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VIVIEN BITTENCOURT<br />
THE ART NEWSPAPER ART BASEL/MIAMI BEACH DAILY EDITION 4 DECEMBER 2008 15<br />
Listings Miami<br />
Alex Katz in his studio<br />
<strong>The</strong> sensation of seeing<br />
From small sketches of live situations to speed painting<br />
Alex Katz is one of America’s leading<br />
painters. His work has been the subject<br />
of nearly 200 solo exhibitions since<br />
1954. His portraits and landscapes capture<br />
American life in a flat, elegant and realistic<br />
style all his own. Now 81, Katz is receiving<br />
increased attention with solo exhibitions in<br />
Milan, Paris, Finland, Grenoble and New<br />
York in 2009. He was honoured on 2<br />
December in Miami by NetJets at their private<br />
collectors party. Those previously honoured<br />
include Richard Prince and Jaume Plensa.<br />
<strong>The</strong> <strong>Art</strong> <strong>Newspaper</strong>: Your work has received<br />
attention lately, especially from European<br />
collectors and museums. What do you<br />
think accounts for this renewed interest?<br />
Alex Katz: My work is relevant to what’s<br />
going on in European art today, where there’s<br />
been a return to painting.<br />
TAN: Private Domain [1969] sold in the<br />
range of $1m at <strong>Art</strong> Basel in Switzerland<br />
last year. Did you ever think your work<br />
could sell for this amount?<br />
AK: No, I didn’t go into painting to make<br />
money or to become famous. My first six<br />
shows were commercial flops, but artists<br />
<strong>start</strong>ed to buy my work, so I felt more <strong>secure</strong>.<br />
TAN: You began painting in a hard-edge<br />
style in the mid-1950s, when artists like<br />
Jackson Pollock and Franz Kline were<br />
producing abstract expressionist work.<br />
What made you want to defy the trend?<br />
AK: I was painting the sensations of looking at<br />
people and nature, and I thought it was possible<br />
to paint something new that was realistic.<br />
TAN: Were you consciously attempting to<br />
paint in a post-abstract way?<br />
AK: Oh yeah, definitely. I was reacting<br />
against abstract art, but I used the scale and<br />
grammar from the abstract painters. I thought<br />
they were terrific.<br />
TAN: Would you say your painting is more<br />
influenced by traditional portraiture than<br />
commercial art?<br />
AK: Yes, it’s more traditional, but I’ve been<br />
influenced by billboards and advertising. I<br />
think my paintings are definitely traditional.<br />
TAN: Are there any portrait artists who<br />
have influenced your work?<br />
AK: <strong>The</strong> Egyptian sculptor Thutmose<br />
captures the style I want to convey with his<br />
portrait of Nefertiti; I think he’s totally<br />
fabulous. I also like the Japanese artist<br />
Utamaro, Matthew Brady’s photographs,<br />
Goya and Velázquez.<br />
TAN: How do you work? From<br />
photographs, live models or memory?<br />
AK: I paint small sketches from live situations,<br />
which I enlarge. In the early 1950s I used<br />
photographs because I liked their flatness, but<br />
by the late 50s I <strong>start</strong>ed painting from life. In<br />
the 70s and 80s, if I saw a photo I liked I’d get<br />
people to pose in those same positions.<br />
TAN: It’s well known that you paint quickly.<br />
How does speed influence your work?<br />
AK: I try to get in the immediate present and<br />
to paint the sensation of what I see. <strong>The</strong><br />
preparation process can take months, but the<br />
actual painting can take six hours. Speed<br />
allows me to enter into the world of my<br />
unconscious, and I’m flying when I’m there.<br />
TAN: Why is it important for you to rid<br />
your pictures of humanistic and<br />
psychological content?<br />
AK: All that stuff is past tense; I’m trying to<br />
get into the present. Humanistic stuff is heavy<br />
baggage. I’m trying to paint what I’m looking<br />
at. It’s optical. I’m trying to define what I see.<br />
It’s much more of an intellectual challenge.<br />
Charmaine Picard<br />
Galleries showing Alex Katz in ABMB: Richard Gray Gallery,<br />
Chicago (J10); Jablonka Galerie, Cologne (F8); PaceWildenstein,<br />
New York (H10); Galerie Thaddaeus Ropac, Salzburg (E7)<br />
Upcoming exhibitions:<br />
Galleria Monica de Cardenas, via Francesco Viganò, 4, Milan,<br />
until 31 January 2009<br />
Galerie Thaddaeus Ropac, 7 Rue Debelleyme, Paris, 14 January-<br />
14 February 2009<br />
“Alex Katz: Seeing, Drawing, Making”, <strong>The</strong> Gallery at Windsor,<br />
Vero Beach, 6 December-20 April 2009, travels to the Parrish <strong>Art</strong><br />
Museum, Southampton, 7 February-12 April 2010<br />
Sara Hildén <strong>Art</strong> Museum, Tampere, Finland, 13 February-3 May<br />
2009, travels to the Musée Grenoble, France, 4 July-29<br />
September 2009, Museum Kurhaus Kleve, Germany, 26 October<br />
2009-7 February 2010<br />
PaceWildenstein, New York, 8 May-6 June 2009<br />
Non-commercial<br />
<strong>Art</strong>Center/<br />
South Florida<br />
800 Lincoln Road,<br />
Miami Beach<br />
www.artcentersf.org<br />
Kaiju Monster Invasion:<br />
Miami Beach<br />
Until 4 January<br />
Bakehouse<br />
<strong>Art</strong> Complex<br />
561 NW 32nd Street, Miami<br />
www.bacfl.org<br />
Paraphernalia<br />
4 December-25 January<br />
Bass Museum of <strong>Art</strong><br />
2121 Park Avenue,<br />
Miami Beach<br />
www.bassmuseum.org<br />
Russian Dreams<br />
4 December-8 February<br />
Boca Raton Museum<br />
of <strong>Art</strong><br />
501 Plaza Real,<br />
Boca Raton<br />
www.bocamuseum.org<br />
American Modernism<br />
1920-50<br />
Until 8 March<br />
Visiones: 20th-Century<br />
Selections from the<br />
Nassau County Museum<br />
of <strong>Art</strong><br />
Until 7 December<br />
José Clemente Orozco:<br />
the Graphic Work<br />
Until 7 December<br />
Color Me New York:<br />
Photographs by Benn<br />
Mitchell<br />
Until 18 January<br />
Cartier Dome<br />
Miami Beach Botanical<br />
Garden, 2000 Convention<br />
Center Drive, Miami Beach<br />
www.fondation.cartier.com<br />
David Lynch: Diamonds,<br />
Gold and Dreams<br />
Until 7 December<br />
Center For Visual<br />
Communication<br />
541 NW 27th Street, Miami<br />
www.visual.org<br />
Rauschenberg in Series:<br />
a 30-Year Retrospective<br />
1978-2008<br />
Until 31 January<br />
Cisneros Fontanals<br />
<strong>Art</strong> Foundation<br />
1018 North Miami Avenue,<br />
Miami<br />
www.cifo.org<br />
<strong>The</strong> Prisoner’s Dilemma:<br />
Selections from the Ella<br />
Fontanals-Cisneros<br />
Collection<br />
Until 1 March<br />
Freedom Tower<br />
600 Biscayne Boulevard,<br />
Miami<br />
Fondazione Ambrosiana:<br />
Leonardo Da Vinci,<br />
Tiziano Vecellio, Albrecht<br />
Dürer and Giovanni<br />
Ambrogio De Predis<br />
Until 17 December<br />
Frost <strong>Art</strong> Museum<br />
Florida International<br />
University, SW 107 Avenue<br />
& Eighth Street, Miami<br />
http://thefrost.fiu.edu<br />
Modern Masters<br />
from the Smithsonian<br />
WWW.THEARTNEWSPAPER.TV<br />
American <strong>Art</strong> Museum<br />
Until 1 March<br />
Simulacra and Essence:<br />
the Paintings of Luisa<br />
Basnuevo<br />
Until 4 April<br />
Florencio Gelabert:<br />
Intersections<br />
Until 28 February<br />
John Henry: Drawing in<br />
Space, the Peninsula<br />
Project Illustrated<br />
Until 9 March<br />
Locust Projects<br />
105 NW 23rd Street, Miami<br />
www.locustprojects.org<br />
Inevitable Continuum: 10<br />
Years of Locust Projects,<br />
curated by Gean Moreno<br />
and Claire Breukel<br />
Until 31 December<br />
Lowe <strong>Art</strong> Museum<br />
University of Miami,<br />
1301 Stanford Drive, Miami<br />
www.miami.edu/lowe<br />
Charles Biederman:<br />
an American Idealist<br />
Until 18 January<br />
Margulies Collection<br />
at the Warehouse<br />
591 NW 27th Street, Miami<br />
www.margulieswarehouse.com<br />
Magdalena Abakanowicz:<br />
Hurma 1994-95<br />
Until 25 April<br />
Isaac Julien: Western<br />
Union, Small Boats, 2007<br />
Until 25 April<br />
Oil Rich Niger Delta<br />
by George Osodi<br />
Until 25 April<br />
Photography<br />
and Sculpture:<br />
a Correlated Exhibition<br />
Until 25 April<br />
Miami <strong>Art</strong> Museum<br />
101 West Flagler Street,<br />
Miami<br />
www.miamiartmuseum.org<br />
MAC@MAM Presents<br />
Chantal Akerman: Moving<br />
Through Time and Space<br />
Until 25 January<br />
Yinka Shonibare, MBE:<br />
a Flying Machine for Every<br />
Man, Woman and Child<br />
Until 18 January<br />
Objects of Value<br />
Until 21 February<br />
Museum of<br />
Contemporary <strong>Art</strong><br />
770 NE 125th Street, Miami<br />
www.mocanomi.org<br />
Anri Sala: Purchase<br />
Not by Moonlight<br />
Until 21 March<br />
Moca at Goldman<br />
Warehouse<br />
404 NW 26th Street, Miami<br />
www.mocanomi.org<br />
<strong>The</strong> Possibility<br />
of an Island<br />
4 December-21 March<br />
Rubell Family<br />
Collection<br />
95 NW 29th Street, Miami<br />
www.rubellfamilycollection.com<br />
30 Americans<br />
Until 30 May<br />
Sagamore <strong>Art</strong> Hotel<br />
Sagamore Video Garden,<br />
South Beach<br />
between Lincoln Road<br />
and 17th Street<br />
www.sagamorehotel.com<br />
• <strong>The</strong> new online channel for the art world, bringing you interviews with collectors,curators, dealers and artists, and reportage from the art market.<br />
• <strong>Art</strong> world intelligence – broadcast direct to your desktop.<br />
Screening interviews with key art figures including Frieze directors, Amanda Sharp and Matthew Slotover; dealers Max Wigram, Nicholas Logsdail and Daniella<br />
Luxembourg; and Italian, Geneva-based collector of contemporary African art Jean Pigozzi; as well as artists, Jonathan Yeo and Jason Martin.<br />
“We have always insisted on going to primary sources for our stories in the print edition and the online channel will maintain these standards. First-hand comment<br />
from experts in their respective fields will be the hallmark of our interviews"<br />
Anna Somers Cocks, founder of <strong>The</strong> <strong>Art</strong> <strong>Newspaper</strong><br />
<strong>Art</strong> world intelligence via web TV!<br />
Olaf Breuning<br />
Until 7 December<br />
Spanish<br />
Cultural Center<br />
800 Douglas Road, Suite<br />
170, Coral Gables<br />
www.ccemiami.org<br />
¡Mujeres al Proyecto!<br />
Spanish Designers<br />
for the Habitat:<br />
<strong>Art</strong> and Industrial Design<br />
Until 18 December<br />
<strong>The</strong> Station<br />
Midblock East, 3250 NE<br />
1st Avenue/Midtown<br />
Boulevard, Miami<br />
www.thestationmiami.org<br />
<strong>The</strong> Station 2008<br />
Until 7 December<br />
Wolfsonian<br />
Florida International<br />
University, 1001<br />
Washington Avenue,<br />
Miami Beach<br />
www.wolfsonian.fiu.edu<br />
Democrazy:<br />
an Installation<br />
by Francesco Vezzoli<br />
Until 7 December<br />
Thoughts on Democracy<br />
Until 7 December<br />
American Streamlined<br />
Design: the World<br />
of Tomorrow<br />
Until 17 May<br />
World Class Boxing<br />
170 NW 23rd Street, Miami<br />
www.worldclassboxing.org<br />
Carla Klein:<br />
Untitled 2005-08<br />
Until January<br />
Zoe Strauss:<br />
Works in Progress<br />
Until January<br />
Commercial<br />
Abba Fine <strong>Art</strong><br />
233 NW 36th Street,<br />
Wynwood, Miami<br />
www.abbafineart.com<br />
Fusion: Group Show<br />
Until 8 January<br />
Adamar Fine <strong>Art</strong><br />
4141 NE 2nd Avenue,<br />
Suite 107, Miami<br />
www.popnart.com<br />
Andy Warhol, <strong>The</strong>n and<br />
Now: Works by Andy<br />
Warhol, Photographs by<br />
William John Kennedy<br />
Until 3 January<br />
Alejandra von Hartz<br />
Gallery<br />
2630 NW 2nd Avenue,<br />
Miami<br />
Pablo Siquier<br />
Until 31 January<br />
Al Sabah <strong>Art</strong><br />
& Design Collection<br />
NE 39th Street<br />
and 1st Court,<br />
Miami Design District<br />
www.alsabahcollection.com<br />
Al Sabah Collection<br />
Dubai Gallery Preview<br />
Until 7 December<br />
Altreforme<br />
4141 Building, 4141 NE 2nd<br />
Avenue, Design District<br />
www.altreforme.com<br />
Launch of Altreforme and<br />
Aziz Sariyer Collection<br />
Until 6 December