SOLEIL ISSUE 2
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Things made with gears, ropes<br />
and wooden planks. A hand<br />
made feeling. My working<br />
methods also have an influence<br />
on the theatrical flavor of the<br />
pieces, in that I’m creating and<br />
working with various fabricated<br />
objects and handmade characters.<br />
As I’m working, it can feel<br />
as though I’m staging a tiny theater<br />
piece or perhaps curating<br />
a mysterious museum exhibit<br />
combined with a long ago forgotten<br />
sideshow of curiosities.<br />
William Basso’s work is available<br />
through LAST RITES GALLERY,<br />
New York City.<br />
www.basso-art.com<br />
www.lastritesgallery.com<br />
y purely sculptural work is<br />
created much like the<br />
working maquettes described<br />
above but taken to a more<br />
complete state. I think that my<br />
work is partially influenced by<br />
the past, from things like early<br />
cinema, art history, curiosity<br />
cabinets and early photography,<br />
for example. I’m interested in<br />
exploring my own subconscious,<br />
a dream world that exists<br />
somewhere between a childlike<br />
sense of fantasy and adult<br />
anxieties. I often draw inspiration<br />
from more primitive technologies.