Volume 24 Issue 3 - November 2018
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
Reluctant arranger! National Ballet Orchestra percussionist Kris Maddigan on creating the JUNO and BAFTA award-winning smash hit Cuphead video game soundtrack; Evergreen by name and by nature, quintessentially Canadian gamelan (Andrew Timar explains); violinist Angèle Dubeau on 20 years and 60 million streams; two children’s choirs where this month remembrance and living history must intersect. And much more, online in our kiosk now, and on the street commencing Thursday November 1.
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<strong>24</strong>03_NovCover.indd 1<br />
PRICELESS<br />
Vol <strong>24</strong> No 3<br />
<strong>2018</strong>-10-25 2:09 PM<br />
<strong>Volume</strong> <strong>24</strong> No 3 | <strong>November</strong> <strong>2018</strong><br />
Fauré | Duruflé<br />
REQUIEM<br />
ON OUR COVER<br />
NOVEMBER <strong>2018</strong><br />
CONCERT LISTINGS<br />
FEATURES | REVIEWS<br />
COVER STORY<br />
ON THE RECORD REAR VIEW MIRROR<br />
Behind the Screen La Pietà at 20 Wagner Revisited<br />
Cuphead’s Musical Angèle Dubeau In the Age<br />
Mastermind<br />
In Conversation Of #MeToo<br />
Kris Maddigan<br />
PHOTO: SAMANTHA HURLEY/<br />
@LIGHTLEAKSIN<br />
FEATURES<br />
This was taken late last summer, a few weeks prior to the<br />
release of Cuphead. The photographer, Samantha Hurley, is<br />
an old friend of mine, and she’s great. I had seen somewhere<br />
these very cool, very casual black and white photos of Sam<br />
Shepard, so that was the idea I brought to the shoot... and<br />
we landed somewhere else entirely. I also find something innately<br />
humorous about obviously posed, completely impractical<br />
“at work” shots. If anything, I learned that I’m no Sam<br />
Shepard. Incidentally, the two scores I brought to the shoot<br />
are my favourite tune in Cuphead and my least favorite, but I<br />
won’t say which those are.<br />
— Kris Maddigan<br />
ACD2 2779<br />
Julie Boulianne mezzo-soprano<br />
Philippe Sly baritone<br />
Les Petits chanteurs du Mont-Royal<br />
Choir of the Church<br />
of St. Andrew and St. Paul<br />
Jean-Sébastien Vallée direction<br />
7 OPENER | Harmonics,<br />
Artificial and Accidental |<br />
DAVID PERLMAN<br />
8 FEATURE| Kris Maddigan:<br />
Cuphead’s Musical<br />
Mastermind | CATHY RICHES<br />
12 IN CONVERSATION |<br />
La Pietà at 20 – Angèle<br />
Dubeau | PAUL ENNIS<br />
14 FEATURE | Evergreen Club<br />
Contemporary Gamelan:<br />
What Canadian Music<br />
Sounds Like | ANDREW TIMAR<br />
15 FEATURE | Choral<br />
Crossroads: Canadian<br />
and Latvian Composers<br />
on Display in <strong>November</strong> |<br />
DAVID JAEGER<br />
66 WE ARE ALL MUSIC’S<br />
CHILDEN | December’s<br />
Child | MJ BUELL<br />
86 REARVIEW MIRROR |<br />
Wagner in the Age of<br />
#MeToo | ROBERT HARRIS<br />
ACD2 2788<br />
JUST RELEASED!<br />
For Those Who<br />
Died Trying<br />
Mivos Quartet<br />
AVAILABLE FROM<br />
NOVEMBER 16!<br />
14<br />
G R I G O R I A N . C O M
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