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Hey Music Mag - Issue 3 - December 2018

Hey you! Feast your eyes on the December issue of Hey Mag. It’s crammed with music news and features from around the world. British singer-songwriter Jess Glynne reveals the truth about fame, Icelandic neo classical genius Olafur Arnalds exudes glacial cool, UAE-based band The Boxtones return to their rock roots, and we get spaced out with Japanese hip-hop producer Shin-Ski. Discover five emerging Chicago acts you need on your radar and how to bag your band a gig. And don’t miss our gift guide for music junkies – full of great present ideas for the audiophile in your life. Get stuck in!

Hey you!

Feast your eyes on the December issue of Hey Mag.

It’s crammed with music news and features from around the world.

British singer-songwriter Jess Glynne reveals the truth about fame, Icelandic neo classical genius Olafur Arnalds exudes glacial cool, UAE-based band The Boxtones return to their rock roots, and we get spaced out with Japanese hip-hop producer Shin-Ski. Discover five emerging Chicago acts you need on your radar and how to bag your band a gig.

And don’t miss our gift guide for music junkies – full of great present ideas for the audiophile in your life.

Get stuck in!

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FEATURE ALBUMS OF THE YEAR<br />

Bill Ryder-Jones<br />

Yawn (Domino)<br />

At 35-years old, Bill Ryder-Jones has already been in the music business for 22 years, having<br />

started out as co-founder and lead guitarist for The Coral. His career as a solo artist began in<br />

2011 with the cinematic masterpiece If… and on his fourth album Yawn, he continues to mine<br />

a seam of deep emotional honesty.<br />

Ryder-Jones distinguishes himself from so many of his peers with his complex melodies<br />

and brave artistic approach. “I can never write the stock little song that isn’t personal<br />

because I think people will feel short-changed,” he says, and so the album is soul-bearing,<br />

and all the more exceptional for it.<br />

The sense of world weariness in his whispery delivery<br />

is counterbalanced by the rousing wall of sound guitars<br />

and the stirring cello, through which the light gets in and<br />

elevates the album.<br />

Yawn is the sound of one of the UK’s finest musicians<br />

honing in on where it hurts and why, recognising and<br />

accepting the enigma of the mind, taking stock of his<br />

journey thus far, and creating something that will resonate<br />

with and uplift the listener. Nick Rice, Contributor<br />

Father John Misty<br />

God’s Favourite Customer<br />

(Sub Pop/Bella Union)<br />

Where does sincerity end and sardonicism<br />

begin in the world of Father John Misty?<br />

Critics are often perplexed by the<br />

unapologetic playfulness of Josh Tillman’s<br />

musical alter ego. But, in truth, it’s a moot<br />

point. For Tillman’s playful preacher they are<br />

one and the same thing. And nowhere is this<br />

more apparent than on Father John’s fourth<br />

album, God’s Favourite Customer.<br />

Caustic confessionals and outré observations are the hallmark here. So that means<br />

the dark humour of “pointless benders with reptilian strangers” on Please Don’t Die is<br />

balanced by the opening “Sun is rising” on first track Hangout at the Gallows.<br />

<strong>Music</strong>ally, God’s Favourite Customer is another winning mix of the hard-fought<br />

melancholy of ’70s singer-songwriters such as Randy<br />

Newman and Harry Nilsson and the showbiz razzmatazz<br />

of Elton John. In an age of bewildering uncertainty<br />

characterised by the death throes of consensual politics,<br />

Father John’s sonic adventures are the perfect panacea.<br />

You don’t have to believe him or even trust him, just enjoy<br />

the ride. Jim Butler, Contributor<br />

38 DECEMBER <strong>2018</strong>

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