talked to when I say that we all<br />

enjoy competing annually in whatever category we have<br />

chosen, whether it be makeup, skits or any other field we<br />

wish to enter. I personally expect to compete as well as<br />

learn when I attend any of the conventions. Part of<br />

competing is knowing the rules and being properly<br />

prepared to be judged fairly and constructively by the COAi<br />

judges I recognize that on occasion I too may have felt<br />

judges were being less than fair ... At times I have also<br />

believed that some of the judges needed to take a<br />

refresher course. However, when a judge doesn't know the<br />

difference between a clown and a character that is not a<br />

clown, and gives an unwarranted award, then all one can<br />

say is, "Whoops." None of us are perfect and we can only<br />

hope we are all capable of learning from our mistakes.<br />

I agree strongly that Whiteface needs to be split into<br />

two categories ... There has been obvious favoritism with<br />

judges picking Classic Whiteface over the Comedy<br />

Whiteface ...<br />

Since attending my first convention I know I have<br />

witnessed the growth of competition. I feel the changes<br />

from year to year have helped many of us grow, as it has<br />

introduced us to new changes versus staying with the same<br />

old thing. I have gone from one convention to the next<br />

learning the rules and guidelines of what defines different<br />

clown types. Bringing clowns from the old-fashioned look<br />

up to the 20th Century and competing helps us all grow and<br />

change by watching and learning from other clowns.<br />

I believe change is always necessary to progress and<br />

learn. I think there are many people out there that simply<br />

need to read the guidelines to be opened to change and<br />

recognize that judges and conventioneers don't always see<br />

Continued on page 6<br />

4 The New Calliope

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