Jan_Feb_1997
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
<strong>Jan</strong>uary/<strong>Feb</strong>ruary, <strong>1997</strong><br />
Competitors find<br />
changes in rules<br />
By Leo Desllets<br />
COAi Competition Chairman<br />
After the 1996 COAi Convention in Puerto Rico, I took<br />
a hard look at the competitions. I felt the makeup<br />
competition needed some minor adjustments in two<br />
categories.WHITEFACE and CHARACTER . THE COAi<br />
Board, Calliope editor and I received many letters on these<br />
two subjects , and at their Fall meeting, the Board took the<br />
following action on these two categories:<br />
+ Spllt the Whiteface category Into two<br />
groups: :(a) Classic Whiteface and (b) Comedy<br />
Whiteface.<br />
+ Redefined the Character category, and<br />
giving all qualified makeup Judges a refresher<br />
course In this category.<br />
If you are competing in either of the two Whiteface<br />
categories , the competitor will have to make a decision in<br />
which category he/she wishes to compete. Actually , COAi<br />
has three different types of Whiteface clowns: Straight<br />
Whiteface , Classic Whiteface, and Comedy Whiteface. But<br />
they will be judged in two categories: Straight and Classic in<br />
one, Comedy Whiteface by itself. In the rules for<br />
competition that begin on page 38, you will find<br />
"Competition Judging Criteria." This will help you decide in<br />
which of the categories your character should compete.<br />
So COAi makeup and costume competition in <strong>1997</strong> will<br />
include six divisions: Classic Whiteface, Comedy Whiteface,<br />
Auguste, Tramp/Hobo, Character, and Seniors. The overall<br />
appearance of the clown, not just the color of the face<br />
alone, establishes the appropriate classification. Here are<br />
the criteria that COAi will use when judging<br />
makeup/costume competition:<br />
WHITEFACE CLOWNS: There are three types of<br />
Whiteface clowns -- Straight Whiteface, Classic Whiteface<br />
and Comedy Whiteface, but they will be judged in two<br />
categories. Straight and Classic Whiteface will be judged<br />
together and Comedy Whiteface by itself. Judges will be<br />
grading the clown on how well he/she portrays this type of<br />
clown.<br />
CLASSIC WHITEFACE:<br />
a. Character. Also commonly called<br />
the Pierrott clown. An elegant clown, artistic, colorful, bright<br />
and cheery. Its performance is highly artistic and skillful, but<br />
done with a comedic or dramatic flair.<br />
b. Makeup: All exposed flesh will<br />
be covered with white makeup. Minimal lining color(s)<br />
and/or glitter will be used to express the features of the<br />
eyes, nose and mouth. A white skull cap would be worn in<br />
lieu of a colored wig. The European Whiteface generally<br />
does not wear a comedy nose, false eyelashes or large<br />
ears.<br />
c. Costume: Considered the "most<br />
beautiful" of all clowns, it would be outfitted with the<br />
traditional one or two-piece jump suit of white or colored<br />
material to fit the character of the Classic Pierrott. The styles<br />
may vary, but are generally roomy and well-fitted, and may<br />
have a detachable collar. The tunic or blouse can be<br />
straight, flared, short , medium or long with the long sleeves.<br />
Buttons, pompons, piping and ruffles should be of a<br />
contrasting color. The pants can be straight, flared , ruffled<br />
or pantalooned. A clown hat should fit the clown's<br />
character/personality (short or tall cone hat, short cup or flat<br />
hat, or the typical Pagliacci hat). Gloves should cover the<br />
hands and wrists and should be white or colored to fit the<br />
wardrobe. Ballet or dancing slippers would be worn in lieu of<br />
large comedy shoes.<br />
Straight Whiteface<br />
a. Character: The aristocrat of all<br />
clowns. An elegant clown, artistic, colorful, bright and<br />
cheery . In a setting with other clowns , the Straight<br />
Whiteface would be in charge. Its performance is highly<br />
artistic and skillful, but done with a comedic or dramatic flair.<br />
When performing with the Auguste and/or Tramp/H obo,<br />
this clown will remain in charge, setting up the routine ,<br />
throwing rather than taking the pie, slap or kick. Although<br />
more comical than the European Whiteface , this clown is a<br />
bit more reserved than the impish and gregarious Auguste.<br />
b. Makeup: All exposed flesh will<br />
be covered with white makeup. Minimal lining color(s)<br />
and/or glitter will be used to express the features of the<br />
eyes, nose, and mouth. Varying styles and colors of clown<br />
wigs are used in lieu of only the skull cap. The color of the<br />
wig is generally chosen to accent another color in the<br />
costume.<br />
c. Costume: The costume will fit<br />
well. Satins, sequins, rhinestones and theatrical fabrics<br />
(shiny, flashy, beaded, etc.) can be used. A one or twopiece<br />
jumper worn with a ruff is the most common Whiteface<br />
costume. However, a two-piece suit or tuxedo style is also<br />
acceptable. The costume, including the accessories,<br />
should be color coordinated . Shoes can be large or small<br />
but should be simple. Gloves should always be worn.<br />
Comedy Whiteface<br />
a. Character: As the Straight<br />
Whiteface is the more "traditional" clown, the Comedy<br />
Whiteface is today the most common Whiteface clown.<br />
When performing with the Auguste and/or Tramp/Hobo,<br />
this clown will usually take charge, setting up the routine,<br />
throwing rather than taking the pie.slap or kick. Although<br />
36 The New Calliope