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Aziz Art October 2018

History of art(west and Iranian)-contemporary art

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Felice Varini born in Locarno in<br />

1952 is a Paris-based, Swiss artist<br />

who was nominated for the<br />

2000/2001 Marcel Duchamp Prize.<br />

Mostly known for his geometric<br />

perspective-localized paintings in<br />

rooms and other spaces, using<br />

projector-stencil techniques,<br />

according to mathematics<br />

professor and art critic<br />

Joël Koskas,<br />

"A work of Varini is an anti-Mona<br />

Lisa." Felice paints on<br />

architectural and urban spaces,<br />

such as buildings, walls and streets.<br />

The paintings are characterized by<br />

one vantage point from which the<br />

viewer can see the complete<br />

painting (usually a simple<br />

geometric shape such as circle,<br />

square, line), while from other view<br />

points the viewer will see ‘broken’<br />

fragmented shapes. Varini argues<br />

that the work exists as a whole -<br />

with its complete shape as well as<br />

the fragments. “My concern,” he<br />

says “is what happens outside the<br />

vantage point of view.”<br />

Carcassonne<br />

Felice Varini, project "Concentric,<br />

eccentric" with concentric yellow<br />

circles, at Carcassonne for the 7th<br />

"IN SITU, Heritage and<br />

contemporary art" event in May<br />

<strong>2018</strong> to celebrate the 20th<br />

anniversary of the inscription on<br />

the World Heritage List of UNESCO<br />

In May <strong>2018</strong>, Varini's project<br />

"Concentric, eccentric" saw large<br />

yellow concentric circles mounted<br />

on the monument at Carcassonne<br />

as part of the 7th edition of "IN<br />

SITU, Heritage and contemporary<br />

art", a summer event in the<br />

Occitanie / Pyrenees-<br />

Mediterranean region focusing on<br />

the relationship between modern<br />

art and architectural heritage. This<br />

monumental work is to celebrate<br />

the 20th anniversary of<br />

Carcassonne's inscription on the<br />

World Heritage List of UNESCO.<br />

Exceptional in its size and its<br />

visibility and use of architectural<br />

space, the exhibit extends on the<br />

western front of the fortifications<br />

of the City. The work can only be<br />

fully perceived in front of the Porte<br />

d'Aude at the pedestrian route<br />

from the Bastide.<br />

10

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