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Welsh Country March-April 2017

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The P arson &<br />

The P ublican<br />

THE PARSON<br />

As the old Transport of Delight pulls up the Old Licensed<br />

Victualler (OLV) is ambling down the drive. With his tweed cap<br />

pulled down, tweed jacket turned up, thick beige corduroys and<br />

stout brogues, he is a symphony of hedgerow shades. Thankfully he<br />

stands out against the light dusting of snow or else we might never see him.<br />

Once he’s aboard and all his tracklements stowed away (camera, snuff,<br />

walking stick, glasses) we are off across country to Old Radnor.<br />

St Stephan’s is perched on the side of a hill commanding spectacular<br />

views and presents an air of well established permanence, as though it has<br />

grown from the rock on which it sits. Large windows betoken a well lit<br />

interior whilst a solid battlemented tower promises a safe refuge in this<br />

wild border land.<br />

As we walk up the path I explain to the OLV that this is<br />

largely a rebuild of the 15th and early 16th century following<br />

its destruction at the hands of Owain Glyndwr who burnt the<br />

previous church down.<br />

“At least it would have been warm in there then.” he mutters.<br />

He has a fixed idea that all churches are perishing cold. I am<br />

equally convinced that this is just an excuse to get into a warm<br />

pub as soon as possible.<br />

Our first impression on stepping into St Stephan’s is,<br />

however, not of the temperature but rather of the space and<br />

the play of light in it.<br />

The richly decorated timbers of the roof bounce the light<br />

from the large traceried windows back into the body of the<br />

church where it plays around the tall columns of the arcades<br />

that separates the side aisles from the nave before it is fretted<br />

into delicate patterns on the tiles by the wonderful rood<br />

screen that runs the width of the church.<br />

At first this screen seems to be an artful Victorian<br />

creation having the colour of dark honey rather than the<br />

light silver of other mediaeval screens but this is the result<br />

of restoration. The thing itself is wonderful original carved<br />

with tiers of vines and leaves with bunches of grapes bearing<br />

a strong resemblance to corn cobs!<br />

Treasures abound here. Through a parclose screen can<br />

be found reminders of past glories; a 15th century depiction<br />

of St Catherine in stained glass, a mediaeval vestment chest<br />

and 18th century depictions of Moses and Aaron which<br />

once hung either side of the high altar. This area, once the<br />

north chapel, is now a vestry tucked behind the organ but<br />

what an organ. Or rather what an organ case.<br />

The church is a remarkable building to find in so isolated<br />

a spot but the organ case would be an incredible survival<br />

where ever it were found. It dates from just before the<br />

Reformation and is one of very few such survivals in the<br />

country. How such an instrument came to be here puzzles<br />

experts but that it is still here today is probably largely down<br />

to its isolation.<br />

The south chapel is a sun drenched space given over<br />

to the memorials of the Lewis family. As my chum stands<br />

to admire the fulsome praise heaped upon the deceased I<br />

notice he is soaking up the warmth of the sun. It is time to<br />

get him near a fire before he starts to moan again about cold<br />

churches.<br />

48 Mar-Apr 17

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