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VIVIEN BITTENCOURT<br />

THE ART NEWSPAPER ART BASEL/MIAMI BEACH DAILY EDITION 4 DECEMBER 2008 15<br />

Listings Miami<br />

Alex Katz in his studio<br />

<strong>The</strong> sensation of seeing<br />

From small sketches of live situations to speed painting<br />

Alex Katz is one of America’s leading<br />

painters. His work has been the subject<br />

of nearly 200 solo exhibitions since<br />

1954. His portraits and landscapes capture<br />

American life in a flat, elegant and realistic<br />

style all his own. Now 81, Katz is receiving<br />

increased attention with solo exhibitions in<br />

Milan, Paris, Finland, Grenoble and New<br />

York in 2009. He was honoured on 2<br />

December in Miami by NetJets at their private<br />

collectors party. Those previously honoured<br />

include Richard Prince and Jaume Plensa.<br />

<strong>The</strong> <strong>Art</strong> <strong>Newspaper</strong>: Your work has received<br />

attention lately, especially from European<br />

collectors and museums. What do you<br />

think accounts for this renewed interest?<br />

Alex Katz: My work is relevant to what’s<br />

going on in European art today, where there’s<br />

been a return to painting.<br />

TAN: Private Domain [1969] sold in the<br />

range of $1m at <strong>Art</strong> Basel in Switzerland<br />

last year. Did you ever think your work<br />

could sell for this amount?<br />

AK: No, I didn’t go into painting to make<br />

money or to become famous. My first six<br />

shows were commercial flops, but artists<br />

<strong>start</strong>ed to buy my work, so I felt more <strong>secure</strong>.<br />

TAN: You began painting in a hard-edge<br />

style in the mid-1950s, when artists like<br />

Jackson Pollock and Franz Kline were<br />

producing abstract expressionist work.<br />

What made you want to defy the trend?<br />

AK: I was painting the sensations of looking at<br />

people and nature, and I thought it was possible<br />

to paint something new that was realistic.<br />

TAN: Were you consciously attempting to<br />

paint in a post-abstract way?<br />

AK: Oh yeah, definitely. I was reacting<br />

against abstract art, but I used the scale and<br />

grammar from the abstract painters. I thought<br />

they were terrific.<br />

TAN: Would you say your painting is more<br />

influenced by traditional portraiture than<br />

commercial art?<br />

AK: Yes, it’s more traditional, but I’ve been<br />

influenced by billboards and advertising. I<br />

think my paintings are definitely traditional.<br />

TAN: Are there any portrait artists who<br />

have influenced your work?<br />

AK: <strong>The</strong> Egyptian sculptor Thutmose<br />

captures the style I want to convey with his<br />

portrait of Nefertiti; I think he’s totally<br />

fabulous. I also like the Japanese artist<br />

Utamaro, Matthew Brady’s photographs,<br />

Goya and Velázquez.<br />

TAN: How do you work? From<br />

photographs, live models or memory?<br />

AK: I paint small sketches from live situations,<br />

which I enlarge. In the early 1950s I used<br />

photographs because I liked their flatness, but<br />

by the late 50s I <strong>start</strong>ed painting from life. In<br />

the 70s and 80s, if I saw a photo I liked I’d get<br />

people to pose in those same positions.<br />

TAN: It’s well known that you paint quickly.<br />

How does speed influence your work?<br />

AK: I try to get in the immediate present and<br />

to paint the sensation of what I see. <strong>The</strong><br />

preparation process can take months, but the<br />

actual painting can take six hours. Speed<br />

allows me to enter into the world of my<br />

unconscious, and I’m flying when I’m there.<br />

TAN: Why is it important for you to rid<br />

your pictures of humanistic and<br />

psychological content?<br />

AK: All that stuff is past tense; I’m trying to<br />

get into the present. Humanistic stuff is heavy<br />

baggage. I’m trying to paint what I’m looking<br />

at. It’s optical. I’m trying to define what I see.<br />

It’s much more of an intellectual challenge.<br />

Charmaine Picard<br />

Galleries showing Alex Katz in ABMB: Richard Gray Gallery,<br />

Chicago (J10); Jablonka Galerie, Cologne (F8); PaceWildenstein,<br />

New York (H10); Galerie Thaddaeus Ropac, Salzburg (E7)<br />

Upcoming exhibitions:<br />

Galleria Monica de Cardenas, via Francesco Viganò, 4, Milan,<br />

until 31 January 2009<br />

Galerie Thaddaeus Ropac, 7 Rue Debelleyme, Paris, 14 January-<br />

14 February 2009<br />

“Alex Katz: Seeing, Drawing, Making”, <strong>The</strong> Gallery at Windsor,<br />

Vero Beach, 6 December-20 April 2009, travels to the Parrish <strong>Art</strong><br />

Museum, Southampton, 7 February-12 April 2010<br />

Sara Hildén <strong>Art</strong> Museum, Tampere, Finland, 13 February-3 May<br />

2009, travels to the Musée Grenoble, France, 4 July-29<br />

September 2009, Museum Kurhaus Kleve, Germany, 26 October<br />

2009-7 February 2010<br />

PaceWildenstein, New York, 8 May-6 June 2009<br />

Non-commercial<br />

<strong>Art</strong>Center/<br />

South Florida<br />

800 Lincoln Road,<br />

Miami Beach<br />

www.artcentersf.org<br />

Kaiju Monster Invasion:<br />

Miami Beach<br />

Until 4 January<br />

Bakehouse<br />

<strong>Art</strong> Complex<br />

561 NW 32nd Street, Miami<br />

www.bacfl.org<br />

Paraphernalia<br />

4 December-25 January<br />

Bass Museum of <strong>Art</strong><br />

2121 Park Avenue,<br />

Miami Beach<br />

www.bassmuseum.org<br />

Russian Dreams<br />

4 December-8 February<br />

Boca Raton Museum<br />

of <strong>Art</strong><br />

501 Plaza Real,<br />

Boca Raton<br />

www.bocamuseum.org<br />

American Modernism<br />

1920-50<br />

Until 8 March<br />

Visiones: 20th-Century<br />

Selections from the<br />

Nassau County Museum<br />

of <strong>Art</strong><br />

Until 7 December<br />

José Clemente Orozco:<br />

the Graphic Work<br />

Until 7 December<br />

Color Me New York:<br />

Photographs by Benn<br />

Mitchell<br />

Until 18 January<br />

Cartier Dome<br />

Miami Beach Botanical<br />

Garden, 2000 Convention<br />

Center Drive, Miami Beach<br />

www.fondation.cartier.com<br />

David Lynch: Diamonds,<br />

Gold and Dreams<br />

Until 7 December<br />

Center For Visual<br />

Communication<br />

541 NW 27th Street, Miami<br />

www.visual.org<br />

Rauschenberg in Series:<br />

a 30-Year Retrospective<br />

1978-2008<br />

Until 31 January<br />

Cisneros Fontanals<br />

<strong>Art</strong> Foundation<br />

1018 North Miami Avenue,<br />

Miami<br />

www.cifo.org<br />

<strong>The</strong> Prisoner’s Dilemma:<br />

Selections from the Ella<br />

Fontanals-Cisneros<br />

Collection<br />

Until 1 March<br />

Freedom Tower<br />

600 Biscayne Boulevard,<br />

Miami<br />

Fondazione Ambrosiana:<br />

Leonardo Da Vinci,<br />

Tiziano Vecellio, Albrecht<br />

Dürer and Giovanni<br />

Ambrogio De Predis<br />

Until 17 December<br />

Frost <strong>Art</strong> Museum<br />

Florida International<br />

University, SW 107 Avenue<br />

& Eighth Street, Miami<br />

http://thefrost.fiu.edu<br />

Modern Masters<br />

from the Smithsonian<br />

WWW.THEARTNEWSPAPER.TV<br />

American <strong>Art</strong> Museum<br />

Until 1 March<br />

Simulacra and Essence:<br />

the Paintings of Luisa<br />

Basnuevo<br />

Until 4 April<br />

Florencio Gelabert:<br />

Intersections<br />

Until 28 February<br />

John Henry: Drawing in<br />

Space, the Peninsula<br />

Project Illustrated<br />

Until 9 March<br />

Locust Projects<br />

105 NW 23rd Street, Miami<br />

www.locustprojects.org<br />

Inevitable Continuum: 10<br />

Years of Locust Projects,<br />

curated by Gean Moreno<br />

and Claire Breukel<br />

Until 31 December<br />

Lowe <strong>Art</strong> Museum<br />

University of Miami,<br />

1301 Stanford Drive, Miami<br />

www.miami.edu/lowe<br />

Charles Biederman:<br />

an American Idealist<br />

Until 18 January<br />

Margulies Collection<br />

at the Warehouse<br />

591 NW 27th Street, Miami<br />

www.margulieswarehouse.com<br />

Magdalena Abakanowicz:<br />

Hurma 1994-95<br />

Until 25 April<br />

Isaac Julien: Western<br />

Union, Small Boats, 2007<br />

Until 25 April<br />

Oil Rich Niger Delta<br />

by George Osodi<br />

Until 25 April<br />

Photography<br />

and Sculpture:<br />

a Correlated Exhibition<br />

Until 25 April<br />

Miami <strong>Art</strong> Museum<br />

101 West Flagler Street,<br />

Miami<br />

www.miamiartmuseum.org<br />

MAC@MAM Presents<br />

Chantal Akerman: Moving<br />

Through Time and Space<br />

Until 25 January<br />

Yinka Shonibare, MBE:<br />

a Flying Machine for Every<br />

Man, Woman and Child<br />

Until 18 January<br />

Objects of Value<br />

Until 21 February<br />

Museum of<br />

Contemporary <strong>Art</strong><br />

770 NE 125th Street, Miami<br />

www.mocanomi.org<br />

Anri Sala: Purchase<br />

Not by Moonlight<br />

Until 21 March<br />

Moca at Goldman<br />

Warehouse<br />

404 NW 26th Street, Miami<br />

www.mocanomi.org<br />

<strong>The</strong> Possibility<br />

of an Island<br />

4 December-21 March<br />

Rubell Family<br />

Collection<br />

95 NW 29th Street, Miami<br />

www.rubellfamilycollection.com<br />

30 Americans<br />

Until 30 May<br />

Sagamore <strong>Art</strong> Hotel<br />

Sagamore Video Garden,<br />

South Beach<br />

between Lincoln Road<br />

and 17th Street<br />

www.sagamorehotel.com<br />

• <strong>The</strong> new online channel for the art world, bringing you interviews with collectors,curators, dealers and artists, and reportage from the art market.<br />

• <strong>Art</strong> world intelligence – broadcast direct to your desktop.<br />

Screening interviews with key art figures including Frieze directors, Amanda Sharp and Matthew Slotover; dealers Max Wigram, Nicholas Logsdail and Daniella<br />

Luxembourg; and Italian, Geneva-based collector of contemporary African art Jean Pigozzi; as well as artists, Jonathan Yeo and Jason Martin.<br />

“We have always insisted on going to primary sources for our stories in the print edition and the online channel will maintain these standards. First-hand comment<br />

from experts in their respective fields will be the hallmark of our interviews"<br />

Anna Somers Cocks, founder of <strong>The</strong> <strong>Art</strong> <strong>Newspaper</strong><br />

<strong>Art</strong> world intelligence via web TV!<br />

Olaf Breuning<br />

Until 7 December<br />

Spanish<br />

Cultural Center<br />

800 Douglas Road, Suite<br />

170, Coral Gables<br />

www.ccemiami.org<br />

¡Mujeres al Proyecto!<br />

Spanish Designers<br />

for the Habitat:<br />

<strong>Art</strong> and Industrial Design<br />

Until 18 December<br />

<strong>The</strong> Station<br />

Midblock East, 3250 NE<br />

1st Avenue/Midtown<br />

Boulevard, Miami<br />

www.thestationmiami.org<br />

<strong>The</strong> Station 2008<br />

Until 7 December<br />

Wolfsonian<br />

Florida International<br />

University, 1001<br />

Washington Avenue,<br />

Miami Beach<br />

www.wolfsonian.fiu.edu<br />

Democrazy:<br />

an Installation<br />

by Francesco Vezzoli<br />

Until 7 December<br />

Thoughts on Democracy<br />

Until 7 December<br />

American Streamlined<br />

Design: the World<br />

of Tomorrow<br />

Until 17 May<br />

World Class Boxing<br />

170 NW 23rd Street, Miami<br />

www.worldclassboxing.org<br />

Carla Klein:<br />

Untitled 2005-08<br />

Until January<br />

Zoe Strauss:<br />

Works in Progress<br />

Until January<br />

Commercial<br />

Abba Fine <strong>Art</strong><br />

233 NW 36th Street,<br />

Wynwood, Miami<br />

www.abbafineart.com<br />

Fusion: Group Show<br />

Until 8 January<br />

Adamar Fine <strong>Art</strong><br />

4141 NE 2nd Avenue,<br />

Suite 107, Miami<br />

www.popnart.com<br />

Andy Warhol, <strong>The</strong>n and<br />

Now: Works by Andy<br />

Warhol, Photographs by<br />

William John Kennedy<br />

Until 3 January<br />

Alejandra von Hartz<br />

Gallery<br />

2630 NW 2nd Avenue,<br />

Miami<br />

Pablo Siquier<br />

Until 31 January<br />

Al Sabah <strong>Art</strong><br />

& Design Collection<br />

NE 39th Street<br />

and 1st Court,<br />

Miami Design District<br />

www.alsabahcollection.com<br />

Al Sabah Collection<br />

Dubai Gallery Preview<br />

Until 7 December<br />

Altreforme<br />

4141 Building, 4141 NE 2nd<br />

Avenue, Design District<br />

www.altreforme.com<br />

Launch of Altreforme and<br />

Aziz Sariyer Collection<br />

Until 6 December

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