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Issue 95 / Dec18/Jan19

Dec 2018/Jan 2019 double issue of Bido Lito! magazine. Featuring: CHELCEE GRIMES, REMY JUDE ENSEMBLE, AN ODE TO L8, BRAD STANK, KIARA MOHAMED, MOLLY BURCH, THE CORAL, PORTICO QUARTET, JACK WHITE and much more.

Dec 2018/Jan 2019 double issue of Bido Lito! magazine. Featuring: CHELCEE GRIMES, REMY JUDE ENSEMBLE, AN ODE TO L8, BRAD STANK, KIARA MOHAMED, MOLLY BURCH, THE CORAL, PORTICO QUARTET, JACK WHITE and much more.

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Day Mattar<br />

Today<br />

i’m good // rape’s the chair leg<br />

i’ve not swung me foot into // sat at the table<br />

wrapped birthday presents in front of the window<br />

made coffee for me flatmates parents // ran 4k in the rain<br />

and didn’t think about it // i sang in the shower<br />

and didn’t think about it // it’s the leg of a chair i’m not<br />

gonna break over me own back today // i ate one of them<br />

donuts with cream in the middle // and thought about it<br />

and scoffed it all anyway // rape is the chair leg<br />

i played footsie with writing this poem // pushed<br />

back under the table when i was done<br />

Esme Davine<br />

I like TV<br />

I like TV<br />

I like TV<br />

I like TV<br />

I like t.v.<br />

I like TV<br />

I like TV<br />

I like tv<br />

Lyin’ on the couch drinking Lucozade<br />

And all of my troubles seem far away<br />

My eyeballs feel like raspberry jelly<br />

Guess I’ll just watch Tom and Jerry<br />

I like TV<br />

I like TV<br />

I like TV<br />

I like TV<br />

I like t.v.<br />

I like TV<br />

I like TV<br />

I like tv<br />

Stretch me out like Michael television<br />

I don’t wanna break out it’s my favourite prison<br />

My eyeballs feel like strawberry jelly<br />

But I wanna watch the fuckin’ telly<br />

@niloo0151<br />

Local 2<br />

Look we’re not cold as we rub our hands in Chinese<br />

chippies and Pound Pubs and Poundlands and racist<br />

taxis and smoking areas of wine bars named after racist<br />

dads with creaky floorboards and incomprehensible<br />

chalkboards with scrawled, never-changing menus<br />

where we go to whet our weather-beaten eccentricities.<br />

The potholes stay open and so do we, huddling in the<br />

spaces missed by Google Maps, clusters of sleepy racist<br />

sub-towns which we hate, embroiled in the ecstasies of<br />

small-time hatred in reoccurring hairstyles and reoccurring<br />

outfits but the boys won’t admit it the rules dissolve if<br />

they’re spoken here so we just follow them and we won’t<br />

admit to a thing, we’d have to spit them away as a matter<br />

of integrity. Do birds ask the way of each other? This flock<br />

formed with the silent accord of blood, we organise on<br />

instinct only, glancing across at the others under streetlamps<br />

with their correct shades of blonde and heels so tall<br />

they’ll make your back bleed but not ours with our pinched<br />

faces, and we don’t even need to concentrate, we’ll pierce<br />

you good with the silent cruelty of iron-clad trends and<br />

we’re still not cold. We’re traditionalists, I suppose and<br />

you’ll apologise for a moment for your brown face and<br />

wire-hair and the soft hair on your knuckles and the<br />

kindness of your mother and your curfew. But many years<br />

getting taxis through streets named for the evil, to some<br />

sordid party where others kiss, always turned away from<br />

you until the noise of our nonsense sickens me, and the<br />

taxi driver says, “No, I meant originally” and you explain<br />

again, and again, there, later – many years of that and I tell<br />

you what, I love you, Liverpool, but you sure don’t love me.<br />

ARTISTIC FEATURE LICENCE<br />

61

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