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LITERATURE ............................. AL Kennedy ‘I’m more a realist than a pessimist’ A certain reputation precedes AL Kennedy. She is a formidable writer, of course, an award winner for many of her novels and short stories. She has been selected three times as a Granta Young British Novelist. The words most often used to describe her writing are ‘bleak’ or ‘grim’. As The Independent once noted: “She knows grimness the way some novelists know music or food.” In occasional interviews (apparently she is not a fan of journalists) she comes across as intense; serious; terse. Our email exchange doesn’t exactly contradict this picture. But the Scottish author seems a little weary of this caricature. “Reviewers read reviews, so initial judgments will repeat,” she writes in response to a question about the darkness of her material. I can almost hear her sigh. “I’ve been asked that question for around 30 years now, for example. Generally readers report the work as funny and/or moving, which I’m happy about. I’m more a realist than a pessimist.” Similarly, she brushes away the idea she is especially interested in writing about people whose lives have been overlooked - characters such as the troubled WW1 airman Alfred Day in her 2007 Costa Book Award-winning Day. “I’m drawn to people. Most people have lives like that.” She wishes interviewers would ask her instead about topics such as “voice, joy, and passion”. “I almost never get asked about them,” she comments, bringing to mind a Goth sad not to have been invited to a barbecue. But it must be annoying to be painted as an arch-miserablist when one’s work is as complex as Kennedy’s. In a recent interview with The Guardian she described London, which she recently made her home, as being ‘not so much a city as an investment opportunity’. But she also talked about the many touching incidents she had witnessed between people there, and had woven into her latest novel, Serious Sweet. Then there is her apparently unlikely sideline in stand-up comedy, a genre she sees as ‘just another form of storytelling’. “You can talk about today’s news to today’s people, not write something and see it in a book two years later. And if it bombed, that’s gone and if it was great, that’s gone. You move on.” Writers and comics have more in common than it may seem, she adds. “Generally there’s more vulnerability amongst comics and very good conversations about books, simply based on love. But the worlds are not dissimilar.” We move on to her forthcoming appearance at an event celebrating 20 years of Mslexia magazine at Charleston’s Small Wonder short story festival. She’s as surprised as I am by the mention of ‘women writers’ in the event blurb. Perhaps, she suggests, it’s because Mslexia was set up to promote writing by women. Either that or it’s ‘the Edwardian air down at Charleston.’ I’m only a little bit surprised to see the comment followed by a smiling emoji. Nione Meakin The Literary Monologue: Celebrating 20 Years of Mslexia, 28th <strong>September</strong>, part of Charleston’s Small Wonder short story festival, 28th-30th <strong>September</strong>. Photo by Donna Lisa Healey ....47....