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BCJ_SUMMER17 Digital Edition

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END OF THE LINE<br />

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IMMIGRANT SONG<br />

Riley and I howl along with Robert Plant as we roll over a cattle-guarded highway off-ramp near where Montana turns into Wyoming.<br />

We come from the land of the ice and snow<br />

Fly rods rattle in their bungee sling along the ceiling. We’ve been driving for five hours and the excitement is near fever pitch.<br />

My Lab, Moose, crawls up from the back seat to see what’s going on.<br />

From the midnight sun, where the hot springs flow.<br />

We weave through a ghost town, over another cattle guard, and the road turns to dirt. The driver of a flatbed pickup headed the other<br />

direction nods and raises one finger off his steering wheel.<br />

The hammer of the Gods will drive our ships to new lands<br />

This is the type of place you speak of only in pseudonym, share photos sparingly and occasionally misdirect.<br />

Some places can handle only so much love.<br />

To fight the hordes,<br />

I step on the gas as white mountains break above crinkled foothills, Led Zeppelin at full volume.<br />

Singing and crying:<br />

Twenty eight miles of ruts and washboards lie between us and a willow-lined, meadow creek home to forearm-sized cutthroat trout.<br />

Valhalla, I am coming.<br />

-Sam Lungren, editor<br />

62 | BACKCOUNTRY JOURNAL SUMMER 2017<br />

LEUPOLD | AMERICAN TO THE CORE<br />

SUMMER 2017 BACKCOUNTRY JOURNAL | 63

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